Charles NODIERBiblio.com
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182583365Paris: N. DelangleLadvocatRapilly 1825. Fine. N. Delangle Ladvocat Rapilly Paris 1825-1829 10.20 x 15.50 cm 12 volumes reliés Collective edition dedicated to Duchesse de Berry issued at 500 copies one of 25 copies on hollande. Half long-grained Bradel morocco binding. Smooth spine elaborately gilt lengthwise title lettered in gilt gilt date at foot original green covers preserved except for Les Poésies de Charles Nodier bound without original covers and Poesies de madame Evelines Desormery bound with its covers without the original spine untrimmed. Elegant Romantic imitation bindings signed Carayon. A very fine set rare in this condition. Complete 8-volume collection edited and prefaced for every volume by Charles Nodier: Voyage de Chapelle et Bachaumont La Guirlande de Julie par M. de Montausier Diverses poésies du Chevalier d'Aceilly Conjuration du Comte de Fiesque par le Cardinal de Retz Oeuvres choisies de Sénécé Oeuvres choisies de Sarrasin Madrigaux de Monsieur de la Sablière Relation des campagne de Rocroi et de Fribourg par Henri de Bessé. It includes 4 additional volumes not belonging to the collection Fables de Fénelon Rapilly 1826 Poesies diverses de Charles Nodier Delangle et Ladvocat 1827 Poesies de madame Evelines Desormery Delangle 1828 Esquisses poetiques par Edouard Turquety Delangle 1829. Signed and inscribed by Charles Nodier to Alphonse de Cailleux on the half-title of his collection of poems in first edition: ""Si ce petit livre valait la peine d'être offert je l'aurais offert à mon bon ami Alphonse de Cailleux"" If this little book were ever worth offering I would offer it to my good friend Alphonse de Cailleux. A very fine set of Romantic bindings by Carayon one of the most important bookbinders of the late 19th century. N. DelangleLadvocatRapilly unknown
182583365N. Delangle Ladvocat Rapilly | Paris 1825-1829 | 10.20 x 15.50 cm | 12 volumes reliés
1903ST20279Paris: Librarie A. Roquette 1903. No. 92 OF 150 COPIES on Japon and another 10 copies on vellum paper. 251 x 160 mm. 9 7/8 x 6 1/4". 2 p.l. 67 1 pp. 2 leaves followed by additional suite of etchings. <br/> HANDSOME TAN CRUSHED MOROCCO GILT BY THE CLUB BINDERY stamp-signed and dated 1905 on front turn-in covers framed by gilt strapwork and multiple fillets raised bands spine compartments with similar gilt tooling gilt lettering densely gilt turn-ins marbled endpapers top edge gilt. In a modern slightly ill-fitting suede-lined gray linen clamshell box backed with blue morocco. Illustrated throughout with elegant borders and scenes surrounding the text colored with pochoir. With an additional suite of illustrations printed in black before letters. Front pastedown with morocco ex-libris of Robert Hoe and with bookplate of the Robin Collection. Spine uniformly a bit darkened text margins with a hint of browning because of paper quality but still a very pleasing copy with virtually no signs of use.<br/> <br/> Bound by one of America's greatest binderies and once owned by the renowned collector Robert Hoe this is a charming adaptation of a Medieval legend illustrated with delicate pochoir images by a popular French Art Nouveau artist. Originating in the 13th century the story here concerns a pious sacristan whose faith is tested when she falls in love with a young noble. The pages are adorned with attractive borders inspired by nature along with images from the story all colored in soft hues that evoke an angelic ethereal quality that fits perfectly with the themes of the legend. Our artist Henri Caruchet 1873-1943 was a sought-after illustrator in the bibliophilic world producing work for authors such as Octave Uzanne Theophile Gautier and Anatole France. The present work also contains a suite of uncolored illustrations printed before letters allowing the viewer to appreciate how much the pochoir coloring does to enliven Caruchet's designs. Our binding is a product of the esteemed Club Bindery founded by Grolier Club members and other wealthy collectors to provide close to home fine quality binding work rivalling what was available abroad. The workshop provided bindings that tended to be traditional in style--though frequently with elaborate decoration--and that lived up to its patrons' expectations in terms of excellence. The first members of the staff of the Club Bindery were the Englishmen R. W. Smith and Frank Mansell. They were subsequently joined by a number of French binders chief among them being Léon Maillard who had worked previously for Cuzin Gruel and Marius Michel. The Club Bindery was in operation until 1909 with Robert Hoe 1839-1911 being its most influential manager and client. Hoe was also the founding member and first president of the Grolier Club and according to Beverly Chew his library was "the finest America has ever contained." He acquired illuminated manuscripts early printing he owned a Gutenberg Bible on paper and one on vellum fine bindings French and English literature and Americana; when his library was sold in 1911-12 it fetched nearly $2 million a record that held until the Streeter sale more than 50 years later. Librarie A. Roquette unknown
182970321829 Paris, Firmin-Didot, 18291833. Deux volumes grands in-folio à toutes marges (54 x 35 cm), 143 et 143 pages. Reliure époque pleine basane brune, dos à larges faux-nerfs avec décor de frises et de deux rosaces dorées, titre et tomaison or. 251 lithographies hors-texte avec serpentes, plus le frontispice, la plupart tirées sur Chine monté sur vélin fort, réalisées dans latelier de Godefroy Engelmann, le maître en la matière daprès les dessins de Taylor, Fragonard, Eugène Isabey (17), Jorand, Deroy, Bourgeois, Sabatier, Bouton, Jaime, Athalin, Adam, J.D. Harding, Dauzats, Daguerre, Regnier, Brascassat, Ciceri, Bichebois, Tirpenne, Goré, Nouveaux, Villeneuve, Hubert, Monthelier, Alaux... 15 dessins in texte lithographiés et 3 grandes lettrines de style celtique. Des rousseurs éparses. Tirage à 500 exemplaires, de nombreux ont disparus, vendus à la découpe chez les marchands de gravures. Quelques épidermures, coiffes en partie absentes, un mors faible. Décrit les sites des départements du Puy-de-Dôme, de la Haute-Loire et du Cantal. Le plus beau livre illustré concernant l'Auvergne. Bon exemplaire.
1820001923Paris: Chez Ladvocat Libraire 1820 1820. FIRST FRENCH EDITION. 2 vols. 6-3/4" x 4-1/4" with the half-titles without the publishers 4pp. ads otherwise complete bound in contemporary 1/4 maroon calf gilt decorated spines vellum back corners contemporary engraved bookplate of Madam Barante inner and outer hinges fine head and foot of spines fine spines slightly sunned internally clean and bright. First edition in French of Polidori's Vampires. This work often mistakenly attributed to Charles Nodier author of the preliminary observations signed with his initials is by Cyprien Berard then director of the Theater de Vaudeville. He points out the popularity that the vampire had conquered at the end of the 18th century: "the frightening fable of the vampires could not fail to be consecrated among all the nations which received it in their belief. I have no doubt that the public grants like me another kind of rarer and more estimable merit to this novel.". France therefore lacked a literary production on vampires! Berard's work comes at the right time.It is by far the most interesting text that the first generation of French Romantics wrote." Florent Montaclair in: The Vampire in French Literature 1820-1868 p. 109. SCARCE - RBH locate only two copies ever appearing at auction. Paris: Chez Ladvocat, Libraire, 1820 hardcover
23385Paris, Didot, 1820-1825. Deux volumes grand in-folio, 242 planches hors-texte et nombreuses vignettes lith. et dessinées par Fragonard, Villeneuve, Léger, Vauzelle, Athalin, Isabey, H.Vernet, etc... Tome I : 1 frontispice, (4) ff., 131 pp., (5) ff., 89 planches dont 7 en double état (1,2,4,5,6,12,13 bis et 17) et 2 planches rehaussées (le Tombeau d'Agnes Sorel, Abbaye de Jumièges); Tome II : (2)ff., 190 pp. Y compris le frontispice , (2) ff., 153 planches dont 2 bis. Bel exemplaire à grandes marges complet des 242 belles lithographies, la plupart en deux tons sur Chine appliqué. Exemplaire très frais. Joint une planche non numérotée insérée dans l'ouvrage (entre 21 et 22) et les 89 planches volantes (sur 100) provenant du très rare 3 ème volume (quelques rousseurs marginales). Demi-maroquin rouge à coins d'époque, dos à nerfs orné. Reliure de l'époque. Salissures, éraflures et épidermures sur les plats avec perte de papier marbré et perte de cuir aux coins. Chemise cartonnée pour les planches jointes.
182882546Paris: Delangle frères 1828. Fine. Delangle frères Paris 1828 13 x 21 cm relié First edition. Cntemporary marbled roan binding smooth spine with partialy faded roll-tooled and ruled gilt motifs burgundy roan title-label spine-ends restored joints restored at head and foot marbled paper pastedowns and endpapers gilt ruled leading edges upper corners bent marbled edges. Some minor foxing browned leaves printed library stamp and pencil annotations to one endpaper. Provenance: Louis Humbert library with his bookplate on front pastedown. Rare signed inscription by Charles Nodier to the royalist journalist disciple of Félicité de La Mennais staunch critic of Romanticism Pierre-Sébastien Laurentie: ""A Monsieur Laurentie son dévoué Charles Nodier."" Delangle frères unknown
182882546Delangle frères | Paris 1828 | 13 x 21 cm | relié
1830003188Paris: Louis Janet 1830. First Edition. Velvet on Boards. Full Morocco Slipcase. Near Fine. 12mo. 16.5 by 10.5 cm. clvii 44 1 pp. With five hand-colored and illuminated plates including title plus illuminated devices and decoration elsewhere. While the plates are printed the coloring and illumination is such that it is a fine simularcrum of manuscript illumination. This work is in fact a literary hoax simulating a Medieval Romance but in fact penned by Michel and promoted by the extensive notes and annotations that follow the chronicles. The leaves are a light vellum and this edition was issued with luxuriant unusual bindings such as the navy blue velvet of this one. <br/><br/> Louis Janet hardcover books
1830003188Paris: Louis Janet 1830. First Edition. Velvet on Boards. Full Morocco Slipcase. Near Fine. 12mo. 16.5 by 10.5 cm. clvii 44 1 pp. With five hand-colored and illuminated plates including title plus illuminated devices and decoration elsewhere. While the plates are printed the coloring and illumination is such that it is a fine simularcrum of manuscript illumination. This work is in fact a literary hoax simulating a Medieval Romance but in fact penned by Michel and promoted by the extensive notes and annotations that follow the chronicles. The leaves are a light vellum and this edition was issued with luxuriant unusual bindings such as the navy blue velvet of this one. Louis Janet unknown
183659408Undated, around 1836. 1 leaf 8vo. on light-blue paper. 16 lines and signed ""Tout á vous et de coeur/ Charles Nodier"" The letter seems to deal with Alexander Dumas' novel ""Voyages de Gabriel Payot"". On verso of the letter is transscribed in Nodier's hand ""Monsieur Alexandre Dumas,/ cour d'Orleans No 3./ Paris"". Marks after folding. Faint scattered brownspots.
183659408Undated around 1836. 1 leaf 8vo. on light-blue paper. 16 lines and signed "Tout á vous et de coeur/ Charles Nodier" The letter seems to deal with Alexander Dumas' novel "Voyages de Gabriel Payot". On verso of the letter is transscribed in Nodier's hand "Monsieur Alexandre Dumas/ cour d'Orleans No 3./ Paris". Marks after folding. Faint scattered brownspots. unknown
71367Paris J.-S. Merlin 1827-1844. Three works in one. 8vo 19.8 x 12.5 cm. I 1827: 2 ii 58 2 pp.; II 1829: iv 130 2 pp.; III J. Techener 1844: viii 200 pp. Contemporary half morocco over marbled boards; spine with four raised bands; compartments with hand-tooled rectangular borders and gilt title. Marbled endpapers. = A nicely bound ensemble of three very rare and important catalogues of the three auctions of the collection of the famous French author librarian and book collector Charles Nodier 1780-1844. The publisher of the third catalogue J. Techener wrote in its preface: "Voici l'une de ces perles précieuses dont la vue seule intéressera vivement tous les bibliophiles véritablement dignes de ce beau nom c'est la collection de M. Charles Nodier". Many of the 15th- to 18th-century books listed described and sold are - and were - very rare. All three catalogues with handwritten auction prices in the margins. An unmarked 24 pp. book catalogue - dated 1843 - of the "Librairie Historique et Curieuse de J. Techener" and listing 169 items is bound in the rear. Light shelfwear to extremities; some minimal scattered spotting; traces of a bookplate on the front pastedown; otherwise a very good copy. Brunet 4 p. 89. hardcover
188712384Paris: G. Charpentier 1887. 2 aquatints after drawing by A. Ferdinandus enraved by F. Massé. 369 pp. 11.5 x 8 cms. 12mo bound by Lucette Lévy in full brown morocco elaborately tooled in gilt on both sides and spine with a lattice pattern with in a border on each side and spine the cetnre of each lozenge with a gilt flower tool spine lettered in gilt doublures with a matrix of flower tools with in two gilt fillet borders watersilk free endpapers original wrappers bound in. With the original chemise. A very handsome book in excellent condition.In the 1920s many women were drawn to the medium of bookbinding perhaps influenced by the new modernist designs forged by Pierre Legrain. The women included the widows of bookbinders killed in the war and a hwole new enterprising generation of young women who were searching for a fashionable vocation in teh arts. As the Ecole Estienne was reserved ofr men may women enrolled at the city’s Ecole et Les Ateliers d’Art Decoratif which had been founded in 1894. It is very probable that Lucette Lévy was among them. Binding instruction was offered first by Mme Rene Sergent and later by Lapersonne Choffe and Genevieve de Leotard. On completion of the 4 year course graduates sought employment in the city’s main binding workshops or set out to establish themselves independently. <br>Although we cannot find any details about her apart from occasional bindings which have appeared in the rooms viz. Christie’s 2009 and a couple of bindings in booksellers’ catalogues Lucette Lévy was clearly extremely talented with great technical ability like Adler she inclined to familiarising herself with the text and illustrations in a book to create an accord with it in her binding. She was varied and adaptive in her styles and was inventive with fonts for lettering and ways of binding throughout the 1920s and 1930s. G. Charpentier unknown
189777146Sous étui bordé. Reliure plein maroquin havane. Dos à nerfs avec date en pied. Sur le premier plat, composition de roses (fleurs et boutons) mosaïquées en maroquin sable, vert et fauve, en creux rectangulaire sur un fond criblé à froid décoré de deux papillons mosaïqués. Cadre intérieur décoré de 3 filets dorés avec 3 roses dorées aux angles. Couverture et dos conservés. Reliure signée René KIEFFER.Illustré d'une vignette sur titre et 15 eaux-fortes en couleurs par Paul AVRIL, dont 2 en-tête et 13 in-texte.
16600053861660 Lyon, François Demasso, 1660. In-12 (113 X 169 mm) maroquin rouge, encadrement de triple filet doré sur les plats, dos à nerfs orné de caissons dorés et mosaïques de maroquin vert, titre doré, large bordure intérieure de dentelle dorée, doubles gardes de papier marbré, tranches dorées (Petit-Simier) ; frontispice, (15) ff., 3 gravures hors-texte (la gravure du blason se trouve au verso du feuillet de titre), 434 pages [i. e. 420 pages], (5) ff. de table et avis. Des feuillets légèrement roussis, infime trace de choc à un caisson.
1830004720Paris: Louis Janet 1830. First Edition. Cloth. Full Straight-Grained Morocco Slipcase. Near Fine. 12mo. 16.5 by 10.5 cm. clvii 44 1 pp. With five hand-colored and illuminated plates including title plus illuminated devices and decoration elsewhere. While the plates are printed the coloring and illumination is such that it is a fine simularcrum of manuscript illumination. This work is in fact a literary hoax simulating a Medieval Romance but in fact penned by Michel and promoted by the extensive notes and annotations that follow the chronicles. The leaves are a light vellum and this copy has a resplendent decorative green cloth relief with a rich gilt background that is quite distinctive. Pink moire endpapers. Lovely gilt decoration including border on the straight-grained morocco slipcase. A few light fox marks but essentially clean and mostly pristine. Minor rubbing of the gilt on the spine and other trivial manifestations of wear. <br/><br/> Louis Janet hardcover books
1830004720Paris: Louis Janet 1830. First Edition. Cloth. Full Straight-Grained Morocco Slipcase. Near Fine. 12mo. 16.5 by 10.5 cm. clvii 44 1 pp. With five hand-colored and illuminated plates including title plus illuminated devices and decoration elsewhere. While the plates are printed the coloring and illumination is such that it is a fine simularcrum of manuscript illumination. This work is in fact a literary hoax simulating a Medieval Romance but in fact penned by Michel and promoted by the extensive notes and annotations that follow the chronicles. The leaves are a light vellum and this copy has a resplendent decorative green cloth relief with a rich gilt background that is quite distinctive. Pink moire endpapers. Lovely gilt decoration including border on the straight-grained morocco slipcase. A few light fox marks but essentially clean and mostly pristine. Minor rubbing of the gilt on the spine and other trivial manifestations of wear. Louis Janet unknown
1830431830 Paris, Delangle frères, 1830 ; in-8 de [2] ff., 398 pp., 1 f. bl., demi-maroquin à long grain chaudron à coins, filet doré, dos à nerfs orné, non rogné, couverture illustrée et dos (E. Carayon).
184444661Paris, Imprimerie Royale, 1844. Grand in-8 de (4)-XVI-329-(2) pp., demi-maroquin vert, dos orné à nerfs.
27934Paris, Imprimerie Royale, 1844. 1 vol. grand in-8°, maroquin rouge à gros grains, dos à nerfs orné de flets à froid avec titre doré et date en pied, double filet doré sur les coupes, doublures de maroquin tête-de-nègre à gros grains encadrées d'un filet doré, gardes de soie bordeaux, doubles gardes, tranches dorées. Reliure de Noulhac. (2) ff., XVI-329 pp., (1) f. blanc. Environ 200 vignettes gravées dans le texte, 40 fig. h.-t. gravées sur bois sur Chine monté sur vélin fort et protégées par des serpentes imprimées, et une grande carte h.-t. repliée. Quelques rousseurs.
183813031F. G. Levrault Paris, Strasbourg 1838-39 3 vol. 3 vol. in-8 de 2 ou 4 pp. pour les tomes I et II et 2 ff.n.ch. 412 pp. 1 f.n.ch. (table), demi-chagrin de l'époque, dos à nerfs orné de caissons dorés, tranches marbrées.
16-4282Paris Imprimerie Didot l’Ainé Gide Engelmann 1820. Folio. 10 132 10pp. and 81 plates hors texte. 33.5 x 52cm. Contemporary half red morocco with red cloth. covers. Light to moderate marginal foxing. OCLC Number: 921711254 digital copy.Provenance: Marcel Alfred Aubreton born on August 9 1899 in Sainte-Feyre Creuse Nouvelle-Aquitaine France; died February 25 1982 in Sainte-Feyre Creuse Nouvelle-Aquitaine Paris, Imprimerie Didot l’Ainé, Gide, Engelmann, 1820. hardcover
183019620Paris, Delangle frères, 1830. In-8 de [4]-398-[2] pages, demi-maroquin bleu nuit à coins, tête dorée.
184472367Paris: Imprimerie Royale 1844. Fine. Imprimerie Royale Paris 1844 19 x 29 cm relié First edition never put into commerce intended for members of the royal family and state dignitaries. It is printed on strong vellum the only issue with 6 on China paper. Work illustrated with 200 vignettes in the text and 40 out-of-text figures engraved on wood printed before letters on applied China paper by Raffet Decamps Dauzat. Our copy is complete with its folding map at the end Route de Philippeville à Alger. Fine work very well printed with high quality engravings. Publisher's Bradel binding covered with chamois paper chamois slipcase probably later. Smooth spine with beige calf title label. Spine slightly darkened with damage to the title label and at two places on the spine. Rubbing at foot revealing the white underneath. Some occasional foxing notably to tissue guards on perfectly white paper. The captions for the plates are found at the bottom of the tissue guards. Book recounting the Duke of Orléans' expedition to Algeria in 1839. It was written by the writer Charles Nodier based on notes taken by the young prince. Major account of the conquest of Algeria. Handsome copy full-margined in its original boards. Imprimerie Royale hardcover
