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[CALHOUN, J C] [M'KENNEY, Thomas L]Biblio.com

Message from the President of the United States Transmitting an Abstract of Licenses Granted to Persons to Trade in the Indian Country During the year ending 1st September 1824.

Harris, Thomas L; Woodburn, James ABiblio.com

The Trent Affair; Including a Review of English and American Relations at the Beginning of the Civil War

18962306289Indianapolis: The Bowen-Merrill Company 1896. First Edition. Hard Cover. Near Fine/No Jacket. 0x0x0. First edition. Rebacked with original backstrip laid down new end sheets. Spot on page ridge. 1896 Hard Cover. 288 pp. "The Trent Affair was a diplomatic incident in 1861 during the American Civil War that threatened a war between the United States and the United Kingdom. The U.S. Navy illegally captured two Confederate diplomats from a British ship; the UK protested vigorously. The United States ended the incident by releasing the diplomats. On November 8 1861 the USS San Jacinto commanded by Union Captain Charles Wilkes intercepted the British mail packet RMS Trent and removed as contraband of war two Confederate diplomats: James Murray Mason and John Slidell. The envoys were bound for Britain and France to press the Confederacy's case for diplomatic recognition and to lobby for possible financial and military support. Public reaction in the United States was to celebrate the capture and rally against Britain threatening war. In the Confederate States the hope was that the incident would lead to a permanent rupture in Anglo-American relations and possibly even war or at least diplomatic recognition by Britain. Confederates realized their independence potentially depended on intervention by Britain and France. In Britain the public disapproved of this violation of neutral rights and insult to their national honor. The British government demanded an apology and the release of the prisoners and took steps to strengthen its military forces in Canada and the Atlantic. President Abraham Lincoln and his top advisors did not want to risk war with Britain over this issue. After several tense weeks the crisis was resolved when the Lincoln administration released the envoys and disavowed Captain Wilkes's actions though without a formal apology. Mason and Slidell resumed their voyage to Britain but failed in their goal of achieving diplomatic recognition. The Bowen-Merrill Company hardcover

Yesterday's Muse Books · États-Unis75,00 $US≈ 63,46 €

KING Charles Bird artist. Thomas L. McKenney and James HallABAA

NATIVE AMERICAN PORTRAIT. "Hayne Hudjihini Eagle of Delight." Hand-colored lithograph from a folio edition of McKenney and Hall's Indian Tribes of North America

18333457Philadelphia: E.C. Biddle 1833. Very good. Hand-colored lithograph by Lehman & Duval after Charles Bird King 445 x 338 mm. Head-and-shoulders portrait of female Oto wife of Chief Shaumonekusse long black braids with hair parted at center white and black beaded ear loops four necklaces silver bracelet ruffled blouse or dress top white and black fur or shawl loosely wrapped around her shoulders one delicate hand showing. Very mild uniform age-toning professionally washed. Original lithograph - NOT a reproduction! Hayne Hudjihini or Eagle of Delight ca. 1804-1822 accompanied her husband to Washington D.C. in 1821 and so delighted those she met that she was loaded down with presents and King painted several portraits of her. She was thought to be the most beautiful of all the Native American wives who visited Washington. Unfortunately she died of measles shortly after her return home. A portrait of her hangs in the White House Library. When leaders of various tribes came to visit President Monroe McKenney Superintendent of Indian Affairs and a defender of Native American interests commissioned artist Charles Bird King to paint portraits of the delegates in their choice of dress. Most of King's original paintings subsequently burned in a fire at the Smithsonian. The lithographs in McKenney and Hall's publication are the only extant record of the likenesses of many of the prominent Native American leaders of the nineteenth century. In our lithograph the two small silver portions on the nose of the sitter have combined with sulfur and oxydized to black. In other copies these portions are white. See: Howes M129. Bennett American Nineteenth-Century Color Plate Books p. 79. Field 992. Lipperheide Mc4. E.C. Biddle unknown books

Michael Laird Rare Books LLC · États-Unis750,00 $US≈ 634,57 €

KING Charles Bird artist. Thomas L. McKenney and James HallABAA

NATIVE AMERICAN PORTRAIT. "Tuko-See-Mathla A Seminole Chief." Hand-colored lithograph from a folio edition of McKenney and Hall's Indian Tribes of North America

18433458Philadelphia: James G. Clark 1843. Very good. Hand-colored lithograph after Charles Bird King 496 x 355 mm "Drawn Printed & Coloured at the Lithographic & Print Colouring Estblishment 94 Walnut St." Full-length standing portrait of male Seminole chief carrying a rifle wearing striped fringed wrap skirt striped shirt red sashes around neck and waist red feathered headdress silver arm bands shin-high moccasins with buttons and medal around neck. Very mild uniform age-toning professionally washed some short tears in extreme outer margins closed 1" piece from upper left-hand corner torn away without loss. Preserved in a mylar sleeve. Original lithograph - NOT a reproduction! Tuko-See-Mathla also called John Hicks was an influential Native American leader elected head of his tribe in an election supposedly rigged by U.S. agents. He opposed U.S. slave raids into Florida separate schools for Indians and efforts to move Seminoles from their land. Despite his efforts however he eventually moved back to Alabama and was finally killed by tribesmen who opposed U.S. policies. When leaders of various tribes came to visit President Monroe McKenney Superintendent of Indian Affairs and a defender of Native American interests commissioned artist Charles Bird King to paint portraits of the delegates in their choice of dress. Most of King's original paintings subsequently burned in a fire at the Smithsonian. The lithographs in McKenney and Hall's publication are the only extant record of the likenesses of many of the prominent Native American leaders of the nineteenth century. See: Howes M129. Bennett American Nineteenth-Century Color Plate Books p. 79. Field 992. Lipperheide Mc4. James G. Clark unknown books

Michael Laird Rare Books LLC · États-Unis850,00 $US≈ 719,19 €

KING Charles Bird artist. Thomas L. McKenney and James HallABAA

NATIVE AMERICAN PORTRAIT. "Wa-Na-Ta. The Charger Grand Chief of the Sioux." Hand-colored lithograph from a folio edition of McKenney and Hall's Indian Tribes of North America

18373456Philadelphia: E.C. Biddle 1837. Very good. Hand-colored lithograph by Lehman & Duval after Charles Bird King 445 x 338 mm. Full-length standing portrait of male Sioux chief holding a rifle wearing brightly colored blankets feathered headdress necklace of grizzly bear claws and red leggings decorated with bird feathers. Very mild uniform age-toning professionally washed verso of upper left corner with Japanese tissue repair. Original lithograph - NOT a reproduction! Wa-Na-Ta ca. 1795-1848 was an influential Sioux Yanktona on the Minnesota River leader who fought against the Americans in the War of 1812 even leading a charge on Fort Sandusky whence his nickname. For his exceptional heroism he was received at the English court and promoted to Captain. After the war however he sided with the U.S. In 1825 he signed the Treaties of Fort Pierre and Prairie du Chien which established peace and territorial boundaries between the Sioux Chippewas Sac and Foxes and Ioways. He was murdered by his people who were upset with his leadership. Major Stephen H. Long met Wa-Na-Ta in 1835 and commented: "We had never seen a nobler face or a more impressive character." When leaders of various tribes came to visit President Monroe in 1821 McKenney Superintendent of Indian Affairs and a defender of Native American interests commissioned artist Charles Bird King to paint portraits of the delegates in their choice of dress. Most of King's original paintings subsequently burned in a fire at the Smithsonian. The lithographs in McKenney and Hall's publication are the only extant record of the likenesses of many of the prominent Native American leaders of the nineteenth century. See: Howes M129. Bennett American Nineteenth-Century Color Plate Books p. 79. Field 992. Lipperheide Mc4. E.C. Biddle unknown books

Michael Laird Rare Books LLC · États-Unis1 250,00 $US≈ 1 057,63 €

McKenney, Thomas L, Hall, JamesBiblio.com

Chippeway Squaw & Child

18387304Philadelphia:: F.W. Greenough 1838. First edition. Fine. Fine condition. Original lithograph drawn printed and coloured at J.T. Bowen's Lithographic Establishment No 94 Walnut Street Philadelphia. Folio 15 x 21.25 inches. Full sheet with minor edge tear on bottom right yet with rich original color. Matted in Rag Board. As the oil on canvas portrait of Chippeway Squaw & Child by Charles Bird King after painting by James Otto Lewis was destroyed by fire in 1865 this original hand-colored lithograph by JT Bowen is the only surviving rendering of this essential chapter of Americana. During the first quarter of the nineteenth century as the Native American people traveled to Washington DC to discuss their plight; the loss of their lands and destruction of their people they appealed to Thomas McKenney the then Chief to the Bureau of Indian Affairs in whom they found a sincere advocate in the efforts to improve the welfare of the Native American people. After meeting to discuss the situation McKenney invited every one of his guests to sit for formal portraits and included all members; not only the Chiefs but also the Warriors Braves and Women. A pioneer in the study of North American ethnology and superintendent to the Bureau of Indian Affairs under John C. Calhoun Thomas Loraine McKenney Chestertown MD 1785-1859 assembled in his War Department office a virtual archive of the American Indian; a large collection of books manuscripts artifacts and paintings that constituted the first museum in Washington DC. The core of the collection was a gallery of 150 portraits of prominent Indian men and women most of them painted by Washington artist Charles Bird King Newport RI 1785-1862 during official visits to Washington. In addition King copied and painted several portraits after James Otto Lewis 1799-1858. These portraits were later published as part of a mammoth lithography project that McKenney conceived of and launched with the aid of writer James Hall Philadelphia 1793-1868. Known as the History of the Indian Tribes of North America the publication features the portraits and biographies of 120 Indian men and women from McKenneys collection. The entire archive eventually ended up at the Smithsonian Institution where the portraits were destroyed by fire in 1865. ANB. 0300320 Single sheet matted in rag board F.W. Greenough, unknown

Lowry-James Rare Prints & Books · États-Unis2 200,00 $US≈ 1 861,42 €

MCKENNEY, THOMAS L, and JAMES HALLBiblio.com

History of the Indian Tribes of North America

1837123 volumes. Folio 507 x 365 mm. 120 hand-colored lithographed plates finished with gum arabic lithographed map leaf and 17 pp lithographed facsimile signatures of subscribers with two additional names added in manuscript to Pennsylvania subscribers. Original half-morocco upper covers gilt lettered "Indian Gallery / 120 Illustrations" lower spine lettered in gilt "L.A. Godey" yellow glazed endpapers rebacked retaining original spine hinges reinforced.Superb complete copy in its original binding of one of the most beautiful books printed in the United States which through 120 hand-colored plates preserves the memory of the Indian people.Provenance: Louis Antoine Godey 1804-1878 publisher of Godey's Lady Book spine stamped manuscript identification in another hand; Helen Godey Wilson 1879-1937 bookplates.FIRST EDITION of "one of the most distinctive and important books in Americana" Reese.In 1821-22 Thomas McKenney began assembling portraits of Native Americans that would eventually become part of a portrait gallery under the Smithsonian. He started by taking visiting Native American dignitaries to the studio of Charles Bird King in Washington who would paint their portraits in oil some copies for the dignitaries and some collected by McKenney. These portraits were eventually preserved in the War Department's "Indian Gallery" becoming part of the Smithsonian in 1858. The collection boasted 147 of McKenney's portraits of Native Americans alongside about 200 paintings by John Mix Stanley when it burned to the ground in 1865.Thankfully beginning in 1829 McKenney had embarked on a project to preserve his oil portraits in lithography rescuing most of these important projects for posterity. In September 1829 he signed a contract to publish a work to consist of a history biographies and 120 lithographed plates. The works were issued serially in wrappers and the first volume was collected and published in 1836. By the time the 3rd volume appeared in 1844 15 years after the first contracts were signed the monumental work had consumed six publishers and employed 5 different lithographers."Its long and checkered publication history spanned twelve years and involved multiple lithographers mainly Peter S. Duval and James T. Bowen and publishers but the final product is one of the most distinctive and important books in Americana. Almost all the plates are portraits of individual Native Americans the majority painted from life by Charles Bird King" Reese.This copy in its original contemporary binding is from the contemporary American publisher Louis A. Godey. Godey was most famous for the influential Godey's Lady's Book beginning in 1830 famous for their representations of women's fashion employing hand-tinted lithographic plates. With the first issue of the title pages in volumes 1 & 3 the second issue of volume 2; the plates in mixed states as usual. See Lane "A History of McKenney and Hall's History of the Indian Tribes of North America" Imprint Vol. 27 no. 2 Autumn 2002 2-15. Howes M-129; Reese Stamped With A National Character 24; Sabin 43410a. Edward C. Biddle and Daniel Rice and James G. Clark hardcover

Librairie Jean-Claude Vrain · France160 000,00 $US≈ 135 376,00 €

MCKENNEY, Thomas LBiblio.com

History of the Indian Tribes of North America

184869369Philadelphia: Published by J. T. Bowen 1848. HALL James. History of the Indian Tribes of North America. with Biographical Sketches and Anecdotes of the Principal Chiefs. Embellished with one hundred and twenty portraits from the Indian Gallery in the Department of War at Washington. Philadelphia: Published by J. T. Bowen 1848. Full Description: McKENNEY Thomas L. and James Hall. History of the Indian Tribes of North America with Biographical Sketches and Anecdotes of the Principal Chiefs. Embellished with One Hundred and Twenty Portraits from the Indian Gallery in the Department of War at Washington. In Three Volumes. Philadelphia: Published by J.T. Bowen 1848-1850. First octavo edition. Three large octavo volumes 10 1/8 x 6 1/2 inches; 258 x 167 mm. iv 1- 333 1 blank; xvii 1 blank 9-290; iv 17-392 pp. With hand-colored lithographed dedication leaf "To the Memory of Washington" and 120 hand-colored lithographed plates "Lithd. & Cold. & Published by J.T Bowen Philada." mostly after Charles Bird King the plates heightened with gum arabic. Protective tissue guard sheets. Publisher's deluxe blue-black morocco binding. Elaborately stamped and tooled in blind and gilt. Spines stamped and lettered in gilt. Board edges gilt. All edges giltSome wear to spines. A few invisible repairs to hinges. Previous owner's old ink signature on top margin of title-page of each volume. Volume I with some minor dampstaining to lower blank margin. Volume II with some dampstaining to inner gutter. Dampstaining never affecting plates most likely because leaves were stained before the book was bound. A small closed tear to the bottom margin of plate "Oche-Fincew" in volume III not affecting engraving. Overall an excellent copy the plates very bright and clean. Originally published in twenty folio parts three folio volumes between 1836 and 1844 with 120 hand-colored lithographed plates. The first octavo edition appeared in 1848-1850 with the plates reduced. Several octavo editions were published between 1850 and the 1870s with varying numbers of plates some maintaining the original 120 and some abridged to contain as few as forty or fifty plates. All are highly desired today. "As early as 1824 the practice was begun of taking portraits of the principal Indians who came to Washington and depositing them in the War Department. They were chiefly painted by Mr. King an artist of high repute who has been remarkably successful in transferring to his canvas the strong lineaments of the Indian countenance. Col. M'Kinney sic who was for many years superintendent of Indian affairs at Washington and was thus brought in constant association with the principal men of the nations and tribes which sent representatives to the seat of government conceived the plan of making this rare and curious collection more valuable to the world by publishing a series of engraved portraits exactly copies and colored from these paintings. With each portrait is connected a biographical sketch of the individual whom it is intended to represent interspersed with anecdotes and narrations. The work contains also a historical account of the various Indian tribes within the borders of the United States" Sabin 43410a describing the 1836-1844 edition. "The original oil paintings of which the plates were copies were all destroyed in the 1865 Smithsonian fire" Howes. Howes M-129 "the most colorful portraits of Indians ever executed". Sabin 43411 describing the 1850 octavo edition. Field 992 1837 ed. HBS 69369. $18500. Published by J. T. Bowen unknown

Heritage Book Shop, LLC · États-Unis18 500,00 $US≈ 15 652,85 €

McKenney, Thomas L, Hall, JamesBiblio.com

Ka-Ta-Wa-Be-Da. A Chippeway Chief

18427307Philadelphia:: J.T.Bowen 1842. First edition. Fine. Fine condition. Original lithograph drawn printed and coloured at J.T. Bowen's Lithographic Establishment No 94 Walnut Street Philadelphia. Folio 14 x 20 inches. Untrimmed with rich original color. Archivally custom framed in 2.25 inch Walnut Burl Veneer with marquetry inlay. Triple matted in Rag Board with gilt French line decoration. Glazed with Conservation Glass. Sized to 22 x 26.5 inches. As stated in McKenney & Hall's History of the Indian Tribes of North America: The Chippeway Chief Katawabeda was an orator of no small repute. Expert and ready in debate his speeches were marked by shrewdness ingenuity and subtlety of argument and by simple brevity and force of expression. As the oil on canvas portrait of Ka-Ta-Wa-Be-Da by Charles Bird King after James Otto Lewis was destroyed by fire in 1865 this original hand-colored lithograph by JT Bowen is the only surviving rendering of this essential chapter of Americana. During the first quarter of the nineteenth century as the Native American people traveled to Washington DC to discuss their plight; the loss of their lands and destruction of their people they appealed to Thomas McKenney the then Chief to the Bureau of Indian Affairs in whom they found a sincere advocate in the efforts to improve the welfare of the Native American people. After meeting to discuss the situation McKenney invited every one of his guests to sit for formal portraits and included all members; not only the Chiefs but also the Warriors Braves and Women. A pioneer in the study of North American ethnology and superintendent to the Bureau of Indian Affairs under John C. Calhoun Thomas Loraine McKenney Chestertown MD 1785-1859 assembled in his war department office a virtual archive of the American Indian; a large collection of books manuscripts artifacts and paintings that constituted the first museum in Washington DC. The core of the collection was a gallery of 150 portraits of prominent Indian men and women most of them painted by Washington artist Charles Bird King Newport RI 1785-1862 during official visits to Washington. In addition King copied and painted several portraits after James Otto Lewis 1799-1858. These portraits were later published as part of a mammoth lithography project that McKenney conceived of and launched with the aid of writer James Hall Philadelphia 1793-1868. Known as the History of the Indian Tribes of North America the publication features the portraits and biographies of 120 Indian men and women from McKenneys collection. The entire archive eventually ended up at the Smithsonian Institution where the portraits were destroyed by fire in 1865. ANB. 0300320 Custom Framed in Period Moulding. J.T.Bowen, unknown

Lowry-James Rare Prints & Books · États-Unis2 200,00 $US≈ 1 861,42 €