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185133562Thomas Johnson Manchester 1851. 2 vols. in 1 16mo. with engraved title-vignette and numerous engraved head-pieces a number coloured by hand; original dark green diced cloth boards elaborately framed in blind back gilt extra uncut AND PARTIALLY UNOPENED expertly rebacked with old backstrip laid down primrose endpapers a most attractive crisp clean copy. Contains Paradise Lost Paradise Regained Sampson Agonistes Comus Lycidas L'Allegro Il Penseroso Arcades Sonnets Odes Miscellanies Translations Elegies Epigrams Miscellaneous Poems Milton's Account of Manso An Ode Encomiums upon Milton. The first volume contains Paradise Lost with separate title and pagination the second volume the remaining works with separate titles but continuous pagination. THIS MANCHESTER IMPRINT IS VERY SCARCE. Thomas Johnson, Manchester, hardcover
168828972London: Printed for Jacob Tonson at the Judge’s-Head near the Inner-Temple-Gate.by Tho. Hodgkin et. al. 1688 and 1695. Very Rare LARGE PAPER COPY of The First “Collected†Edition. A sammelband of the poems of Milton. This copy comprised of the sheets of the large paper 1688 printing of the first illustrated edition of PARADISE LOST. A POEM IN TWELVE BOOKS with a 1695 reissued title-page for this edition; PARADISE REGAIN’D. A POEM. IN IV BOOKS. To whiich is added SAMSON AGONISTES A DRAMATICK POEM. these with the 1688 Title-Pages included Printed by R.E.MDLXXXVIII and for Randal Taylor.MDCLXXXVIII and with the large paper issuance of the first printing of the NOTES by Patrick Humeas well as the additional “POEMSâ€. Engraved portrait frontispiece and the 12 copperplate engravings by Burg after Medina used in the first illustrated edition of 1688. Folio very fine full early calf Farquhar the covers decorated with double gilt fillet and stippled lines and corner tools and elaborately tooled gilt turnovers the spine sometime restored and very handsomely decorated incorporating fine tooling and strapwork in gilt and with a morocco lettering label gilt. 5ff. 343 an original sheet listing some subscribers to the original 1688 edition 3 the table 321 the notes 66 60. A fine crisp and clean copy throughout the binding in excellent condition the refurbished spine panel beautifully restored expertly and sympathetically. RARE LARGE PAPER COPY OF THIS EXCEEDINGLY IMPORTANT EDITION THE FIRST OF THE COLLECTED WORKS WITH ORIGINAL 1688 LARGE PAPER SHEETS INCLUDED. Edward Hodnett considered this to be the "earliest serious effort to illustrate an important work of English poetry" Five Centuries of English Book Illustration 1988 p. 63 and the copperplate engravings have a dramatic power that was only matched 200 years later by John Martin. <br> We rarely encounter a collection of the three principal poems. This collection which includes the POEMS ON SEVERAL OCCASIONS and the NOTES ON MILTON’S PARADISE LOST can be truly classified as the first collected edition and a wonderful sammelband preserved through time by highly appreciative collectors. Such collections are rare. This collected edition is augmented by the inclusion of the highly important NOTES ON MILTON’S PARADISE LOST POEMS ON SEVERAL OCCASIONS and additional poems as well.<br> In PARADISE LOST PARADISE REGAINED and SAMSON AGONISTES Milton revived the heroic verse of Homer and Virgil to frame the tale of Satan and Paradise that has become the best-known epic poem written in English. He had difficulty in finding a publisher because of the plague of 1665 which killed many pressmen and the Great Fire of the following year which destroyed many printing houses—and those publishers who were still operating were wary of the project because of Milton's anti-Restoration sympathies.<br> Simmons to whom he finally came drove a hard bargain and according to the agreement reached and the number of copies sold Milton was paid a total of Å15. Milton’s work survives and is revered to this day as amongst the most significant poetry and prose ever penned and additionally important at a defining moment in the development of the English language. A truly towering figure Milton remains one of the most celebrated and analyzed poets in English literature. Dryden described ‘Paradise Lost’ as ‘one of the greatest most noble and sublime poems which either this age or nation has produced’ while Blake keying in on the poem’s heretical implications described Milton as ‘a true Poet and of the Devil’s party without knowing it.’ Printed for Jacob Tonson at the Judge’s-Head near the Inner-Temple-Gate...by Tho. Hodgkin et. al. unknown
179424326London: By W. Bulmer and Co. Shakespeare Printing Office for John and Josiah Boydell and George Nicol 1794-1797. 3 volumes. First edition of this Boydell issue the first edition with the plates by Richard Westall and a magnificent presentation copy given by Lord Lansdowne the first Marquis of Landsdowne to the French diplomat M. Chauvet who for many years resided at Kensington in London. An especially large copy. With 32 fine large plates being the 28 plates by Richard Westall and 4 portraits of John Milton. Folio 41 x 30 cm very finely bound in exceptional full contemporary bindings of crushed red morocco French in style with fine gilt rolled borders within gilt ruled frames on all covers each frame with corners formed with central gilt circular devices the spines with flat gilt ruled bands creating compartments decorated with small gilt central star burst tools one compartment lettered in gilt a second with gilt volume numbers and additional gilt lettering at the bottom of the spines gilt tooled edges to the covers and gilt turn-ins marbled endpapers a.e.g. cxxxiii 213; 286; 300 4 pp. A most beautiful and exceptional set. A REGAL SET OF THE FIRST EDITION OF THE GREAT ENGLISH POET AND WRITER TO INCLUDE THE FAMOUS ENGRAVINGS FROM RICHARD WESTALL. The Boydells would use Westall to illustrate their two greatest printing efforts the two greatest masters of the English language John Milton and William Shakespeare. Though Westall’s illustrations would be used again in a number of later editions and printings this is by far the largest finest and most impressive of any of the presentations. The Boydell text is equally fitting to these magnificent plates impressively laid out and making use of the fonts of William Martin.<br> In the years that would follow Westall would become quite famous for these illustrations to Milton and for his portrait of Princess Victoria. He would serve as Princess Victoria’s drawing master until the time of his death in 1836.<br> The very fine bindings are quite fitting and elegant. The volumes are beautifully fitting to the presentation inscribed in this copy and were a gift from Lord Lansdowne William Petty the first Marquis of Landsdowne and Prime Minister from 1782-1783 to his close friend M. Chauvet the French diplomat who resided for many years at Kensington. The inscription is dated 1802 and correlates with Chauvet’s being recalled to France due to the growing hostilities between France and England after the Treaty of Amiens. <br> In PARADISE LOST PARADISE REGAINED and SAMSON AGONISTES Milton revived the heroic verse of Homer and Virgil to frame the tale of Satan and Paradise that has become the best-known epic poem written in English. He had difficulty in finding a publisher because of the plague of 1665 which killed many pressmen and the Great Fire of the following year which destroyed many printing houses—and those publishers who were still operating were wary of the project because of Milton's anti-Restoration sympathies.<br> Simmons to whom he finally came drove a hard bargain and according to the agreement reached and the number of copies sold Milton was paid a total of Å15. Milton’s work survives and is revered to this day as amongst the most significant poetry and prose ever penned and additionally important at a defining moment in the development of the English language. A truly towering figure Milton remains one of the most celebrated and analyzed poets in English literature. Dryden described ‘Paradise Lost’ as ‘one of the greatest most noble and sublime poems which either this age or nation has produced’ while Blake keying in on the poem’s heretical implications described Milton as ‘a true Poet and of the Devil’s party without knowing it.’<br> This thorough collection includes not only ‘Paradise Lost’ and the other major works including ‘Paradise Regained Samson Agonistes and Comus’ but the sonnets psalms translations and his work in Latin. As well there is a fine Memoir of Milton and history of his literary work.<br> PARADISE LOST has remained one of the greatest classics of modern English vernacular indeed some say that it constitutes the beginning of modern English poetry and literature. By W. Bulmer and Co., Shakespeare Printing Office for John and Josiah Boydell, and George Nicol unknown
185132472London: William Pickering 1851. 8 volumes. First of the Edition. With a portrait and handwriting facsimile. Title-page in red and black with the fine Pickering device on the title in red and black. Large 8vo in a period binding of full brown morocco lettered and decorated with blind ruled and decorated borders in panel designs within compartments of the spine gilt lettered within panels in two compartments elaborately decorated covers employing three wide lines forming blind ruled borders enclosing a large arabesque decoration at the center of the covers executed in blind marbled endleaves all edges gilt. A handsome set with some age evidence some corners and tips rubbed the upper cover to Vol. VII detached but easily restored as necessary. A HANDSOME SET of the works of one of the greatest literary men the English language has produced. The verse and the prose are like diamonds and pearls of equal beauty.<br> Along with Paradise Lost and Paradise Regained it also includes Samson Agonistes Lycidas and all the Miscellaneous Poems the Sonnets the three “Libers†translations and the foreign poems and the author''s prose works aas well.<br> In PARADISE LOST PARADISE REGAINED and SAMSON AGONISTES Milton revived the heroic verse of Homer and Virgil to frame the tale of Satan and Paradise that has become the best-known epic poem written in English. He had difficulty in finding a publisher because of the plague of 1665 which killed many pressmen and the Great Fire of the following year which destroyed many printing houses—and those publishers who were still operating were wary of the project because of Milton's anti-Restoration sympathies.<br> Simmons to whom he finally came drove a hard bargain and according to the agreement reached and the number of copies sold Milton was paid a total of Å15. Milton’s work survives and is revered to this day as amongst the most significant poetry and prose ever penned and additionally important at a defining moment in the development of the English language. A truly towering figure Milton remains one of the most celebrated and analyzed poets in English literature. Dryden described ‘Paradise Lost’ as ‘one of the greatest most noble and sublime poems which either this age or nation has produced’ while Blake keying in on the poem’s heretical implications described Milton as ‘a true Poet and of the Devil’s party without knowing it.’ William Pickering unknown
1992190692University of California Press 1992-01-01. Paperback. Good. Clean has a good binding no marks or notations. University of California Press paperback books
1993500127341J'ai Lu crimes et enquetes 1993 375 pages poche. 1993. Broché. 375 pages.
1924R320035959HACHETTE. 1924. In-12. Cartonné. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 29 pages - Frontispice en noir et blanc.. . . . Classification Dewey : 410-Linguistique
1805R320025841GIGUET / MICHAUD. 1805. In-12. Relié plein cuir. Etat d'usage, Couv. convenable, Dos abîmé, Intérieur acceptable. 292 + 292 + 262 pages - Augmenté d'un frontispice pour chaque volume / Dos partiellement arraché en Tome 2 / Auteur, titre, tomaison, fleurons et roulettes dorés.Frises dorées sur les contours des 1ers et 2emes plats. Quelques petites epidermures.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
1810R150156152CHAILLOT.. 1810. In-18. Relié plein cuir. Etat d'usage, Couv. défraîchie, Coiffe en tête abîmée, Intérieur acceptable. 288 pages.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
C--9772Brand New. Brand New! Fast Delivery US Edition and ship within 24-48 hours. Deliver by FedEx UPS & USPS and we do not accept APO and PO BOX Addresses. Order can be delivered worldwide within 7-12 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India. unknown
421391Watts. Hardcover. Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. Green DJ shelf scuffed sun faded and a little soiledGrey cloth boardsStamp and 50p in ink front endpaperstaining /light foxing to peripheries otherwise pages and text block clean and tightIncludes a critical profile of Milton by James H Hanford Watts hardcover
004317Hardcover. Very Good. 1770 volume 2 of 2 only books 7-12 with 6 full page engraved plates and a portrait frontisp. Full contemporary calf rubbed front hinge weak. Good clean copy <br/> <br/> hardcover
1913mon0000106728Oxford University Press 1913-01-01. Hardcover. Good. in x in x in. 1921 oxford edition on blue cloth Oxford University Press hardcover
A Paris, Chez Dessaint & Saillant, Libraires, 1754. 3 volumes in-12 ; Tome premier : cviij (Vie de Milton -sommaire)-450 pp. Tome second : 456 pp. Tome troisième : 514 pp-[6] ff (table errata du premier, second et troisième volume, approbation, privilète du roi). Plein veau marbré, tranches rouges, dos à 5 nerfs, pièces de titre en maroquin rouge, reliure d'époque. Coins émoussés néanmoins bon exemplaire.
21417A Paris, Chez Dessaint & Saillant, Libraires, 1754. 3 volumes in-12 ; Tome premier : cviij (Vie de Milton -sommaire)-450 pp. Tome second : 456 pp. Tome troisième : 514 pp-[6] ff (table errata du premier, second et troisième volume, approbation, privilète du roi). Plein veau marbré, tranches rouges, dos à 5 nerfs, pièces de titre en maroquin rouge, reliure d'époque.
1991120246Philadelphia: W. B. Saunders 1991. 3rd edition. Nice copy. large octavo. hardback in original cloth 339pp. b/w pls. text ills. appends. index W. B. Saunders hardcover
03B01009B00075UElsevier 2018-11-21. hardcover. Like New. 8x1x11. No highlighting. Very minimal wear. Elsevier hardcover
SKU1747806Elsevier 2018-11-21. hardcover. New. 8x1x11. New Book Ships with Tracking Elsevier hardcover
04G04001B00153UElsevier 2018-11-21. hardcover. Very Good. 8x1x11. Item is gently used and does not show any significant wear. Elsevier hardcover
2012UJan2018--1714Saunders 2012-01-25. Hardcover. Good. US Edition Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Emailed Tracking from USA Saunders hardcover
SKU0209882Elsevier 2018-11-21. Hardcover. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Elsevier hardcover
Q-0721602010Saunders. hardcover. New. New. In shrink wrap. Looks like an interesting title! Saunders hardcover
2018__0323483194Elsevier 2018. Hardcover. New. 7th har/psc edition. 543 pages. 11.00x8.50x1.25 inches. Elsevier hardcover
2000Q-0721683339Saunders 2000-02-15. Paperback. New. In shrink wrap. Looks like an interesting title! Saunders paperback
1258025957.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
