289 résultats
1020989130.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1391267508.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1391267656.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1390562379.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0366591428.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0366591274.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1390222764.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1020434031.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1801ST20887Parma: Giambattista Bodoni 1801. 165 x 113 mm. 6 1/2 x 4 1/2". 3 p.l. 100 pp. 1 leaf blank; 8 p.l. 132 pp. 1 leaf blank; 1 p.l. VIII 2 86 pp. 1 leaf blank; 2 p.l. first blank VII 1 135 1 pp. Four parts bound in one volume. Virgil's "Bucolics" and "Georgics" translated into Italian verse by Prospero Manara. <br/> Handsome contemporary scarlet straight-grain morocco gilt in the style of Bozerian covers framed by annular dots gilt fillet and cresting loop and dagger roll smooth spine divided into panels by gilt rule and annular dots four panels with lattice-work design two with gilt lettering one with Neoclassical ornament gilt-rolled turn-ins blue paste-paper endpapers fore- and tail edges untrimmed. Front pastedown with engraved armorial bookplate of Comte Dmitry Boutourlin and ex-libris of Dr. Tibulle Desbarreaux-Bernard. Brooks 808. A couple of faint scratches to rear board extremities lightly rubbed otherwise QUITE A FINE COPY--remarkably clean fresh and bright internally the smooth untrimmed paper with enormous margins and the binding lustrous and altogether pleasing.<br/> <br/> With distinguished provenance this is a very appealing copy of a collection of a Parma poet's works and an excellent specimen of Bodoni printing. Giambattista Bodoni 1740-1813 worked for more than 20 years at the Royal press in Parma before obtaining permission to set up his own private press in 1791. Brooks says "He took his printing in all its branches very seriously laboured incessantly to perfect his type had a fine artistic sense . . . and produced books not only of a very high standard but also showing a remarkably distinct individuality." Bodoni used the finest quality paper available and his clear beautiful types have been envied and copied for many generations. "The result of his labours is a long list of books which . . . reach a very high many of them the highest level of technical excellence." That technical expertise is much on display here. Bodoni has clearly laid out text here as for a duodecimo but printed it on especially fine octavo-sized paper giving the book the luxurious feel of an especially Large Paper Copy. In addition a range of his roman and italic types appears here with some pages displaying up to 10 different type sizes. The text comprises the poems of Marchese Prospero Valeriano Manara 1714-1800 a Parma statesman who through his career served as Minister of State and was a close correspondent of the duke. Assembled by Manara's sons following his death the present work is composed of four parts. The first is made up of Manara's original eclogues and sonnets; this is followed by Italian translations of Virgil's "Bucolics" and "Georgics" the latter appearing here for the first time; and the fourth section contains an elegy written in Manara's honor by Count Antonio Cerati pen name Filandro Cretense 1738-1816. The present copy in attractive contemporary morocco comes with the provenance of two major 19th century collections. Previous owner Count Dmitry Boutourlin 1763-1829 was a general politician historian librarian and one of Russia's most famous bibliophiles whose impressive library included 244 early manuscripts and about 1000 incunables in addition to a complete collection of Bodoni imprints and a nearly complete assemblage of Aldine editions. After his retirement from the military Boutourlin served as director of the Russian Imperial Library. Our copy later resided in the collection of Toulouse physician and bibliophile Tibulle Desbarreaux-Bernard 1798-1880 who published widely on print history. Giambattista Bodoni unknown
1396448268.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1391084217.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2505PG001<p>E outros. Vertidas a italiano por Prospero Peragallo. Segunda serie. Imprensa Nacional. Lisboa. 1892.</p>_x000d_<p>De 286x20 cm. Com ii 144 págs. Magnífica encadernação artística da época inteira de marroquim vermelho com nervos e ferros a ouro em casas fechadas título com ferros a ouro na segunda casa e a data no pé da lombada. Pastas com esquadrias constituídas por dois filetes a seco e três filetes a ouro que enquadram molduras com elaborados ferros a ouro com motivos vegetalistas similares aos dos cabeções e vinhetas do livro que cobrem também as seixas. Cortes das folhas dourados à cabeça e por aparar nos restantes cortes. Folhas de guarda em papel de seda moirée.</p>_x000d_<p>Exemplar n.º 123 da tiragem de apenas 150 impresso em papel de linho branco. Tem a folha com o colofon na frente e o verso em branco encadernada no início e não no fim como devia ser.</p>_x000d_<p>Muito rara. Não existem exemplares nas principais bibliotecas de Portugal com a excepção da BNP que possui 4.</p>_x000d_<p>Edição esplêndida comemorativa do décimo segundo aniversário do Tricentenário de Camões que foi patrocinada por António Augusto Carvalho Monteiro a quem o autor dedica a sua obra. Bela e nítida impressão em caracteres redondos com a letra inicial de cada poema a vermelho cabeções no início do prefácio nas duas páginas do início do episódio dos Lusíadas e vinhetas de remate no fim de todas as poesias.</p>_x000d_<p>Edição bilingue com os textos originais em português impressos nas páginas da esquerda e as respectivas traduções em italiano nas páginas da direita.</p>_x000d_<p>As páginas 1 a 10 compreendem a folha de anterrosto com a justificação da tiragem na página 2 a folha de rosto com a 4 em branco a página 5 apresenta a dedicatória impressa do autor a A. A. de Carvalho Monteiro possuidor de uma magnífica biblioteca camoniana página 6 em branco página 7 com o prefácio datado de 28 de Março de 1892 a página 8 em branco. Na página 9 Começa o texto com o título da primeira peça até à página 141. Página 142 em branco e as páginas 143 a 144 com o índice.</p>_x000d_<p>Inclui o episódio da Batalha do Salado dos Lusíadas Canto III 101-117; 29 sonetos; a Ode III Se do meu pensamento; a Canção XVII A vida já passei assás contente; e três Redondilhas. A partir da página 126 até à página 141 inclui as seguintes poesias camonianas de outros poetas: Soneto de Bocage em louvor de Camões; Soneto à Fonte dos Amores de um anónimo e outro de Elpino Duriense; poesia à Fonte das Lágrimas de Garret; e poesia à Fonte dos Amores de Soares de Passos.</p>_x000d_<p>Prospero Luigi Peragallo Génova 1823 - Génova 1916 Estudou na escola do Seminário Arquiepiscopal de Génova e no noviciado dos Franciscanos Reformados na mesma cidade onde mudou o seu nome de Luigi para Prospero que passou a usar toda a vida. Foi ordenado sacerdote em 19 de Setembro de 1846 e incardinado no clero secular da diocese de Génova em 1858. Na sua cidade natal foi professor do ensino secundário. Chegou a Lisboa em Agosto de 1865 para prencher o munus de pároco e Reitor da Igreja do Loreto em Lisboa que desempenhou até Julho de 1896 data em que voltou para a sua terra natal. Foi um dos sócios fundadores da Sociedade de Geografia. Dedicou um grande interesse à figura de Cristóvão Colombo e à literatura portuguesa que divulgou em Itália mediante numerosas traduções e estudos de escritores portugueses.</p>_x000d_<p>Brito Aranha continuador do Dicionário Bibliográfico de Inocêncio elenca 34 obras de Peragallo até 1904 tendo consciência que não as conhecia todas.</p>_x000d_<p>Escreveu obras de caracter didáctico e religioso em italiano enquanto viveu em Génova. Depois de vir para Portugal escreveu obras sobre Cristóvão Colombo sobre italianos que viveram em Portugal nomeadamente influindo nos descobrimentos e um <em>Manual do Christianismo para a Missa Confissão e Comunhão</em> com pelo menos 10 edições a partir de 1881 além de ter muito colaboração dispersa por diversas publicações periódicas nomeadamente sobre música no períódico A Arte Musical onde publicou 16 artigos. Mas destacou-se especialmente pelas suas numerosas traduções para italiano de muitos poetas portugueses em especial de Camões publicadas em revistas jornais obras colectivas e em livro as quais elencamos a seguir:</p>_x000d_<p><em>O soneto de Luiz de Camões: Alma minha gentil</em> Traduzido em verso italiano Lisboa. Casa Portuguesa. 1884 e 1903; <em>Sonetos escolhidos de Luiz de Camões traduzidos em sonetos italianos</em>. Lisboa. Empreza Editora de Francisco Arthur da Silva. Lisboa typ. Elzeveriana. 1885; <em>Poesias de Luiz de Camões e outras vertidas a italiano</em>. Lisboa imprensa Nacional. 1890; <em>O gigante Adamastor. Episodio dos Lusiadas de Luís de Camões</em> com a traducção em versos italianos de Prospero Peragallo e um prefacio de Xavier da Cunha. Lisboa typ. Castro Irmão 1898; <em>Due episodi del poema I Lusiadi di Camões: ed altri poeme stranieri</em> colla traduzione in versi italiani per Prospero Peragallo. Genova: Stab. Tipografico Ved. Papini & Figlio 1905.</p>_x000d_<p>EN 28.6x20 cm. ii 144 pages. Magnificent contemporary artistic binding in full red morocco with raised bands and gilt tools at spine title in the second panel and the date at the foot of the spine. Covers with frames made up of two blind fillets and three gold fillets with elaborate gilt work with plant motifs similar to those of the book's headpieces and vignettes which also cover the panels. Trimmed gilt top untrimmed in the remaining edges. Moirée silk endpapers.</p>_x000d_<p>Copy no. 123 of a print run of only 150 printed on white linen paper. It has the colophon on the front with blank back bound at the beginning and not at the end as it should be.</p>_x000d_<p>Very rare. There are no copies in the main libraries in Portugal with the exception of the National Library which has four.</p>_x000d_<p>A splendid edition commemorating the twelfth anniversary of the Camões Tricentenary sponsored by António Augusto Carvalho Monteiro to whom the author dedicates his work. Beautiful clear printing in round characters with the initial letter of each poem in red headpieces at the beginning of the preface on the two pages at the beginning of the episode of the Lusiads and closing vignettes at the end of all the poems.</p>_x000d_<p>Bilingual edition with the original texts in Portuguese printed on the left-hand pages and the respective Italian translations on the right-hand pages.</p>_x000d_<p>Pages 1 to 10 comprise the title page with the justification for the print run on page 2 the title page with page 4 blank page 5 with the author's printed dedication to A. A. de Carvalho Monteiro possessor of a magnificent Camonian library page 6 blank page 7 with the preface dated 28 March 1892 page 8 blank. Page 9 begins with the title of the first play until page 141. Page 142 blank and pages 143 to 144 with the table of contents.</p>_x000d_<p>It includes the episode of the Battle of Salado from the Lusiads Canto III 101-117; 29 sonnets; Ode III Se do meu pensamento; Song XVII A vida já passei assás contente; and three Redondilhas. From page 126 to page 141 it includes the following Camonian poetry by other poets: Soneto de Bocage in praise of Camões; Soneto à Fonte dos Amores by an anonymous author and another by Elpino Duriense; poesia à Fonte das Lágrimas by Garret; and poesia à Fonte dos Amores by Soares de Passos.</p>_x000d_<p>Prospero Luigi Peragallo Genoa 1823 - Genoa 1916 studied at the school of the Archiepiscopal Seminary of Genoa and at the novitiate of the Reformed Franciscans in the same city where he changed his name from Luigi to Prospero which he used all his life. He was ordained a priest on 19 September 1846 and incardinated into the secular clergy of the diocese of Genoa in 1858. In his hometown he was a secondary school teacher. He arrived in Lisbon in August 1865 to take up the post of parish priest and Rector of the Church of Loreto in Lisbon which he held until July 1896 when he returned to his homeland. He was one of the founding members of the Geographical Society. He took a great interest in the figure of Christopher Columbus and in Portuguese literature which he publicised in Italy through numerous translations and studies of Portuguese writers.</p>_x000d_<p>Brito Aranha continuator of Inocêncio's Bibliographical Dictionary lists 34 works by Peragallo up to 1904 realising that he didn't know them all.</p>_x000d_<p>He wrote didactic and religious works in Italian while living in Genoa. After coming to Portugal he wrote works on Christopher Columbus on Italians who lived in Portugal namely influencing the discoveries and a <em>Manual do Christianismo para a Missa Confissão e Comunhão</em> with at least 10 editions from 1881 onwards as well as his many collaborations in various periodicals particularly on music in the periodical A Arte Musical where he published 16 articles. But he stood out especially for his numerous translations into Italian of many Portuguese poets especially Camões published in magazines newspapers collective works and books which we list below:</p>_x000d_<p><em>Luiz de Camões somnet: Alma minha gentil</em> Translated into Italian verse Lisboa. Casa Portuguesa. 1884 e 1903; <em> Selected sonnets by Luiz de Camões translated into Italian sonnets </em>. Lisboa. Empreza Editora de Francisco Arthur da Silva. Lisboa typ. Elzeveriana. 1885; <em> Poems by Luiz de Camões and others translated into Italian </em>. Lisboa imprensa Nacional. 1890; <em> The giant Adamastor. Episode from the Lusiadas by Luís de Camões </em> with the Italian verse translation by Prospero Peragallo and a preface by Xavier da Cunha. Lisboa typ. Castro Irmão 1898; <em>Due episodi del poema I Lusiadi di Camões: ed altri poeme stranieri</em> colla traduzione in versi italiani per Prospero Peragallo. Genova: Stab. Tipografico Ved. Papini & Figlio 1905.</p>_x000d_<p>Referências/References:<br />Pe. Sérgio Filippi - Monsignor Prospero Peragallo. Fábrica da Igreja Italiana do Loreto. Lisboa. 2017 212 e 280. <br />Vitor Aguiar e Silva - Dicionário de Luís de Camões. Caminho. Lisboa. 20 p. 1321. <br />Inocêncio XVIII 12-15 pág. 14 n.º 17 <br />José do Canto - Colecção Camoniana. Imprensa Nacional. Lisboa. 1895. Edição fac-similada 1972 n.º 231 exemplar n.º 25.</p> M-11-C-78 hardcover
1894015768Rome: Auspice Il Ministero Della Pubblica Istruzione 1894. Book. NVG. Half-Leather. First Edition. Elephant Folio - over 15" - 23" tall. Half leather that has moderate wear evidence of an old dampness stain that affects the first several pages. Auspice Il Ministero Della Pubblica Istruzione Hardcover
ria9789027934949_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
A9789027934949Hardback. New. hardcover
9027934940.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1976__9027934940Mouton De Gruyter 1976. Hardcover. New. reprint edition. 134 pages. 9.21x6.14x0.38 inches. Mouton De Gruyter hardcover
3659208078.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0282372733.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0666169365.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1769023059Salamanca: Antonio Villargoro y Alcaráz 1769. No consta edición. Tapa blanda. Good. 6 18 pp. 14 x 195 cm. ORACION FUNEBRE QUE EN LAS EXEQUIAS CELEBRADAS POR LA GRANDE UNIVERSIDAD DE SALAMANCA EN SU REAL CAPILLA DE SAN GERONYMO DEL DIA 22 DE JUNIO DE 1769 A LA PIADOSA MEMORIA DE EL Rmo. P. M. Fr. JOSEPH CARRIO DIXO el Rmo. P. M. Fr. Prospero de Paz. Papel en buen estado. Antonio Villargoro y Alcaráz unknown
1762023051Salamanca: Imprenta nueva de Nicolás Villargordo 1762. No consta edición. Tapa blanda. Good. 12 23 pp. 14 x 195 cm. ORACION FUNEBRE QUE EN LAS EXEQUIAS CELEBRADAS POR LA G. UNIVERSIDAD DE SALAMANCA EN SU REAL CAPILLA DE SAN GERONYMO EL DIA 15 DE JULIO DE 1762 A LA PIADOS MEMORIA DEL RESPETABLE SIERVO DE DIOS D. JUAN GONZALEZ DE DIOS DIXO el RR. M. P. Fr. Prospero de Paz. Papel en buen estado. Imprenta nueva de Nicolás Villargordo unknown
178779001Venetiis Venice: J. Remondini / A. Zatta 1787-1788. 39x26 cm half leather bindings with gilt decorations on the spines title labels and marbled paper-covered boards. Complete in 15 volumes bound in 6 physical tomes. Illustrated with some engravings in the text 7 plates and 5 folding engravings. Text in Latin. Bindings show small signs of wear labels on spines. with some rubbing on the corners and edges. Some volumes have some minor occasional stains and browning. Few pages with larger old waterstains not affecting the text. Although the set is in very good condition. Rare. See pictures. Contents: Volume 1 Tomi I-II: half-title portrait lxxxviii 363 folding engraving iv 380 pages. Volume 2 Tomi III-IV: iv 440 iv 476 pages. Volume 3 Tomi V-VII: 212 viii 2071 with 2 ill. in the text 7 plates and 4 folding engravings xii 215 1 pages. Volume 4 Tomi VIII-X: xx 240 iv 227 1 xii 284 pages. Volume 5 Tomi XI-XII: xx 218 iv 258 pages. Volume 6 Tomi XIII-XV: xii 246 ii 211 viii 158 pages. J. Remondini / A. Zatta hardcover
0428385354.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0428711928.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover