Mosley, Jenny/ Sonnet, HelenBiblio.com
264 résultats
2025x-1041083874Routledge 2025. Hardcover. New. 152 pages. 9.68x6.87x9.61 inches. Routledge hardcover
2025x-1041083955Routledge 2025. Hardcover. New. 150 pages. 9.68x6.87x9.61 inches. Routledge hardcover
1980149461N.p.: Aberdeen 1980. Three vintage black-and-white reference photographs from the 1980 film.<br /> <br /> Based on Rosalyn Drexler's 1972 novel "To Smithereens." A scrappy sports arena waitress is scouted by a wrestling promoter who believes she has what it takes to become a champion.<br /> <br /> 10 x 8 inches. Near Fine with faint wear at the corners. Aberdeen unknown
1980149461N.p.: Aberdeen 1980. Collection of three vintage black-and-white reference photographs from the 1980 film.<br/><br/>Based on Rosalyn Drexler's 1972 novel "To Smithereens." A scrappy sports arena waitress is scouted by a wrestling promoter who believes she has what it takes to become a champion.<br/><br/>10 x 8 inches. Near Fine with faint wear to the corners. Aberdeen unknown books
188519828Paris, Bachelin-Delflorenne, 1885 ; in 8, demi chagrin maroquiné bleu-nuit, dos à nerfs, titre et fleurons dorés, tête dorée, non rogné (Vernhes à Montpellier) ; 157, [1] pp., eau-forte en frontispice.
46405090s. l. n. d. (Rouen, A. Malassis, 1604), pet. in-12, demi-basane brune postérieure. 1 f. non chiffré, 18 feuillets chiffrés.ÉDITION ORIGINALE extrêmement rare. “Cette plaquette dont on ne connaît qu’un exemplaire qui fait partie de la riche et curieuse bibliothèque de M. Alfred Crampon (...) Luzy est une poète fort médiocre et complètement inconnu.” dit Veyrières, dans Monographie du sonnet, sonnettistes anciens et modernes (Paris, 1869) I p. 224-25 . Le catalogue de la vente Morel (de Lyon) en 1873 en comptait un exemplaire (le même ?) au n°79, la description du lot précise que “C’est le second exemplaire que nous connaissions de ce petit livre très rare qui paraît n’avoir été publié qu’avec un faux-titre et sans autre indication”. Notre exemplaire comporte la même particularité, elle est vraisemblablement due au fait que cet ouvrage fut imprimé à la suite des Epîtres morale du même auteur comme c’est le cas du troisième exemplaire connu, celui de la BNF, avec un titre général (le feuillet 1 est registré Niiii). Inconnu de Cioranesco, Brunet, Viollet le Duc, de Backer, etc.L’ouvrage comprend les poèmes suivants : Au Roy Stances - Sonnet au Roy - Autre sonnet au Roy - Sonnet à Monsieur de Vicq - Stances funèbres sur la mort de feu Monsieur de Vidoyssan gouverneur de Calais - Sonnet sur les yeux de Mad. de Heruille, niepce de M. de Vicq - Stances sur les cheveux - Sonnet encor sur les yeux - Autre encor sur les yeux - Autre encor sur les yeux - Autre encor sur ses yeux - Sonnet sur ses mains - Sonnet sur ses cheveux - Sonnet sur les yeux de Mad. de Vidoyssan - Sonnet sur sa blancheur - Sonnet sur les cheveux de Mad. de Vidoyssan - Elegie sur ses yeux - Sonnet sur le partement de Mad. de Vidoyssan qui fut au mois de Décembre - Stances sur le partement de Mad. de Valence... - Sonnet sur les yeux de Mad. de Nully - Stances pour elle - Stances sur ses cheveux - Stances pour Mad. Favier - Sonnet - Ballet des Mores qui étoient partis expressément de Mauritanie pour venir voir le Roy... - Ballet de huit cavaliers Affriquains qui ne pouvant vivre chez eux en oisiveté, étoient partis partis pour aller à la guerre de Hollande... - Estans descendus, ils prioient Monsieur de Vicq de leur permettre d’aller saluer & remercier - En le saluant - Aux Dames - Ballet des païsans qui estoient venus à Calais pour se réjouir à cause d’une grande pluye extremement profitable pour eux - Autre Ballet de païsans - Ballet de ceux du Canada qui estoient partis expressément de leur païs pour venir voir la France.Ex-libris imprimé du début XIXe siècle : Ce livre fait partie de la bibliothèque de M. J. J. M. P. de la [nom gratté]. Charnières fendues.
1830002799Paris? Urbain Canel, Levavasseur, 1830
187714504Paris, Impression Phototypique de Gleymet d'après les clichés de M. Franck ; in-folio, demi-chagrin vert, faux-nerfs à froid et dorés, fleurons dorés, titre doré sur le plat, en arc, plats de percaline (reliure de l'époque) ; (51) ff. montés sur onglets dont le titre, composition emblématique : juchée sur le pare-chocs d'une locomotive, l'Ecole Centrale, représentée par une femme nue tenant haut une torche dont les rayons Arts, Métallurgie, Construction, Mécanique et Chimie symbolisent le Progrès qui bouscule et écrase le clergé, les Indiens, les Allemands à casque à pointe, les "ânes", les Musulmans, une sorte de Juif errant, les incrédules et les oies ; les phares de la locomotive sont triangulaires ! Viennent ensuite 50 photographies ou sympathiques caricatures des dirigeants et professeurs de l'Ecole ; identité imprimée sur des papillons collés au dos de chaque planche.
201299548Abrams Distributor. New. 2012. Hardcover. 1851776842 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 128 pp. ; 81 illus. 56 in color. -- with a bonus offer-- . Abrams (Distributor) hardcover
200781132Museum. New. 2007. Hardcover. 1851774998 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 128 pages. Description: "Over the past five years a group of talented young New Yorkbased designers of clothing and accessories has emerged to both international critical and commercial success. 'New York Fashion' illustrates the best examples of the work of twenty of New Yorks latest generation of fashion designers including Zac Posen Proenza Schouler Jean Yu Behnaz Sarafpour and Derek Lam. Sonnet Stanfill examines the reasons behind this exciting rise in new talent focusing not only on emerging designers and their contributions to the changing fashion industry but also exploring New York as a fashion capital in the 21st century: a whirl of chaos inspiration and beauty. Illustrations include Scarlett Johansson in a Derek Lam bustier dress Natalie Portman in the Empire State dress by Zac Posen and many more." -- with a bonus offer-- . Museum hardcover
1821ABC_48761Mexico 1821. Ca. 21.5 x 15.5 cm. The text is set within a decorative woodcut border together with a woodcut illustration of the Virgin of Guadalupe. 1 leaf. Beautifully printed broadside sonnet thanking the Virgin of Guadalupe for Mexico's victory over Spain after the Mexican War of Independence 1810-1821. Because the Virgin's image was used from the very start of the war she became a central symbol in Mexico's fight for independence. The present broadside reflects her significance. Broadsides like this were publicly distributed and quickly discarded thus making surviving examples quite scarce. Only a few copies have been recorded in libraries exclusively in the United States.The Mexican War of Independence was a series of local and regional armed struggles that resulted in Mexico's independence from the Spanish Empire. Spain's grip on its overseas possessions began to falter when Napoleon Bonaparte 1769-1821 invaded Spain in 1808 and forced King Charles IV 1748-1819 to abdicate. The instability of the colonial government allowed resentment towards the old regime to grow in Mexico. The first to issue a call to arms to denounce the bad government was Miguel Hidalgo y Castillo 1753-1811 a Catholic priest who led the first uprising of the war. He used the image of the Virgin of Guadalupe on his banner and most likely mentioned her name in his famous battle cry the grito de Dolores of which the exact words are unknown. Although his uprising did not last long due to tactical errors on his side the image of the Virgin stuck and she became the symbol for Mexico's rebellion.The Virgin of Guadalupe also known as the vírgen morena dark virgin already had a following in Mexico before the war. According to the tradition she appeared four times to Juan Diego a Chichimec peasant in December 1531. She asked him to build a church in her honour on the Hill of Tepeyac the place where she appeared. The bishop demanded proof when Diego relayed the message to him so the Virgin gave him roses which do not grow in December and placed them in Diego's cloak. When Diego unfolded his cloak for the bishop the roses were miraculously arranged in a perfect image of the Virgin of Guadalupe. The chapel was built and the Virgin was revered throughout the country. She became especially popular during and after the war however. The present broadside acknowledges the Virgins role in the independence movement illustrating her impact on Mexico's national identity and revolutionary spirit.In very good condition.l WorldCat 818219426 62559914 9 copies. unknown
1895c2312260292xbvkMainly Lunéville / [Chateau] Le Frehaut (Maire's Autographs), Lunéville, Nice etc. ('secretary') and 1887/1895-96 ('Rimes feminines . . .'). 108 written pages on 88 sheets of different sizes and different papers varying between small-8vo and small-4to (Maire's autographs) / 60+ pages on 60 sheets (Maire's poetry written by another hand of the period) / 144 pages on 94 sm-4to sheets (Facsimile of 'Rimes feminines. . .', in a different order than in the printed book). - All bound together (Facsimile > Maire's autographs > Other writer, with a few M's inbetween) in a private black halfcloth binding with dark marbled panels, tipped-on the printed part of the original frontcover of 'Rimes feminines. . .' with Rasenberger's added autograph ''Handschrift-Faksimile! Am Schluss Original-Handschriften!''(transl.: ''Manuscript-facsimile! At the End Original-Manuscripts'') surrounded by an ornamental section of the frontcover of a German artistic and geographic series ('Die blauen Bücher') which used this design between 1910 and 1930; 4to. (ca. 26 x 19 x 3 cm; ca. 1 kg.).
1733001899Londres Jacob Tonson 1733
160944406, Imprimé à Paris, 1609. 28 pp. 4 parties reliées en 1 vol. in-12, maroquin rouge, dos à nerfs, double filet doré sur les coupes, dentelle et filets intérieurs, tranches dorées sur marbrure (Trautz-Bauzonnet).
