Carducci

1661 · 21894 — Florence 1661. 4to. Nella stamperia di S.A.S. Contemporary gold-tooled vellum with a gold frame on the boards floral ornaments in the corners a large lozenge-shaped floral ornament at the centre and floral ornaments on the spine. With 3 fold-out engravings 1 woodcut initial and 2 woodcut headpieces. 1 1 blank 7-66 2 blank pp. First and only edition of a Florentine festival book magnificently illustrated with three large folding copper engravings by Stefano della Bella 1610-1664 produced to commemorate the sumptuous equestrian ballet staged for the marriage of Cosimo III de’ Medici 1642-1723 and Marguerite Louise d’Orléans 1645-1721 on 20 June 1661.The text is by Alessandro Carducci with celebratory poems by Giovanni Andrea Moniglia 1625-1700. Carducci was responsible for the conception of the elaborate spectacle an ambitious theatrical and mechanical enterprise staged in the amphitheatre behind the Palazzo Pitti now the Boboli Gardens. The first two large folding engravings are signed by della Bella and also bear the name of the engineer Ferdinando Tacca 1619-1686 who oversaw the complex machinery of the performance. The plates depict: the grand cavalcade of Hercules accompanied by the chariots of the Sun and the Moon and followed by riders representing Europe Asia Africa and America the general arrangement of the quadrilles around Mount Atlas; the plan of the tournament and equestrian ballet with detailed diagrams of the manoeuvres.One of the most striking novelties of the spectacle was the colossal figure of Atlas described as a “vast machine” which not only dominated the arena but also sang opening to reveal four female singers within the celestial sphere he supported. Prince Cosimo himself appeared as Hercules identifiable in the engraving by his club and lion skin.As is characteristic of all known surviving copies the text begins on page 7 pages 3-6 were never printed.With a bookplate of “Johannes Ferri de Legnano” mounted on the verso of the first flyleaf the binding shows some wear including a minor wormhole and a blue ink stain on the front board as well as some tears to the vellum of the rear board. The second folding plate is slightly browned with some tears and has been reinforced on the verso the third folding plate shows some foxing. Otherwise in good condition.l BL 17th-Century Italian I p. 189; Katalog der Ornamentstich-Sammlung SKB Berlin 3049; Moreni I pp. 217-218; NUKAT xx003642114; OPAC SBN RMRE001305; Ruggieri 503; USTC 1707652 1726213; Vinet 614; not in Brunet hardcover