4 919 résultats
193869823New York:: The Macmillan Company 1938. Reprint of the 1936 first edition. original gray cloth stamped in blue in dust jacket. Ink stamp of Selznick International Pictures Inc. to verso of rear free endpaper; a little browning to the hinges from binder's adhesive; some shelfwear to the bottom edge; but a bright copy. The jacket is chipped at extremities of the backstrip and has a few other tiny chips; good to very good. The framed certificate of appreciation is somewhat rippled and there is some fading to some of the signatures. . 8vo and framed artwork measuring 25 x 21 inches overall. Denoted in pencil "Copy #1" this was Assistant Director Eric Stacey's copy signed by David Selznick Director Victor Fleming and 28 members of the motion picture cast including Vivien Leign Clark Gable and Olivia de Havilland. Eric Stacey has added his ownership signature in pencil on the half-title. Accompanying the book is a framed gift presented to Eric Stacey "In appreciation for his cooperation and unfailing interest during the darker days of "Gone With the Wind." Created by Atlanta artist Jack Conner the signatures of 82 members of the motion motion picture production staff are surrounded by a decorative cartouche in colors featuring Aeolus the Keeper of the Winds as a pair of cherubs amid scrolls the sun moon and stars. In the decorative title lettering "Gone" is windblown. The Macmillan Company, hardcover
193613198JNew York: Macmillan 1936. First Edition First Issue. Signed by Margaret Mitchell on the flyleaf. Laid into the book is what is considered the finest Clark Gable letter extant an amazing reflection all about Gone With the Wind. Dated January 25 1960 it is a Typed Letter Signed in blue ink by Clark Gable on his printed stationery with the original stamped envelope which is written to the News Editor of the Atlanta Constitution newspaper Mr. Actor Cordell Jr. who had asked for Gable’s remarks on Gone With the Wind twenty years after the release of the film classic and to which Clark Gable wrote this amazing response: "Dear Mr. Cordell: I have received your letter of December 29 and will answer your questions in the order which you ask them. - Yes it does seem like 20 years. - I feel about GONE WITH THE WIND as being one of the greatest pictures ever made not because I played a leading role in it but because of the great story the way the story was brought to the screen the production it received and because of its very fine cast. When I look at the picture now after 20 years I still feel it is one of the finest motion pictures ever made. - Yes I think Rhett Butler is my favorite role and I am associated more with GONE WITH THE WIND than with any of my other pictures. - As to suggestions for the casting of Rhett in the forthcoming stage musical this is a little out of my line. I am sure the producer and the director will be completely capable of finding a very fine Rhett Butler. - Of the late Margaret Mitchell I would like to say that in addition to writing a wonderful novel she was of great help to me before I started working in the picture advising me of the manner in which she thought I should attempt to portray Butler. I listened to her and followed her advice and fortunately for me everything she told me was right. Naturally she was the one to whom I went for advice because she was the one who had created the character. I am forever grateful to Margaret Mitchell. - Most sincerely Signed Clark Gable.†This letter was written shortly before Gable left to film his final motion picture the late masterwork The Misfits co-starring Marilyn Monroe and Montgomery Clift directed by John Huston using an original screenplay by Monroe’s husband Arthur Miller. Gable died in November a few days after shooting his last scene. This articulate and fascinating letter therefore remains his final observations about Gone With the Wind. The book itself is a near fine first edition in original cloth in a very good first issue dust jacket with some minor expert restoration by a paper conservationist. A truly historic piece enclosed in a very handsome custom morocco and cloth custom box. Macmillan hardcover
1936140948946New York: The Macmillan Company 1936. First Edition. Fine/Fine. First edition first printing with "Published May 1936" on the copyright page. vi 1037 pp. Bound in publisher's gray cloth stamped in blue. Fine in a Fine first issue dust jacket with Gone with the Wind placed in the second column of books listed on the rear panel; $3.00 price intact on bottom corner of front flap upper corner clipped. Housed in a custom clamshell case brown cloth over quarter brown morocco title in gilt with trivial fraying to cloth edges. An incredible copy the best we've ever seen. The Macmillan Company unknown
1939152173Hollywood: Selznick International 1939. Rare final shooting script of the most celebrated film in Hollywood history a remarkable presentation copy inscribed by producer David O. Selznick to his special effects chief Jack Cosgrove in the year of the film's release. Quarto bound for Selznick in contemporary custom red half morocco for presentation with Cosgrove's name stamped in gilt on the front board and the spine with five raised bands lettered in gilt original yellow wrappers bound in titled "Gone With the Wind from the novel by Margaret Mitchell. Screen Play by Sidney Howard. Produced by David O. Selznick. Directed by Victor Fleming. Final Shooting Script January 24 1939" with six black-and-white movie stills inserted throughout - among them the burning of Atlanta the sequence that crowned Cosgrove's achievement. Presentation copy inscribed by Selznick on the first blank "For Jack who was always willing to try the impossible-and who always achieved it! With gratitude for a great job. DOS Xmas 1939." The recipient Jack Cosgrove was the leading special effects artist of Hollywood's golden age nominated for five Academy Awards over the course of his career for Gone With the Wind Rebecca The Pride of the Yankees Since You Went Away and Spellbound. Working day and night through the summer of 1939 Cosgrove and the assistants he supervised at Selznick International produced hundreds of the matte paintings - rendered on large glass panels and known on the lot as "Cosgrove shots" - that were combined with the live footage to create most of the film's panoramas of the antebellum South. It was his brush that conjured the great house at Tara the sweep of Twelve Oaks and the burning of Atlanta supplying the visual grandeur on which the film's epic scale depends. From the collection of Tony Grammy and Emmy Award-winning composer Charles Strouse and his wife choreographer Barbara Siman. Over his 50-year career Charles Strouse wrote the music for such iconic musical theater hits as Bye Bye Birdie Applause and Annie as well as the theme song for the classic sitcom All in the Family "Those Were the Days". His partnership with Martin Charnin on Annie produced one of Broadway's most successful scores ever with "Tomorrow" and other songs from the production becoming enduring American musical standards admired by generations. His reach knew no genre or generation - from a number-one Billboard hit in 1958 to Jay-Z's Grammy-winning sampling of "It's the Hard-Knock Life" four decades later - and his honors include three Tony Awards and induction into both the Songwriters and Theater Halls of Fame. In near fine condition rebacked. An extraordinary association copy uniting the producer of Gone With the Wind with the artist who painted its most unforgettable images. David O. Selznick’s production of Gone With the Wind directed by Victor Fleming from Sidney Howard’s screenplay of Margaret Mitchell’s Pulitzer Prize–winning novel premiered in Atlanta in December 1939 and went on to win eight Academy Awards plus two honorary awards — including a posthumous Oscar for Howard’s screenplay the first ever awarded posthumously — and remains adjusted for inflation the highest-grossing film ever made. The final shooting script of January 24 1939 represents the text from which this monument of American cinema was filmed. Selznick had a small number of copies specially bound for presentation to key members of the cast and crew at Christmas 1939 each with the recipient’s name stamped in gilt and stills selected with the recipient in mind; they are today among the most coveted artifacts of Hollywood’s golden age. Selznick International hardcover
1936140946561New York: The Macmillan Company 1936. First Edition. Hardcover. First edition first printing with "Published May 1936" on the copyright page. Signed by Margaret Mitchell on the front free endpaper in black ink. vi 1037 pp. Bound in publisher's gray cloth with blue lettering. Near Fine with light edge rubbing pages toned with age;from the collection of noteworthy American book collector Robert R. Dearden with his bookplate on paste down. In first issue dust jacket with Gone with the Wind placed in the second column of books listed on the rear panel; $3.00 price intact on bottom corner of front flap. Jacket is Near Fine unsophisticated a good thing meaning it has had no repairs and unfaded light diagonal crease to front panel a little rubbed and toned small L shaped closed tear to back panel. Housed in a quarter calf custom folding case. <p>A lovely signed true first of the historical novel that inspired the classic 1939 film starring Vivien Leigh and Clark Gable. The novel itself was no slouch; it won the Pulitzer Prize for Fiction sold more than eight million copies and has been translated into at least 18 languages. Signed copies are uncommon as Mitchell swamped with requests refused to sign the novel six months after its publication. The Macmillan Company hardcover
1932124744London: Jarrolds Publishers 1932-1934. First editions of each volume of Gibbon's classic trilogy describing the life of Chris Guthrie a woman from the north-east of Scotland during the early 20th century each volume inscribed by him to George Malcolm Thomson. Octavo original cloth 3 volumes. Sunset Song is inscribed on the title page "For G. Malcolm Thomson L. Grassic Gibbon." Cloud Howe is the dedication copy inscribed on the title page "For the 'dedicatee' with kind regards. L. Grassic Gibbon." Grey Granite is inscribed on the title page "For George Malcolm Thomson with good wishes L. Grassic Gibbon." Each are in very good condition. Rare and desirable signed and inscribed. A Scots Quair is revolutionary - innovative in its form deft and humorous in its use of language courageous in its characterization and politics. Central to the trilogy is Chris Guthrie one of the most remarkable female characters in modern literature. In Sunset Song Gibbon's finest achievement the reader follows Chris through her girlhood in a tight-knit Scottish farming community: the seasons the weddings the funerals the grind of work the gossip. As the Great War takes its toll machines replace the old way of life. Cloud Howe and Grey Granite take Chris from her rural homeland to life in an industrial Scotland and the desperate years of the Depression. Gibbon attracted attention from his earliest attempts at fiction notably from H. G. Wells but it was his trilogy entitled A Scots Quair and in particular its first book Sunset Song with which he made his mark. A Scots Quair with its combination of stream-of-consciousness lyrical use of dialect and social realism is considered to be among the defining works of the 20th century Scottish Renaissance. All three parts of the trilogy have been turned into serials by BBC Scotland written by Bill Craig with Vivien Heilbron as Chris. Additionally Sunset Song has been adapted into a film released in 2015. Jarrolds Publishers hardcover
1936211861New York: MacMillan 1936. First Edition; First Printing. Hardcover. Good in a Good dust jacket. Chipping at the crown of the spine. Minor repair to the front gutter with archival glue. Binding remains sound.; Signed by Margaret Mitchell on the front end page.; Signed by Author. MacMillan hardcover
1936136276New York: The Macmillan Company 1936. First edition of Margaret Mitchell's masterpiece which remains one of the fastest selling novels in the history of American publishing with 50000 copies sold in a single day. Octavo original cloth. First printing with “Published May 1936†on the copyright page and no mention of other printings. Association copy signed by eleven members of David O. Selznick's epic American 1939 film adaptation on the front pastedown and front free endpaper with nine adding the names of the characters they portrayed "Evelyn Keyes 'Suellen' O'Hara" "Mickey Kuhn 'Beau Wilkes age 7 years'" "Marcella Martin Cathleen Calvert" "Ann Rutherford 'Careen' O'Hara'" Rand Brooks Charles Hamilton" "William Bakewell 'A Mounted Officer'" "Greg Griese 'Baby Beau & Baby Bonnie'" "Fred Crane 'Brent Tarleton'" "Patrick Curtis 'Baby Beau'" "Frank Junior Coghlan The collapsing Southern soldier" and "Cammie King 'Bonnie Blue Butler'". The signatures were obtained by Mr. Tatnall Brown on the occasion of the film's March 10 1961 gala "Anniversary Premiere" at Loew's Grand Theatre in Atlanta commemorating the centennial of the start of the Civil War as well as marking the 25th anniversary of the publication of the book. The Loew's Grand was the venue famous for the original December 19 1939 world premiere. Very good in a very good completely unrestored first issue dust jacket with Gone with the Wind listed in second column of booklist on back panel and the $3.00 cost on front flap. Eicher 730. With Brown's bookplate to the pastedown. Laid in is a small stiff paper card with an image of Gone With the Wind; signed by Margaret Mitchell "Thank you for your letter. See 2 and 3 Margaret Mitchell Marsh." Additionally laid in is a post card with a portrait of Vivien Leigh from The Selznick Studio signed by her an original program from the film and a small booklet "Margaret Mitchell and Her Novel Gone With the Wind" New York: Macmillan 1936. Housed in a custom clamshell box. A unique example. “Mitchell’s sweeping rendition of a South torn apart by civil war… has become national mythology†New York Public Library’s Books of the Century 111. “This is beyond doubt one of the most remarkable first novels produced by an American writer. It is also one of the best… It has been a long while since the American public has been offered such a bounteous feast of excellent story-telling†New York Times Book Review 1936. Said to be the fastest selling novel in the history of American publishing 50000 copies in a single day Gone with the Wind won Mitchell the Pulitzer Prize. The Macmillan Company hardcover
19362601002MacMillan Company 1936. first. hardcover. very good/very good. INSCRIBED first edition with "Published May 1936" stated on copyright page and 1936 on title page. Book very good plus some rubbing to cover edges and along spine. Dust jacket very good some wear and chipping flap price $3.00 front flap clipped at top. Housed in custom-made slipcase. MacMillan Company unknown
1936139819New York: The Macmillan Company 1936. First edition of Margaret Mitchell's masterpiece which remains one of the fastest selling novels in the history of American publishing with 50000 copies sold in a single day. Octavo original cloth. First printing with “Published May 1936†on the copyright page and no mention of other printings. Presentation copy inscribed by the author on the front free endpaper "To Elizabeth S. Harsh from Margaret Mitchell." Near fine in a very good completely unrestored price-clipped first issue dust jacket with Gone with the Wind listed in second column of booklist on back panel and the $3.00 cost on front flap. Tape repairs to the verso of the dust jacket. Contemporary newspaper clipping adhered to the pastedown. Eicher 730. Housed in a custom half morocco clamshell box. A nice example. “Mitchell’s sweeping rendition of a South torn apart by civil war… has become national mythology†New York Public Library’s Books of the Century 111. “This is beyond doubt one of the most remarkable first novels produced by an American writer. It is also one of the best… It has been a long while since the American public has been offered such a bounteous feast of excellent story-telling†New York Times Book Review 1936. Said to be the fastest selling novel in the history of American publishing 50000 copies in a single day Gone with the Wind won Mitchell the Pulitzer Prize. The Macmillan Company hardcover
1960140940127New York: Tiber Press 1960. First Edition. Fine. Complete in four folio volumes each measuring 17½" x14¼". Each volume with three full-page color silkscreen prints and additional prints at title page and upper cover original cloth-backed illustrated boards. First Edition. No. 47 of 200 copies. Each volume signed by the poet and artist on the limitation page. A Fine set bright and sharp in publisher's thick acetate jackets housed in cloth slipcase with light shelf wear.<br /> <br /> <p>A visionary collaboration between the leading lights of the New York School of poetry and four second generation abstract expressionist artists produced at the height of their creative collective powers. A heady encapsulation of the New York literary and visual avant garde at the dawning of the '60s. Tiber Press unknown
1960140946279New York: Tiber Press 1960. First Edition. Fine. First edition. Complete in four folio volumes each measuring 17½" x14¼". Each volume with three full-page color silkscreen prints and additional prints at title page and upper cover original cloth-backed illustrated boards. First Edition. No. 77 of 200 copies. Each volume signed by the poet and artist on the limitation page. A Fine set bright and sharp in publisher's thick acetate jackets housed in cloth slipcase with trivial shelf wear. <p>A visionary collaboration between the leading lights of the New York School of poetry and four second generation abstract expressionist artists produced at the height of their creative collective powers. A heady encapsulation of the New York literary and visual avant garde at the dawning of the '60s. Tiber Press unknown
19362307131MacMillan 1936. first. hardcover. near fine/good. INSCRIBED first edition. Inscribed on the front free end paper by author. The first edition first printing numbered only 10000 copies and they bore an incorrect release date of May 1936. These inaccurate first printings and corrected second printing of 25000 copies were both actually released to the American public in June 1936. The true firsts with the May 1936 date also have the original publisher's price of $3.00.<br /> Book near fine corners and spine ends slightly rubbed little soiling on front paste-down and front free end paper and rear paste-down. Dust jacket good piece missing at bottom of spine and some smaller pieces missing tears to front and rear hinge of flaps and to spine wear top of front flap clipped but price is at bottom of flap. Housed in slipcase with front and back of dj printed on slipcase. MacMillan unknown
19881653591988. MITCHELL Joan. Smoke. Poems by Charles Hine. Illustrated with 16 sugarlift and spitbite aquatints by Joan Mitchell. Folio 351 x 230 mm. loose as issued laid-in to a cloth folding box. San Francisco: Limestone Press 1988. Comprised of 16 diptych etchings by Mitchell and accompanied by poems of Charles Hine this book is the result of a wonderful collaboration between the artist poet and publisher. Mitchell a celebrated American abstract expressionist created the etchings using sugarlift and spitbite aquatint technique. Signed on the colophon by Mitchell and Hine. One of 80 copies. hardcover
1960ABSTRACT013461Tiber Press New York. 1960. First editions. Folio. The Poems by John Ashbery illustrated by Joan Mitchell; Odes by Frank O'Hara illustrated by Michael Goldberg; Permanently by Kenneth Koch illustrated by Alfred Leslie; Salute by James Schuyler illustrated by Grace Hartigan. Each volume has four screenprints by the respective artist and is one of 200 copies numbered in the press and signed by both the author and the artist. Cloth-backed illustrated boards. All the poets and artists were based in New York and had known each other for several years. The publisher left the choice of partners to the individuals themselves.A fine set in the original acetate dustwrappers and cloth slipcase. Tiber Press, New York. hardcover
1936167754New York: Macmillan Company 1936. First edition first printing inscribed by author on the first blank. Mitchell's sole published novel met with immediate acclaim and record-breaking sales winning her the National Book Award and the Pulitzer Prize. The film adaptation starring Vivien Leigh and Clark Gable followed in 1939. Due to their enduring but not uncontroversial popularity both the novel and the film have become touchstones for subsequent representations and discussions of the Reconstruction era in American popular culture. The first printing is dated May rather than June on the copyright page. Octavo 210 x 139 mm. Finely bound by the Chelsea Bindery in dark green morocco spine lettered and decorated with centre tool raised bands single rule to boards gilt twin rule to turn-ins gilt floral endpapers gilt edges. A couple of leaves lightly spotted an excellent copy in a fine binding. hardcover
1936190222New York: Macmillan Company 1936. I've always had a weakness for lost causes once they're really lost First edition first printing in the first issue dust jacket. Mitchell's sole published novel saw immediate acclaim and record-breaking sales winning her the National Book Award and the Pulitzer Prize and transforming her life from one of obscurity to international stardom. The famous film adaptation followed in 1939. The first printing is dated May rather than June on the copyright page. Dust jackets in the first issue advertise this title on the rear panel in the second row of the second column. Octavo. Original grey cloth spine and front cover lettered and stamped with wind devices in dark blue top edge pale brown fore edge untrimmed. With dust jacket. Housed in custom green cloth slipcase enclosed in larger pale blue quarter morocco slipcase with green cloth sides. Bookplate with ownership inscription of one Nell D. Robedee on front free endpaper. Rubbing to edges; jacket bright splash mark on rear panel a few chips and punctures archival tape reinforcement on verso unclipped: a very good copy in like jacket. hardcover
19362502005MacMillan 1936. first. hardcover. near fine/very good. First UK edition. May 1936 on copyright page. near fine former owner's name and date to front free end paper slight discoloration to paste-downs and end papers small bookstore sticker to bottom of rear paste-down very minor wear to edges. Dust jacket very good price-clipped some wear to edges some small pieces missing along spine ends and hinges to flaps some rubbing and minor foxing. Comes in supplied wooden box. MacMillan unknown
1936149717New York: The Macmillan Company 1936. First edition of Margaret Mitchell's masterpiece which remains one of the fastest selling novels in the history of American publishing with 50000 copies sold in a single day. Octavo original cloth. First printing with “Published May 1936†on the copyright page and no mention of other printings. Boldly signed by Margaret Mitchell on the front free endpaper. In very good condition. Housed in a custom half morocco slipcase. “Mitchell’s sweeping rendition of a South torn apart by civil war… has become national mythology†New York Public Library’s Books of the Century 111. “This is beyond doubt one of the most remarkable first novels produced by an American writer. It is also one of the best… It has been a long while since the American public has been offered such a bounteous feast of excellent story-telling†New York Times Book Review 1936. Said to be the fastest selling novel in the history of American publishing 50000 copies in a single day Gone with the Wind won Mitchell the Pulitzer Prize. The Macmillan Company hardcover
19389586<p>Inscribed <em>For Harold Latham from Margaret Mitchell- Atlanta Ga June 22 1938 </em>to the front endpaper. Harold Latham is best known for discovering Mitchell on a 1935 trip to Atlanta for Macmillan Inc. and later helping to edit <em>Gone with the Wind. </em>Twelfth impression of the English edition. Turquoise cloth with an unclipped dustjacket. Tape repairs to jacket as well as a loss to head see image. Wrapped in protective mylar. A nice clean copy with no previous owners' names or other defacements.</p><p>6.25 x 9 in</p> Macmillan and Co. hardcover
193616972JNew York: Macmillan 1936. First Edition First State May 1936. A little light wear a very good copy in original gray cloth with blue stamping in a very good first issue dust jacket which has had some mends by an expert paper conservationist. Winner of the Pulitzer Prize and the basis of the classic 1939 motion picture starring Vivien Leigh and Clark Gable. Macmillan hardcover
193823845New York: Sheridan House 1938. First edition of the author's first book. Hardcover. A resplendent copy in a bright dust jacket of a poorly made book. 8vo. With a droll frontispiece photograph of Mitchell who is sitting in a chair with newspapers strewn around his bare feet one of which completely obscures his face. Mitchell along with A.J. Liebling and St. Clair McKelway would become a New Yorker star of the first rank during the magazine's heyday. His carefully limned portraits of New York low-life institutions McSorley's Tavern and individuals Joe Gould and his putative oral history of the world earned him critical praise as well as imitators. <br /><br /> Sheridan House hardcover
1939600114<p>"Margaret" in black fountain pen ink on personal letterhead Atlanta May 3 1939. 4to 3 separate pages. To Mable and Edwin Granberry: " We have been in one of our hurricanes. It all started when Selznick at last announced Miss Vivien Leigh and things are just now quieting down." She then goes on to ponder an invitation to Long Beach New York. On page two she comments on that year's Pulitzer Prize-winner: "Of course you know about Marjorie Rawlings getting the Pulitzer award. There never was much doubt that she would get it if there was any justice anywhere.I do not know whether the award will keep her too busy to make this trip. The members of the Atlanta Women's Press Club have asked me to give a party for her should she come as they are all anxious to meet her." Mitchell closes with mention of the book which made her famous: "I was interested in your remarks about finding a GWTW mention in an article written by a Chinese. I did not see the article and if you have to or know who wrote it I'd be interested. As far as I know the book has not been done into Chinese.I am just learning now that it was published in Japan a year and half ago and that it has sold 150000 copies there. I will not get a cent from this because Japan has a treaty with the United States which gives them the right to translate and publish American books without paying royalties to the authors." Mitchell met Edwin Granberry when he wrote an early laudatory review of GWTW; he later interviewed her for his March 13 1937 article "The Private Life Of Margaret Mitchell." They became friends and frequent correspondents see Darden Pyron's "Southern Daughter" for numerous comments. Not in "GWTW Letters." Mitchell 1900-49 American writer; author of the 1936 Pulitzer Prize winning "Gone With the Wind" filmed by MGM in 1939 under directors George Cukor and Victor Fleming starring Clark Gable and Vivien Leigh.</p>
1937252027Atlanta Georgia 1937. One page on personal letterhead. 4to. light creasing and toning esle fine. One page on personal letterhead. 4to. Mitchell thanks Cukor for the gift of Mary Chess perfumes and especially the "mimosa":<br /> <br /> "I had tried someone's brand of mimosa many years ago but it was heavy enough to be used as an anesthetic for a major operation. This brand is so sweet and faint and the lovliest part about it is that it reminds me of old mimosa groves far in the back country on a still hot day with the bees demented in the blossoms."<br /> <br /> She then goes on to discuss Tallulah Bankhead's recent performance in Atlanta which she unfortunately missed:<br /> <br /> 'Of course I was eager to go but the show opened the night after the Pulitzer Award arrived. The Vice President of The Macmillan Company was in town and he gave me a party that night. I hoped to see her the following night but the house was so filled with friends and excitement that I could not go to the theatre. I was very disappointed for everyone was charmed with her. So few people here had liked her in her films and I am afraid many of them went to see her play determined not to like it. But everyone was most enthusiastic about her and the phone rang all day long as people told me how charming she was. "<br /> <br /> Mitchell won the Pulitzer Prize in 1937 for her novel GONE WITH THE WIND; and George Cukor was David Selznick's first choice as director of the film. unknown
1951023353Boston: Little Brown & Co. 1951. First Edition stated 1st Printing. Black Cloth. Near Fine/Fine Dustjacket. 8 1/8" Tall. Stated First Edition 8 1/8" Tall Taller Than Some Other Copies Stating "First Edition" 1 5/16" Thick Thicker Than Some Other Copies Stating "First Edition". The Book Is Tight And Clean No Marks Without Marks Or Damage Just A Tiny Point Of Fraying Of Cloth At Each Of The Two Lower Tips A Little Wear/Dulling To The Spine Gilt And A Little Rubbing/Bumping To The Ends Of The Spine. Dust Jacket With The Portrait Of Salinger On The Rear Panel And With The $3.00 Price On The Front Flap Second State With Slight Space Between Top Of Head And Top Of Dust Jacket Apparently The First Issues Of The "First Edition" Were Slightly Shorter And With Cropping Of Salinger's Head In The Photograph On The Dj. The Dust Jacket Is Spectacular No Chipping Or Tears Without Restoration Or Cleaning Of Any Kind: No Fading To Orange-Red Or Yellow Colors On Spine And Front Panel The Red On Both Spine And Front Panel Being An Even Bright Red And The Author's Name On Spine Being The Same Bright Yellow As The Title On The Front Panel. There Is Not Any Sign Of Wear At The Top Of The Spine Panel And It Is Still Crisp. The Jacket Has 1/8" Light Age Toning To The White Color Along The The Lower Edge Of Front Panel To Top And Lower Edges Of White Flaps And Within A Somewhat Larger Area Around All Edges Of The Photograph. There Is A 1/8" Rub At The Upper Right Tip Of The Front Panel But No Other Rubs To The Color. There Is Almost Imperceptible 1/8" Bumping To Lower Edge Of Spine And Slight Waviness Along The Very Bottom Edge Of The Front Panel Without Damage To The Paper In The Area With Age-Toning Possibly Due To Storage In An Older Dust Jacket Protector. Scarce In This Un-Restored Un-Torn And Un-Chipped Jacket. <br/> <br/> Little, Brown & Co. hardcover