211 résultats
G0060203110I3N00HarperCollins Publishers 1951. Library Binding. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. HarperCollins Publishers unknown
19721815London: The Bodley Head 1972. 1st Edition. Hardcover. Near Fine/Near Fine. Near fine first edition of this collection from Ayme translated and with an introduction by Norman Denny. Unread copy in near fine jacket price-clipped rubbed at extremities as well as the back panel small spot of sticker residue to front panel and with light wrinkling to heel. The Bodley Head hardcover
19536359London: The Bodley Head 1953. First British Edition. Hardcover with Dust Jacket. Near Fine/Very Good-. 8vo. Pp. 240. Bound in blue cloth with gilt lettering stamped on spine. Slight superficial scuffs to boards. In the illustrated dust jacket that shows edge-wear and faded spine. Price of 11s/6d intact on front flap. First English language edition by the novelist perhaps best known for The Miraculous Barber. The dust jacket with a good uncredited illustration is now housed in a removable clear archival sleeve. The Bodley Head hardcover
195336576New York: Harper 1953. Hardcover. Fine/Fine. First American edition. Fine in fine dustwrapper but for some very slight tanning to the spine. Girl's mutilated body found in the home of a prominent citizen. A lovely copy. Harper hardcover
1951030954London: The Bodley Head 1951. Book. Very Good. Hardcover. First English Edition. 192 pages. Red cloth boards with gold lettering on the spine. Slight wear to extremities of spine. Orange pictorial price-clipped jacket has light scuffing throughout and wear along the extremities including a couple of chips. Reinforced by previous owner with tape on the inside of the jacket at the edges of the spine only visible if you take off the jacket. DJ protected in a mylar sleeve. Slight wear to edges of textblock. Tight binding and square textblock. From the dust jacket: "A miracle did happen to Raoul Cerusier a Paris business man of no distinction or importance. To be precise M. Cerusier's face suddenly and inexplicably changed from that of an unprepossessing middle-aged man to that of an outstandingly handsome younger man." Size: Octavo. The Bodley Head Hardcover
19742080502107001199Tokyosogensha 1974. Soft Cover. Fine. Number of pages: 240p Size: 15cm Tokyosogensha paperback
1906548641.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1782273271.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1965167537Unknown: Shawn International 1965. Vintage pressbook for the American release of the 1959 West German film. <br /> <br /> Based on the 1941 novella by Marcel Aymé about a man who through frustration and sheer will discovers his unexpected ability to pass through solid walls. A late-career effort by director Ladislao Vajda who directed over 40 films from the 1920s through the mid-1960s including the Palme d'Or-nominated 1956 film "Afternoon of the Bulls." <br /> <br /> Shot on location in Bavaria. <br /> <br /> Bi-fold measuring 11 x 17 inches when folded. Very Good plus with pinholes at the corners and light discoloration on the top right corner of the first page. Shawn International unknown
1954240258New York: Harper 1954. hardcover. fine. Pictures by Maurice Sendak.Thin 8vo blue cloth lettered in yellow. New York: Harper & Brothers 1954.<br/> <br/> Early printing with the intials K-E on the copyright page. Signed by Sendak under his name on the title page. Fine.<br/> <br/> Harper unknown
1952mon0000544719J. Lane 1952T. hardcover. Acceptable. in x in x in. Ex-library book usual marking. Clean copy in good condition. Library rebind and they have pasted the original dust cover to the boards. Some spotting due to age on pages but overall book remains in good condition considering age. J. Lane hardcover
193355894New York: Dodd Mead & Company 1933. Hardcover. Fine/Near Fine. First American edition. Fine in very attractive near fine dustwrapper with some small chips on the rear panel. A wife hangs herself and suspicion falls on her husband who has been having an affair with a woman who lives in a hamlet of woodcutters in the forest. Basis for the 1952 French film directed by Henri Verneuil La Table aux Creves featuring Fernandel. Dodd, Mead & Company hardcover
0370014693.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
195590199NY:: Harper & Brothers. Very Good in Very Good dust jacket. 1955. Hardcover. B001TP9VKA . Translated from the French by Norman Denny. Made into the 1959 film. No indication of printing. Very good in a very good minor edge wear with a few small chips age toning price clipped dust jacket. . Harper & Brothers, hardcover
1938893P50London: The Fortune Press 1938. First edition. Cloth. Very Good/Very Good Indeed. 7.5" by 5". Jean de Bosschere. The first edition in English of this entertaining novel by Marcel Ayme illustrated by Jean de Bosschere. The first edition in English.In the original unclipped dust wrapper.'The Green Mare' originally written in French as 'La Jument Verte' is a humorous novel following the behaviour and sexual exploits of a small French village in the nineteenth century. Anonymously translated into English.Illustrated with a frontispiece and seven plates by Jean de Bosschere. Written by Marcel Ayme.Collated complete.Undated dated from Jisc from a copy held at the British Library. In the original publisher's cloth binding in the original unclipped dust wrapper. Externally smart. A few light marks to the boards and spine. Scattered spots to the fore edge. Minor edge wear to the dust wrapper. Spine and extremities are a little sunned. A few light handling marks to the dust wrapper. Internally firmly bound. Pages are bright and clean. Very Good The Fortune Press hardcover
1938931F16London: The Fortune Press 1938 . First edition. Cloth. Very Good Indeed. 8" by 6". None. The first edition in English of this entertaining novel by Marcel Ayme. A variant of this edition issued without plates. An unusual issue of the first edition in English of this work.'The Green Mare' originally written in French as 'La Jument Verte' is a humorous novel following the behaviour and sexual exploits of a small French village in the nineteenth century. Anonymously translated into English.Without reference to illustrations to the title page and without the frontispiece and seven plates by Bosschère. The British library notes two variants of this work one with plates and one without.A pencil inscription to the front free endpaper notes 'std copies usually had 8 pl'. In the publisher's original cloth binding. Bump to back strip head otherwise externally fine. Spotting to text block fore edge. Internally firmly bound. Pages clean and bright. Leaves unopened to fore edge. Very Good Indeed The Fortune Press hardcover
196850481/701London: Mayflower 1968. Book. Very Good. Paperback. Reprint. 190pp. Clean copy inside & out. No inscriptions. Includes supply & fitting of new correctly sized protective lyfjacket. Mayflower Paperback
2008SONG098170400XLifetime Leadership Inc 2008-03-28. First Edition. paperback. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Lifetime Leadership, Inc paperback
20172-6202235322Editorial Académica Española 2017. Paperback. New. 60 pages. Spanish language. 8.66x5.91x0.14 inches. Editorial Académica Española paperback
193852350Paris: Editions du Sagittaire 1938. Fine. Editions du Sagittaire Paris 1938 12 x 19 cm broché First edition one of the advance service de presse copies. Handsome autograph inscription from Marcel Aymé to François Mauriac. Two small glued tears to the spine sunned. Editions du Sagittaire unknown
193687524Paris: Nrf 1936. Fine. Nrf Paris 1936 12 x 19 cm broché First edition one of 45 numbered copies on alfa paper the only deluxe copies after 23 on pur fil. Neuf et une consists of a collection celebrating the tenth anniversary of the Prix Renaudot first awarded in 1926 bringing together a text from each of the first ten winners: Marcel Aymé with ""Knate"" Germaine Beaumont with ""Cinquième acte"" Charles Braibant with ""La cagoule"" - Louis-Ferdinand Céline with ""Secrets dans l'île"" Louis Francis with ""Les Cyclamens"" Philippe Hériat with ""En présence de l'ennemi"" Armand Lunel with ""Les assiettes"" Bernard Nabonne with ""La double Gervasie"" André Obey with ""Vénus et Adonis"" and François de Roux with ""Mirage"". Some light foxing to endpapers handsome and rare copy. Nrf unknown
1959BLR - HAY367841959 - numéroté d'un tirage de 10000 exemplaires. Paris Gallimard. relié cartonnage éditeur d'après la maquette de Paul Bonet sous rhodoïd. Excellent état. fort in-8 carré. illustré de 32 aquarelles de Gen Paul Vivancos B. Kelly Demonchy J.-D. Malcles Perraudin Déchelette dont un frontispice. unknown
1956181351Paris: Gallimard 1956. Hardcover. Very Good. Very good. Hardcover in French clean text cover lightly soiled spine browned front gutter cracking at top and bottom. Gallimard hardcover
1950201351950. Paris Gizard / Le CortÂge de Calliope 1950. Un vol. au format gd in-12 199 x 153 mm de 88 pp. en feuilles sous couverture illustrÂŽe ˆ rabats rempliÂŽs. Edition originale. Tirage unique ˆ 410 exemplaires. Celui-ci comptant parmi les exemplaires du tirage sur pur-fil Johannot dit ''de passe'' ou ''de chapelle'' ''exemplaires tirÂŽs ˆ petit nombre et non numÂŽrotÂŽs que lՎditeur destine ˆ ses collaborateurs ainsi quՈ lÕauteur et ˆ ses proches''. Il s'agrÂŽmente - ici en premier tirage - de dÂŽlicates pointes-sÂches de Jean Edelmann. Peintre trÂs ˆ part dans le XXe siÂcle Jean Edelmann a sa propre ÂŽcriture. HabitÂŽ par son art il travaille inlassablement les motifs souvent en sÂŽrie dans un esprit o la poÂŽsie et le jeu des couleurs sont ma”tres. Philippe Dagen l'ayant remarquÂŽ lui consacra cet ouvrage o il nous propose une analyse et un panorama de son oeuvre de 1950 ˆ 1985. Ç Edelmann maintenait les liens qui l'attachaient ˆ la Ç gÂŽnÂŽration È des maitres celles des Braque des Bonnard des Picasso ou des Gris il restait fidÂle ˆ l'idÂŽe de tradition et de continuitÂŽ quand il n'ÂŽtait ˆ l'entour parlÂŽ que de rÂŽvolution dÂŽfinitive et d'amnÂŽsie libÂŽratrice È.Ç S'il est lointain parent du cubisme et du post-cubisme par son dessin et l'ordonnance des images qu'il peint Edelmann l'est encore parce que comme tel artiste de ce type de filiation Lhote peut Âtre il veut tout reprÂŽsenter ne nÂŽglige aucun sujet et traite des plus triviaux comme des plus modernes sans distinction È. ''Sa main gauche a glissÂŽ sur ma joue en ÂŽcartant une boucle de mes cheveux et j'ai fermÂŽ les yeux. Il m'a semblÂŽ quitter la terre. Je me suis sentie aspirÂŽe tout entiÂre et dÂŽlivrÂŽe accomplie''. LÂŽgÂres plissures affectant coupes et coiffes. TrÂs rares tout autant que discrÂtes rousseurs dans le texte. Nonobstant belle condition. b42961 unknown
195056436Paris: Gizard 1950. Fine. Gizard Paris 1950 15 x 19.50 cm en feuilles First edition one of 370 numbered copies on pure Johannot laid paper. Work illustrated with original drypoints by Jean Edelmann. Spine lightly sunned at head and foot handsome interior condition. Gizard unknown