46 résultats
193275466Paris: L'Amour de l'Ar 1932. Paperback. Very Good. Edition Speciale issued "brochee sous jaquette". 6 tipped color plates. 25p. Original wrapper. 37cm. Light cover scuffing and wear. French text. Fascicule 63-64-65 of the Revue de l'Amour de l'Art. <br/><br/> L'Amour de l'Ar paperback books
1946136796Paris: Pierre Tisne 1946. hardcover. very good. 69 plates some tipped-in and in color 25 pages of text slim 4to white boards with title in red on front cover; covers soiled. Paris: Editions Pierre Tisne 1946. Covers quite soiled and foxed but internally clean a very good copy.<br/><br/> Chronologically covers medieval tapestries to those of the 20th century.<br/><br/> Pierre Tisne unknown books
1986122110Brussels: Atelier Vokaer 1986. Hardcover. VG- Slight wear to dj. at extremities. Red cloth over boards; Color pictorial dj.; Pictorial endpapers; 156 pp.; 2 gatefolds; Profusely illustrated with color and bw plates many full page. Plate captions in French; Writings provided in the language of their authors: One is in French one English one Italian and one Dutch; Wonderful plates; Includes an artist chronology; Presentation copy of this limited edition number 006 of 100 copies; Inscribed by the artist; Various pieces of ephemera laid in. Atelier Vokaer hardcover books
197245360Paris: Grasset 1972. Paperback. Good. 297 pp. Light creases to the spine soiling to the front else good in publisher's wraps. Text in French. <br/><br/> Grasset paperback books
196745362Paris: Éditions du Seuil 1967. Paperback. Good. 286 pp. Light creases and tanning to the spine light soiling and edge wear to the front and back previous owner's inscription on the half-title page else good in publisher's wraps. Text in French. <br/><br/> Éditions du Seuil paperback books
197045239Paris: Aux Éditions De Seuil 1970. Paperback. Very good. 247 pp. Creases to the spine. Light soiling to the covers. Else very good in publisher's wraps. Text in French. <br/><br/> Aux Éditions De Seuil paperback books
195245572Paris: Grasset 1952. Paperback. Good. 278 pp. Creases and edge chips to the spine edge wear and soiling to the front and back else good in publisher's wraps. Text in French. <br/><br/> Grasset paperback books
1986112758La Varenne: Editions Playtime 1986. First edition. Hardcover. Text in English French and Japanese. Preface by Michel Ciry and essays by Herve Bazin and Andre Brasilier. Includes numerous color and some black and white illustrations. A fine and tight copy in a near fine dust jacket with small tear to the top corners of the rear panel and another to the bottom corner with a tiny bit of loss. Signed and warmly inscribed by Michel Henry in 1987 on the page opposite the title page. An attractive and uncommon monograph with only 4 copies listed in OCLC. Editions Playtime unknown books
196026866London: Secker & Warburg. Near Fine in Very Good dj. 1962 c.1960. 1st U.K. edition. Hardcover. minor shelfwear faint dust-soiling to top of text block; jacket shows just light handling wear with a couple of tiny edge-tears. Novel about a widowed schoolmaster in a French provincial town and his relationships with his three children "an in particular with Bruno the youngest whom he rightly suspects is not his own." . Secker & Warburg hardcover books
198687241n. p. 1986. Paperback. Very Good. 20p. Photocopy. Stapled in upper left corner. 30cm. French text. A paper presented at "Colloque organisee par l'Association Franciase de Science Politique Paris 29-30 mai 1986". <br/><br/> paperback books
1973260504New Brunswick: Rutgers University Press 1973. hardcover. near fine/fine. Illustrated with black and white photographs. 251 pages 8vo red cloth dust wrapper with mylar sleeve. New Brunswick: Rutgers University Press 1973. A near fine copy in a fine dust wrapper.<br/><br/> This is the first book to show how Woolf's vision of reality and her aesthetics are rooted in her experiences as a manic-depressive.<br/><br/> Rutgers University Press unknown books
1969168217Dieppe France: Chateau-Musee de Dieppe 1969. Paperback. G. Dj shows some edge wear soiling on back cover. Foxing along top page edging but clean and tight contents. Small oblong white wraps with brownish/bronze dust jacket. 51 pp. 5 BW plates. Text in French. Catalogue for an exhibition shown July-September 1969. Contains a short essay by Bazin a catlaogue of plates 5 plates and biographical notes. Chateau-Musee de Dieppe paperback books
19141318109Paris: Calmann-Levy 1914. Hardcover. 12mo; pp 482; G-/no-dj; burgundy 1/4 bound spine with gilt text and raised bands to spine; marbled boards show some rubbing wear to exterior; chip to front head fore corner; some wear to edges; text block has slight age toning to exterior edges with some toning inside; top edge gilt; marbled endpapers; previous owner's name to title page; French text;. 1318109. FP New Rockville Stock. Calmann-Levy hardcover books
190524259Paris: Calmann-Levy 1905. Later printing. Three-quarter brown morocco over marbled boards with gilt titles. Endpapers toned foxing to edges edge at head of spine chipped still a very good nicely bound copy. 305 pp. 12mo. New Orleans book binder's ticket on front pastedown. In French. We have a number of books similarly bound. Calmann-Levy hardcover books
1913133657New York: Charles Scribner's Sons 1913. Octavo pp. 1-10 1-2 3-270 271-274: ads original lavender cloth front panel stamped in gold and blind spine panel stamped in gold. First edition in English. Collects five stories three including the title novella appearing here for the first time. Several light stains to rear cover a very good copy. #133657 Charles Scribner's Sons unknown books
193348159Boston: Bruce Humphries 1933. First Limited Edition. First American edition one of 1000 numbered copies this is no. 124 on Normandy vellum. Very Good or better in the original patterned boards; in original paper dustwrapper soiled and backed with kraft paper on verso; just Good. WW1 poetry. Bruce Humphries unknown books
1961183777Paris: A. & J. Picard 1961. Softcover. Good soiling and shelfwear to wraps damage along top of spine continuing to rear corner with a small crease in top corner of rear pages. Pages are otherwise very clean. Tan wraps bw illustrated with red and black lettering; small bw illustration on title page; 383 pp; illustrations plates maps some folded some color diagrams tables. Text is in French. Knowledge of primitives through the study of wood from the 12th to the 16th century. Includes a preface by Germain Bazin and an introduction by Clement Jacquiot. Includes bibliographical references pages 306-321. Errata slip laid-in. A. & J. Picard unknown books
194125898Londres Paris New York: Editions Hyperion 1941. First edition. Paperback. Very Good . Tall thick paperbound volume. 185 pp. Text in French. With numerous color plates and black and white illustrations. A sound very good plus copy. Editions Hyperion paperback books
1973301745New York Simon and Schuster 1973. 1973. First edition. 8vo. Edited with an introduction by Francois Truffaut. Translated by W.W. Halsey II and William H. Simon. With an appreciation of Bazin by Renoir. Illustrated. Filmography. Dust jacket designed by Charles Schmalz unclipped. Very good. 320 pages. 1st Edition. Hardcover. Very Good/Very Good. New York, Simon and Schuster [1973]. hardcover books
1975WRCLIT69225Paris: Union Générale d'Éditions Inédit 1975. 12mo. Glossy pictorial wrappers. Slight uniform tanning to textblock otherwise near fine. First edition with a Preface "Andre Bazin L'Occupation et Moi" by Francois Truffaut paying posthumous homage to his early mentor the editor of CAHIERS DU CINÉMA. This copy bears Truffaut's signed inscription: "Pour Liz-Anne en souvenir de Bazin Francois Truffaut." The recipient Liz-Anne Bawden was editor of THE OXFORD COMPANION TO FILM 1976 and lecturer on Film at the Slade School. Her TIMES obituary notes particularly her friendship with Truffaut with whom she also maintained a correspondence. Union Générale d'Éditions] Inédit unknown books
195016926EParis: Chavane 1950. First Edition. Signed and inscribed by the author French film critic and theorist Andre Bazin: “a Pierre Robin Amicalement. A. Bazin 28/1/50.†â€For Pierre Robin In friendship. A. Bazin 28/1/50.†Paperbound 5†x 6 1/2â€. Text in French. Near fine copy with a touch of dust soiling to the covers in printed wrappers. Illustrated study of Orson Welles by two major figures in cinema history the great artist and writer Jean Cocteau whose line drawing of Welles serves as the frontispiece and by Andre Bazin 1918 - 1958 one of the most influential film critics and authors of modern times and co-founder of the classic French film publication Le Cahiers du Cinema in 1951. Andre Bazin’s four-volume collection of writings Qu'est-ce que le cinéma What is Cinema was published posthumously from 1958 to 1962. Two of these volumes were translated into English in the late 1960s and 1970s and became mainstays of film studies in the US and England. Bazin was an advocate of films that portrayed "objective reality" as in documentaries and films of the Italian neorealism school and directors who crafted their films with a subtle hand such as Howard Hawks. He favored the use of deep focus such as employed by Orson Welles wide shots as used by Jean Renoir the "shot-in-depth" and telling the story of the film in a continuous narrative as opposed to the more experimental styles and visual effects which were becoming popular. His theories and preferences greatly influenced the development of the Auteur theory. Francois Truffaut dedicated his classic film The 400 Blows to Bazin who sadly died one day after shooting commenced on the film. A rare cinema autograph. Chavane unknown books
