Frey, LudwigAntiquariat.de
386 résultats
18963784BLeipzig, Max Spohr, o.J. [1896]. 8°. 1 Bl., 354 S. Priv. HLeinen (um 1920) mit goldgepr. RTitel.
1884412219Leipzig (d.i. Prag), Schönfeld, 1788. (Nachdruck Bordeaux, Moquet, 1884). M. 2 gest. Portr. u. 2 Kpfr.-Taf. 2 Bl., XXXII, 270, 3 S., 3 Bl. Schöner Hldrbd. m. floraler Goldpräg. a. Rücken u. 2 farb. Rsch. m. verg. Rtit. sowie ill. Vorsätzen u. Kopfgoldschnitt. Einige wenige S. etwas lichtrandig. Kanten leicht bestoßen. Breitrandiger Druck.
18404268BUm 1840. (Maße: Lithographie: 22 x 16,2 / Blatt: 26 x 18,3 / Karton: 37 x 29,5 cm).
18334294BParis, Chez les frères Girodet, 1833. 8°. xii, 269 S., 2 S. (Errata, Table des Matières). HKalbsleder d. Zt. mit goldgepr. Rückentitel und Rückenornamenten. [5 Warenabbildungen]
18831755-06[Paris], Imprimé a Bruxelles [Nevers] pour l'auteur (1883). 8°. 147 S., 1 Bl. Ln. unter Verwendung der Orig.-Broschur
182113618BBParis, Chez Ambroise Tardieu, 1821. xliv, 319; 360; 403; 429 Seiten. Mit 8 erotischen Kupfertafeln von Collin. Aufwendig gestaltete Ganzlederbände der Zeit auf fünf Bünden mit je zwei Rückentitelschildchen. Dekorative Blind- und Goldprägung des Rückens und der Buchdeckel, Steh- und Innenkantenvergoldung. Marmorierte Vorsatzpapiere. - Reliures de l'époque en plein cuir somptueusement conçues sur cinq frettes avec deux étiquettes de titre sur chaque dos. Gaufrage décoratif à l'aveugle et à l'or du dos et des couvertures, debout et bords intérieurs dorés. Papiers de garde marbrés., Louvet 4 Bände. Die Ecken nur leicht bestoßen.
18037932ALeipzig, Im Comtoir für Litteratur, 1803. Zwei Bändchen. Kl.8°. 190 und 229 S. und 7 [von 8] Kupfern auf Tafeln. HLeder der Zeit.
1830373442Enfield Mass: Solomon or John Howe 1830. Small broadside song sheet text in two columns divided by a typographic border. Small broadside song sheet text in two columns divided by a typographic border. A bawdy song about a lonely woman sleeping with a miller a sawyer a cobbler a tailor and a teamster filled with puns and sexual inuendo. The six 8-line stanzas begin "One evening as I walk'd alone / I hear'd a fair maid make her moan ." Not in American Imprints [Solomon or John Howe] unknown
189950157ABParis, Borel, 1899. (12), 188, (8)pp. With 43 (15 full-page) illustrations and an extra-suite of 7 of the illustrations in sanguine. Contemp. purple half morocco, richly gilt, t.e.g., orig. wrappers bound in (signed: Randeynes).
1833167783Leipzig, Wiegand'sche Verlagsexpedition, 1833.
19007435AUm 1900. Auf Tafeln im Format 24x16 cm. Farbig aquarellierte Federzeichnungen.
18652323BA Cythère, chez Cupidon, au Temple de Vénus [d.i. Bruxelles, Vital Puissant], 1800 [um 1865]. 12°. 148 S. und 8 Tafeln mit erotischen Stahlstichen. HLeinen um 1900, die Deckel mit geflammtem Kalbsleder bezogen.
19004057BUm 1900. Gr.8° (25 x 17 cm). Leporello mit einem Doppelblatt Text und 12 doppelblattgroßen Orig.-Farbzeichnungen auf Papier (Doppelblattgröße = 33,5 x 25 cm). Rückseitig mit Karton verstärkt. Pappdeckel mit gemustertem Seidenstoff bezogen, mit kalligraphischem Titelstreifen.
18643780BA Cythère, 1864 [d.i. Bruxelles, Poulet-Malassis]. Kl.8°. 2 Bll., 270 S. und 6 eindeutige erotische Kupfer. HMaroquin d. Zt. auf 4 Bünden mit goldgepr. RTitel. Kopfgoldschnitt.
1890FF2442London:: William Reeves n.d. ca.1890. 1890. Head of title: Flagellation & the Flagellants. Small 8vo. xi 1 544 pp. Frontis. 20 illus. index. Modern full black calf and triangle-shaped red morocco onlays raised bands gilt stamping upper cover with gilt central "rod and birch" motif all edges gilt marbled endleaves hand bound by Martin Frost with his gilt-stamped monogram label on rear board. Red cloth thumb-hold slip-case. Fine. "THE ALLURE OF THE WHIP!" With a splendid fore-edge painting showing a pair of horse or carriage riders "riding" their partners back-sides prominently showing in the spirit of Thomas Rowlandson and in this case like Martin Frost who often displays a remarkable sense of humor and the exotic for artistry. Frost's signed book label mounted as a bookplate in front dated 2007. The artist is playing with us by making the trees into the shape of a phallus all of them!. Painting also signed "MF". Frost himself describes this as "A Rowlandesque road scene of travelers 'whipping up' themselves as well as their mounts!" / This is one of the early efforts of MF to bind and paint the book himself. William Reeves, n.d. [ca.1890]. hardcover
185043364ABParis, Massard et Combette et London, E. Gambart, (ca. 1850).
18839411AImprimé à Bruxelles [d.i. Nevers] pour l'auteur, 1882 (1883). 8°. 147 S., 2 Bll. sowie die Suite George Villa von 12 kolorierten erotischen Orig.-Lithographien auf Tafeln. Der Textband in der Orig.-Broschur mit Fronttitel in Rot/Schwarz. Die Lithographien im Orig.-Umschlag mit Inhaltsverzeichnis; beides eingelegt in einen kart. Umschlag mit Stoffbezug und Deckeltitel, im passenden Schuber.
190015674Évreux, Imprimerie de Charles Hérissey, 1900. XXIV, 149 S., 1 Bl., XVI S. Fein genarbter roter Maroquineinband mit goldgeprägten RTitel u. Jahreszahl, floraler Rücken- und Deckelvergoldung, Innen-, Steh und Aussenkantenvergoldung, Die Innenspiegel je mit rotenMaroquin u. floral gestalter goldgeprägten Bändern. Signiert: "Chambolle-Duru". Goldschnitt. Marmor. gefütteter Papp.-Schuber mit Lederkanten. [6 Warenabbildungen]
18645626London: Richard Bentley 1864. First English language edition. Contemporary half calf over marbled boards with morocco label to spine. All edges marbled. Marbled endpapers. Measuring 179 x 119mm and collating complete including photographic frontis: x 374. A square tight copy with some loss to upper spine label and gentle rubbing to boards. Amorial bookplate to front pastedown. Light scattered foxing largely confined to preliminary and terminal leaves; pages 161-162 partially detached but holding. A female-authored memoir that participates in both anti-Catholicism and convent-fetish eroticism it is somewhat scarce institutionally but is a rarity in trade with its most recent appearance at auction occurring a century ago. The present is the only example currently on the market. <br /> <br /> Frank in her delivery Henrietta Caracciolo recounts how her rise to young womanhood under the jealous eye of her mother -- combined with the untimely death of a sympathetic father -- led to her unwilling confinement in a Benedictine convent. Denied early opportunities for engaging in the courtship and marriage economy she longs to be a part of Henrietta Caracciolo instead is forced by her mother to repress her sexual identity and disappear into a life of solitude and chastity. What she finds there instead is a space of sexual abuse unexplained deaths illicit affairs physical abuse and theft. "My sole aim in writing these Memoirs has been to confirm" she writes in the preface "as far as lay in my power with the arguement drawn from fact the opportune and just decree of the Italian government in the suppression of Convents and to disabuse the minds of those if haply any such remain who deem these places the repositories of religious virtues." Timely social commentary in her native Italy her memoirs hit a different note in Protestant England where Catholic convents and monasteries had long been closed; indeed it participated in the anti-Catholic fetish fantasy of convents and monasteries as bastions of deviant and violent sexuality. She herself by the memoir's end emerges to a new and more promising life -- one which participates in popular Victorian cult of domesticity and motherhood which she positions as far more godly and fulfilling. Yet it also leaves open the door of female desire and sexual fulfilment. "By the side of a husband who adores me and to whom I respond with equal love I am where the Almighty placed woman at the close of Creation's first week."<br /> <br /> <br /> Register of Erotic Books 2950. Richard Bentley unknown
