525 résultats
1903ST20279Paris: Librarie A. Roquette 1903. No. 92 OF 150 COPIES on Japon and another 10 copies on vellum paper. 251 x 160 mm. 9 7/8 x 6 1/4". 2 p.l. 67 1 pp. 2 leaves followed by additional suite of etchings. <br/> HANDSOME TAN CRUSHED MOROCCO GILT BY THE CLUB BINDERY stamp-signed and dated 1905 on front turn-in covers framed by gilt strapwork and multiple fillets raised bands spine compartments with similar gilt tooling gilt lettering densely gilt turn-ins marbled endpapers top edge gilt. In a modern slightly ill-fitting suede-lined gray linen clamshell box backed with blue morocco. Illustrated throughout with elegant borders and scenes surrounding the text colored with pochoir. With an additional suite of illustrations printed in black before letters. Front pastedown with morocco ex-libris of Robert Hoe and with bookplate of the Robin Collection. Spine uniformly a bit darkened text margins with a hint of browning because of paper quality but still a very pleasing copy with virtually no signs of use.<br/> <br/> Bound by one of America's greatest binderies and once owned by the renowned collector Robert Hoe this is a charming adaptation of a Medieval legend illustrated with delicate pochoir images by a popular French Art Nouveau artist. Originating in the 13th century the story here concerns a pious sacristan whose faith is tested when she falls in love with a young noble. The pages are adorned with attractive borders inspired by nature along with images from the story all colored in soft hues that evoke an angelic ethereal quality that fits perfectly with the themes of the legend. Our artist Henri Caruchet 1873-1943 was a sought-after illustrator in the bibliophilic world producing work for authors such as Octave Uzanne Theophile Gautier and Anatole France. The present work also contains a suite of uncolored illustrations printed before letters allowing the viewer to appreciate how much the pochoir coloring does to enliven Caruchet's designs. Our binding is a product of the esteemed Club Bindery founded by Grolier Club members and other wealthy collectors to provide close to home fine quality binding work rivalling what was available abroad. The workshop provided bindings that tended to be traditional in style--though frequently with elaborate decoration--and that lived up to its patrons' expectations in terms of excellence. The first members of the staff of the Club Bindery were the Englishmen R. W. Smith and Frank Mansell. They were subsequently joined by a number of French binders chief among them being Léon Maillard who had worked previously for Cuzin Gruel and Marius Michel. The Club Bindery was in operation until 1909 with Robert Hoe 1839-1911 being its most influential manager and client. Hoe was also the founding member and first president of the Grolier Club and according to Beverly Chew his library was "the finest America has ever contained." He acquired illuminated manuscripts early printing he owned a Gutenberg Bible on paper and one on vellum fine bindings French and English literature and Americana; when his library was sold in 1911-12 it fetched nearly $2 million a record that held until the Streeter sale more than 50 years later. Librarie A. Roquette unknown
1827693791827. A Paris chez J.-S. Merlin Libraire 1827. iiii58iipp. 399 items described. Uncut. Original pink wrappers. pp. 41-48 with a light waterstain in the margin Charles Nodier 1780-1844 settled in Paris after he had been appointed librarian of the Arsenal library in 1824. There he soon became one of the leaders of the literary life in Paris. He assembled three collections which were not very large but contained only carefully chosen books. In the Grolier Club catalogue of French auction sales # 595 is mentioned that "Lonchamp records that Noder compiled this catalogue himself; according to Graesse many of the lots sold for extremely low prices". Rare catalogue. unknown
1173155333.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1830272681830. Paris Delangle FrÂres 1830. Un vol. au format in-8 222 x 142 mm de 1 f. bl. 2 ff. n.fol. 598 pp. et 1 f. bl. Reliure postÂŽrieure de pleine toile azur dos lisse ornÂŽ de filets dorÂŽs piÂce de titre de maroquin ÂŽbÂne titre dorÂŽ. Edition originale rare. Elle s'agrÂŽmente de 50 vignettes sur bois dans le texte par Tony Johannot et a ici conservÂŽ de larges tÂŽmoins. Exemplaire sur papier cavalier vÂŽlin d'Annonay. ''De ce livre date la rÂŽnovation de l'illustration ˆ l'aide de gravures sur bois''. in Rahir. ''Ce volume l'un des mieux gravÂŽs sur bois de la pÂŽriode romantique est malheureusement presque toujours assez fortement roussi. Certains exemplaires fortement et uniformÂŽment roussis ont pu Âtre vendus comme exemplaires sur papier chamois''. in Clouzot. Pourtant. : ''L'Histoire du roi de BohÂme et de ses sept ch‰teaux se vendit si peu que Delangle dut liquider sa maison d'ÂŽdition''. in AdhÂŽmar. ''La gravure exÂŽcutÂŽe avec une grande finesse fait pressentir la largeur d'exÂŽcution que nous trouverons pour la premiÂre fois dans le Gil Blas illustrÂŽ par Jean Gigoux quelques annÂŽes aprÂs''. in Brivois. ''Porret a finement gravÂŽ les compositions de Tony Johannot. Cette merveilleuse exÂŽcution marque en 1830 la date de la rÂŽnovation de la gravure sur bois qui va se poursuivre en 1835 avec le Gil Blas de Gigoux''. in Carteret. ''Le gožt pour l'image dans le public est tel que les ÂŽditeurs avisÂŽs tels que Delangle ou Hetzel demandent d'abord des illustrations ˆ un artiste et font ensuite seulement imaginer par une histoire ˆ un homme de lettres qui s'inspire des illustrations pour la raconter. C'est le cas du Roi de BohÂme et surtout de celui du Voyage o il vous plaira''. in AdhÂŽmar. ''Ë partir des annÂŽes 1830 gr‰ce ˆ la mise au point du procÂŽdÂŽ de la lithographie et de la gravure sur bois de bout permettant d'obtenir une finesse comparable ˆ celle de la gravure sur cuivre sans nÂŽcessiter un deuxiÂme passage en machine l'ÂŽdition conna”t une prolifÂŽration d'images de plus en plus ÂŽtroitement associÂŽes au texte. Un livre illustrÂŽ peut dÂŽsormais compter une centaine de planches. C'est dans ce contexte que para”t l'Histoire du roi de BohÂme et de ses sept ch‰teaux de Charles Nodier. Cette Ãuvre originale est le fruit de la collaboration de l'auteur avec l'artiste Tony Johannot qui exploite les possibilitÂŽs qu'offrent les nouvelles techniques. Si le livre ne suscite guÂre d'enthousiasme au moment de sa publication il marque le point de dÂŽpart d'une nouvelle relation entre le texte et l'image comme de celle de l'ÂŽcrivain avec l'artiste. En effet la nature mÂme de l'ouvrage tÂŽmoigne d'une communautÂŽ de vues et d'une ÂŽtroite collaboration entre les deux hommes.Ê Dans l'Histoire du roi de BohÂme et de ses sept ch‰teaux on trouve en effet une vÂŽritable interpÂŽnÂŽtration du texte et de l'image qui se mÂlent au point de devenir mutuellement paraphrastiques. Les vignettes sont librement insÂŽrÂŽes entre les lignes selon la fantaisie de l'ÂŽcrivain ou de l'illustrateur. L'image et le texte deviennent complices au service d'une imagination doublÂŽe d'un humour proche de la dÂŽrision. L'histoire sans queue ni tÂte se soumet aux ressources fantaisistes d'un langage dÂŽbridÂŽ quitte ˆ plonger dans l'incohÂŽrence et l'invraisemblance romanesque. Image et texte jouent ensemble unis par une malicieuse complicitÂŽ dans laquelle ils semblent constamment se relayer avec espiÂglerie souffler sans cesse sur les braises d'un imaginaire au galop. Ainsi de cette chevauchÂŽe fantastique o l'intensitÂŽ qui soulÂve au-dessus du sol les deux montures enfiÂŽvrÂŽes para”t rivaliser avec la fougue d'un texte emportÂŽ par une fuite irrÂŽpressible au bord du vide.'' Bruno Blasselle et CÂŽcile Cayol in L'Image en libertÂŽ une expÂŽrience originale. Barbier IV Dictionnaire des ouvrages anonymes 790-f - Clouzot Guide du bibliophile franÂais p. 130 - Escoffier Le Mouvement romantique 839 - Brivois Bibliographie des ouvrages illustrÂŽs du XIXÂme p. 306 - Vicaire VI Manuel de l'amateur de livres du XIXÂme 106 - Carteret III Le TrÂŽsor du bibliophile romantique et moderne p. 430 - QuÂŽrard VI La France littÂŽraire p. 423 - Rahir La BibliothÂque de l'amateur p. 562 - AdhÂŽmar Le Livre romantique p. 41. Quelques piqžres ÂŽparses. Du reste belle condition. b42961 unknown
192029725Paris: Maurice Devries n.d. ca. 1920. First Edition. Slim folio 31.75cm.; original string-bound simulated limp pig over cloth; 4pp. & 9 facsimile documents including a few bifolia mounted to stiff stock printed in green and ruled in gilt. Several facsimiles separated but present with tiny pieces of perished tape. Still About Very Good overall. From the library of Ben and Bernarda Shahn with their estate label inside upper wrapper. Collection of autograph letters by various noted French figures requesting financial aid. Includes pieces by Baudelaire Verlaine Nodier Daumier Lamartine and Louis Pasteur. OCLC locates 2 copies in North America as of May 2016 at Stanford and Vanderbilt. Maurice Devries unknown
181226428Paris: Barba Libraire 1812 1812. First edition. Freeman Bibliotheca Fictivia 1639. Boards darkened; some light foxing; very good copy. 8vo later tan boards red leather label gilt rules and lettering. Half-title present. A scarce study of literary forgery by French author antiquary and bibliophile Charles Nodier 1780-1844 who was also apparently well versed in the subject: "The French C19 saw Charles Nodier whose Questions de Littérature Légale . . . is a minor classic of forgery criticism repeatedly poise on the borderlines of fiction and fraud - another gamekeeper turned poacher." - Freeman page 62. ¶ Contemporary signature on the title-page of Greek scholar and publisher Jean-François Boissonade 1774-1857. Paris: Barba, Libraire, 1812 unknown
71367Paris J.-S. Merlin 1827-1844. Three works in one. 8vo 19.8 x 12.5 cm. I 1827: 2 ii 58 2 pp.; II 1829: iv 130 2 pp.; III J. Techener 1844: viii 200 pp. Contemporary half morocco over marbled boards; spine with four raised bands; compartments with hand-tooled rectangular borders and gilt title. Marbled endpapers. = A nicely bound ensemble of three very rare and important catalogues of the three auctions of the collection of the famous French author librarian and book collector Charles Nodier 1780-1844. The publisher of the third catalogue J. Techener wrote in its preface: "Voici l'une de ces perles précieuses dont la vue seule intéressera vivement tous les bibliophiles véritablement dignes de ce beau nom c'est la collection de M. Charles Nodier". Many of the 15th- to 18th-century books listed described and sold are - and were - very rare. All three catalogues with handwritten auction prices in the margins. An unmarked 24 pp. book catalogue - dated 1843 - of the "Librairie Historique et Curieuse de J. Techener" and listing 169 items is bound in the rear. Light shelfwear to extremities; some minimal scattered spotting; traces of a bookplate on the front pastedown; otherwise a very good copy. Brunet 4 p. 89. hardcover
1845837F32London: James Burns; Chapman and Hall 1845-1846. Cloth. Very Good. 7" by 5". Tony Johannot. The scarce mid nineteenth century children's tales bound in one slight volume and illustrated throughout. The first of the three charming tales present here is the 1845 James Burns edition of Adelbert Chamisso's 'The Shadowless Man' in a scarce early English language translation of the original German. Featuring a small number of vignette illustrations and a frontispiece.The second tale present bound without a title page is Charles Nodier's scarce children's tale 'Bean Flower and Pea Blossom' published by Chapman and Hall in 1846.This delightful work of fantasy is illustrated with a chromolithograph plate and numerous vignette illustrations from engraver Tony Johannot and features nine pages of publisher's advertisements for 'The Boy's Own Book'.The final work is an 1845 James Burns edition of 'Fables and Parables' featuring English translations of German stories by Lessing Herder Gellert and Meissner and with a small number of vignette illustrations.With a contemporary inscription to the head of the title page of 'Fables and Parables' dated 1845. In a full cloth binding. Bumping to spine tail with the odd light mark to boards otherwise externally excellent. Internally firmly bound. Pages generally clean and bright with the odd light spot. Very Good James Burns; Chapman and Hall hardcover
184151249Paris: J. Techener 1841. Fine. J. Techener Paris 1841 - relié Revised and expanded edition by Paul-Louis Jacob and enhanced with an original literary notice by Charles Nodier one of the rare copies printed on Dutch laid paper. Half red morocco binding with corners spine with four fine raised bands set with gilt garlands decorated with gilt compartments adorned in the grotesque style triple black fillets on marbled paper boards marbled endpapers and pastedowns top edge gilt elegant contemporary binding signed by Lebrun. A trace of a bookplate cleanly removed from one pastedown. Rare and handsome copy beautifully bound. J. Techener hardcover
5294Couverture rigide. Bon/1830. in-8. Paris Furne 1830 in-8 6 vol reliure demi-veau vert glacé dos lisse décoré et doré Superbe exemplaire! Les coins et coiffes sont sans défauts Portrait de l'auteur en frontispice. unknown
ria9783752496819_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
0428421652.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
100119069P. Boizard & G. Kugelmann. couverture défraîchie charnières et bords frottés tranches fânées intérieur assez propre bonne tenue. in4. Sans date. Relié. P. Boizard & G. Kugelmann unknown
16766Paris Madame Dabo-butschert 1824 508 pagina's paperback ingenaaid net exemplaar grotendeels ongeopend - paperback
16765Paris Madame Dabo-Butschert 1824 464p paperback ingenaaid grotendeels niet opengesneden enkele bruine vlekken en gebogen paginas overigens zeer net voor 200 jaar oud - paperback
0265892031.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
190010121Cleveland Ohio: Rofant Club. Very Good. 1900. Limited Edition. Paperback. Front cover detatched cleanly. ; Limited edition of 124 copies of which this is copy number #54. Bookplate on inside front cover of Edwin Stanton Fickes who was Senior Vice President of ALCOA. Extremely scarce copy. ; Rowfantia an Occasional Publication of the Rowfant Club. Number One August 1900.; 12mo 7" - 7½" tall; 50 pages . Rofant Club paperback
500280168Vialetay. Sans date. Très bon état Vialetay unknown
182073561Paris: Gide fils 1820. Fine. Gide fils Paris 1820 10 x 16.50 cm relié First edition. Contemporary half tawny sheep binding with small corners smooth spine decorated with triple gilt fillets navy blue morocco title label pebbled paper boards yellow edges speckled with red. Some minor foxing bibliophile's printed stamps at head of half-title page and page 99 engraved bookplate pasted to verso of front board with library classification note in black ink that has spread onto facing page. Gide fils hardcover
0266438563.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0428753892.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
183873845Paris: S. n. 1838. Fine. S. n. Paris 1838 17 x 23.50 cm broché First edition printed in a small number of copies on laid paper of this auction catalogue listing the works comprising René-Charles Guilbert de Pixerécourt's library. Vignette depicting Pixérécourt's engraved bookplate on the title page. Spine cracked with lacks boards detached handsome interior condition. S. n. hardcover
0265144612.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0366179233.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0366162101.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover