659 résultats
1922298550United Kingdom: Duckworth & Co 1922. Book. Good. hardback. Signed by Illustrators. 1st Edition. hardback small folio 12" x 8 3/4" holland-backed boards decoration in sepia to the front cover and printed on hand-made paper in Cloister Old Style. Unicorn watermark to the pastedowns. Lightly rubbed to the extremities small ink splash mark to the head of the upper board. Browning to the free endpaper at both back and front the contents clean and unmarked and the binding remains tight. Published in an edition of 380 copies of which this example is numbered 69 and signed under by the artist. 57pp. Duckworth & Co Hardcover
1971198321New York: Clover Hill Editions 1971. Number 11 of 135 copies signed by the Artist. Hardcover. Good Slipcase is lightly edgeworn/scuffed/smudged; spine of slipcase is weakened by splitting; book boards are lightly edgeworn/scuffed/smudged primarily at the spine; textblock edges are lightly toned/foxed; interior is really clear and crisp; binding is solid; clamshell box is lightly edgeworn/scuffed/smudged; etchings are clean and bright. Gross Anthony. Light brown and reddish brown slipcase; one volume with dark brown leather and light brown cloth boards with gilt lettering and illustration; one clamshell box with brown leather and illustrated paper; xv 54 pp.; richly illustrated; 7 etchings. This is number 11 of 135 signed copies; clamshell box contains 7 etchings which include 6 full-page and one half-page. Clamshell appears to have one missing etching; Book contains 7 full-page and one half-page of etchings in bound text volume including the frontis. Clover Hill Editions hardcover
1971018862New York: Clover Hill Editions 1971. 1st Edition . Hardcover. Near Fine. Gross Anthony. Quarter maroon cloth over marbled boards. Fine in a fine cloth- and paper-covered board slipcase. This is the sixth of the Clover Hill editions of the Chilmark Press." No. 81 of 270 copies. 8 etchings by Anthony Gross. Extra shipping for overseas. <br/> <br/> Clover Hill Editions hardcover
1971211066New York: Clover Hill Editions. Chilmark Press 1971. Limited Edition. Hardcover. Like New. Number 31 of just 270 such copies. Original quarter brown buckram gilt lettered spine and marbled boards; pp. xviii 55 3 blanks; 8 intaglio etchings including 7 full-page by Anthony Gross. Complete with original slipcase. Firm and square no bumps strong joints. Contents crisp fresh and tight. Thus a very nice copy. Clover Hill Editions. Chilmark Press hardcover
1971019660Clover Hill Editions Chilmark Press 1971. Book. Fine. Hardcover. 1st Edition. Limited edition #130 of 270 numbered copies printed in Palatino on Barcham Green hand-made paper by Will & Sebastian Carter at the Rampant Lions Press. A beautiful copy in like slipcase. Clover Hill Editions, Chilmark Press Hardcover
1971071688London / New York: Clover Hill Editions / Chilmark Press 1971. 2 Volumes quarter brown leather and cloth gilt top edge gilt in clean bright condition slightly sunned on the spines housed in the matching slipcase number III from an edition of 135 complete with an additional set of the 8 etchings all signed by Gross in a custom built folder matching leather spine and marbled boards. Bearing the library bookplate of Sebastian and Penelope Carter. Signed By The Artist. Hardcover. Very Good. Illus. by Gross Anthony. Small Folio. Clover Hill Editions / Chilmark Press Hardcover
19713707New York: Clover Hill Editions and Chilmark Press 1971 1971. Limited edition. XXI of 135 copies numbered I-CXXXV signed by Anthony Gross and containing a set of signed prints in final state. 330x240mm. pp. xv 3 54 2. Illustrated with eight etchings by Anthony Gross. Designed and printed by Will and Sebastian Carter at the Rampant Lion's Press Cambridge. Brown quarter morocco beige cloth. Line drawing of a bull's head in gilt to upper cover spine lettered in gilt top edge gilt. Issued loose in a separate box is another signed set of these etchings. Box is brown quarter morocco with marbled paper. Both volumes are housed in a slipcase covered with brown paper and head and foot with brown buckram. The whole is in superb condition throughout. Loosely inserted is the Clover Hill Prospectus for The Story of Cupid and Psyche and a manuscript letter from Douglas Cleverdon to the previous owner of this copy of the Theocritus. Cleverdon established Clover Hill Editions with Will Carter. Before this he was a bookseller in Bristol and a producer for the BBC where he made programmes with Stevie Smith Ted Hughes Sylvia Plath and most famously Dylan Thomas producing the premier of Under Milk Wood. A beautiful copy of this 1971 reissue of the 1588 edition of Sixe Idillia printed in Oxford. Anthony Gross 1905-1984 was a painter and printmaker. He is "best known for his etchings which are characterised by dense decorative line and texture often achieved by the use of unconventional printmaking tools". V&A website. This style is perfectly suited to the heated and claustrophobic Arcadian world of Theocritus's Idylls with its tortured lovers wild animals and wilder monsters. New York: Clover Hill Editions and Chilmark Press 1971 hardcover
197184375Chilmark Press 1971-01-01. Hardcover. Like New. New York: Chilmark Press 1971. First edition thus. Quarter maroon cloth over marbled boards. Fine in a fine cloth and paper-covered board slipcase. xv 54 pp. "This is the sixth of the Clover Hill editions of the Chilmark Press." No. 113 of 270 copies. Reprint of the ed. printed at Oxford in 1588. oversized and overweight. Please email for photos. Chilmark Press, hardcover
197141936Chilmark Press Clover Hill Editions 1971. Hardcover. Like New. Clover Hill Chilmark Press New York Large 4to xv iii 54 vi pp. Original brown ¼ buckram with marbled boards printed on paper made by J. Barcham Green. Limited edition No. 127 of 270 copies. An as new copy in matching original slipcase Oversized and Overweight Please email for photos. Chilmark Press, Clover Hill Editions hardcover
1971261704New York: Designed and printed by Will and Sebastian Carter at the Rampant Lions Press for Clover Hill Editions Chilmark Press 1971. 107 of 270 copies total edition of 417. 8 etchings by Anthony Gross. 54 1 pp. 1 vols. 4to. Quarter crimson buckram and marbled boards. Fine in slipcase. Gross Anthony. 107 of 270 copies total edition of 417. 8 etchings by Anthony Gross. 54 1 pp. 1 vols. 4to. Designed and printed by Will and Sebastian Carter at the Rampant Lions Press, for Clover Hill Editions, Chilmark Press unknown
1971158321NY: Chilmark Press Clover Hill Editions 1971. Hardcover. #50 of edition of 270 4to Bound in quarter buckram and marbled boards with slipcase. Minor discoloration to spine else fine condition / slipcase lightly rubbed and beginning to separate at the back edge. Chilmark Press, Clover Hill Editions hardcover
1971261704New York: Designed and printed by Will and Sebastian Carter at the Rampant Lions Press for Clover Hill Editions Chilmark Press 1971. 107 of 270 copies total edition of 417. 8 etchings by Anthony Gross. 54 1 pp. 1 vols. 4to. Quarter crimson buckram and marbled boards. Fine in slipcase. Gross Anthony. 107 of 270 copies total edition of 417. 8 etchings by Anthony Gross. 54 1 pp. 1 vols. 4to. Designed and printed by Will and Sebastian Carter at the Rampant Lions Press, for Clover Hill Editions, Chilmark Press unknown books
1021062286.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
17604496Oxford: n. pr. 1760. 4to pp. 8 numbered 1 91-94 94 93 42. Stitched as issued sometime folded horizontally. Toned in places final page browned some spots and light soiling edges a little creased. ‘Thick’ in a small contemporary hand to top corner of first page. An unrecorded specimen for an unspecified edition of Theocritus but probably Warton’s highly regarded version issued in 1770 by the Clarendon Press. The cover title reads simply ‘Specimens of Theocritus’ but no other quarto edition of the author was published in Great Britain in the 18th century. The arrangement is unusual: the first page is the section title. The second prints the introduction and first ten lines of Idyll VI while the third page begins Idyll VI again but prints the first twelve lines this time without accents. The fourth page follows on from the text on the second now with a Latin translation at the foot in a single column. The fifth page starts Idyll VI again printing the first 12 lines without accents but omitting the scholiast’s introduction adding instead a Latin translation in two columns. The sixth page is just a Latin translation of the first thirty or so lines in one column and the seventh page contains scholia and the eighth variorum notes. Warton’s edition uses a layout similar to that on the third page here though in the published book Idyll VI appears on p. 31 and other details of typography vary; the type itself is similarly very close but with considerable variation in use of ligatures between the specimen and the published text. On the other hand Warton’s edition also does not include variorium notes and the text of the scholia there is significantly different to the specimen page. The crucial element is that Warton’s edition was notable for the absence of accents in its Greek text - testing whether such a change would work may make sense of the variations in this specimen and the variorum notes may have been cut along with portions of the scholia by the time the edition was in the press. Letters between Toup and Warton indicate that printing was underway as early as May 1768 so this specimen would likely predate that. [n. pr.] unknown
159703Amsterdam, J.C. Gieben, 1979.
174625127Glasguae Glasgow Glascow Glasgow: In aedibus academicis excudebant Robertus et Andreas Foulis 1746. Fine. In aedibus academicis excudebant Robertus et Andreas Foulis Glasguae Glasgow Glascow Glasgow 1746 9.50 x 16.50 cm relié Greek edition with Latin translation at foot of page. Fine printing. Contemporary full glazed calf binding. Decorated spine with raised bands. Red morocco title-label. Triple fillet frame on boards. Edges gilt. Head slightly worn. Corners slightly bumped. Good edition containing the translation by the famous Latinist Daniel Heinsius who held the chair of belles-lettres at Leiden. In aedibus academicis excudebant Robertus et Andreas Foulis hardcover
174625127In aedibus academicis excudebant Robertus et Andreas Foulis | Glasguae (Glascow) 1746 | 9.50 x 16.50 cm | relié
1780Embry 152997Dalla Stamperie Reale Bodoni Parma: 1780. Some chipping to edges of leather title labels overall near fine to fine internally bright and wide-margined. One-quarter vellum over marbled boards. 9.75 x 7.5 inches. Printed by Giambattista Bodoni during his time at the Stamperie Reale. Previous dealer notes this as a "large-paper" copy not confirmed. Dalla Stamperie Reale [Bodoni], Parma: 1780. hardcover books
1165779072.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
17176751Venice: Presso Bastian Coleti 1717. First edition in Italian. Full Calf. Good . 12mo. 188pp. lacking the 2 final blanks. Cont. mottled calf gilt decorated spine rubbed & label lacking. Minor worming at extremities of spine. Armorial bookplate of Earl de Grey Wrest Park on front pastedown. Presso Bastian Coleti unknown books
175411124Arrezo, Michele Bellotti, 1754. 195 g Petit in-8, plein vélin, xxviii-191 pp.. Vignette gravée sur le titre. La première édition est de Venise, 1717 mais cette seconde édition est plus estimée, elle comporte des annotations sur les quinze premières Idylles, rédigées par l?abbé Régnier-Desmarais. Gamba, Serie dei testi di lingua italiana, 2467. Petit accroc à la coiffe inférieure. . (Catégories : Poésie, Antiquité grecque, )
17925795Parme, Bodoni, 1792. 2 parties en 1 vol. in-8 de (4)-175-(1) pp. et (4)-190-(2) pp. 1 f. blanc, veau marbré, dos orné à nerfs, triple filet doré sur les plats, fleurons aux angles, pièces de titre en maroquin rouge et en maroquin noir, tranches dorées (reliure de l'époque).
192224013London: Medici Society 1922. First edition thus. Hardcover. First volume lacking front free endpaper moderate wear to covers wear to jackets. fading to jacket spines previous owner's small exlibris label to first leaf. 2 volumes quarto blue boards with natural linen spines illustrations by William Russell Flint <br/><br/>Limited edition of 500 copies this #255 Medici Society hardcover
192915319London: Fanfrolico Press 1929. No. 421 of 500 copies. Translated by Jack Lindsay with Woodcuts by Lionel Ellis. Introduction by Edward Hutton. 1 vols. 4to. Full green parchment with device of goatherd & goat gilt on upper cover. Spine and edges of covers faded. Ellis Lionel. No. 421 of 500 copies. Translated by Jack Lindsay with Woodcuts by Lionel Ellis. Introduction by Edward Hutton. 1 vols. 4to. Ridler 4. Ridler 4 <br/><br/> Fanfrolico Press unknown
1929223815London: Fanfrolico Press 1929. Unnumberred copy of 500. Translated by Jack Lindsay with Woodcuts by Lionel Ellis. Introduction by Edward Hutton. 163. Printed at the Westminster Press. 1 vols. 4to. Full green parchment with device of goatherd & goat gilt on upper cover. Spine and edges of covers faded as usual else fine. Ellis Lionel. Unnumberred copy of 500. Translated by Jack Lindsay with Woodcuts by Lionel Ellis. Introduction by Edward Hutton. 163. Printed at the Westminster Press. 1 vols. 4to. Inscribed on flyleaf from Edward Hutton who wrote the introduction to Reggie Turner "For Reggie/ with love/ from his old friend. E.H/ Nov. 1929." Ridler 4 Fanfrolico Press unknown
