Max ErnstLivre Rare Book
571 résultats
170112ENFormat 17,5 x 22,5 cm, non paginé ( 30 pages environ), éditions Alexandre Jolas 1968, tiré à 1500 exemplaires sur papier Ventura. Reproductions d’œuvres de Max Ernst, principalement des collages. Peinture, sculpture, surréalisme, dadaïsme.
5362Le Cri, 1996. In-8. Broché. Portrait en couverture. 305 pages. Dessins et photos NB in et hors texte. Biographie et index. Etat neuf
28284Paris, Gallimard, 1er août 1931, in-8, brochés, pp. 327 à 330. Réactions et articles sur le dossier dada par L. Aragon, G. Ungaretti, P. Eluard, T. Tzara, etc. Un des exemplaires de luxe numérotés sur vélin pur Lafuma-Navarre, seul grand papier.
28284Paris, Gallimard, 1er août 1931, in-8, brochés, pp. 327 à 330. Réactions et articles sur le dossier dada par L. Aragon, G. Ungaretti, P. Eluard, T. Tzara, etc. Un des exemplaires de luxe numérotés sur vélin pur Lafuma-Navarre, seul grand papier.
201155770CBBrühl, Max-Ernst-Museum des LVR, 2011. 4°. 29 cm. 216 Seiten. Original-Pappband.
198372935New York, George Braziller, (1983). 187 S. Mit 240 s/w u. 46 farbigen Abb. 4to. 38 cm. OLn mit SU.
2417J.-J. Pauvert. 1963. In-8° broché. Frontispice et dessins de Francis Picabia. 148 pages. E.O. pour "Lampisteries".
19881125Köln, DuMont, (1988). 523 S. Mit sehr zahlr. tls. farb. Abb. im Text u. auf Taf. 4to (32 x 26 cm). OLn. mit farb. illustr. SU in grauem Pp.-Schuber (dieser leicht gebräunt).
3044New York: Holt Rinehart & Winston, 1971; in-4°; cartonnage entoilé, jaquette.
New English Paperback. Pbo. 4to. (31 x 24 cm). In English and Turkish. 112 p., b/w and color ills. Murat Akagündüz. VErtigi. [Exhibition catalogue]. Edited by Süreyyya Evren, Ilkay Baliç. Murat Akagündüz's exhibition Vertigo brings together 13 paintings from the "Kaf" series. In this new series the artist depicts some of world's highest mountain peaks as seen on Google Earth. How is the act of painting transformed once we rely upon the mediation of digital data to depict an actual physical landscape? The exhibition thus refers to the ontological consequences of such digital mediation in our relationship to the Earth and its implications in terms of vision and image production. While the series, named after the Kaf Mountain, emphasises a mythological narrative, each painting in the "Kaf" series takes its title from the latitude and longitude values defining the position of the images on Google Earth. Akagündüz offers us views over the peaks of the Alpide Belt, spreading across three continents, and provides us with the coordinates of the Kaf Mountains at the same time. In juxtaposing mathematical exactitude with the perceptually challenging monochromatic use of the colour white, Akagündüz's intention is to explore the minimal conditions of visual representation. The "Kaf" series, in its search for a language using different shades of white, winnows down the minimal conditions of pictorial representation to a bare-bones relationship between light and shade and approaches the threshold of visual perception. In the "Kaf" paintings, the line of the horizon is either invisible or it escapes the eye by merging with the upper corner of the canvas. Adopting a satellite view of the Earth the paintings represent a vertical, groundless perspective. As the horizon is nowhere to be found, our sense of being grounded in space is unsettled and a sense of vertigo sets in. This vertigo effect is also echoed in the spatial construction of the exhibition through a subtle intervention on the walls delineating the first floor of Arter. The "Kaf" paintings bring the process of emergence of image to the eye and to memory, between appearance and disappearance, through reverberations in time. At first sight, these appear to be abstract fragments that are difficult to read in terms of their relationships of scale to the reality they were cut off from. The even distribution of light on the entire surface and its movements through various shades of white, by evading the eye, catch and hold the gaze. The stains, which slip away and alter the moment we think we have caught an image, are contiguous with the void and create a silent space of tension. Vertigo denotes the dizziness and loss of balance felt when a subject or the objects surrounding them appear to be moving in space. As reflected through Murat Akagündüz' "Kaf" series, vertigo is a relational phenomenon, it points both to a spatial disorientation on psychological and physiological levels, and to an uncertainty regarding subject-object relationships as perceived within space. By opening up a space for silent contemplation, the paintings invite the viewer to sense the new possibilities found in this loss of ground and thus produce a new perception of the world.
19751252821975 Librairie José Corti, Paris - 1975 - In-8 broché - 460 pages
6947Paris. 1966-67. Grand in-8° broché. Nombreuses planches hors texte. Non paginé [170 pages]. Textes de Michel Sanouillet, René Wehrli, Bernard Dorival. Est joint le fascicule " Souvenirs et témoignages ", de présentation identique à celle du catalogue, avec des textes de Hans Arp, Hugo Ball, Gabrielle Buffet-Picabia, Serge Charchoune, Raoul Hausmann, Richard Huelsenbeck, Marcel Janco, Man Ray, Georges Ribemont-Dessaignes, Hans Richter, Tristan Tzara.
197526450Chene 1975 In-4, pleine toile editeur rouge, illustree. 359 p. 439 reproductions n&b et couleurs. Sans la jaquette
200517922L’Insolite 2005 Gd in-4, cartonné, étui, 271 pp, nombreuses illustrations en couleurs et en noir. Comme Neuf.
197588333Chêne 1975 In-4 reliure éd. sous jaquette 27 cm sur 26. Jaquette en bon état. 359 pages. Très bon état d’occasion.
In 8° quadr., leg. edit. T.Tela con sovr. in acetato con disegno a col. al piatto, pp. 70 circa con 44 tavv. b/n e col. Unito fascicolo con traduz. del testo in francese, inglese e tedesco.
199427DyBern Peter Lang 1994 In8 228 pages - collection Contacts - sous la direction de Michel Grunewald et Jean Marie Valentin - broché - parfait etat
199427DyBern Peter Lang 1994 In8 228 pages - collection Contacts - sous la direction de Michel Grunewald et Jean Marie Valentin - broché - parfait etat
30 cm, br. illustrata, p. 374, numerose foto in nero e a colori
19744750Editions Champ Libre 1974. In-8 broché oblong de 192 pages au format 25 x 14,5 cm. Couverture avec portrait photographique de Georges Ribemont-Dessaignes par Man Ray. Dos carré avec infimes frottis au bas. Plats et intérieur frais, malgré des plats un peu pâlis, de minuscules frottis et tassements aux coins. Minuscule déchirure restaurée au verso, située en haut du 1er plat. A noter une légère insolation en haut des pages. Illustrations en noir. Textes de Georges Ribemont-Dessaignes, réunis et présentés par Jean-Pierre Begot, avec biographie et bibliographie. Edition originale collective.
198766449Berlin, Propyläen, (1987). 307 S. Mit zahlr. tls. farb. Abb. 4to (ca. 28,5 x 23 cm). OPp. mit farb. VDeckel-Illustr.
IN 4 CARRE'( cm.28,5 X 24 ), pp.218, COPERTINA EDITORIALE CON TITOLO IN ROSSO E BIANCO SU FONDO NERO. 106 ILLUSTRAZIONI A COLORI CON RELATIVE SCHEDE. NELLA PARTE FINALE, " A PRESCINDERE",POSTFAZIONE IN FORMA DI TRIANGOLO TRA MARCEL DUCHAMP E TOTO' E IL SILENZIO DI A.B.O. CATALOGO DELLA MOSTRA " DADA E DADAISMI DEL CONTEMPORANEO, 1916 - 2006, PAVIA, CASTELLO VISCONTEO 7 SETTEMBRE - 17 DICEMBRE 2006. MOSTRA CHE CELEBRA I NOVANT'ANNI DELLA NASCITA DEL DADAISMO, OFFRENDO OPERE DELLE NEOAVANGUARDIE CHE ILLUSTRANO LA PERSISTENZA DELLO SPIRITO DADA NELL'ARTE CONTEMPORANEA. PERFETTA CONSERVAZIONE. ID 3987
- Jean-Jacques Pauvert, Paris Juin-Juillet 1960, 19x27cm, broché. - Edition originale de ce numéro entièrement consacré à "quelques dessins inavouables supplémentaires". Contributions picturales de Folon, Ylipe, Zar, G. Ricca, H. Beck... Agréable exemplaire. [ENGLISH DESCRIPTION ON DEMAND]
- Jean-Jacques Pauvert, Paris 1960, 19x27cm, broché. - Edition originale de ce numéro intégralement consacré à Rembrant et au mystère de "La ronde nuit". Texte de Charles Pérussaux. Iconographie de l'oeuvre du peintre. [ENGLISH DESCRIPTION ON DEMAND]
- Jean-Jacques Pauvert, Paris Novembre 1956, 19x27cm, broché. - Edition originale. Contributions de A. Blavier, L. Scutenaire, G. Prassinos, L. Deharme, J. Yonet avec "Alerte aux cons"... Iconographie. Une légère déchirure en pied du premier plat, bel exemplaire. [ENGLISH DESCRIPTION ON DEMAND]
