404 résultats
1896R320001237BOREL. 1896. In-18. Broché. Bon état, 1er plat abîmé, Dos abîmé, Intérieur frais. 260 ornées de quelques illustrations couleur - Manque 1er plat.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
189874615Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Décembre 1898 23 x 35 cm une feuille Rare original lithograph executed by Paul-César Helleu for L'Estampe Moderne series number 20 published in December 1898. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe printing on the reverse some foxing. Lithograph inspired by an extract from Polichinelle by Charles Nodier. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential printing of very grand luxury: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of beautiful format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a beautiful printing. This property makes China paper sought after for printing engravings."" Anatole France. French collectors' interest in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and devoted to preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art in the same way as the illustrated luxury book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189874614Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Décembre 1898 23 x 35 cm une feuille et une serpente Rare original lithograph executed by Patrice Dillon for L'Estampe Moderne series number 20 published in December 1898. One of 50 deluxe proofs printed on Japan paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin numbered stamp of the deluxe printing on the reverse; engraving preceded by a tissue guard captioned with the artist's name title and an extract from a work. Lithograph inspired by an extract from Polichinelle by Charles Nodier reproduced on the print's tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential printing of very grand luxury: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of beautiful format is superbly printed on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a complete work in itself. Its quality of ink absorption and its affinity with colors also make it the ideal medium for these very beautiful lithographs. French collectors' interest in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and devoted to preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art in the same way as the illustrated luxury book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
19002854# AUTEUR: Nodier Charles # ILLUSTRATEUR: Steinlen # ÉDITEUR: Pellatan Edouard - Paris # ANNÉE ÉDITION: 1900 # ENVOI, BEAUX PAPIERS: Grand Vélin à la cuve des papeteries du Marais # COUVERTURE: Souple illustrée en couleurs - à rabats - # DÉTAILS: In 4° broché XV + 28pp.+1ff. N° 118 des 127 exemplaires sur grand Vélin à la cuve des papeteries du Marais. 25 compositions de Steinlen dont 5 hors texte en couleurs gravées par Deloche, E. Froment, Ernest et Frédéric Florian. Cette édition à été établie à l'occasion de l'exposition universelle de 1900. # PHOTOS visibles sur www.latourinfernal.com
18352865# AUTEUR: Norvins - Nodier - Dumas - Didier - Walcknaer - Legouvé - Royer - Berlioz - de Beauvoir - Auger - Lemmonier # ILLUSTRATEUR: Haudebourt-Lescot # ÉDITEUR: Amable Costes - Paris # ANNÉE ÉDITION: 1835 # COUVERTURE: Pleine toile moirée - dos plat - pièce de titre basane titre doré # DÉTAILS: Petit in 4° relié 472pp.(texte), 2 cartes dépliantes, 93 planches hors-texte à pleine page, 15 planches de 2 gravures ht, VIII (avant propos et introduction) + 48pp.(Savoie Piémont) + 16pp.(Lombardie) + 48pp.(Etats Vénissiens) + 48pp.(Toscane) + 24pp.(voyage musical) + 16pp.(musées) + 120pp.(états romains) + 8pp.(campagne Rome) + 80pp.(Naples) + 64pp.(Calabre Abruzzes). La page de titre illustrée de 1834 est insérée avant l'avant propos. # PHOTOS visibles sur www.latourinfernal.com
18340316# AUTEUR: De Norvins - Nodier - Dumas - Legouvé - Didier - Walckenaer - Al Royer - Berlioz - De Beauvoir - Hauger # ILLUSTRATEUR: Haudebourg # ÉDITEUR: Amable Costes Paris # ANNÉE ÉDITION: 1834 # COUVERTURE: demi-basane rouge faux nerfs et titre doré # DÉTAILS: petit in 4° relié 1 ff + VIII + 28 pp + 64 pp + 24 pp + 24 pp + 64 pp + 120 pp + 56 pp + 80 pp + 8 pp + 56 pp. 2 cartes dépliantes. 145 grav. sur acier en hors texte dont 123 â pleine page et 22 sur 11 pages. 534 pages de texte. # PHOTOS visibles sur www.latourinfernal.com
18305294Paris, Furne, 1830, in-8, 6 vol, reliure demi-veau vert glacé, dos lisse décoré et doré, Superbe exemplaire! (Les coins et coiffes sont sans défauts) Portrait de l'auteur en frontispice. 6 vol.
190010121Cleveland Ohio: Rofant Club. Very Good. 1900. Limited Edition. Paperback. Front cover detatched cleanly. ; Limited edition of 124 copies of which this is copy number #54. Bookplate on inside front cover of Edwin Stanton Fickes who was Senior Vice President of ALCOA. Extremely scarce copy. ; Rowfantia an Occasional Publication of the Rowfant Club. Number One August 1900.; 12mo 7" - 7½" tall; 50 pages . Rofant Club paperback
182073561Paris: Gide fils 1820. Fine. Gide fils Paris 1820 10 x 16.50 cm relié First edition. Contemporary half tawny sheep binding with small corners smooth spine decorated with triple gilt fillets navy blue morocco title label pebbled paper boards yellow edges speckled with red. Some minor foxing bibliophile's printed stamps at head of half-title page and page 99 engraved bookplate pasted to verso of front board with library classification note in black ink that has spread onto facing page. Gide fils hardcover
182073561Gide fils | Paris 1820 | 10 x 16.50 cm | relié
182072744Paris Gide fils 1820 1 vol. relié in-18, demi-veau glacé caramel à petits coins, dos lisse orné de frises doré et d'un décor de filets guillochés à froid, tranches mouchetées, 240 pp. Edition originale. Cette confession épistolaire est injustement méconnue : Nodier dote son héros d'une véritable nature mélancolique, sujet qu'il a déjà abordé dans "Les tristes" en 1806 mais avec une approche moins romanesque. Dos et mors frottés, brunissures angulaires aux premiers et derniers feuillets, sinon charmante reliure d'époque avec ex-libris gravé.
182072744Paris Gide fils 1820 1 vol. relié in-18, demi-veau glacé caramel à petits coins, dos lisse orné de frises doré et d'un décor de filets guillochés à froid, tranches mouchetées, 240 pp. Edition originale. Cette confession épistolaire est injustement méconnue : Nodier dote son héros d'une véritable nature mélancolique, sujet qu'il a déjà abordé dans "Les tristes" en 1806 mais avec une approche moins romanesque. Dos et mors frottés, brunissures angulaires aux premiers et derniers feuillets, sinon charmante reliure d'époque avec ex-libris gravé.
182024539Paris Gide et Fils 1820 Grand In-12 IX- 240 pp + 2 ff. Edition Originale . couverture imprimée d'époque, rousseurs
1829000006Paris Louis Janet 1829
182527929Paris Urbain Canel 1825 In-12 un frontispice IX - 364 pp, rousseurs éparses
183659408Undated around 1836. 1 leaf 8vo. on light-blue paper. 16 lines and signed "Tout á vous et de coeur/ Charles Nodier" The letter seems to deal with Alexander Dumas' novel "Voyages de Gabriel Payot". On verso of the letter is transscribed in Nodier's hand "Monsieur Alexandre Dumas/ cour d'Orleans No 3./ Paris". Marks after folding. Faint scattered brownspots. unknown
183659408Undated, around 1836. 1 leaf 8vo. on light-blue paper. 16 lines and signed ""Tout á vous et de coeur/ Charles Nodier"" The letter seems to deal with Alexander Dumas' novel ""Voyages de Gabriel Payot"". On verso of the letter is transscribed in Nodier's hand ""Monsieur Alexandre Dumas,/ cour d'Orleans No 3./ Paris"". Marks after folding. Faint scattered brownspots.
1846JF93London: Chapman and Hall 1846. Book. Illus. by Tony Johannot. Fair. Soft cover. Picture Story Books by Great Authors and Great Painters series. Paperback: embellished with numerous illustrations from designs by Tony Johannot hand coloured colour frontispiece many text illustrations original wraps are slightly marked creases edges lightly rubbed spine is missing and has been covered with gauze internally the binding has been re-glued and a few page folds have been strengthened with paper tape inscription dated 1847 on reverse of front flyleaf some wear on the inside edge of the front flyleaf and colour frontispiece which is also partially loose small piece missing from lower edge of the title page internal marks back flyleaf missing etc - a fair copy of a scarce mid 19th century children's fantasy also includes the story 'The Idiot and his Birds'. 16mo 66 pages 10 publisher's catalogue featuring 'Boy's Own Library and Boy's Own Book. More photos available on request. Chapman and Hall Paperback
182166030Traduite librement de l'anglois du Rèv. R. C. Maturin, par MM. Taylor et Ch. Nodier, 1 vol. in-8 reliure de l'époque demi-maroquin rouge, chiffre doré "A" au premier plat, Gide Fils, Ladvocat, Paris, 1821, 2 ff., XI-178 pp.
182146405325Paris, Gide, Ladvocat,, 1821 ; in-8, broché, couv. grise ornée. 2 ff., XI pp., (1p.), 178 pp., 1 f. blanc. EDITION ORIGINALE de cette tragédie noire peu connue et de toute rareté. La préface de Nodier est un véritable manifeste romantique, un des premiers: "" … Il faut des commotions électriques à la paralysie, des horreurs poétiques à la sensibilité, et des exécutions à la populace. Ces idées ne seront pas déplacées devant le drame effrayant de Bertram, digne production du génie morose et farouche qui s'est plié à retracer dans Melmoth tous les progrès de la séduction infernale sur le désespoir. Ce qu'il y a de déplorable, c'est que cette tragédie anglaise est horriblement belle, et si l'on peut s'exprimer ainsi, qu'elle est horriblement morale…. mais nous croyons que le Bertram du Révérend Maturin… a nourri plus de déterminations féroces dans le cœur d'un méchant organisé, qu'il n'a développé de pieuses émotions…"" P. Planche écrit : ""qu'un jour la postérité placera Melmoth et Bertram entre Faust et Manfred. Sur la genèse de cette adaptation, et le destin de la pièce voir: Larat. La Tradition et l'exotisme dans l'œuvre de Nodier pp. 121-123. - Loliée. Romans noirs, 339. - Oberlé. Romans noirs 35. - Killen 252. - Escoffier 382. - Valette. Utopies 278. Exemplaire broché, à l'état de parution. - Qq. rouss."
182118820Paris, Gide fils; Ladvocat, 1821. In-8 broché de [4]-XI-[1]-178-[2] pages, dos muet.
182119867Paris, Gide fils; Ladvocat, 1821. In-8 broché de [4]-XI-[1]-178-[2] pages, demi-percaline rouge, couvertures conservées.
18943355Paris: Imprimerie Generale Lahure for: Librairie de L. Conquet 1894. 12mo. Contemporary burgundy levant morocco gilt extra by H.E. Laskine: triple gilt fillet around sides enclosing a blue morocco inlaid frame turn-ins similarly gilt and inlaid silk moire pastedowns and endpapers the verso and the recto opposite of comb-marbled paper original hand-colored wrappers bound in top edges gilt others untrimmed. Text and wrappers inexplicably foxed throughout see images and priced accordingly; apart from extremely minor abrasions at head and tail the binding is superb state. PRINTED FOR THE ARTIST HIMSELF Maurice Leloir as stated in letterpress on the verso of the half-title on Japon paper with an extra suite of all the illustrations hors-texte bound in. <br/><br/>Charles Nodier 1783-1844 author insatiable book collector and long-serving librarian of the Bibliothèque de l'Arsenal was the progenitor of the kind of bibliophily practiced in France to the present day. He was also an unrivalled seller of books by auction. In 1838 he declared that God had made him rich enough five times to buy books and five times so poor that he had to sell them again. He sold his books for the first time in 1802 at the age of nineteen and sold reconstituted collections or parts of them at auction in 1809 1813 1817 1827 and 1829. In advance of forthcoming sales Nodier aroused a great deal of excitement by publishing his own literary and bibliographical investigations into the books to be offered in the form of "Mélanges" and "Nouveau Mélanges." It is a remarkable fact that Nodier wrote nearly all the descriptions that appeared in the posthumous sale catalogue of his library Techener 1844.<br/><br/>Nodier was in the forefront of those French collectors who had simple contemporary bindings on old books ripped off and replaced by modern more elaborate bindings; among his favored butchers were Koehler and Thouvenin. <br/><br/>Our copy does not contain any statement of limitation which was bound in ordinary copies; instead on the verso of the half-title the name of the special recipient is printed: "Exemplaire tire pour Monsieur Maurice Leloir." We have seen mention that the edition was limited to 150 numbered copies on Japon from a total edition of 500. The number of "named" hors-serie copies has not be determined but it must have been extremely small.<br/><br/>The binder H.E. Laskine clearly possessed a high degree of artistry and technical abilities; and yet very few bindings by him/her have been located: only three examples are listed in RBH's Rare Book Transactions database which currently holds more than 10 million records sic. Laskine remained unknown to Flety. [Imprimerie Generale Lahure for]: Librairie de L. Conquet unknown books
1824R240100214MME VE DABO. 1824. In-8. Relié. Bon état, Coins frottés, Dos à nerfs, Quelques rousseurs. 682 pages - quelques rousseurs sans réelle conséquence sur la lecture - tranches dorées - dos à 4 nerfs - titre + filets + caissons dorés sur le dos .. . . . Classification Dewey : 792-Théâtre
1824RO20126303Mme Ve DABO. 1824. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Papier jauni. 482 pages.. . . . Classification Dewey : 792-Théâtre