239 résultats
20242-1032923865Routledge 2024. Paperback. New. 296 pages. 9.68x6.87x9.69 inches. Routledge paperback
2012102012HUP. New. 2012. Paperback. 1934510173 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 120 pages; 181 illustrations most in color . -- with a bonus offer-- . HUP paperback
188788808Paris: Au cabaret Le Chat noir 1887. Fine. Au cabaret Le Chat noir Paris 9 avril 1887 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This four-page issue features a large double-page illustration by Steinlen. Literary contributions by Alphonse Allais Bébert Pimpinelli Pose de lapin dedicated to Albert Tinchant and Narcisse Lebeau Paravent. Some marginal tears and stains. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name which it sought to commemorate. It published the texts recited during the performances and stands as a major literary and artistic document of late 19th-century bohemian life and the distinctive Parisian vitality of the era. Au cabaret Le Chat noir unknown
188681973Paris: Au cabaret Le Chat noir 1886. Fine. Au cabaret Le Chat noir Paris 1886 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Théophile Alexandre Steinlen: ""Les mésaventures d'Auguste"". Literary contributions by Alphonse Allais ""L'avancement"" Maurice Mac Nab ""La vue de Naples"" Eugène Godin ""Ronds de cuir"". Fine copy. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name of which it intended to be the record. It published texts declaimed during the performances. It is moreover an important literary and artistic testimony of the late nineteenth century around the bohemia and the Parisian effervescence that was its own. Au cabaret Le Chat noir unknown
Z1-F-067-00861Brill. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Brill unknown
1866596571866. Fine. 1866 27.50 x 43.50 cm autre Charcoal black stone and white chalk drawing with wash highlights. Signed lower left in white chalk ""de St Allais 1866"". Thick rigid cardboard of 4 mm. Very fine condition despite a slight lack of 7mm at the upper left corner. Dry stamp lower right corner: Papier Pellée. Slight toning. Finely worked lake and grove landscape. NB: This work is available at the bookstore on request within 48 hours. unknown
180925826Paris: Imprimerie Impériale 1809. Fine. Imprimerie Impériale Paris 1809-1829 54 x 71 cm une feuille Original unshaved full-page etching from the Imperial edition of the Description de l'Égypte or Recueil des observations et recherches faites en Égypte pendant l'expédition française publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand A Collection of the observations and research carried out in Egypt during the French expedition published on the orders of his Majesty the Emperor Napoleon the Great'.Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828 1000 copies were printed and distributed to institutions on vergé paper with an 'Égypte ancienne et moderne' watermark visible when held up to the light. Light marginal spotting not touching image otherwise in very fresh fine condition. An engraving from the Description de l'Egypte one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799 the work is divided into 13 volumes of engravings making up 892 plates of which 72 colored as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The Egyptian campaign' militarily a disaster demonstrates through the engravings of the Description d'Egypte the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte Egyptian Institute who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge the chemist Berthollet the naturalist Geoffroy Saint-Hilaire as well as numerous artists engineers architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants.This edition the so-called Imperial edition of the plates for the Description de l'Egypte was printed in four large formats two of which were specially created for it and christened Moyen-Egypte and Grand-Egypte. A special press was built to print it the process extending over 20 years from 1809 to 1829. The Imperial edition proved so popular that a second edition this time in black and white and without the Egypte ancienne et moderne watermark known as the Royal Edition was published during the Restoration by the printing house of C.-L.-F. Panckoucke Paris.The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon illustrator diplomat collector and later Director of the Musée Napoléon the Louvre. His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte.Denon embarked on this story of archeological exploration at the age of 51 reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte the Natural History Museum's painter H.J. Redouté brother of Pierre-Joseph Redouté author of Roses the mineralogist Dolomiue and the draughtsman Joly Denon then explored the Nile Delta and Lower Egypt. When however he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798 he found himself the only civilian. In the very midst of the battle itself he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed a country that is apart from its name entirely unknown to Europeans and therefore everything was worth describing Voyages dans la Basse et la Haute Egypte pendant les campagnes de Imprimerie Impériale unknown
188381900Paris: Au cabaret Le Chat noir 1883. Fine. Au cabaret Le Chat noir Paris 1883 31 x 45 cm broché First edition of this complete 1883 year containing 50 issues in original wrappers under blue temporary covers. Spine split with angular lacks to the covers. Each issue consists of four pages. Texts by Emile Goudeau Alphonse Allais Jean Richepin and Paul Verlaine ""Le Chat noir"" ""Langueur"" ""La Princesse Bérénice"" ""Pantoum négligé"" ""Paysage"" ""Conseil falot"" ""L'Aube à l'envers"" ""Un pouacre"" ""Madrigal"" notably. Drawings by Willette Rodolphe Salis Henri de Sta Tiret-Bognet Henri Pille Caran d'Ache etc. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name serving as its record. It published the texts recited during performances. It is moreover an important literary and artistic testimony of the end of the 19th century centered around bohemian life and the Parisian effervescence characteristic of it. Au cabaret Le Chat noir unknown
2023x-1529224632Bristol Univ Pr 2023. Paperback. New. 208 pages. 9.21x6.14x0.49 inches. Bristol Univ Pr paperback
73-1814Paris: Mautier Allais circa 1800s. 26x22 cm. Black and white engraving. Very Good. [Paris]?: [Mautier, Allais]?, [circa 1800s] unknown
ria9780226826202_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
A9780226826202Hardback. New. <p><b>The essential work from the Nobel Prize-winning virtuoso of twentieth-century economics translated to English for the first time.</b></p><p> Few scholars advanced the frontier of economic modeling more than French economist Maurice Allais. Allais’s contributions—beyond his famous <i>Allais’s Paradox</i>—earned him the Nobel Prize and drew comparisons to the works of Paul Samuelson and even some modern mathematical behavioral economists. </p><p> Allais’s accomplishments however went largely unread by non-Francophone readers due to the challenge of their translation for publishers. The effects of this gap are immeasurable. As Paul Samuelson wrote “Had Allais's earliest writings been in English a whole generation of economic theory would have taken a different course.†</p><p><i>Economy and Interest</i> is the milestone translation of Allais's most influential work one whose staggering findings predate their accepted formulations by other famed economists decades later. In its sweep and technical virtuosity <i>Economy and Interest</i> is certain to delight and challenge new generations of English-language readers. </p> hardcover
1992100145681Clément Juglar 1992. Très bon état. 381x69x559cm. 1992. Broché. Dans cet essai Maurice Allais prix Nobel d'économie analyse les défauts structurels du projet européen. Il identifie les erreurs et impasses de la construction européenne et propose des pistes de réflexion pour une meilleure intégration notamment en révisant les traités sur les institutions l'union économique et monétaire et la protection du marché Maurice Allais construction européenne critique européenne union économique monnaie unique traités européens intégration européenne défauts structurels Prix Nobel économie institutions européennes Essai économique Critique politique Construction européenne Analyse institutionnelle Politique monétaire Intégration européenne Clément Juglar unknown
1977H-063-075Hermann 1977. Paperback. Good. Different cover. Edition 1977. Ammareal gives back up to 15% of this item's net price to charity organizations. Hermann paperback
1989H-220-358PUG 1989. Paperback. Good. Former library book. Edition 1989. Ammareal gives back up to 15% of this item's net price to charity organizations. PUG paperback
19799027709602Springer 1979. New/New. <p><strong>Author:</strong> M. Allais G.M. Hagen</p><p><strong>Publisher:</strong> Springer</p><p><strong>ISBN:</strong> 9789027709608</p><p><strong>Release Date:</strong> 1979</p><p><strong>Languages:</strong> English</p><p><strong>Binding:</strong> Hardcover</p><p><strong>Number Of Pages:</strong> 722</p><p><strong>Details:</strong> Utility theory or value theory in general is certainly the cornerstone of decision theory game theory microecon~mics and all social and political theories which deal with public decisions. Recently the American School of utility founded by von N eumann Morgenstern encountered a far-going criticism by the French School of utility represented by its founder Allais. The whole basis of the theory of decisions involving risk has been shaken and put into question. Consequently basic research in the fundamentals of utility and value theory evolved into a crisis. Like any crisis in basic research and this one was not an exception it was very fruitful. One may simply say: Allais versus von Neumann-Morgenstern or the French School of utility versus the American School became one of the battlefields of scientific development which proved to be a most creative source of new advances and new developments in all those sciences which are based on evaluation of utilities.</p> Springer hardcover
B9789401043847Paperback / softback. New. THE CONCEPTION OF THIS VOLUME This volume Cardinalism has been initiated by Ole Hagen and is now published due to his perseverance and to Kluwer Academic Publishers. Because of various activities and duties my contribution to the general conception of this volume has only been formal and all the credit for it is due to Ole Hagen. paperback
A9780198747130Hardback. New. Lucy Allais presents a new account of Kant's transcendental idealism. She argues that Kant is committed to a genuine idealism about things as they appear to us but that this is not a phenomenalist idealism. Instead Kant's idealism depends instead on his notion of intuition and its role in cognition. hardcover
A9780198801337Paperback / softback. New. Lucy Allais presents a new account of Kant's transcendental idealism. She argues that Kant is committed to a genuine idealism about things as they appear to us but that this is not a phenomenalist idealism. Instead Kant's idealism depends instead on his notion of intuition and its role in cognition. paperback
188681927Paris: Au cabaret Le Chat noir 1886. Fine. Au cabaret Le Chat noir Paris 1886 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Louis Blombed: ""Un coup de roulis"". Literary contributions by Alphonse Allais ""La mère"" Rodolphe Salis Victor Meusy Albert Tinchant ""Passe-temps"". Handsome copy. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the purpose of promoting the famous cabaret of the same name of which it serves as a record. It published the texts recited during the performances. It is moreover an important literary and artistic testimony of the end of the 19th century centered around bohemia and the Parisian effervescence characteristic of that era. Au cabaret Le Chat noir unknown
38635069-nnew. unknown
38635069like new. unknown
180926525Paris: Imprimerie Impériale 1809. Fine. Imprimerie Impériale Paris 1809-1829 54 x 71 cm une feuille Original unshaved full-page etching from the Imperial edition of the Description de l'Égypte or Recueil des observations et recherches faites en Égypte pendant l'expédition française publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand A Collection of the observations and research carried out in Egypt during the French expedition published on the orders of his Majesty the Emperor Napoleon the Great'.Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828 1000 copies were printed and distributed to institutions on vergé paper with an 'Égypte ancienne et moderne' watermark visible when held up to the light. Light marginal spotting not touching image otherwise in very fresh fine condition. An engraving from the Description de l'Egypte one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799 the work is divided into 13 volumes of engravings making up 892 plates of which 72 colored as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The Egyptian campaign' militarily a disaster demonstrates through the engravings of the Description d'Egypte the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte Egyptian Institute who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge the chemist Berthollet the naturalist Geoffroy Saint-Hilaire as well as numerous artists engineers architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants.This edition the so-called Imperial edition of the plates for the Description de l'Egypte was printed in four large formats two of which were specially created for it and christened Moyen-Egypte and Grand-Egypte. A special press was built to print it the process extending over 20 years from 1809 to 1829. The Imperial edition proved so popular that a second edition this time in black and white and without the Egypte ancienne et moderne watermark known as the Royal Edition was published during the Restoration by the printing house of C.-L.-F. Panckoucke Paris.The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon illustrator diplomat collector and later Director of the Musée Napoléon the Louvre. His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte.Denon embarked on this story of archeological exploration at the age of 51 reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte the Natural History Museum's painter H.J. Redouté brother of Pierre-Joseph Redouté author of Roses the mineralogist Dolomiue and the draughtsman Joly Denon then explored the Nile Delta and Lower Egypt. When however he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798 he found himself the only civilian. In the very midst of the battle itself he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed a country that is apart from its name entirely unknown to Europeans and therefore everything was worth describing Voyages dans la Basse et la Haute Egypte pendant les campagnes de Imprimerie Impériale unknown
