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196585879BLANDFORD; Barnes & Noble. As New. 1965. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ASIN: B0000CMS7U. 90 pages; 72 illustrations. -- with a bonus offer-- . BLANDFORD; Barnes & Noble paperback
196585880BLANDFORD; Barnes & Noble. As New. 1965. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ASIN: B001QQSCG6. 90 pages; 72 illustrations. -- with a bonus offer-- . BLANDFORD; Barnes & Noble paperback
2015116367Lannoo Publishers. New. 2015. Hardcover. 9401420130 .IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer; 10.13 X 1.25 X 11.67 inches; 322 pages . Lannoo Publishers hardcover
2014109424Uitgeverij De Kunst. New. 2014. Hardcover. 9491196952 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Text in English and Dutch. -- with a bonus offer-- . Uitgeverij De Kunst hardcover
198566769Office Du Livre. New. 1985. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German and French. 180 pp. With 152 ills. 19 col. . 29 x 23 cm. -- with a bonus offer-- . Office Du Livre paperback
196959554Geneva Switzerland: Galerie Kruger & Cie. As New. 1969. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 27 pp. With 34 ills. 32 x 25 cm. -- with a bonus offer-- . Galerie Kruger & Cie. paperback
197161781Arts Council; Et Al. As New. 1971. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text pristine & unmarked tight to the spine - Text in English. 84 pp. With 60 ills. 23 x 23 -- with a bonus offer-- . Arts Council; Et Al paperback
2012105015Hatje Cantz; Et Al. New. 2012. Hardcover. 3775734031 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German. 208 pages; many illustrations most in color. -- with a bonus offer-- . Hatje Cantz; Et Al hardcover
201088032Vossiuspers Uva. New. 2010. Hardcover. 9056295527 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- - Corresponds to ISBN: 9789056295523. 144 pages; 116 illus. -- with a bonus offer-- . Vossiuspers Uva hardcover
193436900London: The Hogarth Press 1934. First edition first impression of this scarce Hogarth Press novel the debut of Woolf's friend Laurens van der Post. Octavo. Finely bound by the Chelsea Bindery in full dark green morocco titles and decoration to spine gilt raised bands twin rule to turn-ins gilt cream endpapers gilt edges. A fine copy. hardcover
1854P2946Paris: Pierre-Bertrand c.1854. Very Good. Notes: In 1846 the French government decided to send a mission to Persia an expedition led by the geographer Xavier Hommaire de Hell to carry out further investigations. Laurens a young artist who had studied in the studio of the painter Paul Delaroche was employed to record the course of their journey in a series of images that after his return in 1849 were used to illustrate Hommaire de Hell's Voyage en Turquie et en Perse 4 vols and atlas 1854-60. Despite the rigours of the journey and an attack of fever Laurens filled several sketch-books with his drawings of the people and landscapes they encountered. Image Size : 308x435 mm 12.13x17.13 Inches Platemark Size : Paper Size : 400x555 mm 15.75x21.85 Inches Coloring: Original Hand Coloring Medium: Lithograph Categories: Views Asia Middle East Iran; Pierre-Bertrand unknown
16992267Four books bound in one. Engraved frontispiece and 12 pretty horrible plates depicting man's mistreatment of women. ; All shipments through USPS insured Priority Mail. . Jan ten Hoorn hardcover
176830081à Rome Rome Paris: Aux dépens de la Congrégation de l'Index 1768. Fine. Aux dépens de la Congrégation de l'Index à Rome Rome Paris 1768 10 x 15.50 cm deux parties en un volume relié The first edition appeared in 1763 at the same address under the title: L'arretin ou la débauche de l'esprit en fait de bon sens. Contemporary full citron morocco binding. Smooth spine decorated. Green morocco title-label. Triple fillet frame on covers. Edges gilt. Handsome copy. Upper joint lightly rubbed. L'arretin consists of 25 essays and tales on subjects as diverse as Les nègres L'agriculture La chasteté ou le célibat Histoire de maître Pierre etc. These are all violent critiques sometimes direct sometimes satirical or allegorical of Biblical teaching the church and its history. Abbé Du Laurens 1719-1793 was a polemical and anti-religious writer whose works are all libertine and licentious but above all profoundly anti-religious. The author did not hesitate to descend to the lowest trivialities to support his critique but his comic inventions often astonishing earned him praise. Pursued for his books he took refuge in Holland then was imprisoned in Mainz in 1767 to end his days at 74 in a convent. 'This book is a lively and rather ribald critique of the principal stories of the Bible. L'epouse de Suze is a critique of La nouvelle Heloïse. Le sage Pangloss is Solomon the wisest of men it is an original chapter even through its singular biblical citations. L'histoire de Suzon is that of Susanna and the two elders l'histoire de Godemiché. The origin of these instruments of chamois or velvet that became so common in convents. Finally les Couvens de Jésuites is an allegory of the history of Sodom. In a word the entire volume is rather a facetious critique of the Bible and clerical institutions than a simply ribald book'. Gay/Lemonnyer I 263-264. Aux dépens de la Congrégation de l'Index unknown
195268801Paris: Henri Creuzevault 1952. Fine. Henri Creuzevault Paris 1952 21.50 x 32 cm en feuilles sous chemise et étui Edition illustrated with 14 original woodcuts by Henri Laurens one of 125 numbered copies on Montval laid paper the only issue after 25 Japan or China. Fine copy despite minor worming of no consequence to the first endpapers and half-title page. Henri Creuzevault unknown
189874285Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Janvier 1898 32 x 22 cm une feuille et une serpente Rare original lithograph executed by Paul Albert Laurens for L'Estampe Moderne series number 9 published in January 1898. One of 50 deluxe proofs printed on Japan paper with wide margins wove paper mounted on Japan paper artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin numbered stamp of the deluxe printing on verso; engraving preceded by a tissue guard inscribed with the artist's name title and a poem; blank tissue guard. Lithograph inspired by the poem Les trophées by José-Maria de Heredia reproduced on the print's tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on the most prestigious of papers: Japan. Thick silky satiny and pearlescent it contributes to making each page a work of art in its own right. Its ink absorption quality and affinity with colors also make it the ideal support for these very beautiful lithographs. French collectors' interest in artistic posters intensified in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a work of art in its own right on par with the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the Art Nouveau style. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189874287Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Janvier 1898 27 x 35 cm une feuille Rare original lithograph executed by Paul Albert Laurens for L'Estampe Moderne series number 9 published in January 1898. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's embossed stamp showing a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe edition on verso pale marginal foxing. Lithograph inspired by the poem Les trophées by José-Maria de Heredia. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe edition: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China. ""Despite all its qualities China paper too insubstantial owes its reputation not to its own beauty but to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a beautiful impression. This property makes China paper sought after for printing engravings."" Anatole France. French collectors' interest in artistic posters increased at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""poster mania"". The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the Art Nouveau style. Imprimerie Champenoispour CH. MassonH. Piazza unknown
0140024026New. Brand new and still unused unknown
16-4226Paris A. Morel et Cie 1860. . Folio. 51.5 x 36.5 cm. Original qtr. cloth and boards worn. Printed on thick rag paper. 15pp text and 20 tinted lithographed plates with tissue guards.OCLC Number 494053192. Views include: Epinal vue prise de la route de Plombières. Cascade du Tendon. Promenade des Dames à Plombières. Parc Impérial à Plombières. Promenade de Tivoli à Plombières. Route de la vallée des Roches au Val d'Ajol. Cascade du Géhart dans la vallée des Roches. Hérival. Remiremont vue prise de la route de Plombières. Saut de la cuve à Saint Amé. Vallée de Saint Amé. Route de Rochesson à Gérardmer. Lac de Gérardmer. Saut des cuves à Gérardmer. Route de Remiremont à Epinal par Saint Nabord. Lac de Longemer. Lac de Retournemer. Le col de la Schlucht près de Retournemer. In-folio demi-toile verte reliure de l'époque.Jean-Joseph Bellel 1816 -1898 peintre français édite en 1860 un album intitulé Les Vosges. Il est composé de vingt dessins au fusain de sa main et lithographiés par J. Laurens. Il confie la rédaction du texte descriptif à son ami Théophile Gautier 1811-1872 qui a effectué un voyage dans les Vosges en 1858 et 1859.Expertise by Christian GASCHBoite Postale 40558004 NEVERS Cedex. Paris, A. Morel et Cie, 1860.. hardcover
195316271Paris: Bibliophiles de France et D'Amerique 1953. First edition. Original Wraps. Orig. wrappers. Very good in fine chemise portfolio in near fine slipcase. Laurens Henri. 67 pages. 28 x 20 cm. Color wood engravings by Laurens. Printed in a Limited edition copy 42 of 147 signed by Laurens and the President of the Bibliophile Society. Laurens one of the leading French sculptors of the 20th century was self taught and strongly influenced by the Cubist movement. His graphic work here reflects his Cubist style. STRACHAN ARTIST AND THE BOOK IN FRANCE Catalogue Raisonne p.336. Preface and Introduction by Anne Green. "Contes" presents extracts from "My Name Is Aram". Loose as issued in red white and blue illustrated wrappers. Bright very crisp clean copy. Text in French. Bibliophiles de France et D'Amerique unknown
75069Bruxelles Imp. Simonau & Toovey ca 1860. Blatt: 43 x 31 cm; Bild: 31 x 22 cm OLwd.-Mappe gold- und blindgeprägt mit losen Blättern. Mappe min berieben wenig fleckig. Die Blätter am Steg min. angeschmutzt die Ansichten sehr schön. Folgende Ansichten m. meist dreisprachigem Titel: P. Lautersn 1828-1888: Godesberg Marksburg Der Mäusethurm und Ehrenfels; Théodore Fourmoir 1814 -1871: Gutenfels Dt. Goar. & Rheinfels Pfalz & Caub; François Stroobant 1819-1916: Bingen Bacharach St. Goar.Hübsche romantische Ansichten eines alten Kulturlandschaft. 400 Bruxelles , Imp. Simonau & Toovey, ca 1860 unknown
1934ARC93919Coward-McCann Inc. New York 1934. 1934. Book. Near Fine. Hardcover. 1st Edition. The first American edition printed from the UK sheets. 8vo. 350pp. Brown cloth lettered in silver at the spine. A touch of bruising to the backstrip ends else a fine copy in slightly dust soiled and nicked non-price-clipped dust wrapper with a dozen quite small areas of edge-loss and the rear flap detached but included. The first American edition of author's first book which was issued the same year as the Hogarth Press UK edition and remains even more uncommon alas the design of this US dust wrapper is nothing in comparison to the splendid Anthony Butts example which adorned the Hogarth Press edition. Coward-McCann Inc., New York [1934]. Hardcover
1610310617Arnhem/Amsterdam: Jan Janssonius/Dirk Pietersz Pers 1610. Third edition. With engraved title and 74 half page woodcut illustrations by Geerhardt de Jode printed and numbered recto. 2 74 1 blank leaves. Without final leaf of text including colophon. Small 4to 7-3/8 x 5-5/8 inches. Old vellum manuscript titles. Chip to head and tail of spine very good. Jode Geerhardt de. Third edition. With engraved title and 74 half page woodcut illustrations by Geerhardt de Jode printed and numbered recto. 2 74 1 blank leaves. Without final leaf of text including colophon. Small 4to 7-3/8 x 5-5/8 inches. Compelling emblem book featuring half-page woodcuts by Jode with a biblical text beneath and facing commentary. The third edition of a work first published in 1579. Lacking final leaf of text but with all illustrations. Jan Janssonius/Dirk Pietersz Pers unknown
2005SKU0201108Foundation Press 2005-12-13. Paperback. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Foundation Press paperback
51-7001Orléans: Gilles Hotot1651. Folio. Nineteenth century half calf and marbled boards; rpaired with gilt spine reimposed ; 22 x 33.1cm. 22 327 80pp.; plus 42 double page hors texte genealogical tables. Few pages with light marginal waterstains. OCLC Number / Unique Identifier:36964227; Saffroy I 1001."le dessein de mon Père sonautheur est de faire voir qu'elle a esté la Domination & l'étendue de cetEmpire François. Les Généalogies te pouront faire cognoitre la suitede l'histoire les divisions successions & partages de ses Royaumes &Provinces le Regne de Pere en fils les alliances & l'origine des plusillustres & anciennes Maisons de France."Avis au lecteur. Orléans: Gilles Hotot,1651 hardcover
185939202Paris: MM. Paulin & Le Chevallier 1859. Very Good. A wonderful suite of 30 LITHOGRAPHS BY LAURENS ON CHINE APPLIQUÉ complete depicting scenery monuments and traditional costumes encountered during a train journey from Lyon to Sète or "Cette" as it is spelled here. Oblong folio 28 x 36 cm. Loose as issued in the original printed wrapper. A bit of marginal foxing on most of the lithographs else FINE AND BRIGHT. Housed in a board portfolio with ties back with cloth. A pristine set and extremely rare. <br/><br/> MM. Paulin & Le Chevallier hardcover
