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1882012725London: Macmillan and Co 1882. Book measures 18x12.5.cm. Collation 8192pp illustrated frontis text illustrations stated on title page seventieth thousand. Bound in later half calf raised bands gilt tooling marble endpapers. Binding worn some loss joints split. Internally previous owners bookplate crease/fold line on corner of 3 pages 1 page clipped on corner without loss of text about 10 pages have stain marking not heavy or very much . Generally pages clean. . Hardcover. Good Plus. Small 8vo. Macmillan and Co Hardcover
1982mbb007121AU: AH and AW Reed 1982. First Edition. Hardcover. Very Good/Very Good. 265x190x15mm. BLACKMAN CHARLES. 265x190x15mm609g . . 500g Postage Incorrect see below for 1kg . . AH and AW Reed. AU. 1982. First Edition. 1st Printing. . Pp128 Orange hard cloth boards with white lettering to the spine; in original dust jacket unclipped. Half title page and page 128 foxed. Slight sun fading to spine of jacket. No names or dedications. Apparantly in 1956 Blackman heard of Lewis Carroll’s extraordinary and bizzare tale of Alice In Wonderland. Inspired by this tale and also influenced by the effect of the failing sight of his wife Barbara Blackman produced a series of 46 major works of Art over a 12 month period. “The results are challenging images that are simultaneously amusing and disquietingâ€. Shades of Cubism Expressionism Pop Art and Magic. A lovely copy of this SCARSE and highly sought after book. . . Australia_Post_Zoned_International_Shipping_Rates_FOR_THIS_PARCEL . . AP-Zone1_NZ:_AU$30.00 . . AP-Zone3_Canada_USA:_AU$47.80 . . AP-Zone4_UK_Europe:_AU$54.80 . . Domestic_tracked_OR_registered_flat_rate_FOR_THIS_ITEM_Within_Australia:_AU$17.40 1st Printing AH and AW Reed hardcover
ZANA-04Senza dati tipografici ma Bologna Giuseppe Zanasi 2009 imperial folio cm. 44 x 32 legatura in tutta tela rossa con grande titolo impresso in oro al piatto anteriore segnacolo in seta rosa cofanetto rigido in tela grigia con legacci di chiusura pp. nn. 84 con nove dipinti di Antonio Saliola riprodotti su tela in serigrafia e applicati alle pagine uno a doppia pagina. “Edizione . realizzata per Giancarlo Beltrame e proposta nella prima traduzione italiana del 1872 per cura di Giuseppe Zanasi. Sono stati stampati nel dicembre 2009 333 esemplari firmati dall'artistaâ€. E' presente un grande segnalibro illustrato a colori da Saliola. In stato di nuovo. Cfr. Giuseppe Zanasi Opere 1997-2009. hardcover
2019x-1629584495Routledge 2019. Hardcover. New. 380 pages. 9.21x6.14x1.50 inches. Routledge hardcover
200846093Folio Society with British Library 2008. Together 2 vols. 8vo. First Edition thus with coloured title and dedication text in red and sepia and numerous illustrations a number full-page in the text; full green morocco upper board framed and lettered in gilt radial corners gilt edges plain endpapers Commentary Volume in pictorial wrappers wire-stitched as issued the whole housed in publisher's board box with removal ribbon the box elaborately blocked in gilt enclosing a photographic portrait by the author a fine copy. EDITION LIMITED TO 3750 NUMBERED COPIES THIS COPY NO. 3294. High-quality coloured facsimile of the original manuscript British Library Add. MS. 46700. 'The Original Alice' was first published by the BL in 1997. Folio Society [with] British Library, unknown
ZANA-03Senza dati tipografici ma Bologna Giuseppe Zanasi 2009 imperial folio cm. 44 x 32 legatura in piena pelle rossa “Rigoldi†con grande titolo impresso in verde al piatto anteriore segnacolo in seta rosa cofanetto rigido in tela verde con legacci in seta pp. nn. 84 con nove dipinti di Antonio Saliola riprodotti su tela in serigrafia e applicati alle pagine uno a doppia pagina. “Edizione . realizzata per Giancarlo Beltrame e proposta nella prima traduzione italiana del 1872 per cura di Giuseppe Zanasi. Sono stati stampati nel dicembre 2009 333 esemplari firmati dall'artistaâ€. In stato di nuovo. Cfr. Giuseppe Zanasi Opere 1997-2009. hardcover
196711667<p>Dennis Dobson. London. 1967. FIRST RALPH STEADMAN EDITION. Large 8vo. 13 x 9.2 inches. Fully illustrated throughout by Steadman's wonderful line drawings. The book is in very good condition indeed the white boards decorated and lettered in dark purpleare still very bright and fresh. Overall a very nice clean copy in a better than very good dustwrapper which has a couple of very small chips to the to and bottom edges of the spine but is generally clean and fresh. Price clipped to the front inner flap. A lovely copy of this scarce edition. One of the best modern illustrated editions of Alice Steadman's anarchic style complimenting the story perfectly.</p> Dennis Dobson. London. 1967 hardcover
189810774Macmillan and Co. Limited. London. 1898. FIRST SIXPENNY EDITIONS. 8vo. 8.4 x 6 inches. Both volumes are the first printings of the Macmillan sixpenny series. Illustrated with forty two and fifty line illustrations respectively by John Tenniel. Publishers original red printed paper wraps. Page edges a bit chipped as to be expected with the cheap paper used in production and a little toned but overall these are very good internally. The front paper wraps for both volumes and only the rear for Alice are present. Both paper spines have perished. Ink stamp of previous owner to the front wrapper of each volume. While not the most attractive example these two First printings of the sixpenny series are a rare survivor with their original fragile wraps and not in too bad condition for 1898 paperback Children's books. Macmillan and Co. Limited. London. 1898 paperback
3120Quart (Vallée d'Aoste), Notari, 2008, 15x15. L'ouvrage est enfermé dans le magnifique emboîtage d'Isabelle Ewald créé pour le tirage de tête (8 exemplaires seulement). Il est en sus accompagné d'un collage original de Jean-Marie Reynier ("Dark vador et la langouste"). Ouvrage à l'état de neuf.
193911001<p>Nonesuch Library. London. 1939. FIRST EDITION. 1st printing. 8vo. 7.7 x 5.1 inches. 1165pp. Finely bound in recent full red morocco leather. Spine with five raised bands. Spine compartments ruled and decorated with gilt stamped Mad Hatter and Playing card devices. Single gilt ruled border to boards. All edges gilt. A fine copy.</p> Nonesuch Library. London. 1939 hardcover
196011654<p>The Peter Pauper Press. Mount Vernon. New York. ND. c.1960's. Reprint edition. 8vo 8.6 x 6.1 inches. Illustrated throughout with forty two line engravings by John Tenniel printed in light brown. Text printed in Baskerville type on specially made Canterbury paper. A lovely clean copy finely bound by Maurin in contemporary full dark blue morocco leather. Spine with two raised bands each with gilt piping. Compartments ruled lettered and decorated in gilt including the March Hare within a floral border. Double ruled gilt border on both boards. Gilt inner dentelles and double ruled borders. Multi coloured floral endpapers. Top edge gilt. Purple silk bookmarker bound in. A tiny bump to the outer edge of the top board and a hint of rubing to a couple of corners otherwise a near fine attractive copy.</p> The Peter Pauper Press. Mount Vernon. New York. ND. c.1960's hardcover
189410813Macmillan and Co. Limited. London. 1894. The Peoples edition. Twenty-third thousand. 8vo. 7.3 x 4.9 inches. Illustrated with fifty line illustrations by John Tenniel. Some foxing to the plain tissue paper guard over the frontispiece and a few minor spots throughout but overall a very clean and bright copy in a fine late 19th century leather binding. Full red calf the spine with five raised bands each with double rope design in gilt. Compartments ruled and fully decorated in gilt. Dark green morocco title label gilt. Leaf and rose roll gilt borders on boards. Decorative gilt design on board edges. Decorative blind stamped inner dentelles. Marbled endpapers. All edges marbled. Red silk page marker bound in. Grantham School arms stamped on the front board in gilt. Previous owners neat name stamp to top of the first leaf after title page. Aside from a small area of loss to the leather on the front board and another on the lower spine hinge this is a very good copy in a fine quality leather binding. The binding is not signed but is certainly the work of a master bookbinder. Macmillan and Co. Limited. London. 1894 hardcover
190826924Reilly & Lee Chicago 1908 HBDJ 1908 1st Edition THUS LATER ISSUE BK VG-/ DJ IS GOOD- AS-IS Advertisement page at the rear of this book for the Oz books listing 15 in the series ending with "Kabumpo in Oz". Kabumpo was published in 1922 so even though the copyright date states 1908 this must have been printed about 1922 12mo. Measures about 7 inches tall by 5 1/8 inches wide. 58 pages AD Lists Thru Kabumpo in Oz. . Hardcover bound in blue pictorial cloth with small rub Fade Edges with a white color pastedown on the front cover with designs in yellow blue red and green that Match DJ Illustration. Comes with the original dust jacket which has the same image on the front and the back. The jacket is worn and soiled with small brown stains Extremities but is complete. Line of damping on the fore edge and bottom edge of the front panel and covering about the left quarter on the rear panel also near the fore edge. The damping translates onto the cloth beneath especially on the rear cover but it does not affect the interior of the book. There is a small dent at the bottom edge of the rear cover. Back DJ Light edge Wrinkle & Brown around Extremities DJ light wear Tiny chips Tears Edges DJ Titled in Green on front. Interior is sound and appears generally clean with Light wear Fox. Illustrated with 16 full page color illustrations including the frontis a color title page and a color half title for the section section Humpty Dumpty. DJ PROTECTED CLEAR MYLAR Blue Pictorial Cover with color Label pastedown of Alice in Yellow Dress & Green Bow in Hair & green & white Socks & Rabbit in Pink Vest & Black & Green Cape Holding Black H. 1st Edition. Hardcover. Very Good/Good. Reilly & Lee, Chicago hardcover
198411210<p>Macmillan & Co. London. 1984. TWO VOLUMES. FACSIMILE EDITIONS. 8vo 7.4 x 5.2 inches. Both volumes Illustrated throughout with forty and fifty line engravings respectively by John Tenniel. First printings of these facsimile editions of the original first editions of 1866 and 1872. Bound in publishers delux leather bindings of full deep red morocco reproducing the original edition's bindings. Triple gilt ruled borders on boards and circular illustrations to the centre of the panels. Spines with ruled lines to the top and bottom and lettering all in gilt. Black coated endpapers. All edges gilt. Both books in fine condition. --- Macmillan issued these two facsimile editions in 1984 in red cloth bindings and these much scarcer leather versions.</p> Macmillan & Co. London. 1984 hardcover
18891376Macmillan 1889-93. 2 vols. 8vo. First Edition with frontispieces and very numerous illustrations a number full-page in the text; decorative red cloth upper and lower boards framed and blocked in gilt gilt backs all edges gilt black endpapers small cup-ring on upper board of first volume else a very good bright clean set. With 3pp publisher's catalogue at end of first volume. The last considerable work issued by the author. Williams 56 66 respectively Williams and Madan Green 217 250 respectively. Macmillan, hardcover
202473984Lakewood: Centipede Press 2024. Hardcover SIGNED Limited New in slipcase. Dali. Lakewood: Centipede Press: 2024. Hardcover SIGNED Limited New in slipcase 128 pp.<br/> Cover artwork by: Dali This edition limited to 300 copies signed by Jan vankmajer. Twelve illustrations by Dali. Centipede Press hardcover
DADAX0875894100Brand: Jossey-Bass Inc Pub 0000-00-00. First Edition. hardcover. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Jossey-Bass Inc Pub hardcover
196711332<p>Dennis Dobson. London. 1967. FIRST RALPH STEADMAN EDITION. Large 8vo. 13 x 9.2 inches. Signed and inscribed with two portraits by Steadman to the half title page; "To ______ from George portrait and Ralph Steadman. 26.6.75 portrait ". Fully illustrated throughout by Steadman's wonderful line drawings. The book is in very good condition indeed the white boards decorated and lettered in dark purple are still very bright and fresh. Overall a very nice clean copy in a better than very good dustwrapper which has a couple of tiny chips to the top spine edge but is generally clean and fresh. Original price 63s NET still present on the front inner flap. A lovely copy of this scarce edition. One of the best modern illustrated editions of Alice Steadman's anarchic style complimenting the story perfectly.</p> Dennis Dobson. London. 1967 hardcover
10176Macmillan & Co. New York. 1889. New edition. 12mo. 7.5 x 5.2 inches. xii 192 12 pp publishers catalogue. Also an extra gathering bound in so that pages 117 to 124 appear twice. One gathering slightly sprung. Publishers dark green cloth with gilt and black decorative band across the top of the front board and the top and bottom of the spine. Black decorative roll to the bottom of the front board. Title on gilt to the middle of the front board. Spine lettered and decorated in gilt. Rear board with blind stamped floral roll to the top and bottom. Floral decorative endpapers. Neat two line inscription to the front free endpaper. The rear endpapers have an early previous owner's name and address written in red crayon to the free endpaper and a few short lines to the pastedown. Cloth a bit rubbed to the edges and a couple of small marks to the boards but overall a very good copy. An uncommon and attractive nineteenth century edition printed in New York by J. J. Little and Co. This 1889 new edition was issued in several different coloured decoratve cloth bindings with no priority established. Macmillan & Co. New York. 1889 hardcover
191411419<p>Philip Lee Warner Publisher to the Medici Society for the Riccardi Press London. 1914. LIMITED EDITION. Large 8vo. 9.3 x 6.6 inches. One of 1000 hand-numbered copies printed in the Riccardi Fount on handmade Riccardi Paper. Fine leather binding of recent full deep red morocco. Spine with five raised bands ruled in gilt. Compartments ruled lettered and decorated with March Hare and Playing cards motifs in gilt. Decorative floral gilt border on boards. Top edge gilt others untrimmed. A bright and clean copy of this lovely edition beautifully printed on fine quality hand made paper and in an attractive leather binding. ----- This edition was published by arrangement with Macmillan and Company using Carroll's revised text of 1896. The wonderful Tenniel illustrations are printed from fresh electros taken from the original wood-blocks with four being slightly enlarged from the original block designs.</p> Philip Lee Warner, Publisher to the Medici Society, for the Riccardi Press, London. 1914 hardcover
187211555<p>Macmillan & Co. London. 1878/1872. TWO VOLUMES. 8vo. 7.6 x 5.3 inches. EARLY EDITIONS. Alice's adventures in Wonderland is Fifty-Eighth Thousand Through the Looking Glass Tenth Thousand. Both volumes Illustrated throughout with forty and fifty line engravings by John Tenniel. Original thin tissue guard to the frontis of Looking Glass still present. Some thumbing and marking to several pages but overall very good. A neat previous owners inscription dated in the year of publication to the half title of Alice. Attractive copies in recent half red morocco leather bindings. Deep red cloth on boards. Spines with raised bands the compartments ruled lettered and decorated with gilt stamps of The Mad Hatter and playing cards. Black coated endpapers. All edges gilt. The original publishers red cloth boards and spines bound in at the rear of each volume. Cloth with gilt circular devices on boards each with a different character from the books inside and triple gilt ruled borders. The cloth from the original bindings is rubbed and marked but included for completeness. An attractive pair of early editions of these classic books.</p> Macmillan & Co. London. 1878/1872 hardcover
187518408Oxford: Printed for private circulation only 1875. FIRST AND ONLY EDITION. Original stitched printed wrappers; a perfect copy preserved in a half-morocco slipcase with the author and title in gilt on a morocco label on the front small bookplate of Alfred Sutro on the verso of the front wrapper. One of 150 copies printed for private circulation this offprint was Dodgson’s serious attempt to discredit vivisection. The article “fails to be fully effective from the juxtaposition of pitiless logic with warm and generous sentiment. He counters no fewer than thirteen positions or theses which he regards as fallacious but regards the infliction of pain on animals as in some cases justifiable under proper legislation.†It was published in the June 1 1875 edition of the Fortnightly Review. It has been argued that this edition may be a later fraudulent printing although a proof copy supposedly inscribed by Dodgson is held in the Parrish collection and according to Williams “it is gratifying to be able to state definitely that it was issued by Dodgson and under his direction.â€<br /> <br /> Williams Madan Green 106. Printed for private circulation only unknown
26223LONDON MACMILLAN 1872. FIRST EDITION WITH FIFTY ILLUSTRATIONS BY JOHN TENNIEL FINELY REBOUND IN GREEN MOROCCO AEG INSCRIPTION DATED 1871 WITH PRINTING ERROR OF 'WADE' ON PAGE 21. A FINE AND HANDSOME COPY. LONDON, MACMILLAN, 1872 unknown
1907015430London New York : William Heinemann & Double Page & Co 1907. No printed date. Printed 1907. Book measures 21x16.cm. xi1611pp 13 plates with tissue guards b/w illustrations in the text. Bound in original publishers green cloth lettering in dark green gilt image on top board illustrated endpapers. Cloth darkened on spine. Binding in very good clean condition. Dust jacket lightly rubbed closed tears some crease marking dust marked. Generally jacket in good clean condition. Internally pages clean throughout. A very nice clean copy in a rare jacket. F. Cloth. Very Good Plus/Very Good. Illus. by Arthur Rackham. 8vo. William Heinemann & Double Page & Co Hardcover
