ANACREONBiblio.com
237 résultats
170461700à Paris: Chez Pierre Ribou 1704. Fine. Chez Pierre Ribou à Paris 1704 9.50 x 16.50 cm relié First edition of De la Fosse's translation. Greek text with facing translation. A medallion portrait of Anacreon at the frontispiece. Catalogue at the end. Contemporary full polished brown calf binding. Decorated spine with raised bands. Red morocco title label. Head torn with losses to joints. Upper joint split at tail. 4 corners bumped. Preface on the work and various translations of the odes. Each ode is followed by translator's notes. Following the 55 odes Poems by M.D.L.F. then Discourse delivered in Florence to determine which are the most beautiful eyes blue or black. Chez Pierre Ribou hardcover
1864WB16253Paris: Ambroise Firmin-Didot 1864. Hardcover. Near Fine. 24mo 140 x 85mm. Pagination: iii-xlvii 158pp. including table. Signatures: a6 b-44 1-204 including final blank. Title printed with engraved border of muses and signed by engravers H. Catenacci - Hercules Louis Catenacci 18161884 and A. F. Lemaitre - Augustin Francois Lemaitre 17971870. 54 photolithograph plates of Girodets compositions illustrating the odes with fine classical figures and settings. Greek text with French prose translation for 64 odes by Ambrose Firmin-Didot. Text printed within red ruled borders with headings printed in red. Finely bound in a French 19th-century crimson morocco covers gilt with central ornament spine with five raised bands lettered in gilt: ODES DANACREON / F. DIDOT 1864 inner gilt dentelles marbled endpapers edges gilt custom cloth case; only slightest wave to a few leaves otherwise a very good and attractive copy. Front pastedown with the typographic bookplate of Robert Percy Alden an American Gilded Age lawyer and collector hailing from Pennsylvania who died in 1909. <br/><br/>Fine French edition of the Odes of Anacreon edited and produced by Ambroise Firmin-Didot 17901876 reusing the illustrations in a reduced scale by the French artist Girodet Anne-Louis Girodet de Roussy-Trioson 17671824. Girodets graceful neoclassic designs were executed in the revived Second Empire style and engraved by his pupil Henri-Guillaume Chatillon 17801856. J. B. de Saint-Victor originally commissioned the Girodet illustrations in 1808 but only two complete designs were published with his translation in 1810. Girodet continued to work on the illustrations privately as well as his own translation of the ancient Greek Odes until his death in 1824. Ambroise Firmin-Didot was an accomplished classicist editor and man of letters within the established line of Didot printers in Paris. This production is an outstanding example of one of the finely printed classics issuing from the renowned Didot press. It maintains the distinctive Didot typographic layout and refined use of red and black inks. The introductory text of a later English edition of the Odes 1869 by Thomas Moore notes that the Firmin-Didot edition was sold at the almost prohibitive price of two pounds. Wonderful copy most likely bound for Robert Percy Aldens American villa-library in the late 19th century. Alden spent several of his Yale post-graduate years in Europe and was married in Paris in 1878 when he likely procured this book. Ambroise Firmin-Didot hardcover
1604045076Rouen: Jean Berthelin 1604. Later Edition. Hardcover Full Leather. Very Good Condition. 19th century quarter blue morocco over marbled boards. Scattered minor stains corner of one leaf torn with no loss of text a number old marginal paper repairs mostly patching small wormholes.<br /> <br /> The second volume of Belleau's works containing his translation of Anacreon's odes which first appeared in 1556 following Estienne's publication of the Greek version with Latin translation in 1554 and were included in the first edition of Belleau's works in 1578. It also collects a group of his Anacreon influenced original works sonnets epitaphs and a play La Reconnue. foliated 288-434 plus a 4 leaf table. Graesse B328. Size: duodecimo 12mo. One volume of the 2-volume set. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Poetry; Antiquarian & Rare. Inventory No: 045076. Jean Berthelin hardcover
177349238Paris A Pahos/Le Boucher 1773. Hardcover. Backstrip finely cracked with abrasions; front hinge cracked but binding still firm; cover edges and corners slightly worn; frayed spot at top edge of rear cover; light to moderate foxing throughout; pages lightly toned but otherwise very good condition. . 280p. Illus. Frontispiece with tissue guard. Paris, A Pahos/Le Boucher hardcover
181231246AB1812. The Eleventh Edition. London Printed for James Carpenter 1812. Duodecimo. XXIV 172 pages. Hardcover / Beautiful decorative leather with gilt lettering and ornament on spine and boards. The little Volume now in protective Mylar. Very good condition with only minor signs of wear. The binding tight and intact. Minor signs of foxing. Poetry Foundation: "Living up to the title Anacreon Moore strained the budget of the promising young poet but rather than accept an Irish laureateship created for him by Atkinson and Moira Moore published his juvenile poems as Poetical Works of the Late Thomas Little Esq. 1801 assuming a pseudonym appropriate to his short stature. The proceeds barely met his debt but the collection of love poems further enhanced his reputation as a ladies man. Although these light lyrics seem remarkably chaste to modern readers the kisses and embraces they celebrate suggested much to 19th-century readers. As in Moores later poetry the visual sense is starved in these lyrics but they provide well for the emotional dimension. Moore later regretted publishing these poems; at the time he was as grateful for the publishers remuneration as for the advance of his poetic reputation." hardcover
1865144443Mlano: Ricordi 1865. In-folio mm. 393x290 cartonato editoriale figurato mancanze al dorso; lievi tracce d'uso pp. XIII273 compreso il frontespizio incorniciato a colori. Testo entro graziosa cornice rossa ornato da capilettera figurati in sanguigna finalini in nero e 16 belle incisioni su legno eseguite da Centenari sui disegni di: Ciseri Hayez Servi Ribossi Cambi Bartolini Dupré. Testo ben conservato. Ricordi, unknown
1802AQ33176Londini i.e. London: Sumptibus Editoris Excudebant Gul. Bulmer et Soc. 1802. 4 130pp. With a half-title. Numerous engraved vignettes. Later black roan-backed tartan paper boards. Lightly rubbed. Light foxing. An elegant edition of the odes of Greek lyric poet Anacreon c.582- c.485 edited by fellow of the Royal Society Edward Forster 1769-1828 with vignette engravings by his wife Lavinia 1774-1858 daughter of renowned sculptor Thomas Banks 1735-1805. . 8vo. Sumptibus Editoris Excudebant Gul. Bulmer et Soc. hardcover
41920Chez Horace Molin In-12 429pp. texte grec et francais nombreux culs de lampe et bandeaux gravés reliure plein cuir du XXe dos a nerfs et pièce de titre Bwx-07 unknown
1802298001London: White and Miller 1802. hardcover. very good. 130 pages slim 12mo full pebbled brown morocco ornately gilt on spine and covers inner dentelles all edges gilt inner frot hinge reinforced. London: White and Miller 1802. Very good .<br/> <br/> White and Miller unknown
18021007Y35London: J. White and G. Miller 1802. Leather. Good. 7.5" by 5.5". None. A morocco-bound edition of the odes of Anacreon edited by English cleric and writer Edward Forster. With lovely engraved vignettes. An early 19th-century edition of The Odes of Anacreon amended according to the text of Barnes in the Greek text. Bound in full straight-grain morocco with marbled endpapers.With elegant engraved vignettes throughout.Few of Anacreon"s works survive but those that do focus on wine love and the overall pleasures of the legendary Roman symposium. Anacreon used various techniques in his writings including self-deprecation and irony. Edited by Edward Forster 17691828 an English cleric miscellany writer and Fellow of the Royal Society. Bound in full straight-grain morocco with marbled endpapers. Externally quite rubbed to the extremities. Short cracks to the tail of the joints. Internally firmly bound. Pages are marginally toned but generally clean with light spotting to the first and last few pages. Good J. White and G. Miller hardcover
1799OB338<p>A Paris de l'Imprimerie de Pierre Didot l'Ainé. An VII 1799. Hard Cover. Quarto: xvi 204 pages The Greek lyric poet of love and wine. Text in Greek with Latin and French translations by the French Hellenic scholar. Didot was the leader of the neo-classical movement in type design and printing style; cf. Updike vol. 1 p. 217. There are two states of the engraved frontispiece. Bound in later 19th-century 3/4 leather wear to corners; text very good. stock#OB338.</p> de l'Imprimerie de Pierre Didot l'Ainé. An VII hardcover
180255219London Bulmer et Soc. apud White et Miller 1802. 8vo. Contemp. full morocco. Gilt spine with gilt lettering. Broad gilt borders on covers. Inside gilt borders. Edges gilt. Edges with light wear. 4130 pp. Many fine executed engraved vignettes and endpieces. Finely printed with Greek letters on good paper. The first leaves with light browning further a few minor brownspots. With engraved bookplate of Hen. J. Blakeney and his written name. unknown
173564712London: Printed for John Watts at the Printing Office 1735. First Addison Edition. Small octavo.<br> <br> Original full brown calf. Spine hinges cracked on front and rear but holding. Previous owner's stamp on front free endpaper. Browning to endpapers. Very good.<br> <br> HBS 64712.<br> <br> $400. Printed for John Watts at the Printing Office unknown
1791316508Parma: Bodoni 1791. One of 150 copies. Engraved portrait vignette on title and head of text. iv cxviii 2 111 pp. 12mo. Contemporary full straight-grained red morocco gilt ruled border and spine gilt title. Light shelfwear front flyleaf starting. Ex-Harvard University Library blindstamp on title on one other leaf donor's ink stamp on verso of title bookplates with deaccession stamp 2 other bookplates and book ticket with bibliographical citations Brunet and Dibdin. One of 150 copies. Engraved portrait vignette on title and head of text. iv cxviii 2 111 pp. 12mo. One of two Bodoni editions of Anacreon published in 1791. "The Bodoni Anacreon editions of 1785 and 1791 are printed in capital letters and more elegant and exquisitely finished productions cannot be conceived" Dibdin_. Brooks 422; Brunet I 252 Bodoni unknown
176826070London:: J. Ridley. Full leather binding. 12mo xxxii 287pp.contemporary errata page. Full leather with raised bands to spine. Gilt titles to red spine label. Gilt dentelles. Two armourial bookplates: firstly that of Robert Shafto d.1780 of Benwell in Northumberland and secondly that of his son-in-law William Adair. Robert Shafto was a distant cousin of the Robert Shafto MP 1732-1797 of whom the folk song ' Bobby Shafto' is believed to refer. However some sources Thomas & George Allan in Tyneside Songs and Readings 1891 believe Robert Shafto 1760–1781 of Benwell was the inspiration - he was the son of the owner of this book. Either way the Shafto family with their strong Northumberland and Co. Durham connections make this volume of particular interest to those with interest in NE England. Most of the prelim is taken up with The Classic poem. The text is in English. Front hinge split and held only by one cord rear hinge tender. Though the binding is rather fragile the gatherings remain tightly bound and square. Pages show some age toning to the very edges more so towards the beginning and end of the text block. Starting to crack vertically down the middle of the spine. Prelims are unevenly tanned. Rubbed to edges with the tips of the board showing to two corners. Some slight scuffing to the surface of the leather. Fair copy . Hardback. 1768. J. Ridley hardcover
53114Glasguae Glasgow : Excudebant R. & A. Foulis M.DCC.LI. 1751 . A very good full leather miniature binding with slip-case. 81mm x 52mm x 9mm. 4pp./pp.75/3pp. 32mo. Later brown calf probably 19th century with gilt filet border. Spine with gilt titles and four raised bands. Ink spots to spine and rear board. Previous owner's signature to top of title-page: "Arnage 1804." Clean Greek text throughout. Numerous pencil underlinings one page of inked Greek text to rear endpaper. Title transliterated from the Greek preceded by an additional title-page in Latin: "Anacreontis Carmina. Cum Sapphonis Et Alcaei Fragmentis." Contains the songs of Anacreon and fragments of Sappho and Alcaeus. Referenced by: Gaskell 181 - The Foulis Press ; ESTC T085607 "Anacreon 582 BCE�485 BCE was a Greek lyric poet born in Teos an Ionian city on the coast of Asia Minor. He likely moved to Thrace in 545 BCE with others from his city when it was attacked by Persians. He then moved to Samos to Athens and possibly again to Thessaly seeking a safe place to write his poems as his patrons including Polycrates tyrant of Samos and Hipparchus brother of Athenian tyrant Hippias kept being murdered. It is unknown where Anacreon died though he lived to the unusually advanced age of 85. Glasguae [ Glasgow ] : Excudebant R. & A. Foulis, M.DCC.LI. [1751] . hardcover
186499287Paris: De Firmin Didot Freres 1864. Hardcover. Good. First edition of this translation. Text in Greek. Translated by D'Amb. Firmin Didot. 54 mounted albumen plates of classical illustrations by Girodet mostly mounted two per page. Full leather. Rebacked boards quite worn appears to lack front and rear blanks a good only copy. De Firmin Didot Freres hardcover
179615634York: Printed by Wilson Spence and Mawman and sold by C. Dilly…et al. 1796 First edition of this attractively printed translation of Anacreon's Odes by Thomas Gilpin. The odes are translated into simple English prose "designed for the use of those who have made no great progress in Grecian literature." The twenty-ninth odes is not translated as "There are several expressions…which might give offence to a delicate ear. Original boards uncut rebacked in paper with printed spine label laid down. Small octavo. Greek and English text on facing pages. Former owner's bookplate. Some light waterstaining at the beginning otherwise a very good copy. Uncommon. Printed by Wilson, Spence, and Mawman, and sold by C. Dilly…[et al.], hardcover
51-4518Lyon: Cercle Lyonnais du Livre 1953. 4to. 19 x 28 cm. 82 14pp. Sheets loose as issued in wraps buckram chemise and slipcase; vellum spine. 50 lithographs by Derain. Edition of 200 on Rives this one of 70 in Roman Numerals printed for Pierre Lemerre. Last book with original prints published during the artist's lifetime.Monod no. 237 with wrong date. Fequet et Baudier pour la typographie Mourlot Frères pour la lithographie 1953 ; in-8 en feuilles sous chemise crème rempliée imprimée chemise dos vélin ivoire titre doré à la japonaise étui beige emboitage éditeur ; 3 ff. blancs 80 81 1 bl. 12 pp. 3 ff. blancs 50 lithographies par André Derain 7 à pleines pages..Tirage total à 200 exemplaires sur vélin pur fil BFK de Rives. Lyon: Cercle Lyonnais du Livre, 1953. paperback
1777ANACREONTI QUAE VULGO OM<p><strong>ANACREONTI </strong></p><p><em><strong>QUAE VULGO OMNIA TRIBUUNTUR </strong></em></p><p><em><strong>CARMINA Poems</strong></em></p><p><em><strong>In Usum Scholarum Edita</strong></em></p><p>Magdeburg & Cothen Sumt. I. C. Zapfii 1777</p><p>Cardboard Binding</p><p>48 Pages 16cm x 10cm</p><p>Language Greek</p><p>Extremely Rare!</p><p><strong>Anacreon</strong> 575 – c. 495 BC was a Greek lyric poet notable for his drinking songs and erotic poems. Later Greeks included him in the canonical list of Nine Lyric Poets. Anacreon wrote all of his poetry in the ancient Ionic dialect. Like all early lyric poetry it was composed to be sung or recited to the accompaniment of music usually the lyre. Anacreon's poetry touched on universal themes of love infatuation disappointment revelry parties festivals and the observations of everyday people and life.</p><p>In the early modern period Anacreon's poetry was translated into Latin as well as into the vernacular and poets started once again to adapt his works. The European Anacreontic movement reached its height in the eighteenth century with Anacreontic groups in Germany France and Britain including the London Anacreontic Society 1772–1779.</p> Magdeburg & Cothen Sumt. I. C. Zapfii
1777AGL0003<p><strong>ANACREONTI </strong></p><p><em><strong>QUAE VULGO OMNIA TRIBUUNTUR </strong></em></p><p><em><strong>CARMINA Poems</strong></em></p><p><em><strong>In Usum Scholarum Edita</strong></em></p><p>Magdeburg & Cothen Sumt. I. C. Zapfii 1777</p><p>Cardboard Binding 48 Pages</p><p>16cm x 10cm</p><p>Language Greek</p><p>Extremely Rare!</p><p><strong>Anacreon</strong> 575 – c. 495 BC was a Greek lyric poet notable for his drinking songs and erotic poems. Later Greeks included him in the canonical list of Nine Lyric Poets. Anacreon wrote all of his poetry in the ancient Ionic dialect. Like all early lyric poetry it was composed to be sung or recited to the accompaniment of music usually the lyre. Anacreon's poetry touched on universal themes of love infatuation disappointment revelry parties festivals and the observations of everyday people and life.</p><p>In the early modern period Anacreon's poetry was translated into Latin as well as into the vernacular and poets started once again to adapt his works. The European Anacreontic movement reached its height in the eighteenth century with Anacreontic groups in Germany France and Britain including the London Anacreontic Society 1772–1779.</p> Sumt. I. C. Zapfii,
177460357Paris Le Boucher 1773 & 1774 4to 228 x 156 mm. Bound in a very beautiful a bit later light brown full grained morrocoo binding with five raised bands richly gilt spines gilt lines to boards inner gilt dentelles and gilt capitals. All edges gilt. Binding by 'Sture Falks Bogbinderi' Lund Sweden. Housed in a slipcase. Ex-libris to pasted down front end-paper Maurice B. Worms and to front free end-paper Per Erik & Ludmilla Lindahl. A very nice and clean copy. 4 IV 280 XVI 104 pp. 2 frontispieces 12 headers and 13 tailpieces by Eisen engraved by Massard and Duclos. <br/><br/><em>First edition of Moutonnet's translation of Anacreon illustrated by Duclos after Eisen - widely considered to be "One of the most charmingly illustrated books of the eighteenth century" Salomons. Sander 17 Cohen 79: "l'un des livres les plus élégamment illustrés du XVIIIe siècleFürstenberg 92: "The Anakreon from 1773 is on the same level as the illustrations for 'Le Temple de Gnide' from 1772 and must also be counted among the most beautiful books of the century." </em> hardcover
178523485Parma: Bodoni 1785. Hardcover. Contemporary marbled paper over pasteboard with paper spine label. Very good in red cloth clam shell box. 6 LXXXII 103 1. 30.5 x 23 cm. Engraved title followed by a second page with engraved vignette at head the entire work printed in capital letters. Wide text margins. Latin commentary followed by Greek text. Commentary written by P. Paciaudi. DIBDIN Vol. I p.151. "There is a copy in the British Museum. It was the author's intention to have embellished the work with suitable engravings. but the plates were stolen by some person he employed." BROOKS. COMPENDIOSA BIBLIOGRAFIA DI EDIZIONI BODONIANE. 287. Bookplate of Bibliotheca Giuliari. Interior very fresh and clean joints rubbed but firm backstrip head lacks two centimeters. Bodoni hardcover
1692RANALES00twGeorge Gallet 1692. Very Good. Anacreon. Les Oeuvres D'Anacreon et de Sapho Contenant leurs Poesies & les galanteries de l'ancienne Grece. Sapho Sappho. Amsterdam: George Gallet 1692. 398pp. 12mo. Blind embossed vellum with hand titled spine. Book condition: Very good with subtle soiling. Small paper repair to recto of frontispiece. Pages are clean with occasional light foxing and offsetting. Greek and French. George Gallet hardcover
18133644London: B.R. Howlette / John Murray 1813. Second edition. Good. 8vo. 2 130 pp. Printed in Greek throughout on fine paper. Contemporary English red diced russia calf rubbed and worn tooled in blind outer frame of gilt palmette rolls all edges gilt drab endpapers. Front endpaper waterstained; second blank leaf with paper flaw; outer margins of final pages darkened from turn-ins. With faults and priced accordingly. THE ONLY KNOWN ILLUSTRATIONS BY MRS. LAVINIA FORSTER. Our copy bears learned MS annotations in Greek and Latin. <br /> <br /> Beautifully printed in a Greek font created especially for William Bulmer by William Martin. Dibdin described the 1802 first edition as an "elegant work that confers great credit on the printer." Our copy belongs to the second edition which was printed in the same Greek font and retains the 20 fine engraved head- and tailpiece vignettes designed by Lavinia Banks Forster 1774-1858 wife of the present editor Edward Foster. Two of the vignettes are signed in absolutely miniscule lettering "Publ. by W. Miller Old Bond Street 1802." <br /> <br /> Mrs. Lavinia Banks Forster was the only child of the sculptor Thomas Banks and his wife Elizabeth. She married the Reverend Edward Forster in 1799 and from 1815 lived in Paris with her husband who was at that time Chaplain to the British Embassy. There they provided a social center for artists. Her lively and fully accomplished illustrations for her husband's Anacreon represent the only published examples by her that we have been able to trace. <br /> <br /> "Few of Anacreon's works survive but those that do focus on wine love homosexual and heterosexual and the overall pleasures of the legendary Roman symposium. Anacreon used various techniques in his writings including self-deprecation and irony. The collection of miscellaneous Greek poems from the Hellenistic Age and beyond known as the Anacreontea was 'mistakenly labeled' with Anacreon's name" see William and Mary Law Library online exhibit. <br /> <br /> The annotator of our copy was one George Houstoun on title: "Ex libris Georgii Houstoun." Given the lavishness of the binding and the fact that the book itself was printed on fine paper perhaps this individual was George Houstoun 1743-1815 4th Laird of Johnstone Renfrew Scotland. Subsequently signed in pencil inside the lower cover: "R. Bradford." <br /> <br /> Dibdin Greek and Latin Classics vol. I pp. 266-267 1802 edition. See DNB under Edward Forster. B.R. Howlette / John Murray unknown
