428 résultats
193958975South Bend IN & Chicago IL: Studebaker Corporation Plastic Binding Corp. 1939. Oblong 4to. 12.25 x 9.25 in. 114 pp. w/ thumb tabs at fore-edge of textblock. Illustrated title in blue gray & black. Illustrated throughout many black & white text illustrations photo illustrations diagrams many printed in blue gray & black. Colour-illustrated flexible plastic-comb binding as issued yapp edges rounded corners some wear & scuffing minor lifting to original cellophane laminate on covers still VG- copy w/ former ownership markings on front cover for James Langdon and his brother Harold “Slim†Langdon who operated a garage and Studebaker dealership in Clackamas County OR. First edition of this nicely illustrated Studebaker dealer’s salesman manual detailing the very successful 1940 Studebaker models which featured the influence of the streamlined designs of Helen Dryden in consultation with the equally famous contemporary industrial designer Raymond Loewy who began his contract with Studebaker in 1936. The 1940 Studebaker lines featured the President & Commander lines. The 1940 Studebaker models included 4-door sedans 2-door coupes and 2-door Club Sedans fitted with dual sidemounted spare tires. They came stock with cigar lighters clock and dual horns and ran on a 122 in. wheelbase. This manual includes tips for the Studebaker salesmen on performance comfort safety dependability and fuel economy. In addition there is a well-illustrated section on 1940 Studebaker commercial cars. Dryden 1883-1972 was an acclaimed woman artist earning over $ 100000 a year in the 1930’s when her designs first appeared with Studebaker. Dryden continued to work with Loewy at Studebaker until 1940 when she mysteriously drops from the public eye only to make a short appearance in a series of 1956 New York times articles on her dispute with the Welfare Department. No copies in Worldcat; See: Ed Heys Helen Dryden: Fashion Illustration and Automobile Hardware Design Hemmings Daily Feb. 17 2016; Raymond Loewy and Streamline Moderne The Old Motor August 12 2013. Studebaker Corporation, Plastic Binding Corp., unknown
1904ST20796London: Essex House Press 1904. No. 1 OF 140 COPIES all on vellum. 195 x 131 mm. 7 3/4 x 5 1/8". 1 p.l. frontispiece 3-11 2 pp. <br/> Original stiff vellum over thin boards front cover with embossed rose design. In custom-made linen clamshell box with red morocco label on spine. Hand-colored woodcut frontispiece and final tailpiece both by Reginald Savage hand-painted initials in burnished gold red blue or green. Printed in black and red. Front pastedown with red morocco bookplate of William Andrews Clark Jr.; front endleaves with evidence of bookplate and inscription removal. Tomkinson p. 76; Ransom p. 268; Franklin p. 200. A VERY FINE COPY clean bright and free of the splaying that very frequently afflicts the boards of this work.<br/> <br/> This is a most appealing example of the luxurious hand-crafted volumes produced under the auspices of the Essex House Press with our copy coming from the library of a noted Dryden collector. The book is the 11th from the Essex House series of 14 "Great Poems in the English Language" a group of lovely little works all printed on vellum and with delightful colored illustrations and historiated initials. Generally considered to be the best example in English of the choric hymn the present work is set at a feast given by Alexander the Great who finds himself entranced by the poet and lyrist Timotheus. The great leader is lost in reveries of exploits and victory he sighs and cries over battles lost and warriors slain and he finds inspiration for new conquests. Our printer C. R. Ashbee founded the Essex House Press in 1898 by purchasing the presses and other production equipment though not the type formerly owned by the Kelmscott Press which had shut down at the death of William Morris. Ashbee printed books for 12 years with vellum ink and paper identical to that used by Kelmscott in an effort to carry on the tradition Morris had established. But the Essex House Press because it was conceived of and continued as part of a larger enterprise involving various artisans at work in a group of workshops at Ashbee's Guild of Handicrafts located at Essex House in London's Mile End Road always had its own special identity a fact which Cave reflects when he calls it the "Arts and Crafts press 'par excellence.'" The illustrator here Reginald Savage fl. 1886-1904 is deemed by Houfe "a talented and imaginative designer and woodcut artist" and Houfe notes that he was also commended by his fellow illustrator Walter Crane 1845-1915 for his "weird designs." Former owner William Andrews Clark Jr. 1877-1934 put together one of the most distinguished collections of English and French literature of his day. He had strong holdings in many areas but especially in Shakespeare and the other Elizabethans in Dryden in Oscar Wilde and in the French drama. After a fire in his home in 1923 Clark constructed a separate fireproof building to house his collection; in 1926 this library building with its distinguished collection was deeded to the University of California and now serves as a prominent center for literary research. Essex House Press unknown
1973366962London: Faber and Faber 1973. First edition of this selection. 115 pp. 1 vols. 8vo. Black cloth. Fine in fine dust jacket. First edition of this selection. 115 pp. 1 vols. 8vo. Inscribed on the title page "To Charles with best wishes from Wystan". Auden has struck through his printed name.<br /> Charles Osborne Australian born journalist editor and author knew Auden for many years and in 1980 published W.H. Auden The Life of a Poet. Faber and Faber unknown