SIMONE BERTIERELivre Rare Book
9 résultats
1522188151522 Relié avec jaquette éditeur - 15 x 22,5 - 417 pp - année 1994 - éditions France Loisirs - illustrations -
1552142551552 Broché - 15.5 x 22.5 - 543 pp - 1996 - editions de Fallois - illustrations
1552144501552 Broché - 15,5 x 21 - 288 pp - année 1970 - éditions Arthaud - illustrations
151932600Revue Rock & Folk n° 28 de mai 1969. In-4 agrafé de 76 pages, au format 27 x 21,5 cm. Couvertures photographiques avec Eddy Mitchell. Couvertures avec d'infimes frottis aux coins. Intérieur frais. Mensuel musical français consacré à la musique rock et pop, fondé en 1966 par Robert Baudelet, Jean Tronchot, Philippe Adler, Jean-Pierre Leloir et Philippe Koechlin. La revue connut la participation de nombreux photographes dont : Jean-Pierre Leloir, Claude Gassian, Pierre Terrasson, Gaëlle Ghesquière, Bruno Ducourant,Patrice Guino, Jean-Louis Rancurel, Dominique Tarlé, Bertrand Alary et Saddri Derradji. Nombreux articles sur le Rock, le blues, la soul, la pop dont : Eddy Mitchell, Donovan, Nina Simone, Hugues Aufray, Janis Joplin, Chambers Bros, etc. Nombreuses chroniques avec de très nombreuses photographies en noir et blanc. Rare édition originale, en très bel état de fraicheur.
157740408DB1577. Leipzig ohne Drucker 1577. 8°. 8 S. 143 S. 9 S. Index.; 27 S. 4 S. Index 74 S. Neuer Pappband. Adams S 1198. Wellcome I 5982. VD 16 S-6556 Durling 4220 nur 1. Teil. Hirsch V 411f. Simoni ein aus Luca im ersten Drittel des 15. Jahrhunderts geflüchteter Protestant wurde in Genf Professor der Philosophie und kam über Heidelberg nach Leipzig wo er 1569 Professor der Medizin wurde. Er war im Streit mit dem im Titel zitierten Bruno Seidel sowie mit Scheck und Buccella. Er wurde verdächtigt Mitglied der Sekte der Socianer zu sein. Papier gebräunt. Vorsätze fleckig. Sehr selten. unknown
157740408DB(Leipzig), ohne Drucker, 1577. 8°. (8) S., 143 S. (9) S. Index.; 27 S., 4 S. (Index), 74 S. Neuer Pappband.
157740408AB(Leipzig, ohne Drucker), 1577. 8°. 8 n.n. S., 143 S. 9 n.n. S. Index.; 27 S., 4 n.n. S. Index, 74 S. Neuer Pappband.
1551BTETM0002693Florence: Lorenzo Torrentino 1551. 1st Edition. Vellum. Very Good/No Jacket. Octavo Standard 8vo 6 נ9 in 152 נ229 mm . Please email for Photographs or further information. Very Good - Later plain vellum binding. Textblock edges red-stained red-edged. Internally: generally clean and well-printed with scattered age-toning and light spotting/foxing consistent with the period. A solid collectors copy with good margins and strong legibility throughout. Collation: 2 1 1 367 3 Please see Photos as part of condition report. 1551 1st Edition AN HOMO BONUS VEL MALUS VOLENS FIAT Simonis Portii disputatio ad Laelium Taurellum iurisconsultiss. Duci Florentinorum à Secretis. By Simone Porzio Author Bio: Porzio was one of the most important Italian Aristotelians of the mid-sixteenth century associated with the post-Pomponazzi world of Renaissance moral psychology. His work sits at the collision-point of philosophy ethics and theologygrappling with what makes a person morally responsible and what role deliberation plays in the formation of character. Laelius Taurellus Lelio Torelli 14891576. Jurist humanist and a prominent Florentine administrator Torelli served the Medici state in senior roles. Porzios dedication situates this disputation squarely inside the intellectual culture of ducal Florencewhere classical ethics civic virtue and questions of moral agency mattered politically as well as philosophically. Synopsis: First edition of Simone Porzios compact and forceful moral-philosophical disputation on a question at the heart of Renaissance ethics and responsibility: whether man becomes good or bad by his own will. Working within an Aristotelian framework Porzio compares the positions of ancient schoolsexplicitly engaging Stoic and Platonic currentswhile weaving ethical psychological and theological considerations into a systematic argument about deliberation habit and moral agency. Dedicated to Lelio Laelius Torelli jurist and prominent Florentine administrator the treatise reflects the intellectual culture of Medici Florence where classical moral philosophy and the formation of civic virtue were live questions in academic and courtly debate. Format: Vellum Octavo Standard 8vo 6 × 9 in 152 × 229 mm Note: Binding/size selection follows standard bibliographic conventions and is approximate; exact measurements may vary. Language: Latin Published By: Lorenzo Torrentino Florence Condition Report: Dust Jacket: No Jacket Dust Jacket Condition: No Jacket Very Good - Later plain vellum binding. Textblock edges red-stained red-edged. Internally: generally clean and well-printed with scattered age-toning and light spotting/foxing consistent with the period. A solid collectors copy with good margins and strong legibility throughout. Collation: 2 1 1 367 3 Please see Photos as part of condition report. SKU: BTETM0002693 Shipping Info: Approximate Package Dimensions H: 12.5 L: 30 W: 25 Units: cm W: 2Kg Tracked Shipping Insurance Coverage as per Customer Request Lorenzo Torrentino hardcover
1548nov2<p> 1st EDITION - ONE OF THE EARLIEST BOOK ON OPHTHALMOLOGY </p><p> ANNOTATED WITH VISUAL GLOSS :</p><p>"MARGIN AS CANVAS" ANTHONY GRAFTON </p><p><strong>PORZIO Simone and Ps.-ARISTOTLE.</strong></p><p><strong><em>De coloribus libellus .</em></strong></p><p><strong>Florence Lorenzo Torrentino 1548.</strong></p><p>Quarto 22 x 13.4 cm 197 pages 1 leaf. Contemporary limp vellum with overlapping edges. Occasional light foxing. The last two leaves and the final endpaper bear the imprint of a tree leaf evidently onced place between the last leaf and the endpaper.</p><p><strong>First edition of the Latin translation of this pseudo-Aristotelian text</strong> preceded by a dedication to the Duke of Tuscany Cosimo I de' Medici. Beautifully printed with two large woodcut historiated initials. "<strong>One of the earliest monographs on ophthalmology in which the author attempts to explain the cause of the variety of colors of eyes."</strong> Becker Collection in ophthalmology 303. Simone Porzio was a professor at the Studio of Pisa from 1545 to 1552 and a member of the Accademia fiorentina. He was a passionate and consistent advocate of Aristotelian philosophy.</p><p><strong>It is known that the Renaissance developed a practice of visual gloss a "distinctive kind of visual explication of texts" according to Anthony Grafton</strong> Cf. "The margin as canvas…" Impagination 2021 p. 185-207.</p><p>The anonymous reader interested in optics filled here the margins exclusively of the preface with figures corresponding to the text. Pp. 13-14: thus he draws a mirror an eye a fire; <strong>but also the figure of the "Indian peafowl"</strong> about which the printed text emphasizes the crest sometimes red sometimes pale. Also noteworthy are three slender and elegant manicules signaling particularly important passages of the preface two of which are devoted to the question of diaphanous light p. 6 and 9.</p><p>$ 3500.00</p>
