Kersting, Hermann Karl - 1825 Meißen - Dresden 1850Antiquariat.de
3 356 résultats
239-Eo.J. Feder in Grau, Aquarell, über Bleistift, auf cremefarbenem Velin, auf dem Köcher mit Amors Pfeilen monogrammiert ?HK? (ligiert). 14,2:20,7 cm, rundum auf Untersatz montiert, rechte obere Ecke leicht beschädigt. Provenienz: Sammlung L. Blucke, Chemnitz/Dresden. Die Figur des Faust ist angelehnt an J.H. Naekes Faust in der Illustration ?Faust, Szene auf der Straße?, gest. von C.A. Schwerdgeburth (1785-1878), erschienen in: Urania Taschenbuch für Damen?, Leipzig/Altenburg 1815.
2107RS685<p>Tradução de Maria Serpa dos Santos. 2.ª Edição. Fundação Calouste Gulbenkian. Lisboa. 1972.</p>_x000d_<p>De 23x16 cm. Com ii 526 ii págs. Brochado com sobrecapa de proteção. Ilustrado no texto com gravuras e fotografias a preto e branco em extratexto com guadros de microorganismos biológicos sobre papel couché.</p> I-172-G-4 unknown
200893876Electa. New. 2008. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- TWO 2 VOLUME SET. Text in English and Italian. Volume 1 is titled "Incisioni Volumi e Cartelle 1969-1986" and is 412 pages long; Volume 2 is titled "Esemplari Unici 1969-1986" and consists of 274 pages. Many illustrations in both volumes. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works -- with a bonus offer . Electa hardcover
46404898, 18 x 11 cm. sur des feuilles de papier vergé de 24 x 18 cm., 8 dessins à l’encre noire légendés du texte du Faust de Marlowe. Le texte des légendes est celui de la traduction de François-Victor Hugo, les numéros de pages notés en marge des dessins correspondent à l’édition de ce texte chez Michel Lévy en 1858. Une seconde pagination des dessins qui ne se rapporte pas à l’édition Lévy pourrait correspondre à une édition en projet. L’édition d’un Faust illustrée par Van Maele semble n’avoir jamais paru.Le sujet du texte a permis à l’artiste de livrer toute la mesure de son imagination dans des scènes de diableries, cohue de moines, pape humilié. Sans qu’aucune de ces images ne soit érotique, on y retrouve les postures lascives, scènes de soumission et figures monstrueuses qu’on lui connaît dans ce registre. Le dessin montrant Hélène entourée d’angelots n’est pas sans rappeler certaines scènes de sa suite très scandaleuse “Flèches de plomb”. Si la presque totalité de l’œuvre de Van Maele est de l’illustration d’ouvrages érotiques, il a illustré quelques ouvrages fantastiques tels que les Aventures extraordinaires de Conan Doyle ou les Dix contes d’Edgar Alan Poe.
17936143Seggiano Italy 1793. Manuscript codex 32 x 22.5 cm. in several hands; various paginations in 24 gatherings of unequal lengths including additionally several miscellaneous receipts all indicating a retrospective assemblage headed by a summary report as reflected by the title on the first gathering; bound in vellum and tied with cords. ~ A reference account book for the crop year October 1793-September 1794 two instances of the date 1792 may be errors made for an agricultural estate in the Tuscan municipality Seggiano near Siena south of Florence. It was prepared in advance of a detailed examination or inspection presumably commissioned by the lord of the estate Fausto Ugurgeri originally Ugurgieri della Berardenga of a Siennese family well known in the area from the 9th to the 19th century. The compiler declares himself on the cover as Antonio Ciotti likely the agricultural manager of the estate though he may also have held some public administrative office. Italian fattore cognate with fattoria farmstead appears originally in medieval times to have embraced "accountant" among its meanings but here may approach "director" or "manager" thus encompassing accountant but broader. His title Magnifico does not necessarily indicate membership in the nobility but would seem to confer recognition of public administrative office of some sort. ~ The Ugurgeri/Ugurgieri family traced its lineage to the feudal lords Winigis who founded the first nunnery in the region Fontebona in 867 as well as other religious foundations near Siena thus installing themselves with some degree of permanence as worldly proprietors and heirs according to the traditions of the Italian city states. The name derives more specifically as a contraction of Ugo di Ruggieri a twelfth-century descendant and Sienese consul whose long line held political sway in the centuries thereafter. Their history entwined with that of another line descended from the Winigis the Berarda family who consolidated even greater regional power by the thirteenth century. Hence the formal name Ugurgieri della Berardenga by which Fausto's more immediate ancestors had been known it is not known when the form used here was first adopted. Today there is still a fortress complex called the Palazzo degli Ugurgieri in Siena as well as an entire comune or township - famous for its Chianti wines and vin santos - called Castelnuovo Berardenga. The estate holdings passed from the last of the Ugurgeri Isabella to one Giovanni Battista Vivarelli in the early nineteenth century and subsequently changed hands several times until it was purchased by the Piccolomini family of Siena after World War II. ~ Some sample headings for the accounts: First gathering 6 recto: Canto a Vacche Account for Cows; Cano a Pecore Account for Sheep; recto 9 not counting receipts in folder bound in: Residovi Restati in Mano di me Ant. Ciotti di Tenuta di Seggiano Spettante al Nobile Signore Ugurgieri di 30 Settembre 1794. Residuals Remaining to Hand with me Antonio Ciotti of the Seggiano Estate due the Noble Lord Ugurgeri on 30 September 1794. Second gathering headed: Giornale al Mese d'Ottobre 1793. Journal for the Month October 1793; heading on page 98 13th gathering: Note dell'Olive che si macinevanno dai Particolari all' Oliviera di Casa Pagando di Molenda Cinque Quartucci ogni Pilata a Peso e misure tenese di 356 il Boccale. Notes on Olives that have been Milled Specifically for the Home Oil at a Cost of Five Quartucci a liquid measure by weight and measured at 356 per tankard. A chief purpose of the accounts was to record payments for services in cash goods or land use; such payments were not only noted but also indexed as for example in the 23rd gathering where names that are written on the first recto in a neat scribal hand appear grouped according to place number in the subsequent leaves but recorded there as occasion arose and in some cases in evident haste one Domenico Ferri for instance in group 13 was given cash contanti and a garden plot una partita di suolo. ~ The accounts kept include those for maintenance of livestock pigs goats sheep for maintenance of seed crops per mantenimento di coltivazioni semente and for costs related to transport of animals and goods. Ciotti's personal summary of accounts payable and received - a sizeable business was conducted with both Siena and the village of Baccinello - supplies a good idea of the extent of the Estate's production enumerating quantities of wheat rye farina barley vegetables cheese olive oil walnuts wool and linen. It seems that Ciotti had authority to operate finances with some latitude as even alms for the poor and religious mendicants were noted per elemosina a più poveri e religiosi mendicanti when the local Capuchin Friars Minor came to call though the commitment appears to have been trivial by comparison to the generosity exhibited by Ugurgieri forbears of an earlier millennium. There are many details that await interpretation and analysis but for modern eyes an endearing attribute might be noted namely that in livestock lists the affectionate names of cows are recorded Damigella Little Lady Pastorella Shepherdess Bellarosa Lovely Rose Pomposella Little Miss Grand. CONDITION. hardcover books
2008C93876Electa. As New. 2008. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- TWO 2 VOLUME SET. Text in English and Italian. Volume 1 is titled "Incisioni Volumi e Cartelle 1969-1986" and is 412 pages long; Volume 2 is titled "Esemplari Unici 1969-1986" and consists of 274 pages. Many illustrations in both volumes. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Electa hardcover
1542B5989Rome / Romae: Francesco Priscianese c.1542. Slight browning to some pages; in very good condition . Binding: Contemporary vellum. Spine with five 5 raised bands and ink title on two; trace of old label on spine. All edges speckled red. Notes: The seven books of Advensus gentes Edited by Franciscus Priscianensis and Hieronymus Ferrarius. Dedication to Franois I of France dated a2v “Calen. Septembris 1543.†Colophon R7r dated 1542. The first edition of a defense of the Christian faith and an attack on paganism with ample descriptions of idolatrous rites and beliefs. Printed from an imperfect manuscript found in Paris it required extensive text editing. This is an unusally tall copy clean and beautifully printed. According to Jerome's chronicle Arnobius of Sicca c. 330 early Christian apologist of Berber origin during the reign of Diocletian 284–305 was a distinguished Numidian rhetorician prior to his conversion in Sicca Veneria El Kef Tunisia a major Christian center in Proconsular Africa. Jerome stated that to help the local bishop overcome his doubts as to the earnestness of his Christian belief he wrote c. 303 from evidence in IV:36 an apologetic work in seven books called ‘Adversus Gentes’ entitled ‘Adversus Nationes’ in the only 9th-century manuscript that survived. Size: Folio 305x208mm Provenance: Title and dedication leaves watermarked with an anchor design. References: Graesse I 225 NUC 22.74-75. Ind. Aur. 108.890; Brunet I: 491; BM STC Italian: 56; Adams A1994. Ascarelli: 12. Pages: Pp. 107 leaves. Category: Book Religious Christianity; Book Europe Italy; Book Early Printed 1500; Francesco Priscianese, hardcover
1926135501926. 1 vols. Album approx. 9-1/4 x 8-1/4 inches with images of various sizes ranging from approx. 5-1/2 x 5 to 6-1/2 x 8 inches. Drawings mounted on leaves of stiff board numbered in two groups: 1 to 11 and 2 to 29. Scattered foxing. Three-quarters black morocco gilt a.e.g. Light rubbing to extremities. Very good. Norman Thomas. 1 vols. Album approx. 9-1/4 x 8-1/4 inches with images of various sizes ranging from approx. 5-1/2 x 5 to 6-1/2 x 8 inches. unknown
1926135501926. 1 vols. Album approx. 9-1/4 x 8-1/4 inches with images of various sizes ranging from approx. 5-1/2 x 5 to 6-1/2 x 8 inches. Drawings mounted on leaves of stiff board numbered in two groups: 1 to 11 and 2 to 29. Scattered foxing. Three-quarters black morocco gilt a.e.g. Light rubbing to extremities. Very good. Norman Thomas. 1 vols. Album approx. 9-1/4 x 8-1/4 inches with images of various sizes ranging from approx. 5-1/2 x 5 to 6-1/2 x 8 inches. unknown books
Celant, Germano: Melotti Catalogo Generale. 2 vols. Milan: Electa, 1994. Volume I: Sculture 1929-1972. 339pp with 66 colour and 100s of monochrome illustrations. Volume II: Sculture 1973-1986 e Bassorilievi. 414pp with 71 colour and 100s of monochrome illustrations. Hardback in a slipcase. 28.5x25.5cms. Catalogue raisonné of the sculptures and bas-reliefs. Text in Italian. Catalogue raisonné of the sculptures and bas-reliefs. Text in Italian
180030900MADRID: En la Imprenta de Joseph Doblado 1800. Primera edición.- 8º.- Plena pasta española de época lomera con tejuelo y ruedas doradas.- 115 páginas de texto incluida Portada.- 65 láminas fuera de texto grabadas representando planos el último plegado. Desgarro en una hoja de texto en el mapa plegado sin la más mínima pérdida y debidamente restaurado. Por lo demás muy buen ejemplar. En la portada de la obra consta nueva edición pero en ninguna bibliografía se cita una edición anterior salvo que se refiera a un plano conjunto de Madrid y Paris citado en la ""Cartografía de España en la Biblioteca Nacional Siglo XVI al XIX."" número 1268 que fue grabado por Asensio. El último plano que está plegado y grabado como los otros tiene unas dimensiones de 365 x 505 cms. y en la cartela se lee: ""Plano geométrico de Madrid demostrado con los 64 barrios en que está dividido"". Al pie del mismo: ""Fausto Martínez de la Torre lo delineó y grabó"". Es obra muy rara al estar completa. Alfonso García Escuder en su obra ""Mil libros en la Historia de Madrid número 524"" después de la descripción bibliográfica apostilla: ""Libro difícil de encontrar completo particularmente con el plano grande. De hecho solo hemos encontrado dos últimas ventas en 1994 y 1995 en las cuales se describen con 64 láminas y no 65 como tiene este ejemplar"". Palau 156137 - Aguilar Piñal V- 3576 En la Imprenta de Joseph Doblado hardcover
1908104049Paris, Piazza 1908 In-8, maroquin vert ép., dos à nerfs orné de caissons, encadrement de filets sur les plats et en contreplats, tranches dorées sur témoins, couvertures et dos conservés rel. signée Wendling, 217 pp. 50 compositions en couleurs dont 26 à pleine page, 8 planches rehaussées à l’encre dorée, dont la couverture. Texte dans un encadrement ornemental. Dos passé, infimes frottements.
1946560415Napoli / Roma: Gaspare Casella Editore / De Luigi Editore 1946. Softcover. Very Good. Nos. 1-18 in 15 issues i.e. three double issues. Slim octavos. Text in Italian. Printed wrappers paper still supple. Owner's signature of author and critic Michele Cantarella a leading anti-fascist Italian expatriate on the cover of one issue and three issues with a bit of pencilled marginal bracketing by him. Modest toning wear and soil a few tiny tears at the spine ends the first five issues with the pages somewhat toned and occasional very light foxing mostly confined to the first and last leaves a nice very good or better run of this somewhat delicate Italian literary magazine that featured two publishers and three editors during this time period. Of particular note is the inclusion of "Angoscia" "Anguish" later known as "Anguish in the Barracks" in issue 16 a very early possibly the earliest published story by Italo Calvino predating his first book by two years. The final issue prints a "Referendum" of four questions for poets about their work and claim that they have already received responses from Eugenio Montale Cesare Pavesi Corrado Alvaro and others and will begin publishing their responses in the next issue but the magazine ceased publication with No. 17/18. A well-preserved set of a cheaply wartime- printed magazine. Gaspare Casella Editore / De Luigi Editore unknown
151938015Paris: Vaenundatur a M. Nicolao De Barra 1519. 4to 19.7 cm 7.75". 30 pp. final blank lacking. <br><br>Posthumous but still early edition of Andrelini's collection of epigrams addressing a variety of groups and topics including readers sleep and faith; here in => the first edition edited by Jean Vatel and with his commentary. Andrelini ca. 14621518 was an Italian humanist friend of Erasmus until a dramatic break in 1511 and poet royal to both Charles VIII and Queen Anne of Brittany. Vatel was a similarly intriguing Renaissance man the "data" page of the website of the Bibliothèque Nationale de France designates him "Clerc humaniste professeur de grec traducteur et commentateur éditeur dessinateur de caractères typographiques et imprimeur-libraire." Andrew Pettegree and Malcolm Walsby's bibliography of pre-1601 French books shows that Vatel was greatly interested in Andrelini and edited at least a dozen of his works; his commentary for this text was subsequently reprinted numerous times in the 16th and 17th centuries.<br>Â Â Â Â The text is neatly printed in two different sizes of roman font with one decorative and one historiated initial a Virgin and Child; a sizable printer's device appears on the title-page. Searches of the NUC WorldCat and COPAC reveal only one U.S. institution Yale reporting owning this edition.<br>Â Â Â Â Provenance: From the library of American collector Albert A. Howard small booklabel "AHA" at rear. <br>Â Â Â Â <br>Â Â Â Â Moreau Éditions parisiennes du XVI siècle II 1972; Brunet I 2712; Graesse Trésor de livres rares I 121; not in Adams. On Andrelini see: Contemporaries of Erasmus I; Pettegree & Walsby French Vernacular Books: Books Published in France before 1601 53120. Modern red foliate patterned papercovered boards with gilt orange leather spine label final blank lacking. Short interior tear without loss to title-page perhaps a paper flaw; light waterstaining and/or offsetting from old binding to upper outer corners and a little dust-soiling or creasing the latter perhaps in the press. Light pencilling on one endpaper and one pencilled word on final page. => In fact withal a very pleasing little book. V[a]enundatur a M. Nicolao De Barra hardcover books
3482141973. Softcover. Very Good. A collection of 17 fanzines focused on Frederick Faust a.k.a. Max Brand including a complete four-issue run and partial three issue run of The Fabulous Faust and the complete 10-issue run of The Faust Collector along with other related ephemera. The first issue of The Fabulous Faust is a second edition which was limited to 50 copies all others are first editions. Quartos except the first issue of The Faust Collector which is octavo. Stapled wrappers with Fabulous Faust partial set also bradbound three issues in one. Overall very good or better with some minor wear at the corners and a few pulled staples; two issues of The Fabulous Faust have detached final sheets and one is also missing the second to last sheet. Rounding out the collection is a group of related ephemera including lists of Faust’s print appearances; several catalogs from Richardson along with correspondence sent to a collector; copies of a letter from Faust and another from his literary agent Brandt & Brandt; photocopies of Faust’s first published story “The King is Dead†from his high school annual; and a double-sided publisher’s promotional sheet for Max Brand: The Man and His Work. A wonderful collection of amateur magazines showing the efforts made to organize study and catalog the varied writings of Faust following his death as a correspondent in World War II. OCLC locates one run of The Fabulous Faust along with two other single issues; and no copies of The Faust Collector. Further details available upon request. unknown
201093872Edizioni Polistampa. New. 2010. Paperback. 8859607973 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian. 224 pp. ; 252 illus. most in color. -- with a bonus offer-- . Edizioni Polistampa paperback
1908115243Paris H. Piazza 1908 1 vol. relié in-8, plein maroquin brun, dos à nerfs orné de fleurons, encadrements et points dorés, large frise en encadrement des plats, filets d'encadrement et fleurons sur les contreplats, tranches dorées, couvertures et dos conservés (Rivière and Son), 217 + (3) pp. Edition originale. Un des 258 exemplaires numérotés sur vélin à la cuve, seul tirage après 42 Japon. Texte encadré. Nombreux ornements et compositions orientalistes en couleurs, in texte et à pleine page, de Fausto Zonaro. Le peintre italien (1854-1929) s'installe à Constantinople en 1892 après son mariage avec la photographe Elisabetta Pante. Il devient peintre officiel de la cour du Sultan Abdulhamid II en 1896. Spécimen de souscription relié in fine. Très bel exemplaire de ce livre recherché.
1908115243Paris H. Piazza 1908 1 vol. relié in-8, plein maroquin brun, dos à nerfs orné de fleurons, encadrements et points dorés, large frise en encadrement des plats, filets d'encadrement et fleurons sur les contreplats, tranches dorées, couvertures et dos conservés (Rivière and Son), 217 + (3) pp. Edition originale. Un des 258 exemplaires numérotés sur vélin à la cuve, seul tirage après 42 Japon. Texte encadré. Nombreux ornements et compositions orientalistes en couleurs, in texte et à pleine page, de Fausto Zonaro. Le peintre italien (1854-1929) s'installe à Constantinople en 1892 après son mariage avec la photographe Elisabetta Pante. Il devient peintre officiel de la cour du Sultan Abdulhamid II en 1896. Spécimen de souscription relié in fine. Très bel exemplaire de ce livre recherché.
15546336Venice: Plinio Pietrasanta 1554. First edition. Very Good. Quarto 22 cm; 45 3 pages last leaf blank. Title within woodcut architectural border. Historiated woodcut initials throughout. In half vellum over 17th- or 18th-century woodblock printed paste paper titled in manuscript on spine. Lower board ruptured near corner subsequently rebuilt. Some leaves toned brown. Early ownership inscriptions and later bibliographical notes on front free endpaper and on rear pastedown. References: Adams F-182; Olschki Choix de livres anciens VI 5817 <br /><br />This essay extolling marriage is an early artifact of modern ethnography in that it poses as a survey of marriage customs through history and around the world. In true humanist fashion Fausto mines the ancient historians for most of his material. So we find out that in Lacedaemonia or Atlantis men who refused to marry were forced to run naked through the forum in the dead of winter and that in Assyria husbands were bound by law to obey their wives. The text concludes with a long series of Q&A "quesiti" concerning marriage ceremonies in which we find out why the Boetians crowned brides with asparagus why Persian couples wait until spring to "consummate" any marriage and why it is customary to grease the newlyweds' doorway with pig fat or wolf fat. The book is also notable for its lovely large woodcut initials including a letter T showing a satyr and a man at table together a P with a bare-breasted woman driving a triumphal chariot and an N with a lion-headed man astride a swimming horse. Plinio Pietrasanta hardcover
15546336Venice: Plinio Pietrasanta 1554. First edition. Very Good/This essay extolling marriage is an early artifact of modern ethnography in that it poses as a survey of marriage customs through history and around the world. In true humanist fashion Fausto mines the ancient historians for most of his material. So we find out that in Lacedaemonia or Atlantis men who refused to marry were forced to run naked through the forum in the dead of winter and that in Assyria husbands were bound by law to obey their wives. The text concludes with a long series of Q&A "quesiti" concerning marriage ceremonies in which we find out why the Boetians crowned brides with asparagus why Persian couples wait until spring to "consummate" any marriage and why it is customary to grease the newlyweds' doorway with pig fat or wolf fat. The book is also notable for its lovely large woodcut initials including a letter T showing a satyr and a man at table together a P with a bare-breasted woman driving a triumphal chariot and an N with a lion-headed man astride a swimming horse. . Quarto 22 cm; 45 3 pages last leaf blank. Title within woodcut architectural border. Historiated woodcut initials throughout. In half vellum over 17th- or 18th-century woodblock printed paste paper titled in manuscript on spine. Lower board ruptured near corner subsequently rebuilt. Some leaves toned brown. Early ownership inscriptions and later bibliographical notes on front free endpaper and on rear pastedown. References: Adams F-182; Olschki Choix de livres anciens VI 5817 Plinio Pietrasanta hardcover books
2009101559Edizioni Polistampa. New. 2009. Paperback. 8859606799 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian. 312 pages. -- with a bonus offer-- . Edizioni Polistampa paperback
200879602Edizioni Polistampa. New. 2008. Paperback. 8859603951 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English and Italian. 368 pp. -- with a bonus offer-- . Edizioni Polistampa paperback
198967451Le Musee. New. 1989. Paperback. 2551121612 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 2551121612. TWO 2 VOLUME SET. Text in French and English with portions in French only. Vol. 1: 184 pp. With 57 ills. 25 col. Vol. 2: 84 pp. With 7 ills. 30 x 23 cm. -- with a bonus offer-- . Le Musee paperback
198967450Le Musee. New. 1989. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- TWO 2 VOLUME SET. Text in French and English with portions in French only. Vol. 1: 184 pp. With 57 ills. 25 col. Vol. 2: 84 pp. With 7 ills. 30 x 23 cm. -- with a bonus offer-- . Le Musee paperback
199860495Edizioni Charta; Et Al. New. 1998. Paperback. 8881582007 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian. 262 pp. With 307 ills. 101 col. . 27 x 21 cm. -- with a bonus offer-- . Edizioni Charta; Et Al paperback
