352 résultats
pp. 309. 12mo. 190mm. Original publisher's full maroon cloth binding. Cover stamped and lettered in silver. Spine lettered in silver. Corners sharp and covers clean. Dust jacket intact with small tear with loss on spine. Small abrasion on spine text. Dust Jacket art depicts passionate scene of a man and woman. Ownership stamp of 'D.I. Gross, 227 S. Hartley St. York, PA.' Hardbound. Very Good. NW70
pp. 244 +Plus 6 illustrations including frontis. 12mo. 200mm. Publisher's full cloth binding in blue lettered in cream. Spine lettered in cream. Corners are slightly bumped and spine slightly faded. Slight chip on front edge. Binding tight and contents clean. Dust Jacket present but tattered. Hardbound. Very Good. NW70
pp. 309. 12mo. 210mm. Publisher's full green cloth binding. Cover decorated in blind with an hourglass. Spine lettered in gilt. Corners sharp and covers are clean. Gilt on spine lightly rubbed. Dust jacket slightly faded on spine. DJ brittle but in good shape. Hardbound. Very Good. NW70
Hardback with dusjacket., Languages: English, 345 pages., 50 b/w ill. 150 colour ill., 190 x 250 mm, fine condition . ISBN 9782503536781. Willem Key was one of the leading portrait and history painters in sixteenth-century Antwerp. He was born in Breda in 1516. Following in his older brother Wouter's footsteps, Willem went to Antwerp to become a painter. He studied under Pieter Coecke (1529) and later, like Frans Floris, apprenticed in the workshop of Lambert Lombard in Liege before becoming a free master in 1542. In 1568, just when he had reached the top of his abilities and enjoyed the patronage of outstanding individuals and institutions, Willem Key died suddenly. The artist?s biographer and painter Karel van Mander tells us that Key was blessed with ?Sulcke edele gheesten,? such a noble mind. And, he had a ?Docta manus,? a learned hand, as the Bruges humanist and painter Domenicus Lampsonius phrased this topos in 1572. This is the first monograph to place Willem Key and his oeuvre in a historical framework. It demonstrates why the nobility, including the Duke of Alba and Cardinal Granvelle, considered him the best portrait painter of his day and why leading humanists viewed his many history paintings as eloquent visualizations of contemporary art theory. The reason why Willem Key's peers regarded him as such an exceptional painter lay in his creative ability to do battle on an uneven playing field with the artists who had been to Italy. In his reconciliation of the Netherlandish tradition with the rapidly advancing Italian manner, Key grasped the spirit of the Renaissance as formulated by Alberti. The quintessence of Key's art inspired numerous artists in his own time and later, including the grandmaster of the Baroque, Pieter Paul Rubens. By shedding light on this amazing confrere of Pieter Bruegel, Pieter Aertsen, Anthonis Mor and Frans Floris and placing him in the highly complex and fascinating time he lived in, this monograph and catalogue raisonne of the art of Willem Key restores the artist to his rightful place in sixteenth-century Antwerp art.
pp. xv, 333 +Plus frontis. 12mo. 200mm. Original publisher's pictorial full magenta cloth binding lettered in cream and decorated in dark gray and cream. Cover has floral decoration designed by Frank Hazenplug with his monogram. Spine lettered and decorated similarly. Cover colors are bright but board faded around edges. Spine faded and rubbed. Some Wear to base and head of spine. Corners bumped. Slight Fading to rear board near spine. Contents clean. Hardbound. Very Good. James Montgomery Flagg (1877-1960) was an American artist and illustrator. He worked in media ranging from fine art painting to cartooning, but is best remembered for his political posters. Frank Hazenplug (1874-1931) designed books for the Chicago firm of Stone & Kimball, and remained with its successor, Herbert S. Stone, until 1906. Other publishers for whom Hazenplug created covers including hundreds for Fleming Revell (1900-1911), as well as many for George Doran, A.C. McClurg, Reilly and Britton, Rand McNally, and John Lane (1913-1920). NW62
A clean, unmarked copy with a tight binding. Inscribed by Haig. Light wear to dust jacket. 8 1/4"w x 8 1/4"h. 32 pages.
pp. 388 +Plus 6 color illustrations. 12mo. 220mm. Original publisher's full beige cloth binding lettered and decorated and lettered in orange black and white. Cover depicts a lovely woman with black hair blowing in the wind. Spine lettered in orange and black. Cover is soiled. Colors are bright, especially the white. corners frayed. Manuscript ownership on inside fly leaf of Iva Ives. Contents clean. Hardbound. Good. Randall Parrish (1858-1923) was an American author of dime novels. 'When Wilderness Was King' was his first longer work. NW60
pp. 272. 12mo. 200mm. Original publisher's red cloth binding decorated with gilt. Spine lettered and decorated in gilt. Top edge gilt. Corners sharp. Covers clean and gilt bright. Spine title reads 'Waverley Novels, Quentin Durward, [Published by] Winston.' Manuscript ownership of 'Maggie P. Snovel, 629 Moss St. Reading, Pa. Feb-24-1915.' One volume from the set of Waverley novels. Stands alone. Contents clean. Hardbound. Very Good. NW58
pp. 279. 12mo. 200mm. Original publisher's red cloth binding decorated with in gilt. Spine lettered and decorated in gilt. Top edge gilt. Corners sharp. Covers clean and gilt bright. Spine title reads 'Waverley Novels, Anne of Geierstein, [Published by] Winston.' Manuscript ownership of 'Maggie P. Snovel, 629 Moss St. Reading, Pa. Feb-24-1915.' One volume from the set of Waverley novels. Stands alone. Contents clean. Hardbound. Very Good. NW58
pp. viii, 111 +Plus 5 pages of color plates. Text set in green and black floral and thematically designed frame. 12mo. 230mm. Original publisher's green cloth binding lettered in gilt and decorated in dark green, light green, red and white. Attractive holly leaf design on cover by Margaret Armstrong with her monogram. Spine lettered in gilt and decorated similarly. Cover is clean and color is mildly rubbed. Spine rubbed. Corners bumped. Hardbound. Very Good. Paul Leicester Ford (1865-1902) was an American novelist and biographer, born in Brooklyn. Howard Chandler Christy (1872-1952) was an American artist and illustrator, famous for the 'Christy Girl' -a colorful and illustrious successor to the 'Gibson Girl' -who became the most popular portrait painter of the Jazz Age era. 4 out of 5 of the plates are detached but present and intact. Manuscript ownership of "Harriet H. Crunch. Friday December 12, 1902.' Contents clean. NW60
pp. vi, 109 +Plus 6 pages of color plates. And text set in vivid colored floral designed frame. 12mo. 230mm. Original publisher's green cloth binding lettered in gilt and decorated in dark green and cream. Attractive floral design on cover by Margaret Armstrong with her monogram. Spine lettered in gilt and decorated similarly. Cover is clean and color is mildly rubbed. Spine soiled with rubbing. Corners bumped and frayed. Manuscript ownership by 'Marion A. Nearer'. First edition. Contents clean. Hardbound. Very Good. Paul Leicester Ford (1865-1902) was an American novelist and biographer, born in Brooklyn. Howard Chandler Christy (1872-1952) was an American artist and illustrator, famous for the 'Christy Girl' -a colorful and illustrious successor to the 'Gibson Girl' -who became the most popular portrait painter of the Jazz Age era. First edition. NW60
hardback, 792 p., 406 colour ill., 230 x 315 mm francais. ISBN 9782930054124. Ce sixieme volume de la serie des repertoires est consacre aux vitraux de la seconde moitie du XVIe siecle et de la premiere moitie du XVIIe siecle qui subsistent en Wallonie, dans les provinces du Brabant wallon, du Hainaut, de Liege et de Namur. L'auteur, Isabelle Lecocq, s'est attachee depuis plusieurs annees a l?etude de ces vitraux monumentaux qui ont trop peu retenu l'attention des chercheurs jusqu'a present. Ces ?uvres s?inscrivent en effet dans une periode particulierement sombre et troublee de l'histoire des anciens Pays-Bas meridionaux, qui commence avec le regne de Philippe II et qui coincide avec la ?« Guerre de Quatre-Vingts Ans ?» (1568-1648). Elles meritent neanmoins une attention particuliere car elles sont l?expression concrete de la mutation generalisee qui se produisit dans l?art entre la Renaissance et le Baroque. L?auteur a realise sur place un examen minutieux et une abondante documentation photographique. L?ouvrage presente pour chaque verriere une etude systematique d?authenticite completee par une recherche approfondie des archives ainsi que par toutes les autres demarches de l?histoire de l?art. Elle a pu confirmer de maniere etayee l?evidence d?une continuite de la production de vitraux dans l?espace wallon, malgre la situation tourmentee de l?epoque. Toutes les ?uvres sont replacees dans leurs contextes artistique, technique, politique, etc., ce qui eclaire aussi l?evolution de leurs concepteurs, de leurs realisateurs et de leurs commanditaires. Le volume a ete publie avec le concours de l?Institut royal du Patrimoine artistique et le soutien du Fonds Courtin-Bouche gere par la Fondation Roi Baudouin.
Hardback, 444 p., 318 b/w ill., 230 x 315 mm. ISBN 02010174. Dans ce volume, ce sont surtout les verrieres conservees dans la ville de Liege (eglise Saint-Jacques, basilique Saint-Martin, cathedrale Saint-Paul) qui permettent de realiser la facon dont les edifices de l'epoque devaient etre decores. A l'epoque, sous le regne du prince-eveque Erard de la Marck, la richesse de la Principaute de Liege permettait un important developpement des arts. Les vitraux liegeois conserves montrent, d'une part, des liens indeniables avec la production contemporaine dans d'autres regions des anciens Pays-Bas meridionaux et, d'autre part, une richesse ornementale extraordinaire et inventive. Certains autres vitraux etudies presentent une facture plus populaire mais qui devait se manifester tres frequemment dans toutes les regions. Languages : French.
pp. (v), 216 +Plus 6 plates of illustrations. 12mo. 210mm. Original publisher's full purple-blue cloth binding with gilt, white and green design depicting a mysterious woman. Spine lettered and decorated similarly in gilt. Cover color is good but gilt is mildly rubbed. Spine is heavily faded and soiled near head of spine. Corners slighty bumped. Ownership stamp on inside paste down 'Property of Mary Olivette' Contents clean. Hardbound. Very Good+. Richard Harding Davis (1864-1916) was a popular American war journalist and writer of fiction and drama. 'Vera' is a mystery with a spiritualism theme. Unusual and striking pictorial binding. BAL 4548. NW59
pp. (v), 216 +Plus 6 plates of illustrations. 12mo. 210mm. Original publisher's full purple-blue cloth binding with gilt, white and green design depicting a mysterious woman. Spine lettered and decorated similarly in gilt. Cover color is good. Gilt is bright. Spine faded. Corners slightly bumped. Contents clean. Hardbound. Very Good. A remarkable book by Richard Harding Davis (1864-1916), an American journalist and writer of fiction and drama, known foremost as the first American war correspondent to cover the Spanish-American War, the Second Boer War, and the First World War. His writing greatly assisted the political career of Theodore Roosevelt. NW60
Vol.2, pp. 287 +Plus 9 leaves of color watercolor plates. 12mo. 200mm. Original publisher's pictorial full cream cloth binding lettered and decorated in gilt. Top edge gilt. Spine lettered and decorated similarly. Cover colors are bright but board is scuffed. Spine rubbed. Some Wear to base and head of spine. Corners sharp. This is only Vol 2. Bookplate belonging to 'WM. Elwood Speakman, Woodbury N.J.' on inside pastedown. Contents clean. Hardbound. Very Good. William Dean Howells (1837-1920) was an American realist novelist, literary critic, and playwright, nicknamed 'The Dean of American Letters'. He was particularly known for his tenure as editor of The Atlantic Monthly, as well as for his own prolific writings, including the Christmas story 'Christmas Every Day' and the novels The Rise of Silas Lapham and A Traveler from Altruria. NW63
Hardback with dusjacket, IX 502 pages., 46 b/w ill. 400 colour ill., 220 x 280 mm, Languages: French. ISBN 9782930054179. Contributions to the Study of the Flemish Primitives(CSFP 12) Until now, little was known about manuscript illumination in Hainault before the arrival of Simon Marmion at Valenciennes around 1458. This monograph intends to bridge that gap by highlighting the work of Marc Caussin, a Hainault miniaturist active in Valenciennes from the 1430s to the 1470s. An existing Cambrai missal paired with by a highly detailed contractual account has led to the attribution of fourteen manuscripts to Caussin. Alongside standard devotional books, Caussin illuminated more personalized commissions such as a copy of the Chroniques martiniennes for Philippe de Croy, count of Chimay. Caussin also worked for other renowned bibliophiles, the most illustrious being the Duke of Burgundy himself, Philip the Good. Caussin?s activity could be placed in context thanks to an abundance of archival sources. Some fifty documents give unique information concerning his family background and his professional network in Hainault and other cities in the southern Netherlands. Exploited for all the richness of their content, the manuscripts grouped around Marc Caussin have allowed us to reconstruct an artistic, social, religious and intellectual milieu about which very little was previously known.
pp. (vi), 383. +Plus full color Dust jacket with colorful art-deco design in black, orange, maroon, and beige. 12mo. 200mm. Publisher's brown cloth binding with cover stamped and decorated in gilt. Spine lettered in gilt. Dust Jacket is crisp and clean with slight wear at the top of the spine. Binding tight and contents clean. Literary Guild of America was a mail order book club that sold lower cost, but well produced editions, of popular and current books to its members. Books were selected by an editorial board, whose chairman was Carl Van Doren (1885-1950) a famed and respected American critic, historian, and biographer. The special editions were published on the same date as the first trade editions. This was one of the 1934 selections. Stated First Edition. Hardbound. Very Good. NW69
pp. 174, 14 [advertisement for other popular handbooks]. 12mo. 150mm. Original publisher's green cloth binding lettered and decorated in red and silver gilt. Spine lettered and decorated similarly. Cover gilt is striking but red lettering is faded. Spine rubbed. Corners sharp. Small cut on front cover near base of spine. Pages brittle. Hardbound. Very Good. NW59
pp. vi, 403, +Plus 8 plates of illustrations including frontis. 12mo. 200mm. Original publisher's full green cloth binding decorated with dark green, red, and gilt. Cover illustration is sharp and depicts a red flower and green leaves. Spine lettered in gilt and decorated with green. Cover clean with good color. Spine rubbed and faded. Corners frayed. Front flyleaf torn out. Contents clean. Hardbound. Very Good. Mary Johnston (1870-1936) a novelist and women's rights advocate from Virginia. She was one of America's best selling authors during her writing career and had three silent films adapted from her novels. 'To Have and to Hold' is the story of an English soldier, Ralph Percy, turned Virginian explorer in colonial Jamestown. Ralph buys a wife for himself - a girl named Jocelyn Leigh - little knowing that she is the escaping ward of King James I, fleeing a forced marriage to Lord Carnal. Jocelyn hardly loves Ralph - indeed, she seems to abhor him. Carnal, Jocelyn's husband-to-be, eventually comes to Jamestown, unaware that Ralph Percy and Jocelyn Leigh are man and wife. A complex series of exciting and romantic adventures in pioneer Virginia follow. Howard Pyle (1853-1911) was a very popular and influential illustrator. NW59
pp. 374. 8vo. 200mm. Green full cloth binding with cover design stamped in gilt. Spine lettered in gilt. Manuscript ownership of 'Allen L. Sutton. Xmas 1917' Corners slightly bumped. Hardbound. Very Good. NW68
pp. 62. +Plus 4 illustrations including frontis. 12mo. 190mm. Publisher's maroon cloth binding with cover decorated and stamped in gilt. Spine lettered in gilt. Corners bumped and some soiling to the spine. Binding tight and contents clean. Hardbound. Very Good. NW70
pp. (viii), 287. +Plus 6 illustrations including frontis. 12mo. 200mm. Original publisher's full green cloth binding decorated in light green, white, black and gilt. Spine lettered in gilt. Cover decoration crisp and gilt bright. Spine rubbed. Corners bumped. Cover slightly faded. Chapter page illustrations. Contents clean. Hardbound. Very Good. NW58
pp. x, 355, +frontispiece, illustrations, plates, portrait, maps. 8vo. 190mm. Publisher's blue full cloth binding with cover stamped in gilt. Spine lettered in gilt. Spine slightly soiled and faded. Lacking Maps. Hardbound. Good. NW69
pp. 337. +Plus full color Dust jacket depicting a man and a woman with a city scene in the background. 8vo. 200mm. Publisher's red cloth binding with cover stamped and lettered in black. Spine lettered in black. Dust Jacket is crisp and vivid with small loss on the back edge. Binding tight and contents clean. Hardbound. Very Good. Scarce in DJ. NW69