Syracuse ), Theocritus (ofBiblio.com
340 résultats
1286697964.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1286505542.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1286610338.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1286425301.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1895100098430Bibliothèque Charpentier 1895. Bon état couverture défraîchie tranche ternie intérieur propre jauni. in12. 1895. Relié. Bibliothèque Charpentier unknown
1017064504.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1871987Y2Lipsiae; Oxonii : Ottonis Holtze; Apud Parker et Socios 1871-1890. Vellum. Very Good. 5.5" by 4". None. Four vellum-bound volumes of classical literature being the editions of German scholars Johann Stallbaum and Christian Hermann Weisse. A charming set comprising four pocket volumes containing the works of Plato Homer Aeschylus and Theocritus. Uniformly bound in full vellum with morocco spine labels.Works are in Greek with titles and accompanying critical notes in Latin. Comprising the following:Platonis Opera Omnia ad Fiem Optimorum Librorum Denu Recognovit et una cum Scholis Graecis Tomus VII 1871 - New Tauchnitz stereotype edition new impression. Edited with amendments by Johann Gottfried Stallbaum a German classical scholar. Includes Timaeus Timaei Locri Lib. De Anima Mundi. Critias Parmenides. Symposion.Aeschyli Tragoediae. ad Praestantium Librorum Fidem Recensuit et Animadversiones Criticas 1877 - New Tauchnitz stereotype edition new impression. With critical notes by Christian Hermann Weisse a German Protestant religious philosopher and professor at the University of Leipzig. Very scarce.Homeri Odyssea 1889 - No editor stated. Editor's note stating this edition follows the text of Immanuel Bekker Berol. 8vo. 1843.Theocriti Bionis et Moschi Idyllia. Ad Optimorum Librorum Fidem Recensuit Notasque Criticas Adiecit 1890 - New Tauchnitz stereotype edition new impression. With critical notes by Weisse. Very scarce. Uniformly bound in full vellum with morocco spine labels. Externally with speckling and a few spots to the vellum. With discolouration to the spines. Internally very firmly bound. Pages are bright and generally clean with spots to the endpapers. Very Good Ottonis Holtze; Apud Parker et Socios hardcover
1628104518Parisiis Paris : Joannem Libert 1628. 175x110mm. 4 191 431 268 pages dition bilingue: latin - grec ancien reliure parchemin de lÕpoque titre manuscrit au dos. Intrieur propre. Brunet 3 142: ÒVolume peu communÓ. 585 Joannem Libert unknown
1950GB00KUETDMMI5N01Cambridge University Press 1950. Hardcover. Acceptable. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Cambridge University Press hardcover
186170184Paris: Poulet Malassis & De Broise 1861. Fine. Poulet Malassis & De Broise Paris 1861 12.50 x 19.50 cm relié First edition of the French translation established by Leconte de Lisle. Half red shagreen binding spine with five raised bands decorated with gilt and blind fillets traces of rubbing to joints and edges small angular lack to head original wrappers preserved. Some occasional minor foxing. Poulet Malassis & De Broise hardcover
1946107176Lausanne - Paris : Editions Bibliophile - Union Latine dÕEditions 1946 - 1947. 260x220mm. brochÂŽ. couverture rempliÂŽe. Pepier cristal dÕorigine conservÂŽ. Sous emboitage - imitation de reliure chagrin. Pour les 4 volumes dÕArtistophane: cet ouvrage a ÂŽtÂŽ ÂŽditÂŽ sous la direction artistique de Maurice Robert pour lÕUnion Latine dÕEditions ˆ Paris. Il a ÂŽtÂŽ achevÂŽ dÕimprimer le vingt-cinq septembre mil neuf cent quarante-sept sur les presses des Imprimerie RÂŽunis S. A. ˆ Lausanne. Les dessins de Charles ClÂŽment ont ÂŽtÂŽ reproduit en fac-similÂŽ par Hourdebaigt ˆ Paris. Il a ÂŽtÂŽ tirÂŽ de cette ouvrage cinq mille exemplaires sur vilÂŽn chiffon de Renage tous numÂŽrotÂŽs trÂs bel exemplaire numÂŽrotÂŽ n.¡ 1188 / 5000. Pour le volume de ThÂŽocrite: cet ouvrage a ÂŽtÂŽ ÂŽditÂŽ sous la direction artistique de Maurice Robert pour les Editions du Bibliophile ˆ Lausanne. Il a ÂŽtÂŽ achevÂŽ dÔimprimer le 1er juin 1946 sur les presses des Imprimerie RÂŽunis S. A. ˆ Lausanne les dessins de Charles ClÂŽment ayant ÂŽtÂŽ reproduit par les ÂŽtablissements Haefeli ˆ la Chaux-de-Fonds. Il a ÂŽtÂŽ tirÂŽ de cette ouvrage 1600 exemplaires exemplaire sur papier vÂŽlin numÂŽrotÂŽ n.¡ 720 / 1600. 6900 Editions Bibliophile - Union Latine dÕEditions unknown
18895799London: Macmillan and Co. 1889. LARGE-PAPER EDITION ONE OF 250 COPIES 8vo pp. xlii 210. Original limp vellum fore-edge extensions spine lettered in gilt two green silk cords exposed on each board near the spine. Endpapers lightly spotted. Some spotting to vellum rear joint with a small split near head. First published in 1880 this is the second edition of Andrew Lang’s translations of the Greek bucolic poets in its limited large-paper issue and in the special publisher’s vellum binding normally seen in blue cloth. Macmillan and Co. hardcover
192915319London: Fanfrolico Press 1929. No. 421 of 500 copies. Translated by Jack Lindsay with Woodcuts by Lionel Ellis. Introduction by Edward Hutton. 1 vols. 4to. Full green parchment with device of goatherd & goat gilt on upper cover. Spine and edges of covers faded. Ellis Lionel. No. 421 of 500 copies. Translated by Jack Lindsay with Woodcuts by Lionel Ellis. Introduction by Edward Hutton. 1 vols. 4to. Ridler 4. Ridler 4 <br/><br/> Fanfrolico Press unknown
1929223815London: Fanfrolico Press 1929. Unnumberred copy of 500. Translated by Jack Lindsay with Woodcuts by Lionel Ellis. Introduction by Edward Hutton. 163. Printed at the Westminster Press. 1 vols. 4to. Full green parchment with device of goatherd & goat gilt on upper cover. Spine and edges of covers faded as usual else fine. Ellis Lionel. Unnumberred copy of 500. Translated by Jack Lindsay with Woodcuts by Lionel Ellis. Introduction by Edward Hutton. 163. Printed at the Westminster Press. 1 vols. 4to. Inscribed on flyleaf from Edward Hutton who wrote the introduction to Reggie Turner "For Reggie/ with love/ from his old friend. E.H/ Nov. 1929." Ridler 4 Fanfrolico Press unknown
1896ST16988Paris: Édouard Pelletan 1896. No. 9 OF 25 COPIES from a total run of 350 WITH AN ORIGINAL WATERCOLOR by Georges Bellenger and two extra suites of illustrations signed by E. Froment. 295 x 228 mm. 11 5/8 x 9". 3 p.l. xi 4 16-41 9 pp. 1 leaf blank. French translation by André Bellessort. Prefaced by a letter from Anatole France. <br/> ELEGANT HONEY BROWN MOROCCO GILT BY LORTIC fils covers with Greek key frame central panel enclosed by interlocking frames of brown and gilt rules embellished with gilt volutes and flowers oblique palmette cornerpieces raised bands spine compartments with centerpiece formed by drawer-handle tools and palmettes gilt lettering wide turn-ins with palmette frame purple watered silk endleaves marbled paper flyleaves all edges gilt. Original paper wrappers bound in. Preserved in a calf-lined marbled paper slipcase. Text in two alternating decorative frames tailpiece at end and 12 illustrations three of them full-page by Georges Bellenger engraved by E. Froment this copy with two additional suites of the 15 engravings one on japon one on chine bound at rear and WITH AN ORIGINAL WATERCOLOR of two nymphs tormenting a faun SIGNED BY GEORGES BELLENGER. Parallel text in Greek and French on facing pages. Front flyleaf with engraved armorial bookplate. Carteret IV 377. ◆A couple of tiny dark spots to front board title page with three small spots of foxing but A VERY FINE COPY clean and fresh internally with generous margins the watercolor on bright stock and the binding unworn.<br/> <br/> From one of the leading publishers of luxury editions during what Ray calls "the golden age of bibliophiles" this is an excerpt from the "Idylls" of Theocritus in a binding from an esteemed Parisian workshop. Marcellin Lortic 1852-1928 was trained by his father Pierre 1822-92 one of the great binders of 19th century Paris; the firm was known for their superb interpretations of traditional styles. Flety notes that unlike his father Lortic fils handled all aspects of a binding himself as designer binder and gilder. He was an eccentric workaholic living alone in his workshop and devoting his life to his craft. According to Flety "his bindings appeared in numerous libraries of great collectors of his time" who showed their satisfaction and appreciation with persistent loyalty. Protective of his reputation--and also loathe to work with others--he refused to hire an apprentice/successor choosing instead to sell his equipment and tools when he was no longer able to work. <br /> <br /> Our text follows in the tradition of an ancient Greek poetic form comprising a conversation between two lovers often unsurprisingly with amorous content--in the present case seduction leading to marriage. The style was adopted by and enjoyed a vogue among Symbolist poets like Paul Verlaine in the 19th century. The illustrations--alive with nymphs fauns and other mythological creatures--are the work of Georges Bellenger 1847-1918. He exhibited landscapes and still life paintings in the Paris Salon but was best known for his lithographs. He received a commendation from the Société des Artistes Français in 1889. Édouard Pelletan unknown
