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197439408Toulouse: Université de Toulouse Le Mirail 1974. Fine. Université de Toulouse Le Mirail Toulouse 1974 21 x 27 cm 5 volumes brochés First edition of this thesis defended in 1974 for the degree of Doctor of Letters. Spine and covers slightly and marginally sunned without gravity two small stains on the second cover of the second volume a tear at the head of one joint of the fifth and final volume otherwise handsome set. Université de Toulouse Le Mirail unknown
1979253688Cremona: Libreria del Convegno 1979. Hardcover. Fine. Folio in burgundy cloth titles in gilt. A Fine copy in like dustjacket. Libreria del Convegno hardcover
1993x-3824420406Deutscher Universitats-Verlag 1993. Paperback. New. 221 pages. German language. 8.27x5.83x0.54 inches. Deutscher Universitats-Verlag paperback
191484700Paris: Lucien Vogel éditeur 1914. Fine. Lucien Vogel éditeur Paris Avril 1914 19 x 24.50 cm une feuille Original color print heightened in gold printed on laid paper signed lower left on the plate. Original engraving created for the illustration of La Gazette du bon ton one of the most beautiful and influential fashion magazines of the 20th century celebrating the talent of French creators and artists during the flourishing of Art Deco. Famous fashion magazine founded in 1912 by Lucien Vogel La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920 due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. From their publication these luxurious publications ""address bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""La Gazette du bon ton"" in Dictionnaire de la mode 2016. Printed on fine laid paper they use a typeface specially created for the magazine by Georges Peignot the Cochin typeface adopted in 1946 by Christian Dior. The prints are made using the metal stencil technique heightened in colors and some highlighted in gold or palladium. The adventure begins in 1912 when Lucien Vogel man of the world and fashion - he had already participated in the magazine Femina - decides to found with his wife Cosette de Brunhoff sister of Jean the father of Babar the Gazette du bon ton whose subtitle was then ""Art modes et frivolités"". Georges Charensol reports the words of the editor-in-chief: ""In 1910 he observes there existed no truly artistic fashion journal representative of the spirit of its time. I was therefore thinking of creating a luxury magazine with truly modern artists . I was certain of success because for fashion no country can rival France."" ""Un grand éditeur d'art. Lucien Vogel"" in Les Nouvelles littéraires n°133 May 1925. The magazine's success is immediate not only in France but also in the United States and South America. Originally Vogel thus brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the École des beaux-arts who are George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents quickly join the team: Guy Arnoux Léon Bakst Benito Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Maggie Salcedo. These artists mostly unknown when Lucien Vogel calls upon them will subsequently become emblematic and sought-after artistic figures. These same illustrators create the drawings for the Gazette's advertisements. The plates highlight and sublimate the dresses of seven creators of the era: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The couturiers provide exclusive models for each issue. Nevertheless some of the illustrations feature no real model but only the idea that the illustrator has of contemporary fashion. La Gazette du bon ton is a decisive stage in the history of fashion. Combining aesthetic demands and plastic unity it brings together for the first time the great talents of the world of arts letters and fashion and imposes through this alchemy a completely new image of woman slender independent and audacious also carried by the new generation of couturiers Coco Chanel Jean Patou Marcel Rochas. Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton would largely inspire the new composition and aesthetic choices of the ""dying little journal"" that Nast had purchased a few years earlier: Vogue magazine. Lucien Vogel éditeur unknown
1996ZB1006505Dietrich Reimer Verlag 1996. pp. 372 rebound in buckram with original cover retained ex library text clean & binding tight. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Dietrich Reimer Verlag hardcover
19972-2738460658Editions L'Harmattan 1997. Paperback. New. 370 pages. French language. 8.43x5.35x1.10 inches. Editions L'Harmattan paperback
1993x-3824420422Deutscher Universitaetsverlag 1993. Paperback. New. 291 pages. German language. 9.25x6.10x0.67 inches. Deutscher Universitaetsverlag paperback
19991-3476452131J.B. Metzler 1999. Paperback. New. 188 pages. German language. 9.25x6.10x0.44 inches. J.B. Metzler paperback
1994DADAX0887509789Brand: Oberon Press 1994-09-01. First Edition. paperback. New. 5.75x0.75x8.75. Buy with confidence. Excellent Customer Service & Return policy. Brand: Oberon Press paperback
1995Q-0778010198Oberon Press 1995-11-01. Paperback. New. In shrink wrap. Looks like an interesting title! Oberon Press paperback
2000Q-3822863971TASCHEN 2000-02-15. Paperback. New. New. In shrink wrap. Looks like an interesting title! TASCHEN paperback
1994BN30562Taschen 1994. 1994. Softcover. 295 x 229 x 15 cm. This volume features the photographs of Will McBride. Although his work almost always appeared in magazines the photographs seem more like private snapshots offering views into the most private spheres of human existence. Will McBride geboren 1931 lebt in Deutschland seit 1953. Bekannt geworden in den 60er Jahren durch spektakuläre Fotoreportagen für "twen". Publikationen seiner Bilder und Fotoessays in u.a. Goe Life Paris Match und Stern. Zahlreiche Buchveröffentlichungen. Sprache deutsch englisch französisch Einbandart Paperback 60er Jahre; Bildband 60er Jahre Sechziger Jahre Bildband Fotografen Fotograf Fotografin McBride Will Taschens Photobooks ISBN-10 3-8228-9452-4 / 3822894524 ISBN-13 978-3-8228-9452-1 / 9783822894521 <br/><br/>60er Jahre Bildband wilden 60er Jahre Sechziger Jahre Bildband Fotografen Fotograf Fotografin McBride Will Taschens Photobooks ISBN-10 3-8228-9452-4 / 3822894524 ISBN-13 978-3-8228-9452-1 / 9783822894521 This volume features the photographs of Will McBride. Although his work almost always appeared in magazines the photographs seem more like private snapshots offering views into the most private spheres of human existence. Will McBride geboren 1931 lebt in Deutschland seit 1953. Bekannt geworden in den 60er Jahren durch spektakuläre Fotoreportagen für "twen". Publikationen seiner Bilder und Fotoessays in u.a. Goe Life Paris Match und Stern. Zahlreiche Buchveröffentlichungen. Sprache deutsch englisch französisch Einbandart Paperback Taschen paperback
1990G0060665017I3N01HarperCollins 1990. Hardcover. Good. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. HarperCollins hardcover
19842-2204021660Cerf 1984. Paperback. New. French language. 9.21x5.71x1.57 inches. Cerf paperback
1977G0394498151I3N10Knopf Doubleday Publishing Group 1977. Hardcover. Good. Disclaimer:A copy that has been read but remains in clean condition. All pages are intact and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting and the copy can include previous owner inscriptions. An ex-library book and may have standard library stamps and/or stickers. At ThriftBooks our motto is: Read More Spend Less.Dust jacket quality is not guaranteed. Knopf Doubleday Publishing Group hardcover
19881-0844215058McGraw-Hill Contemporary 1988. Paperback. New. 9.00x7.25x0.75 inches. McGraw-Hill Contemporary paperback
1988DADAX08442150581988-01-11. 1. paperback. New. 7.25x0.75x9.00. Buy with confidence. Excellent Customer Service & Return policy. paperback
1979510274Auteur 1979. in 8. 1979. cartonné. 124 pages. hardcover. Bon Etat. Auteur hardcover
1963100153332ÉDITIONS DES MUSÉES NATIONAUX 1963. proche du très bon état intérieur propre bonne tenue. in8. 1963. Broché. ÉDITIONS DES MUSÉES NATIONAUX unknown
2000Q-0595125751iUniverse 2000-10-20. Paperback. New. In shrink wrap. Looks like an interesting title! iUniverse paperback
1998__347645200XJ.B. Metzler 1998. Paperback. New. 2nd revised edition. 393 pages. German language. 9.25x6.10x0.90 inches. J.B. Metzler paperback
1992BN111766Peter Lang 1992. 1992. Softcover. Diarium in principio . Das Tagebuch als Ort der Sinngebung : Untersuchungen zu Leitbegriffen im Denken Heimito von Doderers anhand seiner veröffentlichten und unveröffentlichten Tagebücher <br/><br/>Diarium in principio . Das Tagebuch als Ort der Sinngebung : Untersuchungen zu Leitbegriffen im Denken Heimito von Doderers anhand seiner veröffentlichten und unveröffentlichten Tagebücher Peter Lang paperback
1996BN136051Böhlau 1996. 1996. Softcover. Wahlrechtskampf und Wahlreform in Sachsen. 1895 - 1909. <br/><br/>Wahlrechtskampf und Wahlreform in Sachsen. 1895 - 1909. Simone Lässig Böhlau paperback
1994BN147243Beltz & Gelberg 1994. 1994. Hardcover. Die Entführung oder Emil kehrt zurück : Roman <br/><br/>Die Entführung oder Emil kehrt zurück : Roman Simone Klages Beltz & Gelberg hardcover
1999G-982-391Bertelsmann W 1999. Paperback. Very Good. Former library book. Edition 1999. Ammareal gives back up to 15% of this item's net price to charity organizations. Bertelsmann, W paperback
