Patrice DILLON - (Charles NODIER)Biblio.com
100 résultats
189874615Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Décembre 1898 23 x 35 cm une feuille Rare original lithograph executed by Paul-César Helleu for L'Estampe Moderne series number 20 published in December 1898. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe printing on the reverse some foxing. Lithograph inspired by an extract from Polichinelle by Charles Nodier. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential printing of very grand luxury: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of beautiful format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a beautiful printing. This property makes China paper sought after for printing engravings."" Anatole France. French collectors' interest in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and devoted to preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art in the same way as the illustrated luxury book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189874614Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Décembre 1898 23 x 35 cm une feuille et une serpente Rare original lithograph executed by Patrice Dillon for L'Estampe Moderne series number 20 published in December 1898. One of 50 deluxe proofs printed on Japan paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin numbered stamp of the deluxe printing on the reverse; engraving preceded by a tissue guard captioned with the artist's name title and an extract from a work. Lithograph inspired by an extract from Polichinelle by Charles Nodier reproduced on the print's tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential printing of very grand luxury: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of beautiful format is superbly printed on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a complete work in itself. Its quality of ink absorption and its affinity with colors also make it the ideal medium for these very beautiful lithographs. French collectors' interest in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and devoted to preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art in the same way as the illustrated luxury book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
190010121Cleveland Ohio: Rofant Club. Very Good. 1900. Limited Edition. Paperback. Front cover detatched cleanly. ; Limited edition of 124 copies of which this is copy number #54. Bookplate on inside front cover of Edwin Stanton Fickes who was Senior Vice President of ALCOA. Extremely scarce copy. ; Rowfantia an Occasional Publication of the Rowfant Club. Number One August 1900.; 12mo 7" - 7½" tall; 50 pages . Rofant Club paperback
182073561Paris: Gide fils 1820. Fine. Gide fils Paris 1820 10 x 16.50 cm relié First edition. Contemporary half tawny sheep binding with small corners smooth spine decorated with triple gilt fillets navy blue morocco title label pebbled paper boards yellow edges speckled with red. Some minor foxing bibliophile's printed stamps at head of half-title page and page 99 engraved bookplate pasted to verso of front board with library classification note in black ink that has spread onto facing page. Gide fils hardcover
183659408Undated around 1836. 1 leaf 8vo. on light-blue paper. 16 lines and signed "Tout á vous et de coeur/ Charles Nodier" The letter seems to deal with Alexander Dumas' novel "Voyages de Gabriel Payot". On verso of the letter is transscribed in Nodier's hand "Monsieur Alexandre Dumas/ cour d'Orleans No 3./ Paris". Marks after folding. Faint scattered brownspots. unknown
1846JF93London: Chapman and Hall 1846. Book. Illus. by Tony Johannot. Fair. Soft cover. Picture Story Books by Great Authors and Great Painters series. Paperback: embellished with numerous illustrations from designs by Tony Johannot hand coloured colour frontispiece many text illustrations original wraps are slightly marked creases edges lightly rubbed spine is missing and has been covered with gauze internally the binding has been re-glued and a few page folds have been strengthened with paper tape inscription dated 1847 on reverse of front flyleaf some wear on the inside edge of the front flyleaf and colour frontispiece which is also partially loose small piece missing from lower edge of the title page internal marks back flyleaf missing etc - a fair copy of a scarce mid 19th century children's fantasy also includes the story 'The Idiot and his Birds'. 16mo 66 pages 10 publisher's catalogue featuring 'Boy's Own Library and Boy's Own Book. More photos available on request. Chapman and Hall Paperback
18943355Paris: Imprimerie Generale Lahure for: Librairie de L. Conquet 1894. 12mo. Contemporary burgundy levant morocco gilt extra by H.E. Laskine: triple gilt fillet around sides enclosing a blue morocco inlaid frame turn-ins similarly gilt and inlaid silk moire pastedowns and endpapers the verso and the recto opposite of comb-marbled paper original hand-colored wrappers bound in top edges gilt others untrimmed. Text and wrappers inexplicably foxed throughout see images and priced accordingly; apart from extremely minor abrasions at head and tail the binding is superb state. PRINTED FOR THE ARTIST HIMSELF Maurice Leloir as stated in letterpress on the verso of the half-title on Japon paper with an extra suite of all the illustrations hors-texte bound in. <br/><br/>Charles Nodier 1783-1844 author insatiable book collector and long-serving librarian of the Bibliothèque de l'Arsenal was the progenitor of the kind of bibliophily practiced in France to the present day. He was also an unrivalled seller of books by auction. In 1838 he declared that God had made him rich enough five times to buy books and five times so poor that he had to sell them again. He sold his books for the first time in 1802 at the age of nineteen and sold reconstituted collections or parts of them at auction in 1809 1813 1817 1827 and 1829. In advance of forthcoming sales Nodier aroused a great deal of excitement by publishing his own literary and bibliographical investigations into the books to be offered in the form of "Mélanges" and "Nouveau Mélanges." It is a remarkable fact that Nodier wrote nearly all the descriptions that appeared in the posthumous sale catalogue of his library Techener 1844.<br/><br/>Nodier was in the forefront of those French collectors who had simple contemporary bindings on old books ripped off and replaced by modern more elaborate bindings; among his favored butchers were Koehler and Thouvenin. <br/><br/>Our copy does not contain any statement of limitation which was bound in ordinary copies; instead on the verso of the half-title the name of the special recipient is printed: "Exemplaire tire pour Monsieur Maurice Leloir." We have seen mention that the edition was limited to 150 numbered copies on Japon from a total edition of 500. The number of "named" hors-serie copies has not be determined but it must have been extremely small.<br/><br/>The binder H.E. Laskine clearly possessed a high degree of artistry and technical abilities; and yet very few bindings by him/her have been located: only three examples are listed in RBH's Rare Book Transactions database which currently holds more than 10 million records sic. Laskine remained unknown to Flety. [Imprimerie Generale Lahure for]: Librairie de L. Conquet unknown books
183873845Paris: S. n. 1838. Fine. S. n. Paris 1838 17 x 23.50 cm broché First edition printed in a small number of copies on laid paper of this auction catalogue listing the works comprising René-Charles Guilbert de Pixerécourt's library. Vignette depicting Pixérécourt's engraved bookplate on the title page. Spine cracked with lacks boards detached handsome interior condition. S. n. hardcover
1841WRCLIT21051Paris: J. Techner 1841. 112pp. 19th century three quarter red morocco and marbled boards. First edition. Two late essays by the prominent man of letters. Binding extremities worn internally near fine. J. Techner hardcover books
1827693791827. A Paris chez J.-S. Merlin Libraire 1827. iiii58iipp. 399 items described. Uncut. Original pink wrappers. pp. 41-48 with a light waterstain in the margin Charles Nodier 1780-1844 settled in Paris after he had been appointed librarian of the Arsenal library in 1824. There he soon became one of the leaders of the literary life in Paris. He assembled three collections which were not very large but contained only carefully chosen books. In the Grolier Club catalogue of French auction sales # 595 is mentioned that "Lonchamp records that Noder compiled this catalogue himself; according to Graesse many of the lots sold for extremely low prices". Rare catalogue. unknown
18272387Paris: Merlin / Crapelet 1827-1829. FIRST AND ONLY EDITION OF THE EXTREMELY RARE CATALOGUE OF THE FIRST SALE OF NODIER'S LIBRARY held to provide a dowry for his daughter. 2 ii 60 pp; 399 lots. BOUND WITH NODIER'S CELEBRATED "Mélanges tirés d'une petite bibliothèque" a fascinating collection of 52 bibliographic studies. 3 viii 428 pp. Both books printed on fine laid paper. 8vo. Beautifully bound in contemporary quarter calf and decorated boards. Spine gilt in five compartments. Light wear to extremities of binding. Internally bright and fine. Scarce. <br/><br/> Merlin / Crapelet hardcover
1830003188Paris: Louis Janet 1830. First Edition. Velvet on Boards. Full Morocco Slipcase. Near Fine. 12mo. 16.5 by 10.5 cm. clvii 44 1 pp. With five hand-colored and illuminated plates including title plus illuminated devices and decoration elsewhere. While the plates are printed the coloring and illumination is such that it is a fine simularcrum of manuscript illumination. This work is in fact a literary hoax simulating a Medieval Romance but in fact penned by Michel and promoted by the extensive notes and annotations that follow the chronicles. The leaves are a light vellum and this edition was issued with luxuriant unusual bindings such as the navy blue velvet of this one. Louis Janet unknown
1830004720Paris: Louis Janet 1830. First Edition. Cloth. Full Straight-Grained Morocco Slipcase. Near Fine. 12mo. 16.5 by 10.5 cm. clvii 44 1 pp. With five hand-colored and illuminated plates including title plus illuminated devices and decoration elsewhere. While the plates are printed the coloring and illumination is such that it is a fine simularcrum of manuscript illumination. This work is in fact a literary hoax simulating a Medieval Romance but in fact penned by Michel and promoted by the extensive notes and annotations that follow the chronicles. The leaves are a light vellum and this copy has a resplendent decorative green cloth relief with a rich gilt background that is quite distinctive. Pink moire endpapers. Lovely gilt decoration including border on the straight-grained morocco slipcase. A few light fox marks but essentially clean and mostly pristine. Minor rubbing of the gilt on the spine and other trivial manifestations of wear. Louis Janet unknown
1830004720Paris: Louis Janet 1830. First Edition. Cloth. Full Straight-Grained Morocco Slipcase. Near Fine. 12mo. 16.5 by 10.5 cm. clvii 44 1 pp. With five hand-colored and illuminated plates including title plus illuminated devices and decoration elsewhere. While the plates are printed the coloring and illumination is such that it is a fine simularcrum of manuscript illumination. This work is in fact a literary hoax simulating a Medieval Romance but in fact penned by Michel and promoted by the extensive notes and annotations that follow the chronicles. The leaves are a light vellum and this copy has a resplendent decorative green cloth relief with a rich gilt background that is quite distinctive. Pink moire endpapers. Lovely gilt decoration including border on the straight-grained morocco slipcase. A few light fox marks but essentially clean and mostly pristine. Minor rubbing of the gilt on the spine and other trivial manifestations of wear. <br/><br/> Louis Janet hardcover books
1830003188Paris: Louis Janet 1830. First Edition. Velvet on Boards. Full Morocco Slipcase. Near Fine. 12mo. 16.5 by 10.5 cm. clvii 44 1 pp. With five hand-colored and illuminated plates including title plus illuminated devices and decoration elsewhere. While the plates are printed the coloring and illumination is such that it is a fine simularcrum of manuscript illumination. This work is in fact a literary hoax simulating a Medieval Romance but in fact penned by Michel and promoted by the extensive notes and annotations that follow the chronicles. The leaves are a light vellum and this edition was issued with luxuriant unusual bindings such as the navy blue velvet of this one. <br/><br/> Louis Janet hardcover books
182583365Paris: N. DelangleLadvocatRapilly 1825. Fine. N. Delangle Ladvocat Rapilly Paris 1825-1829 10.20 x 15.50 cm 12 volumes reliés Collective edition dedicated to Duchesse de Berry issued at 500 copies one of 25 copies on hollande. Half long-grained Bradel morocco binding. Smooth spine elaborately gilt lengthwise title lettered in gilt gilt date at foot original green covers preserved except for Les Poésies de Charles Nodier bound without original covers and Poesies de madame Evelines Desormery bound with its covers without the original spine untrimmed. Elegant Romantic imitation bindings signed Carayon. A very fine set rare in this condition. Complete 8-volume collection edited and prefaced for every volume by Charles Nodier: Voyage de Chapelle et Bachaumont La Guirlande de Julie par M. de Montausier Diverses poésies du Chevalier d'Aceilly Conjuration du Comte de Fiesque par le Cardinal de Retz Oeuvres choisies de Sénécé Oeuvres choisies de Sarrasin Madrigaux de Monsieur de la Sablière Relation des campagne de Rocroi et de Fribourg par Henri de Bessé. It includes 4 additional volumes not belonging to the collection Fables de Fénelon Rapilly 1826 Poesies diverses de Charles Nodier Delangle et Ladvocat 1827 Poesies de madame Evelines Desormery Delangle 1828 Esquisses poetiques par Edouard Turquety Delangle 1829. Signed and inscribed by Charles Nodier to Alphonse de Cailleux on the half-title of his collection of poems in first edition: ""Si ce petit livre valait la peine d'être offert je l'aurais offert à mon bon ami Alphonse de Cailleux"" If this little book were ever worth offering I would offer it to my good friend Alphonse de Cailleux. A very fine set of Romantic bindings by Carayon one of the most important bookbinders of the late 19th century. N. DelangleLadvocatRapilly unknown
185977743Paris: Magnin Blanchard & Compagnie 1859. Fine. Magnin Blanchard & Compagnie Paris 1859 19 x 28.30 cm relié New illustrated edition with 8 etchings by Tony Johannot bearing the artist's name engraved with the point on China paper mounted. These illustrations belong to the first illustrated edition of 1845 2 are artist's proofs without Johannot's name added by him. Printed on laid paper. Half old red shagreen binding with corners signed Petit at the top of the first endpaper. Spine with raised bands richly decorated with elaborately gilt compartments. Red shagreen title label. Top edge gilt. Uncut copy full-margined perfectly fresh. Spine slightly faded. Handsome copy from the sale of Jacques Crépineau's library without his bookplate but with a bookmark from L'Etude Ader reproducing the bookplate 11/10/2021. Director of the Michodière theater and theater historian he held a famous collection of Romantic books. List of tales: Trilby - Le songe d'or - Baptiste Montauban - La fée aux miettes - La combe de l'homme mort - Inès de las sierras - Smara - La neuvaine de la chandeleur - La légende de la soeur Béatrix. Magnin, Blanchard & Compagnie hardcover
184634524Paris: J. Hetzel 1846. Fine. J. Hetzel Paris 1846 18.50 x 27.50 cm relié New edition illustrated with original etchings by Tony Johannot. Half olive shagreen binding spine with four raised bands set with cold fillets and gilt dots decorated with triple gilt compartments gilt title corners very slightly bumped. Work illustrated with original etchings hors-texte by Tony Johannot. Scattered foxing. J. Hetzel hardcover
1890255232Librairie d'éducation nationale 1890. Bon Etat de conservation circa 1890 première garde abîmée intérieur uniformément jauni bonne tenue. in4. 1890. Relié. 6e édition Librairie d'éducation nationale unknown
184691861J. Hetzel 1846. Hardcover. Very good/No jacket. Tony Johannot. In French. Engravings by Tony Johannot. 3/4 leather. Covers edgeworn. J. Hetzel hardcover
18591508210008Paris : Magnin Blanchard 1859-01-01. Hardcover. Very Good. Quarto. Bound in publishers black cloth. Gilt spine. 4 raised bands. AEG. Good binding and cover. Wear to extremities. Scattered foxing. Paris : Magnin, Blanchard hardcover
1846318171Paris: J. Hetzel 1846. Hardcover. Good. J. Hetzel 1846; no additional printings indicated; 310 1pp. eight plates with etchings by Tony Johannot. Blue cloth binding with stamped gilt titling and designs on spine and both boards; gilt page edges tissue protectors over plates. Binding is sturdy and fully intact; light foxing to a few interior end pages else text illustration very good throughout; moderate amount of wear to edges of boards cloth split/frayed over gently bumped corners and spine ends gilt remains bright and bold. Due to the size/weight of this book extra charges may apply for international shipping. Ships same or next business day from Dinkytown in Minneapolis Minnesota. J. Hetzel hardcover
184543159Paris: Bibliothèque d'Education & de Recréation ca. 1845.- SOLO VOL. 2º de 2 con 2 h. 324 p. 1 h.: Ilustrado con 5 preciosas láminas grabadas al acero; 8º 183 x 12 cm; Texto en francés; Enc. en Media Piel época lomo con hierros en seco y dorados tapas con plancha en seco. Con algunas rozaduras en la cabeza del lomo y las tapas que han sido restauradas quedando el libro muy bien. Aunque no va indicado en el texto sabemos que estos cuentos estaban formados por 2 Tomos. Nosotros solamente ofrecemos el Tomo 2º. o segunda serie. LITERATURA Y ESTUDIOS LITERARIOS EXTRANJEROS DE LOS SIGLOS XVI-XXI Livre en français Bibliothèque d'Education & de Recréation hardcover
183556393Paris: Eugène Renduel 1835. Fine. Eugène Renduel Paris 1835 11.50 x 18 cm relié First edition reissued under new covers and relay title. This rare collection was initially published in December 1833 under the title: L'amulette. Étrennes à nos jeunes amis. Half dark green Russia morocco binding smooth spine decorated with gilt arabesques gilt date at foot gilt fillet on marbled paper boards three scratches on first cover marbled endpapers and pastedowns bookplate pasted on pastedown covers and spine preserved elegant pastiche binding signed by Pouillet. Work illustrated with a title vignette and 8 plates. Some foxing of no great consequence. Eugène Renduel hardcover
184680246Paris: Hetzel 1846. In-8 gr. mm. 262x173 mz. pelle coeva dorso a cordoni con decoraz. e titolo oro risg. damascati tagli dorati pp. 43102 con 7 su 8 belle composizioni fuori testo di Johannot inc. all'acquaforte tirées sur chine et portant le nom de l'artiste gravé à la pointe. Vi sono contenuti 10 racconti: Trilby - Le songe d'or - Baptiste Montauban - La fée aux miettes - La combe de l'homme mort - Ines de las Sierras - Smarra - La neuvaine de la chandeleur - La légende de la soeur Béatrix. "Prima edizione in prima tiratura" con queste illustrazioni. Cfr. CarteretIII p. 433.<br>Con fioriture ma buon esemplare. Hetzel, unknown
