532 résultats
188325354Paris Jouaust 1883 In-4, maroquin aubergine, premier plat orn d'une trs importante composition florale mosaque en maroquin lilas, vert et rose, souligne de jeux de listels de maroquin ocre, petit motif floral mosaqu de mme sur le second plat, dos nerfs; filet dor sur les coupes; larges encadrements intrieurs orns de motifs floraux mosaqus et sertis de filets dors, doublures et gardes de soie motifs floraux, doubles gardes de papier peigne, tranches dores sur brochure, couverture imprime (Charles Lano succ. de P. Ruban). Belle dition illustre de compositions hors texte de Charles Delort. Tirage limit 250 exemplaires. Un des 10 premiers exemplaires sur japon la forme, comportant une double suite part des illustrations tires galement sur japon, portant au bas de la justification de tirage un envoi autographe sign de l'diteur Jouaust l'auteur, et sur le faux titre un envoi autographe sign et dat d'Edmond About. Importante reliure mosaque de Charles Lano.
185724841Paris Hachette & Cie 1857 In-12, maroquin jansniste rouge, dos quatre nerfs; doublures de maroquin vert serties d'un filet dor, gardes de soie broche, doubles gardes de papier marbr, tranches dores sur brochure, couverture imprime. Etui (Marius Michel).Edition originale, pour laquelle il n'a pas t tir d'exemplaires sur grand papier, et qui a t publie dans la collection "La Bibliothque des chemins de fer". Superbe exemplaire en reliure double de Marius Michel.
1887888451887. ABOUT Edmond 1826-1885. LES MARIAGES DE PARIS. STIKEMAN binding. Paris: A. Lahure pour Les Amis des Livres 1887. 8vo. vi565. With frontispiece and 52 plates in two states and numerous vignettes in the text all drawn by Piguet and engraved on wood by Huyot. Number 6 of 100 copies for subscribers on china paper out of an edition of 115. This one was for Monsieur Henri Beraldi well-known bibliophile publisher president of the Societe des Amis des Livres. and author of books on French printmakers of the 19th century with his name printed under the number. Six stories by a witty commentator on the mores of his time. Carteret 1946: IV p.41. Dark blue crushed morocco with gilt lettering and five raised bands to spine. Dentelles intricately gilt with the label "Stikeman & Co." Marbled end papers; original printed wrappers bound-in. T.e.g. Lovely condition but for slight wear to the surface of the lower board and barely visible split to paper of inner front hinge. unknown books
18592082702114602595Higo Kumamoto Yoneya Masaemon 1859. Soft Cover. Fine. Number of books: 1 Higo Kumamoto Yoneya Masaemon paperback
185730124Paris France: Librairie De L. Hachette. As New. 1857. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. -- with a bonus offer--; 12mo - over 6¾" - 7¾" tall . Librairie De L. Hachette hardcover
186430123Paris France: Librairie De L. Hachette. As New. 1864. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. -- with a bonus offer--; 12mo - over 6¾" - 7¾" tall . Librairie De L. Hachette hardcover
185530125Paris France: Librairie De L. Hachette. As New. 1855. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. -- with a bonus offer--; 12mo - over 6¾" - 7¾" tall . Librairie De L. Hachette hardcover
1803199032Nürnberg, (M.J. Schmid für) J.E. Zeh, 1793-1803. 4°. M. 11 (wiederh.) gest. Tit.-Vign. Ldrbde. d. Zt. m Rücken- u.- Deckelverg. Rverg. verbl. Einbde. berieben u. bestoßen. Rücken/Kapitale meist etwas eingerissen. Deckel teils m. kl. Wurmspuren. Bd. 1 u. 2 m. mont. Exlibris u. Zueignungsvermerk. St. a. Tit. u. hint. Vorsatz. Gebräunt u. braunfl.
1876667P16Paris: Goupil & Cie 1876. Leather. Fair. 20" by 14". Not Stated. A very scarce and beautiful look at the ceiling paintings at the Paris Opera the Palais Garnier written by the painter of the ceiling Paul Baudry. Illustrated throughout. Last seen at auction in 1993. In the original French. A very scarce work last seen at auction in 1993. A beautiful look at the impressive ceiling paintings found in the Grand Foyer of the Palais Garnier the Paris Opera a foyer that stretches over five-hundred feet. The Palais Garnier is well known today due to it being the setting of the novel 'The Phantom of the Opera' by Gaston Leroux. The ceiling was painted by Paul-Jacques-Aimé Baudry who painted representations of various moments in the history of music. These include the allegorical figures of Eurydice Psyche Diana and Aurora.The foyer was designed resembling a classical chateau with gold accented by mirrors and windows. This work was published only one year after the Opera first opened. Illustrated with a frontispiece six folding plates and thirty-three plates. Written by Paul Baudry who painted the ceiling. The Palais Garnier is his best known work. His style is full of elegance and grace He also painted in the Court of Cassation Chateau of Chantilly Hotel Fould and Hotel Paivabut. In the original publisher's half morocco binding with cloth to the boards. Externally sound the boards are detached from the textblock. Some loss to the extremities. Top third of the spine is lifting. Rubbing and marking to the boards and spine. Two institutional labels to the front pastedown. Label to the recto to the front endpaper. Front free endpaper and half-title detached but present. Internally firmly bound. Pages are bright and with some spotting and marking not affecting the images. Mark to plate IX. Institutional stamps to the half-title title page and to the reverse of the plates. Fair Goupil & Cie hardcover
189174961Paris: Hachette & Cie 1891. Fine. Hachette & Cie Paris 1891 20.50 x 29.50 cm relié sous étui First edition illustrated with text illustrations and plates by Hermann Vogel and ornaments by Adolphe Giraldon one of 60 numbered copies on China paper the only deluxe copies after 20 on Japan. Full blue morocco binding spine very slightly faded with five raised bands date and place gilt at foot gilt borders on the headcaps gilt fillet border on the pastedowns in full purple morocco purple watered silk endpapers following endpapers of combed paper covers preserved all edges gilt double gilt fillets on the edges slipcase edged with blue morocco marbled paper boards superb full morocco binding with doublure signed Blanchetière Bretault. Each plate appears in triple state in our copy. Very handsome copy free from foxing established in a magnificent full morocco binding with doublure by Blanchetière Bretault. Hachette & Cie hardcover
1849639831 L.A.S. de 4 pages sous enveloppe jointe affranchie le 4 mars 1849, adressée à M. "Deulin, Etudiant, à Condé sur l'Escaut" : Edmond About s'excuse de ne pas avoir répondu plus tôt "mais heureusement vous êtes en état de me comprendre et de m'excuser quand je vous dirai que je vous aurai répondu depuis longtemps si je n'étais moi-même amoureux, et sérieusement, c'est à dire follement et de manière à ne pouvoir rien faire de sérieux, pas même une lettre à un ami. Il y a peut-être cette différence entre votre infirmité et la mienne que vous êtes probablement heureux, ou que vous pourrez l'être ; tandis que moi sauf le bonheur d'aimer, je n'en attends, je n'en espère et je ne voudrais même pas en désirer d'autre. [... ] Celui qui vous écrit est dans une impasse d'où l'on ne sort que par un mariage ou par une infamie ; or ni l'un ni l'autre ne sont de mon goût. Je désire de tout mon coeur, mon coeur ami, que vous soyez plus heureux que moi" [ About se réjouit de la vie douce de son ami à Condé-sur-l'Escaut : ] "Je vous félicite donc sincèrement de n'être pas venu à Paris, et d'avoir compté vainement sur M. de Falloux. Si je l'avais connu la dernière fois que je vous ai écrit, j'aurai pu vous éclairer sur la nature de sa parole. Il est venu nous voir à l'Ecole et nous a noyés de compliments délayés et très fades : au reste, il nous déteste et ne songe qu'à nous traiter comme l'école d'administration" [ Il l'invite à se préparer lui-même au concours de l'Ecole : ] "Dans le cas où vous ne seriez pas reçu (ce dont les Dieux nous gardent !) vous vous seriez fait connaître de ces messieurs, et ils vous obtiendraient une place de professeur en province ; en attendant, ils l'ont fait pour un de nos camarades qui ne vous valait pas, et qui avait été refusé pour impertinence à l'examen oral" [ Il répond ensuite en 11 points à toutes ces questions sur l'examen ; durée, longueur, compositions en vers, examens oraux, et notamment pour la dissertation philosophique : ] "Lisez le manuel des trois demi-ânes éclectiques Simon, Jacquin et Saisset ; prenez, si vous avez le temps, une teinture de Descartes, de Malebranche et de Leibnitz. Généralement, la composition est mal faite" [Pour la question d'histoire :] " Peu d'élèves savent répondre par des faits ; on dit le plus de généralités qu'on peut. Une date, quelquefois deux, et c'est tout" [Avec la même verve, il continue plus loin : ] "D'auteurs français, je vous conseille de n'en lire aucun, et surtout de vous abstenir du commentaire de Laharpe. A l'examen, on ne vous demande pas de français, mais du latin et du grec. Ne lisez de français que ce qu'il vous faut pour vous former le style [etc... ] "Je crains, mon cher ami, que vous ne vous fassiez beaucoup d'illusions sur l'Ecole. J'ai été comme vous, mais je ne veux pas anticiper sur votre expérience personnelle. Vous ne trouverez pas ici tout ce que vous espérez. Mais du moins vous y trouverez un ami" [... ]
189174961Hachette & Cie | Paris 1891 | 20.50 x 29.50 cm | relié sous étui
18762110502150906326Enlightenment Gisha Zhuban 1876. Soft Cover. Fine. Number of books: 8 Enlightenment Gisha Zhuban paperback
1835ST19567-046Edinburgh 1835. Second Printing. ONE OF ONLY 45 COPIES though not stated thus. 212 x 164 mm. 8 3/8 x 6 3/8". 2 p.l. iii 9 136 pp. <br/> Period brown crushed morocco raised bands compartments with gilt floral motif black morocco label with gilt lettering gilt turn-ins all edges gilt. With frontispiece of a gentleman bowing courteously to a lady. A Large Paper Copy. Front pastedown with bookplate of Philip Shirley. Heltzel Newbury Library Courtesy Books 1135; Lowndes III 1842. A little wear to joints and extremities well hidden by refurbishment a few superficial marks to covers otherwise a perfectly sound and not unattractive binding. Offsetting from frontispiece onto title a few other imperfections in the text small spots short tear to one leaf otherwise a nearly fine copy internally with thick paper that is fresh and clean with deep impressions of the type and with vast margins.<br/> <br/> This is a very pleasing copy of a work consisting of 15 chapters containing a great many admonitions relating to what is proper with regard to clothing walking and travelling visits gratitude salutations speech writing eating and drinking "marriage and uncleanness" plays and recreations acts of justice observation of the Lord's Day "carriage in the Church" gift giving and commerce. As the 1835 preface tells us "Petrie who has been facetiously called the Scottish Chesterfield is generally understood to have begun life as a domestic tutor in the family of Sinclair of Stevenstoun and to have ended it as a parish schoolmaster in East Lothian. His 'Rules of Good Deportment' may be taken as the result of his artless observations upon the manners of a class of society to which he was probably admitted only as a humble spectator. From the manifest sincerity however of his delineations of 'Good Breeding' and the graphic character of many of his scenes it may fairly be presumed that they were painted from nature--and they present probably less of a caricature of Scottish manners early in the 18th century than might at first be imagined." It is known that Scott had begun but did not finish the project of reprinting this work for the Bannatyne Club and the frontispiece prepared for that edition is used here. Both the first edition of 1720 and this 1835 reprint are infrequently encountered on the market. unknown
188739178Paris: Les Amis des Livres 1887. COPY NUMBER 1. A charming illustrated edition with dozens of wood-engravings by Huyot after Piguet LIMITED TO ONLY 115 COPIES ALL PRINTED ON FINE CHINESE PAPER WITH AN EXTRA SUITE OF THE WOOD-ENGRAVINGS PRINTED WITHOUT TEXT. This is COPY NUMBER 1 printed for About's close friend "Mme Edmond Adam" i.e. Juliette Lambert 1836-1936 noted writer republican and widow of prominent French politician Edmond Adam 1816-1877. She was an extremely accomplished and interesting woman and among the regulars at her salon were Gambetta Thiers George Sand Hanotaux Alphonse and Julia Daudet Hetzel Bonnat Sully-Prudhomme Georges Clemenceau Flaubert Maupassant Hugo Turgenev and About himself. 8vo. Original wraps. Light wear to extremities of wraps else FINE AND BRIGHT a pristine copy. <br/><br/> Les Amis des Livres paperback
186175239Paris: Librairie de L. Hachette et Cie 1861. Fine. Librairie de L. Hachette et Cie Paris 1861 15 x 23.70 cm relié First illustrated edition by Gustave Doré. 142 vignettes and 12 plates. Includes: Autograph inscription by the author on a card with his red seal on the left side of the card for an appointment. Contemporary half brown shagreen binding. Spine with raised bands decorated with 4 fleurons and fillets. Spine slightly faded. Some foxing. Handsome copy. One of the first books illustrated by Gustave Doré after Balzac's Contes drolatiques. A popular novel that enjoyed great success in its time and remains one of the classics of adventure novels for young people. Librairie de L. Hachette et Cie hardcover
188912548Paris, Hachette et Cie, 1889. 1 vol. in-4. Broché, couvertures imprimées, chemise éditeur de velours crème ornée d'un décor végétal brodé, titre brodé à l'or au centre du plat supérieur, contreplats de lampas vert d'eau avec le monogramme de l'éditeur, rubans de soie crème, chemise de demi-chagrin bleu, contreplats de moire crème, étui bordé.
1879R320167417E.Dentu. 1879. In-12. Broché. Etat d'usage, Tâchée, Dos abîmé, Mouillures. VI + 456 pages - quelques rousseurs et quelques traces de mouillures à l'intérieur de l'ouvrage sans conséquence sur la lecture - coiffes abîmées.. . . . Classification Dewey : 398.2-Conte populaire
186175239Librairie de L. Hachette et Cie | Paris 1861 | 15 x 23.70 cm | relié
186217415Représenté pour la première fois, à Paris, sur le Théâtre impérial de l'Odéon, le 3 janvier 1862.Avec une Préface inédite par Edmond About.Édition originale. Paris, Michel Lévy Frères - 1862 - 159 pages. Joint une Lettre Autographe Signée de l'auteur à "Mon cher ami...". Ex-libris de la bibliothèque de A. Grandsire.Très belle reliure demi maroquin rouge à coins, signée Bretault. Dos à nerfs orné et doré avec date en pied. Filet doré bordant les plats. Tête dorée sur témoin, non rogné. Couverture et dos conservés. Pas de rousseur. Très bon état. Format in-8°(24x16).Edmond François Valentin About (1828-1885) est un écrivain, journaliste et critique d'art français, membre de l'Académie française. Critique d'art acerbe, il est très disposé à railler les peintres d'avant-garde. Favorable au Second Empire, et violemment anticlérical, il se fait connaître comme polémiste. En 1871, il rallie la Troisième République et soutient la politique de Thiers. Il fonda alors Le XIXe siècle dont il devient rédacteur en chef.
189162776Paris: Hachette 1891. Fine. Hachette Paris 1891 20.50 x 27.70 cm relié First edition illustrated with in-text and full-page illustrations by Vogel and ornaments by Giraldon typographic etching. Printed on large glazed vellum. Title page in red and black. Publisher's binding in full chocolate shagreen. Spine with false raised bands decorated with interlaced figures 30 and 40. Boards decorated with a pattern of figures 30 and 40 with a border frieze. This pattern is repeated on the green endpapers. Spine uniformly faded to tawny. Light rubbing to corners. One nick at head. Very fine copy perfectly fresh. Art critic and political journalist his comic and satirical novels earned him great renown notably Le roi des montagnes. Le Trente et quarante is a game around which loves will form and dissolve. This vaudeville later became a musical comedy filmed by Grangier in 1946 with Martine Carol. Carteret: ""Interesting publication"". Hachette hardcover
1802622831Erfurt, G. A. Keyser, 1802-07. Zusammen über 4250 S. Pappbände d. Zeit mit neuen Rückenschildern (berieben, Ecken bestoßen). [2 Warenabbildungen]
18142081402110005206Not Available 1814. Soft Cover. Fine. Number of books: 6 Not Available paperback
187261228London: Strahan & Co. 56 Ludgate Hill 1872. 8vo. xx 284 pp. Dark green-coloured pebbled publisher’s cloth embossed black ruling covers & spine gilt lettering on spine minor shelfwear inner hinges a touch weakened slight lean still a VG bright copy. First British edition of this significant French work on labor unions labor organizing originally published as L’ABC du travailleur in 1868 drawing from interviews by the author with Parisian workers artisans and laborers. Prepared against the backdrop of the attempted reforms by Napoleon III during the Second Empire there had been passed an 1864 right to strike law but workers could decide whether to participate independently and still restricted from freedom while many laws controlling what licenses and papers workers had to retain whether they could change employers and much more were still in place. Great Britain experienced a series of strikes from 1870 through 1872 including the Metropolitan Police Strike Gas Stokers’ Strike Linen Strike Warwickshire farmer worker’s strike and also witnessed the emergence of the National Labor Reform Party. About 1828-1885 was a French journalist novelist and publicist who was quite successful with short stories and pamphlets as well as popular manuals on labor and economics before becoming successful with his XIX Siecle paper which protested against conservative reactionaries following the Franco-Prussian War. The original British edition in English is quite scarce and predates the 1873 American edition. Strahan & Co., 56, Ludgate Hill, hardcover
183743533Leipzig, Johann Ambrosius Barth, 1837. Without wrappers as issued in ""Annalen der Physik und Chemie. Hrsg. von J.C. Poggendorff"", 40. Bd., 4. issue (""Heft"" No 4, 1837). Titlepage to vol. 40. Pp. 497-644 a. 1 engraved plate. (entire issue ""Heft"" 4 offered). Magnus' paper: pp. 583-606, 1 woodcut in the text. Clean and fine.