Yao, N'Goran BazinBiblio.com
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2343196613.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ria9786203503036_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
B9786203503036Paperback / softback. New. paperback
ria9783639545807_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
ria9786203503050_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
ria9786203503012_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
ria9786203503029_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
19632080502106511404Shiromizu-sha 1963. Soft Cover. Fine. Volume: 1 Shiromizu-sha paperback
19802092902140306691film art company 1980. Soft Cover. Fine. Number of books: 1 film art company paperback
19582091502135301728Heibonsha 1958. Soft Cover. Fine. Volume: 1 Heibonsha paperback
195016926EParis: Chavane 1950. First Edition. Signed and inscribed by the author French film critic and theorist Andre Bazin: “a Pierre Robin Amicalement. A. Bazin 28/1/50.†â€For Pierre Robin In friendship. A. Bazin 28/1/50.†Paperbound 5†x 6 1/2â€. Text in French. Near fine copy with a touch of dust soiling to the covers in printed wrappers. Illustrated study of Orson Welles by two major figures in cinema history the great artist and writer Jean Cocteau whose line drawing of Welles serves as the frontispiece and by Andre Bazin 1918 - 1958 one of the most influential film critics and authors of modern times and co-founder of the classic French film publication Le Cahiers du Cinema in 1951. Andre Bazin’s four-volume collection of writings Qu'est-ce que le cinéma What is Cinema was published posthumously from 1958 to 1962. Two of these volumes were translated into English in the late 1960s and 1970s and became mainstays of film studies in the US and England. Bazin was an advocate of films that portrayed "objective reality" as in documentaries and films of the Italian neorealism school and directors who crafted their films with a subtle hand such as Howard Hawks. He favored the use of deep focus such as employed by Orson Welles wide shots as used by Jean Renoir the "shot-in-depth" and telling the story of the film in a continuous narrative as opposed to the more experimental styles and visual effects which were becoming popular. His theories and preferences greatly influenced the development of the Auteur theory. Francois Truffaut dedicated his classic film The 400 Blows to Bazin who sadly died one day after shooting commenced on the film. A rare cinema autograph. Chavane unknown books
196079093Amsterdam: Elsevier Ca. 1960-1980. 32 hardcovers in slipcases. Includes mounted color plates and numerous black-and-white illustrations. Kunst van Europa 18 volumes covers European art history from antiquity to modern movements including Gothic Renaissance Baroque Romanticism and Impressionism. Kunst der Wereld 14 volumes explores non-European art with a focus on Africa Asia the Middle East and the Americas. Text in Dutch. Minor wear books in very good condition see picture. Due to the weight of the complete set additional shipping costs may apply. Elsevier hardcover
2013x-3642345360Springer Verlag 2013. Hardcover. New. 2014 edition. 142 pages. 9.25x6.50x0.50 inches. Springer Verlag hardcover
176513098Amsterdam, Changuion 1765-1767 3 ouvrages en un volume in-8 basane de l’époque, dos à nerfs orné, tranches rouges. VIII-1 ff.336 pp.309 pp et VIII -100 pp. (Dos un peu frotté, deux coins émoussés).
1765zy555A Amsterdam, chez Changuion Relié 1765 In-8 (12,5 x 19,8 cm), reliure plein veau, dos à 5 nerfs, tranches rouges, 304 pages, édition originale, l'Abbé Bazin est le pseudonyme de Voltaire ; ors passés au dos, mors supérieur fendu aux coiffes, épidermures notamment au dos et coupes, petits manques de cuir aux coins, petite mouillure en tête sur les 4 premiers feuillets, par ailleurs assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
66750N° 97 - 21e année - Mai-Juin 1968 - revue illustrée bimestrielle - illustrée - Couverture : La colline d'Innimont - Broché
193971471939 Paris, La Bonne Presse, 1939, In douze, 203 pp, broché,
51-4638Paris-Monte Carlo: Imprimerie Nationale-André Sauret 1962. . Three original color lithographs on Arches wove sheets loose as issued; one double page. Edition of 150. 39 x 30cm. This is a section from the full portfolio. Text by Hervé Bazin. References: Colette de Ginestet and Catherine Pouillon appendix nos. 115-117; Luc Monod Manuel de l'amateur de livres illustrés modernes no. 9522; OCLC Number: 10029307 Paris-Monte Carlo: Imprimerie Nationale-André Sauret, 1962. unknown
A9781032926568Paperback / softback. New. Victoria Bazin's interpretations of Marianne Moore's poetry draw extensively on archival resources to trace her influences and to describe her own distinctive modernist aesthetic. Bazin argues that it was Moore's feminist adaptation of pragmatism that shaped her poetry producing a complex response to the new expanding consumer culture one that ex paperback
ria9780754662327_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Victoria Bazin's interpretations of Marianne Moore's poetry draw extensively on archival resources to trace her influences and to describe her own distinctive modernist aesthetic. Bazin argues that it was Moore's feminist adaptation of hardcover
ria9781032926568_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Victoria Bazin's interpretations of Marianne Moore's poetry draw extensively on archival resources to trace her influences and to describe her own distinctive modernist aesthetic. Bazin argues that it was Moore's feminist adaptation of paperback
48136234like new. unknown
48136234-nnew. unknown
61803278Ashgate Publishing Company pp. 228 . Hardback. New. Ashgate Publishing Company hardcover
A9781474417303Hardback. New. This book reinserts Marianne Moore into the cultural history of modernism by examining her role as editor of The Dial between 1925 and 1929 the magazine most closely associated with the rise of modernism to cultural legitimacy hardcover
