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0265509289.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0270807594.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
196511277Denoël, 1965. In-8 cartonnage illustré, un peu défraîchi (voir image). Abondamment illustré par le regretté Cabu.
A9781479828289Hardback. New. <p><b>Asks how we can better understand a politics of refusal</b><br /> Writing a new story of Black politics <i>Jump </i>emerges from the practice of enslaved Africans jumping overboard off their slavers’ ships. Reading against the narrative that depoliticizes and denigrates the leaps of the enslaved as merely suicidal symptoms of chattel slavery and the Middle Passage Sam C. Tenorio demonstrates how bringing these jumps to bear on the foundations of Black politics allows us to rethink a politics of refusal.<br /> In a period of increasing political mobilization against police brutality and mass incarceration <i>Jump</i> attends to the layers of confinement that constitute the racial and gendered hierarchies of the antiblack world. Centering radical acts too often relegated to the periphery of Black politics Tenorio proposes a Black anarchist politics of refusal that helps us to think dissent anew.<br /> Tracing iterations of the jump through the carceral wake of the slave ship Tenorio explores the voyages of the Black Star Line in defiance of the bordered authority of the nation state the Watts Rebellion of 1965 against the property relation of ghettoization and Assata Shakur’s abscondence from prison to Cuba. Ultimately Tenorio argues that considering the jump as a progenitor of Black politics deepens and widens our conceptualization of the Black radical tradition and introduces a paradigm-shifting attention to Black anarchism.</p> hardcover
ria9781479828289_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
46655437-nnew. unknown
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3659002682.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20141-3659002682Editorial Académica Española 2014. Paperback. New. 144 pages. Spanish language. 8.66x5.91x0.33 inches. Editorial Académica Española paperback
2014__3659002682Editorial Académica Española 2014. Paperback. New. 144 pages. Spanish language. 8.66x5.91x0.33 inches. Editorial Académica Española paperback
2026x-3032090253Springer 2026. Paperback. New. 110 pages. 6.10x0.26x9.25 inches. Springer paperback
2016__3330745533Novas Edições Acadêmicas 2016. Paperback. New. 220 pages. Portuguese language. 8.66x5.91x0.50 inches. Novas Edições Acadêmicas paperback
1390513548.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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0332532658.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
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0332102467.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
6204009273.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6203470236.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6204009230.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6204009249.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6204009265.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2017G8589202372I4N00Vivaluz 2017. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Vivaluz paperback
20172-6202231750Editorial Académica Española 2017. Paperback. New. 100 pages. Spanish language. 8.66x5.91x0.23 inches. Editorial Académica Española paperback
9786555050929PERSPECTIVA. new. SINOPSE O que afinal terǭ sido o moderno em nossas artes a partir de fevereiro de 1922 De que brasilidade falamos a partir de que categoria social nossa modernidade se instalou Neste livro Leda Ten��rio da Motta nos traz uma vis�o cr�tica e contundente desse problema ao abordar a pol�mica entre o grupo dos cr�ticos uspianos e dos poetas concretistas sobre o barroco e a constitui��o da literatura brasileira. A rela��o dessa pol�mica com a Semana Ǹ que foi esse o evento que programaticamente colocou na ordem do dia e na boca do povo a quest�o do que seja brasilidade e modernismo. AlǸm disso Mario e Oswald passaram a representar polos opostos nas discuss��es culturais a respeito e foram atacados e defendidos pelas duas correntes em embate: a dos cr�ticos uspianos e a dos poetas concretistas. QUARTA-CAPA Neste Cem Anos da Semana de Arte Moderna: O Gabinete Paulista e a Conjura��o das Vanguardas Leda Ten��rio da Motta passa a limpo uma das grandes controvǸrsias dos meios literǭrios e dǭ a medida da import�ncia que o evento teve em nossas artes. Foram Clima e Noigandres duas revistas de vida curta e prolongada influ�ncia que definiram os elencos: de um lado os ""uspianos"" e a Forma��o da Literatura Brasileira de Antonio Candido de outro os poetas concretistas e O Sequestro do Barroco na Forma��o da Literatura Brasileira de Haroldo de Campos. A discuss�o do lugar do barroco na hist��ria � e do que afinal seria a literatura e arte ""brasileira"" � Mǭrio x Oswald tradi��o x vanguarda cr�ticos x poetas engajamento x arte pela arte todas essas controvǸrsias s�o aqui analisadas em profundidade assim como o ambiente cultural que contrap�s na segunda metade do sǸculo XX os dois grupos de ent�o jovens intelectuais herdeiros do impacto e do legado da Semana e que fariam individual e coletivamente escola e hist��ria. COLE�ǟO DEBATES A cole��o Debates dedica-se aos temas contempor�neos e aos debates e pol�micas da atualidade. A mais antiga junto com a Estudos e a mais conhecida das cole����es da editora conta com quase 350 t�tulos alguns jǭ cǸlebres na literatura de n�o fic��o. DA CAPA Imagem da capa: colagem sobre imagens de Oswald e Mario de Andrade. Luisa Moritz Kon 2022. Oswald e Mario de Andrade representantes mǭximos da Semana de Arte Moderna de 1922 simbolizam duas maneiras dialeticamente contradit��rias de se pensar a transforma��o da cena art�stica brasileira no sǸculo XX. PERSPECTIVA unknown