Spenser EdmundABAA
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192850787London: The Scholartis Press 1928. Edition limited to 1660 copies 8vo pp. 12 273 1; original blue cloth gilt title direct on spine blue top edge; fine in a fine dust jacket. A critical text edited with full commentary and textual and bibliographical notes edited by W. L. Renwick. <br/><br/> The Scholartis Press hardcover books
15913119London:: Imprinted by Thomas Orwin for VVilliam Ponsonbie dwelling in Paules Churchyard at the signe of the Bishops head 1591. FIRST EDITION. . Quarto: . 18.5 x 14 cm. 184 p. Collation: A-Z4 lacking final blank Z4 Bound in fine early 20th c. green morocco with gilt turn-ins and the words “Complaints – Edmund Spenser – 1591†tooled in gold on the front board. The same neatly tooled on the spine. A nice copy never washed or pressed with wide outer margins. The edge of the title is a little frayed far from the woodcut there are light damp-stains in signatures D and S and a very faint one in the final signature. A few other trivial stains. It is highly unusual to find Spenser quartos in such condition the majority of the surviving copies having been washed and trimmed. Fortunately the binder of this copy resisted that temptation. The general title has a fine woodcut border with figures of David and Moses. There are separate title pages using the same woodcut border for “The Teares of the Muses†“Prosopopoia. Or Mother Hubberds Tale†and “Mviopotmos. Or The Fate of the Butterflieâ€. There are also a few attractive woodcut head-pieces and initials. The contents are as follows: 1. The Ruines of Time. 2. The Teares of the Muses. 3. Virgils Gnat. 4. Prosopopoia or Mother Hubberds Tale. 5. The Ruines of Rome: by Bellay. 6. Muiopotmos or The Tale of the Butterflie. 7. Visions of the Worlds vanitie. 8. Bellayes visions. 9. Petrarches visions. “Of the nine poems in the volume four are sonnet sequences while the others are in rhyme royal ottava rima sixaines or couplets. Each appears with a separate title page: five are dedicated to prominent courtiers or patrons and four are printed with no dedication. The first ‘The Ruines of Time’ is a lament on the destruction of the Roman city of Verulamium followed by an elegy on the deaths of Robert Dudley the earl of Leicester and Sir Philip Sidney. It is followed by ‘The Teares of the Muses’ a series of nine laments that deplore the corruption of learning and poetry. ‘Virgil’s Gnat’ the tale of a shepherd’s rescue by a humble gnat is an elaborate mock-heroic complaint translated from the pseudo-Virgilian ‘Culex.’ Next ‘Prosopoia or Mother Hubberds Tale’ takes the form of an allegorical beast-fable; its satire generally assumed to have been directed against Lord Burleigh was probably the reason that ‘Complaints’ was recalled shortly after its publication and that the poem was subsequently omitted from the 1611 folio of Spenser’s works see the following item. The volume continues with ‘The Ruines of Rome’ a translation of Joachim Du Bellay’s lament on the corruption of the modern city and ‘Muiopotmos’ a mock-heroic fable of the entrapment of a butterfly by a spider. The three sonnet sequences two of which are translations conclude the volume: ‘Visions of the Worlds Vanitite’ ‘The Visions of Bellay’ and ‘The Visions of Petrarch.’ For a thorough analysis see Katharine A. Craik Spenser's "Complaints" and the New Poet in Huntington Library Quarterly Vol. 64 No. 1/2 2001 pp. 63-79. Johnson A Critical Bibliography of the Works of Edmund Spenser printed before 1700 No. 14; STC 2nd ed. 23078; Pforzheimer 968 Imprinted by Thomas Orwin for VVilliam Ponsonbie, dwelling in Paules Churchyard at the signe of the Bishops head, unknown books
19281296269London: The Scholartis Press 1928. Hardcover. Octavo; VG-; hardcover; bound in blue cloth gilt lettering; boards bowed general shelfwear general edgewear rubbing on fore corners and spine edges bumping on spine edges spine sun toned protected by mylar interior age toned damp staining on front interior; text block age toned gutter occasionally visible occasional penciling folding on tail fore corner of pages 211 through 213 very occasional light soiling; 273pp. 1296269. Rockville Non-Retail Listings. The Scholartis Press hardcover books
15953367London:: printed by Thomas Creede for VVilliam Ponsonbie 1595. FIRST EDITION. The colophon reads: "London Printed by T.C. for William Ponsonbie. 1595.". Quarto:. 18 x 13 cm. 80 p. Signatures: A-K4 An attractive copy in early 20th c. calf. Very nice internally the last leaf with 16th c. verses in Latin and English on the verso of the final leaf. With a woodcut printer's device McKerrow 299 and decorative border to the title page and numerous head- and tailpieces throughout. A lovely copy of the first edition. This copy has the second state of sheet C with the reading "worthily" on C1r line 24. With a dedicatory epistle to "The Right worthy and noble Knight Sir Walter Raleigh" dated "from my house of Kilcolman the 27. Of December. 1591." In addition to "Colin Clout" this volume also includes Spenser's "Astrophel: A pastorall Elegie upon the death of the most Noble and valorous Knight Sir Phillip Sidney" dedicated to Sidney's widow who had by then become the Countess of Essex; An untitled poem beginning "Ay me to whom shall I complaine…" often referred to as "The dolefull lay of Corinda"; "The mourning Muse of Thestylis" by Ludowick Bryskett; "A pastorall Aeglogue upon the death of Sir Phillip Sidney Knight" signed L.B. Ludowick Bryskett; "An Elegie or friends passion for his Astrophill" by Matthew Roydon; "An Epitaph upon the right honourable sir Phillip Sidney Knight: Lord governor of Flushing" by Walter Raleigh; "Another of the Same" almost certainly by Sir Edward Dyer.Spenser's "Colin Clout's Come Home Again' a pastoral poem in the tradition of Petrarch was inspired by the poet's visit to England from 1590 to 1591 a journey undertaken at the urging of Walter Raleigh. Spenser wrote the poem dedicated to Raleigh upon his return to Kilcolman castle in Ireland –the 'Home' referred to in the poem's title. Spenser's adoption of an Anglo-Irish identity was publicly expressed in the title poem where the 'home' that Colin refers to rather bitterly in the poem is Ireland not England. At the same time the elegies on Sidney as the English nation's poet imply Spenser's claim to be his successor. The poem has been called Spenser's most biographical and indeed it includes not only the visit from Raleigh to Spenser's home in Ireland in 1589 but also an account of Spenser's sea voyage and his time in England during which he presented the first three books of his 'Faerie Queen' to Queen Elizabeth.The poem fits neatly into a tradition of advice literature that exempts the monarch from the general failings of his or her courtiers and includes strong criticisms of the court as well as attacks on the vanity ignorance and greed of courtiers in general. It is possible that Colin Clout was intended as a criticism of Elizabeth's regime in the 1590s especially if we bear in mind Spenser's own lack of preferment in England and his posthumous criticisms of the queen in 'Two cantos of Mutabilitie' A. Hadfield Edmund Spenser's Irish Experience 1997 chap. 6 Ashley V 194; Pforzheimer 967; STC 23077 printed by Thomas Creede for VVilliam Ponsonbie, books
15953120London:: printed by Thomas Creede for VVilliam Ponsonbie 1595. FIRST EDITION. The colophon reads: "London Printed by T.C. for William Ponsonbie. 1595.". Quarto:. 18 x 13 cm. 80 p. Signatures: A-K4 A wonderful copy bound in fine early 20th c. burgundy morocco by Riviere & Sons. Very nice internally the last leaf carefully washed. With a woodcut printer's device McKerrow 299 and decorative border to the title page and numerous head- and tailpieces throughout. A lovely copy of the first edition. This copy has the second state of sheet C with the reading "worthily" on C1r line 24. With a dedicatory epistle to "The Right worthy and noble Knight Sir Walter Raleigh" dated "from my house of Kilcolman the 27. Of December. 1591." In addition to "Colin Clout" this volume also includes Spenser's "Astrophel: A pastorall Elegie upon the death of the most Noble and valorous Knight Sir Phillip Sidney" dedicated to Sidney's widow who had by then become the Countess of Essex; An untitled poem beginning "Ay me to whom shall I complaine…" often referred to as "The dolefull lay of Corinda"; "The mourning Muse of Thestylis" by Ludowick Bryskett; "A pastorall Aeglogue upon the death of Sir Phillip Sidney Knight" signed L.B. Ludowick Bryskett; "An Elegie or friends passion for his Astrophill" by Matthew Roydon; "An Epitaph upon the right honourable sir Phillip Sidney Knight: Lord governor of Flushing" by Walter Raleigh; "Another of the Same" almost certainly by Sir Edward Dyer.Spenser's "Colin Clout's Come Home Again' a pastoral poem in the tradition of Petrarch was inspired by the poet's visit to England from 1590 to 1591 a journey undertaken at the urging of Walter Raleigh. Spenser wrote the poem dedicated to Raleigh upon his return to Kilcolman castle in Ireland –the 'Home' referred to in the poem's title. Spenser's adoption of an Anglo-Irish identity was publicly expressed in the title poem where the 'home' that Colin refers to rather bitterly in the poem is Ireland not England. At the same time the elegies on Sidney as the English nation's poet imply Spenser's claim to be his successor. The poem has been called Spenser's most biographical and indeed it includes not only the visit from Raleigh to Spenser's home in Ireland in 1589 but also an account of Spenser's sea voyage and his time in England during which he presented the first three books of his 'Faerie Queen' to Queen Elizabeth.The poem fits neatly into a tradition of advice literature that exempts the monarch from the general failings of his or her courtiers and includes strong criticisms of the court as well as attacks on the vanity ignorance and greed of courtiers in general. It is possible that Colin Clout was intended as a criticism of Elizabeth's regime in the 1590s especially if we bear in mind Spenser's own lack of preferment in England and his posthumous criticisms of the queen in 'Two cantos of Mutabilitie' A. Hadfield Edmund Spenser's Irish Experience 1997 chap. 6 Ashley V 194; Pforzheimer 967; STC 23077 printed by Thomas Creede for VVilliam Ponsonbie, books
1982185294Smithsonian 1982-06-17. Paperback. Very Good. Clean has a good binding no marks or notations. Light wear. Smithsonian paperback books
19271002671London: Noel Douglas 1927. Limited edition of this fine press facsimile number 40 of 100 on handmade rag paper a replica of William Ponsonby's first printing of 1595 reproduced from the copy in the British Museum. Spenser's sonnet cycle Amoretti follows the courtship of the poet and a lady with a "twinkle" in her eye inspired by Spenser's second wife Elizabeth Boyle: "But when I pleade she bids me play my part / and when I weep she sayes teares are but water: / and when I sigh she sayes I know the art / and when I waile she turns her selfe to laughter" Sonnet XVIII. The volume concludes with Epithalamion Spenser's ode to his bride on their wedding day: "Set all your things in seemely good aray / Fit for so joyfull day / The joyfulst day that ever sunne did see." A fine copy. Small octavo measuring 5 x 3 inches: 140. Original publisher's vellum lettered in gilt text block uncut and partially unopened. Vignettes on both title pages decorative headpieces and tailpieces. Bookplate of George B. Cluett to front free endpaper. Noel Douglas unknown books
1901122168New York: The Laurel Press 1901. Hardcover. VG- Light wear to extremities. Brown paper over boards; Off-white cloth at spine; 88 pp.; Illustrated initial letters at each page but otherwise no illustrations. A late-sixteenth-century sonnet cycle written by Edmunde Edmund Spenser about his courtship and marriage to Elizabeth Boyle; Hand-numbered no. 330 of 450 copies in this edition. The Laurel Press hardcover books
1978185295Smithsonian 1978-11-17. Paperback. Very Good. Clean has a good binding no marks or notations. Light wear. Smithsonian paperback books
19581296008New York: Appleton-Century-Crofts Inc 1958. Hardcover. Octavo; VG-; hardcover; bound in navy blue cloth gilt lettering; boards strong general shelfwear general edgewear rubbing and bumping on fore corners and spine edges some bumping on front head edge and front tail edge soiling on spine spine sun toned interior age toned very minor soiling in front and rear interiors penned signature and penciled text on front end paper; text block age toned insert on title page occasional soiling folding on head fore corners damp staining on tail fore corner; viii 419pp. 1296008. Rockville Non-Retail Listings. Appleton-Century-Crofts, Inc hardcover books
19661296851London: Dawson of Pall Mall 1966. Reprint Edition. Hardcover. Octavo; VG-; hardcover; bound in navy blue cloth gilt lettering; boards bowed general shelfwear general edgewear soiling on front and rear rubbing and bumping on fore corners and spine edges spine sun toned penned text on front pastedown penciling and stamp on front end paper light foxing in interiors; text block age toned around the edges; xiv 61pp. 1296851. Rockville Non-Retail Listings. Dawson of Pall Mall hardcover books
19631297428Gloucester: Peter Smith 1963. Reprint Edition. Hardcover. Quarto; VG-; hardcover; bound in grey cloth black lettering; boards strong general shelfwear general edgewear general soiling closed tears on spine edges rubbing and bumping on fore corners and spine edges ex-libris plate on front end paper stamp and erased penciling on front end paper; text block age toned ex-library stamp and penned text on copyright page; 997pp. 1297428. Rockville Non-Retail Listings. Peter Smith hardcover books
