VERCORSBiblio.com
93 résultats
195491840Paris: Albin Michel 1954. Fine. Albin Michel Paris 1954 12 x 18.5 cm Broché Definitive edition. Spine slightly sunned and a little cocked a few spots to the boards. Signed autograph inscription from Vercors to François Triboudeau. Albin Michel hardcover
19532111902158503128Shiromizu-sha 1953. Soft Cover. Fine. Number of pages: 299p. Size: 19cm Shiromizu-sha paperback
1972mon0000133102Le livre de poche 1972-01-01. Paperback. Good. in x in x in. NOT ex-library. Clean copy in good condition. Le livre de poche paperback
19532090202118000768Shiromizu-sha 1953. Soft Cover. Fine. The book is in fine condition. Shiromizu-sha paperback
1943554981London: Le Cahiers du Silence 1943. Softcover. Very Good. First edition. Octavo. 46 2pp. Buff wrappers printed in blue and red. Modest soiling on wrappers tiny creases at the corners faint pencil notes on front wrap an about very good copy. Brief novella written in occupied France using a pseudonym was filmed on several occasions both as a feature film and for television. The author Bryher's copy with her ownership Signature on the titlepage. Le Cahiers du Silence unknown
193739416Paris: Les nouritures terrestres 1937. A HAUNTING AND STUNNING SUITE OF EIGHT MATTED HAND-COLORED MIXED ETCHINGS BY BRULLER all of which are entitled appropriately "Silence". Each depicts a particularly piercing silence: an author unable to write a couple with nothing left to talk about a man about to be murdered a woman about to be attacked a man writing a suicide note. Edition limited to 250 copies printed on fine Rives wove paper and SIGNED in the justification / colophon by Bruller. IN THIS COPY EXCEPTIONALLY ALL OF THE ETCHINGS ARE INDIVIDUALLY SIGNED IN PENCIL BY BRULLER. Folio. Loose in original wraps with an additional colored etching mounted on the cover. Wraps a bit worn etchings FINE AND BRIGHT with no defects. <br/><br/> Les nouritures terrestres paperback
193751205Paris: Les nourritures terrestres 1937. Fine. Les nourritures terrestres Paris 1937 - broché Edition one of 50 numbered on the second installment of Rives who have five one draw with 11 Holland paper. This is a series of eight comic prints engravings printed and colored by Jean Bruller he signed and captioned. Handwritten signature of Jean Bruller to the justification of the draw. Tears at the head and foot of the back and flat margins shaded guards. Les nourritures terrestres unknown
54-1308Paris: Chez Creuzevault 1934. 4to. 49 pp.; 20 watercolors by the author each signed in pencil protected by tissue guards. Number 788 of 1150 copies on vélin Aussédat signed and initialed by the author on the rear colophon. Very good in wraps with bumped spine ends and a 7-cm crease along top of spine in original glassine jacket with several small tears and creases. Paris: Chez Creuzevault, 1934. paperback
19272307040018Paris: impr. Bonnet et Chanove 1927. First Edition. Hardcover. Like New. Fine binding limited edition with gorgeous color illustrations 29 cm. Bound in 1/2 morocco over blue cloth. Printed on Arches paper. 16 pages 16 hand colored lithographic plates by Mourlot portraying characteristics of work by artists including Picasso Matisse Monnard and others and depicting their collectors in their distinctive styles. Bruller was a celebrated French writer and co-founder of Editions de Minuit. impr. Bonnet et Chanove hardcover
192639093Paris: Editions Enfantines Citroën 1926. First edition. Very good. First printing of this unusual and hilariously chaotic story of a young French boy's adventures in his Citroënette motorized toy car including joining the circus entering a race and fleeing from the police. André Citroën was no stranger to creative marketing for his car brand: between 1925 and 1934 he commissioned the Eiffel Tower as an advertising platform displaying the word CITROËN in 250000 light bulbs. In the 20s he aimed to sell cars by marketing to the children of potential customers; he remarked "I want a child's three first words to be: Papa Maman Citroën" Wolgensinger 55. The Citroënette an electric toy car large enough for children to drive was the lynchpin in this plan and FRISEMOUCHE FAIT DE L'AUTO served to inspire these young motorcar enthusiasts. <br /> To make the book particularly appealing Citroën enlisted cartoonist Jean Bruller who also happened to have an engineering degree. Bruller would go on to join the French Resistance under the Vichy regime adopting the pen name Vercors with which he wrote anti-Nazi short stories. FRISEMOUCHE FAIT DE L'AUTO is a delightful example of his pre-war work. 10.75'' x 8.25''. Original pictorial boards rebacked with original spine laid down. Illustrated in color. 64 pages. Contemporary price label to front pastedown 22F. Binding with mild bumping to corners; boards a touch bowed. Leaves with scattered foxing a hint of toning. Tight. Editions Enfantines Citroën unknown
193584361s. l.: S. n. 1935. Fine. S. n. s. l. s. d. 1935 19.50 x 28.50 cm broché First edition illustrated with colored compositions and black drawings by Jean Bruller one of 15 numbered copies on Holland paper deluxe copy. Discreet restorations to the spine and foot of boards. Our copy as stipulated in the justification page is complete with the original drawing signed by Jean Bruller in pencil. S. n. hardcover
51-6115Paris: chez l'auteur 1926. . In-8 19 x 19cm. demi maroquin chocolat listel doré dos à deux forts nerfs et pièces géométriques or tête brunie couvertures conservées Creuzevault.Luc Monod Manuel de l'amateur de livres illustrés modernes no. 2013.Un des 350 ex. sur Vergé Chesterfield 3ème papier.Ce petit chef-d'œuvre d'humour noir est le premier livre de Vercors 1902-1991 qui n'adoptera son célèbre pseudonyme qu'en 1941 durant la Résistance.Illustré par l'auteur l'ouvrage comprend 21 planches hors texte coloriées au pochoir et de nombreuses vignettes et lettrines historiées en noir dans le texte.Tirage à 436 exemplaires numérotés celui-ci un des 350 sur vergé Chesterfield.Séduisante reliure d'Henri Creuzevault é.« Fils de relieur désireux d'être peintre esprit indépendant et novateur Henri Creuzevault 1905-1971 collabore avec son père dans l'atelier familial au cours des années 1920 il établit alors des reliures en lien avec l'Art déco dont la qualité d'exécution met en lumière les mosaïques et les incrustations savantes … . Dès 1937 il fonde son propre atelier et produit de 1940 à 1959 des reliures d'une haute ambition parmi les plus heureuses de l'école française » Yves Peyré.Creuzevault était également membre fondateur de la célèbre société La Reliure Originale. Paris: chez l'auteur, 1926. unknown
194487366Paris: Comité national des écrivains 1944. Fine. Comité national des écrivains Paris 1944 11.50 x 16.50 cm broché First public edition published two years after the original clandestine edition and first edition for which a deluxe issue was printed one of 100 numbered copies on coated paper the only deluxe copies. This edition precedes the first public edition from Éditions de Minuit which also includes a deluxe issue. Minor foxing to covers lightly and marginally sunned without consequence handsome interior condition. Comité national des écrivains unknown
193033058Paris: Creuzevault frères 1930. Fine. Creuzevault frères Paris 1930 20.50 x 27.50 cm en feuilles sous chemise et étui Illustrated with original color etchings hors texte by Jean Bruller one of 50 numbered copies on Japon impérial paper the tirage de tête. With 11 original etchings of which 1 frontispiece as well as 10 original initials and 10 ornaments by Jean Bruller. This copy like all copies of the tirage de tête is complete with its suite of first-state etchings its suite in black and white and an original drawing by Jean Bruller. Additionally there is the third state of a rejected etching. Four small traces of adhesive paper to head and foot of endpapers otherwise a fine copy. Rare. Creuzevault frères unknown
196539575Paris: Vialetay 1965. Jean Bruller. AN ABSOLUTELY SPECTACULAR COPY OF ONE OF THE GREAT ILLUSTRATED HAMLETS. Illustrated with 24 SHADOWY AND HAUNTING ORIGINAL ETCHINGS BY JEAN BRULLER who as "Vercors" was also the translator. From a total edition of 330 numbered copies SIGNED by the artist-translator this is ONE OF ONLY 24 COPIPES PRINTED ON FINE JAPON NACRÉ PAPER. This copy includes a suite of the etchings printed hors-texte on fine Auvergne wove paper and another suite printed hors-texte on fine Mandeure wove paper so 72 etchings in all. Additionally this copy includes one of the copper plates with the highly-accomplished corresponding drawing in graphite with white heightening SIGNED by Bruller; a stunning drawing of Ophelia floating in the brook just before she drowns SIGNED by Bruller; a study for the drawing of Ophelia SIGNED by Bruller; a fine graphite portrait of Hamlet SIGNED by Bruller; three pages of Bruller's autograph manuscript the scene where Hamlet kills Polonius; and a fine drawing on the half-title depicting Hamlet holding Yorick's skull SIGNED and dedicated by Bruller. Large folio. Loose as issued in original wraps. FINE AND BRIGHT WITH NO DEFECTS. Housed in the original cloth chemise and slipcase. A TRULY EXTRAORDINARY COPY WITH 72 ORIGINAL ETCHINGS AND SEVERAL FINE SIGNED DRAWINGS DEPICTING SOME OF THE MOST EMBLEMATIC SCENES. <br/><br/> Vialetay paperback
1957C102354Pierre Vorms. As New. 1957. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 193 pages; text in French. Well-illustrated. Lurçat Catalogue Raisonne Catalog Raisonné Complete Works La Vie Et L'uvre Oeuvre Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Pierre Vorms hardcover
1957102354Pierre Vorms. As New. 1957. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 193 pages; text in French. Well-illustrated. Lurçat Catalogue Raisonne Catalog Raisonné Complete Works La Vie Et L'uvre Oeuvre Raisonnee Pierre Vorms hardcover
26758Cinématographie française 1947. 1 affiche 120 x 160 cm en couleurs entoilée. Rarissime affiche du premier long métrage de Jean-Pierre Melville que les historiens du 7e art tiennent pour l'un des films fondateurs de la Nouvelle Vague : une merveilleuse adaptation du chef-d'œuvre de Vercors. Tourné en 1947 Le Silence de la mer est le premier opus d'une trilogie de Melville dédiée à la France sous l'Occupation ; Léon Morin prêtre 1961 et L'Armée des ombres 1969 viendront en achever le cycle. Pour le résistant qu'il avait été la lecture du Silence faite à Londres en pleine guerre l'avait convaincu de le porter à l'écran. Il fonda son propre studio de production mais lorsqu'il en demanda les droits d'adaptation il découvrit que Louis Jouvet l'avait précédé et après plusieurs vaines tentatives auprès de Vercors lui-même alors directeur du CNE Comité national des Écrivains et des Éditions de Minuit d'aucuns auraient abandonné. Il s'obstina avec le soutien de Vercors qui accepta le curieux marché que le jeune réalisateur lui proposait : si lors d'une projection privée devant un public de résistants il ne remportait pas l'unanimité il détruirait la pellicule. Puis il l'aida en lui prêtant sa propre maison de Villiers-sur-Morin en Seine-et-Marne qui servît de décor principal au film. Lorsqu'elle sortit en salle le 22 avril 1949 dans ce qui était alors le plus grand réseau de distribution français le Gaumont-Palace-Rex la version filmée du Silence avait déjà remporté l'approbation totale de Vercors au soir de la fameuse projection privée qui avait eu lieu le 11 novembre 1948 : « Pendant un an - le plus heureux de ma vie je dois le dire - nous avons été plongés dans la misère la plus totale. Mais la sensation de réaliser quelque chose d'important tout en étant démuni était merveilleuse. » Jean Pierre Melville. Rare affiche dans son format d'origine 120 x 160 soigneusement entoilée. Cette première version n'a été imprimée qu'à quelques centaines d'exemplaires. Elle manque à la majorité des grandes collections. Légères craquelures centrales et au vernis d'origine sinon très bon état de cette spectaculaire et mythique affiche. Cinématographie française, [1947]. 1 affiche (120 x 160 cm) en couleurs, entoilée. unknown
