32 résultats
18681410439Meiji Era 1868 - 1912. Saddle-stitched. Octavo unpaginated. Volume I of two missing second volume. In Good minus condition. Fukurotoji binding with orange paper wraps. Wraps show significant wear with prominent creasing. Prominent ink stains to front and back covers. Written in black ink on front cover is "Hokusai Gahon Miyama Zou Hachigou Hokusai's Picture Book Collected by Miyama Volume Eight". On back is written "S. Tamura" in black ink. Significant water marking to both covers. Binding cord is intact. Significant gray smudging to front wrap; moderate smudging to back wrap. Creasing along edges and spine. Significant fading to title paper with loss of legibility.Toning and light smudging to page block and throughout pages. Significant water marking to some pages. Sticker to back endpaper is torn through with loss to endpaper.<br /> Shelved Room E. 1410439. Special Collections. unknown
18362110502150903351Gundamdo Mohei Okada version 1836. Soft Cover. Fine. Volume: 1 (Gundamdo Mohei Okada version) paperback
18912091502133700533Kyoto Kambei Murakami 1891. Soft Cover. Fine. The book is in fine condition. Kyoto Kambei Murakami paperback
18681410438Meiji Era 1868 - 1912. Saddle-stitched. Octavo Two Volumes bound together. In Fair condition. Fukurotoji binding with orange paper wraps. Wraps show significant wear with prominent creasing. Binding cord is snapped in four places. CONTENTS: Volume I marked "UE top": Significant gray smudging to front wrap; moderate smudging to back wrap. Creasing along edges and spine. Significant fading to title paper.Toning and light smudging to page block and throughout pages. Significant water marking to some pages. -- Volume II marked "SHITA bottom": Moderate gray smudging to front wrap; moderate smudging to back wrap. "HTS" written in pencil beside title paper. Dark spot to back wrap. Creasing along edges and spine. Significant fading to title paper.Toning and light smudging to page block and throughout <br /> Shelved Room E. Cluster of four characters above titles says "Gojyuusanji" literally "53rd in an unplanned sequence". I am not sure whether this refers to edition printing or something else. 1410438. Special Collections. unknown
18681410441Nagoya: Eirukuya Toushirou Meiji Era 1868-1912. Saddle-stitched. Octavo unpaginated. In Fair condition. Fukurotoji style binding in cream wrap. Binding cord broken to two places. Significant creasing and wear to covers. Prominent brown and water staining to both covers. Missing title paper. Worming to bottom corner of covers and pages. Large closed tear to back endpaper. Water staining and toning throughout. Shelved Room E. 1410441. Special Collections. Eirukuya Toushirou unknown
1836911941836. EHON Hokusai 北斎 artist. Wakan EHON SAKIGAKE Shohen 和漢絵本éåˆç·¨. Tempo 7 1836. Hanshihon 22.6 cm x 15.7 cm. Unusually tan covers with a deeply incised blind-stamped cloud pattern on front and rear covers. The paper label is present glued to the inside front cover. Could these be alternative original covers A complete copy with the title page pasted to the inner front cover Hokusai's own two page preface dated 1836 30 sheets of images and 1 sheet of colophon and ads. It has the "77 year old" Hokusai with his "Gakyou Rojin" moniker indicating the book itself was soon to appear followed by 3 sequels. only two were done. It also lists the block carvers. Egawa and Sugita. masters of the craft. Also see Hillier's ART OF THE JAPANESE BOOK for his appreciation of this work. The bookstore list often found at the end appears not to have been bound in or was lost. Very minor soiling throughout. Very good impressions. An early printing of this important and often reprinted work.<br /> The Wakan EHON SAKIGAKE was the first volume of Hokusai's so-called "warrior trilogy". It is a visual epitome of traditional Japanese and Chinese historical heroes from the legendary to the flesh and blood. It is a brilliant example of Hokusai's ability to create visual narrative by capturing the moment which evokes the character most perfectly to the viewer. In an older clasped chitsu case. unknown
181682935Edo Tokyo Tokyo 1816. Fine. Edo Tokyo Tokyo 1816 15.50 x 22.50 cm cousu Rare first edition fifth volume of Hokusai's Mangas or Sketch Books. 15 volumes were published between 1815 and 1878 the fifth volume contains approximately 30 subjects most on double pages in black grey and flesh tones. Accordion-fold volume bound with stitching black cover some creasing to board edges rubbing and small lacks. The red printed label is lacking to this copy. The first and last pages detached from boards. Creases small lacks and discolouration to boards. Minor soiling. Hokusai's mangas treat various subjects the artist depicts Japan of the period from everyday scenes to amusing moments combining a great variety of subjects: the present volume focuses on temple architecture their ceremonies contemplative scholars ladies from the Heian period 784-1192 nobles samurai lords as well as divinities and onis demons. One will also note a magnificent view of Mount Fuji and an impressive storm scene at sea. These different subjects were intended to serve as learning manuals for use by young artists they would also serve as model collections for artisans and would even become a sort of illustrated encyclopedia of life and daily living in Japan during the Edo period 1603-1868. We should recall that the technique of Japanese printmaking is very close to the original drawing since the ink drawing was applied to a piece of wood that the engraver hollowed out following precisely the lines of the drawing which was itself destroyed by this operation. hardcover
18782111902160200037Edited by Toshiro Katano 1878. Soft Cover. Fine. Number of pages: 58 pages Size: 24.5cmx16.2cm 58p Number of books: 1 Edited by Toshiro Katano paperback
187883797Nagoya: Toshiro Katano 1878. Fine. Toshiro Katano Nagoya 1878 15.50 x 22.70 cm cousu Rare edition in second printing which can be translated under the title Hokusai Sketches volume 9. 15 volumes were indeed published covering Hokusai's work. The first was published in 1814 and the last posthumously in 1878. The final volume is considered apocryphal by some art historians. The volume contains approximately 40 subjects most on double pages in black grey and flesh tones. It is essential to add that one cannot determine with certainty whether this is the first printing or a later printing because on this subject there was no difference for the Japanese and the publisher reprinted volumes as needed the notion of first printing not being relevant with regard to Japanese books. We know however that the publisher made a second printing of this book between 1828 and 1878. The later printings do not have the same publisher's name and often possess a date which is not the case with the earlier printings. Accordion-fold volume bound by stitching. Grey diamond-patterned cover with title label and writing in red on white background. Very good copy quite fresh. The Hokusai manga treat varied subjects scenes from daily life but also warrior scenes also scenes of typically Japanese legends animals and flowers and landscapes animated or not notably Mount Fuji. It is generally considered that after a period of intense production Hokusai very carefully selected his sketches and even redrew a certain number of them arranging them according to the order we know today. However Michener maintains that the layout of the different sketches on a given plate was actually decided by the engravers and publishers and not by Hokusai himself. We should recall that the technique of Japanese printmaking is very close to the original drawing since the ink drawing was applied to a piece of wood that the engraver carved precisely following the lines of the drawing which was itself destroyed by this operation. This volume contains numerous animated landscapes warrior scenes Toshiro Katano unknown
184979449Edo Tokyo Tokyo: Eirakuya Toshiro 1849. Fine. Eirakuya Toshiro Edo Tokyo Tokyo 1849 15.60 x 22.60 cm cousu Rare first edition translated as ""Croquis de Hokusaï"" volume 14. 15 volumes were actually published covering Hokusaï's work. The first was published in 1815 and the last posthumously in 1878. The final volume is considered apocryphal by some art historians. The 30 double-leaf volume contains around 39 engravings 12 of which are double-page spreads including many animated landscapes real and mythological animals. There are 3 colors: beige gray and black. It is difficult to determine wether it is a first or a later print run as this detail made no difference in Japanese book collecting. The publisher reprinted volumes as needed. We do know however that the publisher produced several issues of this book between 1849 and 1878. Volume in acordeon bound by a seam. Bronze-green cover with title label. Rubbing to front cover. Interior very fresh and clean. Printed on mulberry paper. A brown stain on the first 2 leaves. A good copy. Hokusai manga deal with a variety of subjects from scenes of everyday life to war scenes as well as typical Japanese legends animals and flowers. ""It is generally considered that after a period of intense production Hokusai selected his sketches very carefully and even redrew a number of them arranging them in the order we know today. However Michener maintains that the layout of the various sketches on a given plate was actually decided by the engravers and editors not by Hokusai himself."" Japanese printmaking technique remains very close to the original drawing's aesthetic since the ink drawing was affixed to a piece of wood that the engraver carved out precisely following the lines of the drawing which was itself destroyed in the process. It was these volumes of drawings that made Hokusai's reputation in the Western world. Hokusai Katsushika was a prolific and well-known Edo period printmaker whose prints among others inspired the French avantgarde at the end of the 19th century. Eirakuya Toshiro unknown
1875912491875. EHON Katsushika HOKUSAI. FUGAKU HYAKKEI. 100 Views of Fuji. Meiji 8 1875. Aichi Katano Toshiro. 3 vols. Yellow covers. 15.7 x 22.6 cm. Paper labels. This Meiji reprint of Hokusai's classic is in very good condition with original yellow covers and title labels. The impressions are fair to good and preserve the remarkable aesthetic sense of the master. The original blocks cut some 40 years earlier are here used by skilled printers to produce a fair example of the original work. unknown
1870908441870. Katsushika HOKUSAI 葛飾北斎 「æ¦è€…絵本ã€MUSHA-EHON WARRIOR BOOKS〠EHON SAKIGAKE 絵本é; EHON MUSASHI ABUMI 絵本æ¦è”µé™; EHON WAKAN NO HOMARE 絵本和漢誉. Toukyou Suzuki Tadashi éˆ´æœ¨å¿ . n.d. c. early Meiji 1870s 23.5 X15.5 CM in three matching volumes bound in green string bound fukuro-toji with the original title labels. Suzuki Tadashi is described as the owner of the blocks. The blocks were originally cut and the first volumes issued in 1836. The third volume also appears to have been slated to appear as a trilogy at that time but its appearance was delayed until 1850. Much has been made of the fact that Egawa Tomekichi Hokusai's preferred craftsman cut the blocks for these books as well as the 100 VIEWS OF FUJI and the Hokusai contributions to the TOUSHISEN. and for good reason. His fine and detailed work is superb and still keeps much of its beauty even in these later issues from the blocks.<br /> <br /> The set is in very good condition restrung. A very worthwhile edition in original woodcut. The warrior books have become quite difficult to find in any edition - they did not receive the huge volume of reprintings that the MANGA did for example.<br /> <br /> As a set complete. unknown
18362080502106500818Not Available 1836. Soft Cover. Fine. Volume: 1 Not Available paperback
188391742Paris: A. Quantin 1883. Fine. The Bible of Japonism in its original silk binding A. Quantin Paris 1883 28.8 x 36.6 cm 2 volumes en reliures de l'éditeur First edition one of 1400 numbered copies only issue. Outstanding publishers cream silk Bradel binding signed by Engel at the foot of the spine flat spine decorated with Japanese characters; upper boards in excellent condition elaborately decorated with a reproduction of Shinmans starlings against a setting sun from the Henri Cernuschi collection also illustrated pl. 26 vol. 1; corners slightly rubbed; both volumes complete with their illustrated dust jackets showing tears and some losses. Illustrated with 64 tissue-guarded plates most in colour 13 etchings 21 heliogravures 2 typographic engravings in black and gold 10 chromolithographs and 18 watercolours the majority signed by Gillot and Guérard. Numerous illustrations in black throughout. An exceptional copy of the first history of Japanese art written outside of Asia housed in its magnificent publishers silk binding signed by Jean Engel in pristine condition throughout: with its one thousand and twenty-four illustrations in black and in colour is not a conventional ornamental repertoire. It marks a clear break with traditional perception and reception of Japanese art that had prevailed in France and the West since the 1860s François Gonse Une histoire de lart japonais en 1883. Lil de Louis Gonse Histoire de lart N°40-41 1998. The author Louis Gonse was an art historian exhibition curator and director of the Gazette des beaux-arts. The celebrated Asian art dealer Tadamasa Hayashi who had come to Paris as an interpreter for the Exposition Universelle of 1878 helped him in the preparation of LArt japonais. Translated into English in 1891 and into Japanese in 1893 this seminal work proved a landmark publication. Its illustrations include works by artists much admired among French Japonistes including Hokusai and Hiroshige whom Gonse hailed as the greatest paysagist of 19th-century Japan. His views of Yedo he wrote helped us better understand the country than all of previous travelers descriptions. The discovery of this new formal repertoire was to exert a considerable influence on artists of the fin-de-siècle among them Félix Régamey and Henri Guérard who engraved some of the illustrations in this volume. A. Quantin hardcover
18112110502150908589Hanmoto fumei 1811. Soft Cover. Fine. Number of books: 1 Hanmoto fumei paperback
18112110502150908881Hanmoto fumei 1811. Soft Cover. Fine. Number of books: 1 Hanmoto fumei paperback
18112110502150908882Hanmoto fumei 1811. Soft Cover. Fine. Number of books: 1 Hanmoto fumei paperback
18112110502150908590Hanmoto fumei 1811. Soft Cover. Fine. Number of books: 1 Hanmoto fumei paperback
18082110502150903230Soshichi Nishimura and other editions 1808. Soft Cover. Fine. Number of books: 5 Soshichi Nishimura and other editions paperback
18122091202133201307Shuseikaku / Gungyokudo 1812. Soft Cover. Fine. Number of books: 2 books in total Shuseikaku / Gungyokudo paperback
184560421Osaka Kawachiya 1845 fourth month KÅka 2. 4to 255 x 180 mm. 6 volumes uniformly bound in orange contemporary stitched spineless Fukuro Toji bindings with white paper title label pasted on to front wrappers. Housed in a chitsu. Severly affected by wormholes. Heavily affected by wormholes throughout otherwise clean. Chitsu-case with wear. 35; 39; 39 36 30; 28 pp. <br/><br/><em>Beautiful work written by Yamada Isai with illustrations by Katsushika Hokusai consisting 55 episodes in the life of Shaka Buddah. Hokusai has made 35 illustrations for 27 episodes and 23 of those are new iconographies in Shaka’s biography inspired by various pictorial resources while other 12 scenes originate in the former or traditional ones of these subjects. With thirty-two monochrome illustrations and covers various events starting from the court of King Suddhodana the Buddha's father before his birth in the Indian kingdom of Kapilavastu and ending with the distribution of the Buddha's relics after his death. Throughout Asia depictions of the Buddha's life have followed common narrative structures and artistic conventions for centuries. There is no single authoritative textual source for the Buddha's life story so visual narratives have relied on well-known episodes such as his birth as Prince Siddhartha his renunciation of worldly life his ascetic practice attainment of enlightenment and eventual death. These narratives have been adapted creatively to specific contexts sometimes incorporating new episodes or extending the story beyond the Buddha's death. The Illustrated Record of the Life of Sukyamuni by Yamada Isai and Katsushika Hokusai can be compared to historical fiction rather than a strict historical account. Hokusai's illustrations in particular prioritize creative additions to the story over adhering strictly to canonical episodes. For example the book does not depict the Buddha's death but focuses on other aspects such as familial conflicts supernatural encounters and scenes of hell. The included double-page illustration portrays a dramatic episode that concludes volume 1. The right-hand illustration shows the canonical episode of the Buddha's conception where his mother lady Maya receives a dream indicating her pregnancy. However the left-hand illustration deviates from the conventional depiction of Maya's sister Gotami as a benevolent aunt to the Buddha. Instead she is portrayed as a jealous character transformed into a giant snake due to her envy. This aspect of the narrative draws inspiration not from the Buddha's life stories but from the tale of Lady Xi 468-499 a would-be empress during the Chinese Liang dynasty. For more information see The Arthur Tress Collection of Japanese illustrated books Kislak Center University of Pennsylvania Libraries. </em> unknown
18102110502150908533Not Available 1810. Soft Cover. Fine. Number of books: 1 Not Available paperback
18922111902160200155Nihonbashi District Wakamatsucho Oseki Toyo 1892. Soft Cover. Fine. Number of pages: 12 maps Size: 17cmx11.5cm Prints: 17cmx22.5cm Number of books: 1 Nihonbashi District Wakamatsucho Oseki Toyo paperback
18542111902160200045Touto Bunnoyagura 1854. Soft Cover. Fine. Number of pages: 42 pages Size: 18.8cmx12.6cm 42p Number of books: 1 Touto Bunnoyagura paperback
18022111902160200052Not Available 1802. Soft Cover. Fine. Number of pages: 78 pages Size: 15.8cmx11.5cm 78p Number of books: 1 Not Available paperback