659 résultats
39515[Lausanne], André Gonin, 1942. In-4°, 157p. en feuilles sous jaquette imprimée, cartable à dos toilé, titré en rouge.
43421[Lausanne], André Gonin, 1942. In-4°, 157p. Reliure muette plein parchemin, avec un dessin original de Barraud au dos, couverture conservée.
194212697Lausanne, Editions d'Art André Gonin, 1942. Petit in-folio en feuilles de 154-[10] pages, couverture imprimée, sous chemise à attaches, titre au dos de la chemise.
11851Paris, Editions les Belles Lettres/Guillaume Budé, 1940. In-8 broché, XXXIV-228 pp. Bon exemplaire. Notez bien que cette édition bilingue comporte une double pagination (une par langue).
18895799London: Macmillan and Co. 1889. LARGE-PAPER EDITION ONE OF 250 COPIES 8vo pp. xlii 210. Original limp vellum fore-edge extensions spine lettered in gilt two green silk cords exposed on each board near the spine. Endpapers lightly spotted. Some spotting to vellum rear joint with a small split near head. First published in 1880 this is the second edition of Andrew Lang’s translations of the Greek bucolic poets in its limited large-paper issue and in the special publisher’s vellum binding normally seen in blue cloth. Macmillan and Co. hardcover
192915319London: Fanfrolico Press 1929. No. 421 of 500 copies. Translated by Jack Lindsay with Woodcuts by Lionel Ellis. Introduction by Edward Hutton. 1 vols. 4to. Full green parchment with device of goatherd & goat gilt on upper cover. Spine and edges of covers faded. Ellis Lionel. No. 421 of 500 copies. Translated by Jack Lindsay with Woodcuts by Lionel Ellis. Introduction by Edward Hutton. 1 vols. 4to. Ridler 4. Ridler 4 <br/><br/> Fanfrolico Press unknown
1929223815London: Fanfrolico Press 1929. Unnumberred copy of 500. Translated by Jack Lindsay with Woodcuts by Lionel Ellis. Introduction by Edward Hutton. 163. Printed at the Westminster Press. 1 vols. 4to. Full green parchment with device of goatherd & goat gilt on upper cover. Spine and edges of covers faded as usual else fine. Ellis Lionel. Unnumberred copy of 500. Translated by Jack Lindsay with Woodcuts by Lionel Ellis. Introduction by Edward Hutton. 163. Printed at the Westminster Press. 1 vols. 4to. Inscribed on flyleaf from Edward Hutton who wrote the introduction to Reggie Turner "For Reggie/ with love/ from his old friend. E.H/ Nov. 1929." Ridler 4 Fanfrolico Press unknown
1896ST16988Paris: Édouard Pelletan 1896. No. 9 OF 25 COPIES from a total run of 350 WITH AN ORIGINAL WATERCOLOR by Georges Bellenger and two extra suites of illustrations signed by E. Froment. 295 x 228 mm. 11 5/8 x 9". 3 p.l. xi 4 16-41 9 pp. 1 leaf blank. French translation by André Bellessort. Prefaced by a letter from Anatole France. <br/> ELEGANT HONEY BROWN MOROCCO GILT BY LORTIC fils covers with Greek key frame central panel enclosed by interlocking frames of brown and gilt rules embellished with gilt volutes and flowers oblique palmette cornerpieces raised bands spine compartments with centerpiece formed by drawer-handle tools and palmettes gilt lettering wide turn-ins with palmette frame purple watered silk endleaves marbled paper flyleaves all edges gilt. Original paper wrappers bound in. Preserved in a calf-lined marbled paper slipcase. Text in two alternating decorative frames tailpiece at end and 12 illustrations three of them full-page by Georges Bellenger engraved by E. Froment this copy with two additional suites of the 15 engravings one on japon one on chine bound at rear and WITH AN ORIGINAL WATERCOLOR of two nymphs tormenting a faun SIGNED BY GEORGES BELLENGER. Parallel text in Greek and French on facing pages. Front flyleaf with engraved armorial bookplate. Carteret IV 377. ◆A couple of tiny dark spots to front board title page with three small spots of foxing but A VERY FINE COPY clean and fresh internally with generous margins the watercolor on bright stock and the binding unworn.<br/> <br/> From one of the leading publishers of luxury editions during what Ray calls "the golden age of bibliophiles" this is an excerpt from the "Idylls" of Theocritus in a binding from an esteemed Parisian workshop. Marcellin Lortic 1852-1928 was trained by his father Pierre 1822-92 one of the great binders of 19th century Paris; the firm was known for their superb interpretations of traditional styles. Flety notes that unlike his father Lortic fils handled all aspects of a binding himself as designer binder and gilder. He was an eccentric workaholic living alone in his workshop and devoting his life to his craft. According to Flety "his bindings appeared in numerous libraries of great collectors of his time" who showed their satisfaction and appreciation with persistent loyalty. Protective of his reputation--and also loathe to work with others--he refused to hire an apprentice/successor choosing instead to sell his equipment and tools when he was no longer able to work. <br /> <br /> Our text follows in the tradition of an ancient Greek poetic form comprising a conversation between two lovers often unsurprisingly with amorous content--in the present case seduction leading to marriage. The style was adopted by and enjoyed a vogue among Symbolist poets like Paul Verlaine in the 19th century. The illustrations--alive with nymphs fauns and other mythological creatures--are the work of Georges Bellenger 1847-1918. He exhibited landscapes and still life paintings in the Paris Salon but was best known for his lithographs. He received a commendation from the Société des Artistes Français in 1889. Édouard Pelletan unknown
19432887# AUTEUR: Théocrite # ILLUSTRATEUR: Colin Paul-Emile # ÉDITEUR: Colin Paul-Emile - Bourg-la-Reine # ANNÉE ÉDITION: 1943 # ENVOI, BEAUX PAPIERS: Vélin des papeteries de Voiron # COUVERTURE: Souple illustrée à rabats - titre noir - en long au dos # DÉTAILS: In 8° raisin broché 133pp.+ 3ff. Traduction de Paul Desjardins, ouvrage décoré de Soixante-douze bois originaux de Paul-Emile Colin. N° 81 des 120 exemplaires sur Vélin de Voiron, d'un tirage total limité à 155 exemplaires # PHOTOS visibles sur www.latourinfernal.com
