Flamand, LeeBiblio.com
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2022x-9463725059Amsterdam Univ Pr 2022. Hardcover. New. 311 pages. 9.50x6.25x1.00 inches. Amsterdam Univ Pr hardcover
1998DADAX0444500332Elsevier 1998-08-06. 2nd. hardcover. New. 7.00x1.25x10.00. Buy with confidence. Excellent Customer Service & Return policy. Elsevier hardcover
K80009The Martyrdom of Saint Thomas from a set of twelve plates with the martyrdoms of the Apostles and Christ: 'Het martelaarschap van de apostlen.'The apostle Thomas is stabbed to death with spears by Indians. Some of the Indians depicted are represented as natives of America with feathered robes and other attributes. To the right of the scene of his martyrdom he is depicted again reading in a book spear in hand. Inscription above his head: S. Thomas.Four lines of Latin text at bottom: Thomas ad Eoos. et igne est.Numbered at bottom center: 7 and at the right corner: 8.Signed bottom left: MDVos in / HGoltzius sculp.Possibly fro the 'Theatrum Biblicum' published in 1643.NL Apostel Tomas wordt met speren doodgestoken door de oorspronkelijke bewoners van Amerika vroeger aangeduid als Indianen. Een deel van de afgebeelde Indianen is voorgesteld als oorspronkelijke bewoners van Amerika met verentooien en andere attributen. Rechts naast het tafereel van zijn marteldood staat hij nogmaals afgebeeld lezend in een boek een speer in de hand. Onder de voorstelling tweemaal twee regels Latijn. Deze prent is onderdeel van een serie van dertien prenten van Christus ongenummerd en de apostelen genummerd meer specifiek van de martelingen die ze hebben ondergaan. Uit de kring van Hendrick Goltzius. Engraving on laid paper with margins; total: 269 x 342 mm; state II/2; some rubbing due to handling otherwise in very good condition. Mounted on cardboard passepartout. Hollstein 357 Bartsch 295. unknown
HH1557London British Museum 1915 19231926 1931. Hardcover. Very Good. VIII/111 Ss. und LXIV Tafeln;XX/181 Ss. und LXXIX Tafeln;XI/2/162 Ss. und LXXX Tafeln; XXIII/228 Ss. und LXXX Tafeln.Ln. <br/> <br/> London British Museum 1915 ,1923,1926, 1931 hardcover
Koester, OlafIn Pristine Condition. unknown
232650København 1940. 4to. 280 4 s. 98. Billedplansjer. Bundet med originale omslag i to håndbundne maroquinbind signert Anker Kysters Eftf 1964. Foromslaget i plasjebindet svakt brunplettet. . <br/><br/><em>Nr. 190 av 325 eks. </em> unknown
1435Engraving on light wove paper with a large Amsterdam Coat of Arms watermark 9 5/16 x 7 1/2 inches 236 x 190 mm narrow margins. Scattered light areas of discoloration handling creases and pencil notations on the verso. unknown
16-6344Antwerp: Philips Galle circa late 16th-early 7th Century. Engraving mounted on an old support sheet.Without the text beneath the names of the artists and publisher. 19 x 26.2cm.December from the set of twelve representing the months engraved by Hans Collaert January March June July & Adrian Collaert after compositions designed by Jodocus de Momper see Hollstein vol. IV Adrian Collaert No.559-570 and Hans Collaert No.125-128. New Hollstein: Collaert Dynasty No.1350-1362. Fist state of two before the address of Philips was altered to that of Joan Galle and before the added names of the signs of the zodiac.Provenance:Né en 1906 à Lezay Deux-Sèvres Jacques Cathy a exercé d’abord la profession de caricaturiste à l’hebdomadaire « Le Rire ». Il a rejoint vers 1927 l’équipe du Cabaret « La Vache Enragée » conduite par Roger Toziny. Jacques Cathy poursuit sa carrière de chansonnier après le décès de Toziny en 1939 et après la guerre il conduit parallèlement une carrière d’acteur dans le cinéma. Jacques Cathy était le 3ème Maire de La Commune Libre de Montmartre à partir de l’élection en 1949.Final provenance: Les Collections Aristophil - 164 bis avenue Charles-de-Gaulle 92200 Neuilly-sur-Seine. Antwerp: Philips Galle, circa late 16th-early 7th Century. unknown
1995BN99955Sevilla España ; Tartessos 1995. 1995. Historia del flamenco - 3 Bände / Volumen 22 CD Text: in spanisch / espaniol <br/><br/>Historia del flamenco - 3 Bände / Volumen 22 CD Text: in spanisch / espaniol Sevilla (España) ; Tartessos unknown
195748733Lyon. : Les Ecrivains Réunis / Armand Henneuse. 1957. Original publisher's matt black wrappers stitched as issued titles in relief to front cover. Small folio. 315 x 235 mm. Presentation in white ink see below to front wrapper verso leaf with title verso with dedication 'pour andrée' leaf with opening quotation recto and illustration by Toyen verso and Flamand's verse in 5 sections dated 'Lyon-Paris juin 1953' at the conclusion each with an illustration by Toyen 5 in total final leaf with achevé d'imprimer and justification recto. Mesens' copy of Flamand's verse illustrated by Toyen with a presentation from the poet.From the edition limited to 120 numbered copies with this one of 100 on lama bleu.Flamand's long presentation to E. L. T. Mesens is in white ink to the front wrapper verso: 'A E. L. T. Mesens / Pour l'intarissable source de clartés qu'ont / fait jaillir au plus profond de mon / coeur son amitié comme sa poésie / En souvenir de nos tardives promenades / dans les environs de la rue Daunou / au cours desquelles il délie pour moi / les noeuds de la nuit. / Avec ma fidèle affection / Elie-Charles Flamand'.Also included inserted loose is the folded prospectus a sheet of blue printed card folded: 140 x 105 mm; unfolded: 140 x 210 mm with title an illustration by Toyen and details of the edition with the additional note by Flamand tin black ink: 'Les exemplaires de tête comporteront une pointe-sèche de TOYEN'. Les Ecrivains Réunis / Armand Henneuse. unknown
196629223Editions Rencontre Lausanne. As New. 1966. Two 2 Volume Set. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - -- with a bonus offer-- . Editions Rencontre Lausanne hardcover
RGW17266Engraving signed on plate by artist and engraver. Laid down small margins top and bottom trimmed to image on side margins faint crease in sky to right of palace The present title was suggested by Larry Silver in 'Peasant Scenes and Landscape The Rise of Pictorial Genres in the Antwerp Art Market' University of Pennsylvania 2006. Cataloguers have usually used a title like 'Festivities before a Palace' viewing the image as merely one of elegant company making merry but Kahren Hellerstedt in her 1986 catalogue used the title 'The Dance of Mary Magdalene' identifying the principal female figure dancing in the foreground as that saint. She noticed the similarity of that figure to the depiction of the central group in another engraving of Nicholas de Bruyn after David Vinckboons 'The Feast in the Forest' of 1601. In turn she argues this print was influenced in its composition and execution by Lucas van Leyden's 'The Dance of the Magdalene' published in 1519. Many Dutch and Flemish paintings of this period portray a religious subject via a scene of contemporary life. She also notes that de Bruyn's method of hatching to portray the human form is similar to that employed by van Leyden a hundred years before. The date of 1607 is given by Hollstein although the print is not dated. The Rijksmuseum dates their impression to 1604.This large and impressive engraving of elegant company in a 'Pleasuance' or pleasure garden of a grand house is of historical importance from a number of points of view. It records the layout of such a garden incorporating topiary hedges water features pergolas statues and gazebos. There are many groups of musicians playing different stringed instruments including lutes viols viola de gamba and what appear to be a harpsicord and harp. Trumpeters head the barges. Apart from the central pair there are other groups of dancers. Picnickers are being served wine in tazze from a jug; nearby large rectangular vessels are in a cooler. The many figures provide information on the costumes of the period.` unknown
