Nodier, Charles (1780-1844)Biblio.com
88 résultats
1831245354Paris : A. Levavasseur 1831. First Edition. Hardcover. Near fine copy bound in quarter cloth over marble boards with leather label to the spine. Remains well-preserved overall; tight bright clean and sharp-cornered. Physical description; volume I only: 286 p. ; 19 cm. Subjects; France — History — Revolution 1789-1815. France — History — Revolution 1789-1815 — Biography. France — History — Revolution 1789-1799. Paris : A. Levavasseur hardcover
183114206s. l. Paris: Extrait de La Revue des deux mondes 1831. Fine. Extrait de La Revue des deux mondes s. l. Paris s. d. 1831 15.50 x 25 cm agrafé First edition. Plain paper cover. Rare. Extrait de La Revue des deux mondes unknown
1847004533NY: D. Appleton & Company 1847 80pp 2 80pp 2 66pp 2 62pp incomplete tale lacking some pages. Bound in 3/4 leather & marbled paper raised bands on spine illustrated throughout. Hinges cracked one signature sprung chipping to marble paper on covers. D. Appleton & Company hardcover
1845837F32London: James Burns; Chapman and Hall 1845-1846. Cloth. Very Good. 7" by 5". Tony Johannot. The scarce mid nineteenth century children's tales bound in one slight volume and illustrated throughout. The first of the three charming tales present here is the 1845 James Burns edition of Adelbert Chamisso's 'The Shadowless Man' in a scarce early English language translation of the original German. Featuring a small number of vignette illustrations and a frontispiece.The second tale present bound without a title page is Charles Nodier's scarce children's tale 'Bean Flower and Pea Blossom' published by Chapman and Hall in 1846.This delightful work of fantasy is illustrated with a chromolithograph plate and numerous vignette illustrations from engraver Tony Johannot and features nine pages of publisher's advertisements for 'The Boy's Own Book'.The final work is an 1845 James Burns edition of 'Fables and Parables' featuring English translations of German stories by Lessing Herder Gellert and Meissner and with a small number of vignette illustrations.With a contemporary inscription to the head of the title page of 'Fables and Parables' dated 1845. In a full cloth binding. Bumping to spine tail with the odd light mark to boards otherwise externally excellent. Internally firmly bound. Pages generally clean and bright with the odd light spot. Very Good James Burns; Chapman and Hall hardcover
18454759Leipzig: Teubner 1845. Scarce children's book with parallel text in both German and French. 1 leaf 138 p. 1 leaf - with 120 woodcuts by Johannot. In recent hardback rebind. Very clean outside. Inside new endpapers pages age toned but tidy. 165 x 130 mm 6½ x 5 inches. Livre d'enfant rare avec un texte parallèle en allemand et en français. 1 feuillet 138 p. 1 feuillet - avec 120 gravures sur bois de Johannot. Reliure cartonnée récente. Extérieur très propre. A l'intérieur nouvelles pages de garde pages vieillies mais bien rangées. 165 x 130 mm Teubner hardcover
1895D3077Boston: Estes and Lauriat 1895. First Edition. Hardcover. Very Good. Illustrated cloth and paper. Boards lightly rubbed; spine tips and corners just a bit chipped; first gathering starting. <br/><br/> Estes and Lauriat hardcover
184437043Paris: Hetzel 1844. Fine. Hetzel Paris 1844 13 x 19.50 cm relié First separate edition. Half lemon yellow shagreen binding smooth spine decorated with arabesques and gilt floral tooling marbled paper pastedowns and endpapers contemporary binding. Numerous engraved illustrations in the text by Tony Johannot preface by P.-J. Stahl. From the collection of the Nouveau Magazine des Enfants. A handsome copy in a charming Romantic binding. Hetzel unknown
183659466Paris : chez Allardin 1836. 288x190mm. xylographies demi-basane noires titre et filets dors au dos. 1193 chez Allardin unknown
183781126Paris : Postel 1837. 305x195mm. xylographies in texte demi-veau de lÕpoque plats papier marbr titre et ornementations dors au dos quelques rousseurs. Texte sur deux colonnes. Cuir frott. 547 Postel unknown
18683447938Paris.: Firmin Didot. 1868. Hardcover. Cubierta deslucida. Good. 22 cm. 1140 p. Encuadernación en tapa dura artesanal en plena piel con tejuelo. Idioma francés. La última página está sensiblemente rasgada . Cubierta deslucida. lengua francesa Firmin Didot. hardcover
186822686Paris: Firmin Didot Frères 1868. 8vo pp. 2 x 2 1142; text in double column; vignette title-p.; full contemporary and probably original tree calf gilt decorated spine black morocco label; very good and sound. A late edition of the first great abridgement of the French Academy's dictionary of the French language first published in 1836. No copies of this edition in OCLC. Firmin Didot Frères unknown
182571534Paris: N. Delangle 1825. Fine. N. Delangle Paris 1825 10 x 15.30 cm relié Edition from the Petits Classiques françois collection printed in 500 copies at the expense and under the supervision of Charles Nodier and the publisher using Didot l'Aîné typefaces. Half navy blue morocco binding with corners spine with five raised bands decorated with double blind-stamped compartments a few small scratches to the spine marbled paper boards marbled endpapers and pastedowns marbled edges two corners slightly bumped. Handsome copy despite some light foxing. N. Delangle hardcover
188712384Paris: G. Charpentier 1887. 2 aquatints after drawing by A. Ferdinandus enraved by F. Massé. 369 pp. 11.5 x 8 cms. 12mo bound by Lucette Lévy in full brown morocco elaborately tooled in gilt on both sides and spine with a lattice pattern with in a border on each side and spine the cetnre of each lozenge with a gilt flower tool spine lettered in gilt doublures with a matrix of flower tools with in two gilt fillet borders watersilk free endpapers original wrappers bound in. With the original chemise. A very handsome book in excellent condition.In the 1920s many women were drawn to the medium of bookbinding perhaps influenced by the new modernist designs forged by Pierre Legrain. The women included the widows of bookbinders killed in the war and a hwole new enterprising generation of young women who were searching for a fashionable vocation in teh arts. As the Ecole Estienne was reserved ofr men may women enrolled at the city’s Ecole et Les Ateliers d’Art Decoratif which had been founded in 1894. It is very probable that Lucette Lévy was among them. Binding instruction was offered first by Mme Rene Sergent and later by Lapersonne Choffe and Genevieve de Leotard. On completion of the 4 year course graduates sought employment in the city’s main binding workshops or set out to establish themselves independently. <br>Although we cannot find any details about her apart from occasional bindings which have appeared in the rooms viz. Christie’s 2009 and a couple of bindings in booksellers’ catalogues Lucette Lévy was clearly extremely talented with great technical ability like Adler she inclined to familiarising herself with the text and illustrations in a book to create an accord with it in her binding. She was varied and adaptive in her styles and was inventive with fonts for lettering and ways of binding throughout the 1920s and 1930s. G. Charpentier unknown
