Pols, LaurensBiblio.com
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3843390908.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1985P60717Meppel, Krips repro 1985 127pp.geïll.+ bijgevoegd: 2pp.stellingen, 24cm., Academisch Proefschrift (Rijksuniversiteit te Groningen, 1985)
196589726William Morrow 1965. First Edition. Hardcover. Like New/Like New. Like New Book. 1965 New Edition First Printing. NOT a remainder. NOT a book club edition. Published by William Morrow 1965. Book is like new with only very light wear to board edges; clean tight sharp corners bright spine lettering. Dust jacket is price-clipped with light shelf wear. No writing highlighting underlining dog ears etc. No rips tears etc. Pages and boards crisp and straight. Spine un-broken with no spine lean. Book in un-read condition. A very nice collectible copy of this groundbreaking classic of South African literature. Has new introduction by Laurens van der Post. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ships with free delivery confirmation. Ships from Sag Harbor New York. William Morrow hardcover
1024462730.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1990Q-0863151019Floris Books 1990-03-01. Paperback. New. In shrink wrap. Looks like an interesting title! Floris Books paperback
17-0556Breda: Artimo Foundation 1995. 8vo. 53 pp. Oblong. Hard cover. Very Good. Black paper covered boards with black quarter cloth spine. Dust Jacket Very Good. Color plates throughout. ISBN: 9789075380026. [Breda]: Artimo Foundation, 1995. hardcover
1989141495Belles Lettres, coll. « études anciennes » 1989 In-8 broché 23,9 cm sur 15,9. 568 pages. État correct d’occasion.
1998USD_9780721611686Saunder 1998. N/A. Hardcover. UsedLikeNew/UsedLikeNew. Saunder hardcover
178136568à Amsterdam Paris: Aux dépens de la Compagnie Cazin 1781. Fine. Aux dépens de la Compagnie Cazin à Amsterdam Paris 1781 6.50 x 12.50 cm relié New edition illustrated with a frontispiece portrait. One of the rare titles with the false Amsterdam imprint. Publisher's binding in full marbled blonde sheep. Smooth spine decorated. Red morocco title-label. Triple fillet frame on boards. A tear to the spine. Small lacks to joints at foot and one to upper board. Edges gilt. Aux dépens de la Compagnie[ Cazin] hardcover
ria9783658316044_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This thesis investigates the fracture of nearly incompressible hyperelastic media. It covers the different characteristics of bulk material failure under dilatational or distortional loads and develops a unified description of the corre paperback
B9783658316044Paperback / softback. New. It proposes a coupled strain and energy failure criterion for the assessment of notch-induced crack nucleation and presents a weak-interface-model that allows for efficient stress strain and failure analyses of hyperelastic adhesive lap joints. paperback
178136568Aux dépens de la Compagnie [ Cazin] | à Amsterdam [Paris] 1781 | 6.50 x 12.50 cm | relié
19285466Henri laurens éditeur 1928 126 pages in8. 1928. broché. 126 pages. Cette monographie de Philippe Auquier publiée dans la collection 'Les Grands Artistes' constitue une biographie critique du sculpteur et architecte français Pierre Puget (1620-1694). L'ouvrage illustré de 24 reproductions hors-texte synthétise des travaux d'érudits locaux et apporte des détails sur les relations de Puget avec l'administration des constructions navales et avec Colbert
19288068Henri laurens éditeur 1928 128 pages in8. 1928. broché. 128 pages. Cette monographie de Philippe Auquier publiée en 1903 dans la collection 'Les Grands Artistes' des éditions Henri Laurens est une biographie critique du sculpteur et architecte français Pierre Puget (1620-1694). L'ouvrage illustré de vingt-quatre reproductions hors texte synthétise des travaux d'érudits locaux et aborde notamment les relations de Puget avec l'administration des constructions navales et avec Colbert
19832074263München: Goldmann 1983. 348 Seiten. Mit zahlreichen Abbildungen im Text. 4° (25-35 cm). Illustrierte Orig.-Broschur. [Softcover / Paperback].
1982RO30301993Imp. Moderne du lion. 1982. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 301 page augmentées de nombreuses illustrations en couleurs et noir et blanc, hors texte.. . . . Classification Dewey : 56-Catalogue
1342546288.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0875800580New. New. Satisfaction Guaranteed or your money back. unknown
1979mon0000085546Northern Illinois Univ Pr 1979T. hardcover. New. 1.5000 in x 9.5000 in x 6.5000 in. Northern Illinois Univ Pr hardcover
0875800580.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1978BOOKS005500xx467 pages with frontispiece drawings maps appendix bibliography and index. Royal octavo 9 1/4" x 6 1/4" bound in original publisher's white cloth in pictorial jacket. First edition. Laurens Perry has focused on the political and military elements in examining when he describes as the "machine politics" of the administrations of Benito Juarez and Sebastian Lerdo during the Restored Republic. Perry asserts that the Restored Republic had little republicanism to sacrifice. Perry offer substantial evidence to support his view that the dissolution of liberal wartime alliances and the impossibility of reconciling theory and practice explain the emergence of an opposition the downplaying Diaz's personal ambition is less persuasive. The Southwestern Historical Quarterly Vol. 83 No. 2 Oct. 1979 Condition: Lightly soiled else a very good to fine copy. Northern Illinois University hardcover
1945008543Paris Gallimard 1945 In-12 Cartonnage éditeur
192731611927 broché in-octavo, dos crème légèrement défraîchi, non rogné, illustration : frontispice-portrait de l'Auteur par Pierre Laurens, 256 pages, 1927 Paris Editions de la Nouvelle Revue Française,
189874285Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Janvier 1898 32 x 22 cm une feuille et une serpente Rare original lithograph executed by Paul Albert Laurens for L'Estampe Moderne series number 9 published in January 1898. One of 50 deluxe proofs printed on Japan paper with wide margins wove paper mounted on Japan paper artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin numbered stamp of the deluxe printing on verso; engraving preceded by a tissue guard inscribed with the artist's name title and a poem; blank tissue guard. Lithograph inspired by the poem Les trophées by José-Maria de Heredia reproduced on the print's tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on the most prestigious of papers: Japan. Thick silky satiny and pearlescent it contributes to making each page a work of art in its own right. Its ink absorption quality and affinity with colors also make it the ideal support for these very beautiful lithographs. French collectors' interest in artistic posters intensified in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a work of art in its own right on par with the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the Art Nouveau style. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189874287Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Janvier 1898 27 x 35 cm une feuille Rare original lithograph executed by Paul Albert Laurens for L'Estampe Moderne series number 9 published in January 1898. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's embossed stamp showing a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe edition on verso pale marginal foxing. Lithograph inspired by the poem Les trophées by José-Maria de Heredia. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe edition: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China. ""Despite all its qualities China paper too insubstantial owes its reputation not to its own beauty but to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a beautiful impression. This property makes China paper sought after for printing engravings."" Anatole France. French collectors' interest in artistic posters increased at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""poster mania"". The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the Art Nouveau style. Imprimerie Champenoispour CH. MassonH. Piazza unknown
