Anacreon, AnacreonBiblio.com
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1334386064.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1796092243Yorkshire England: printed by Wilson Spence and Mawman sold by C. Dilly and others 1796. 1st Edition . Hardcover. Good. 16mo - over 5¾ - 6¾" tall. Firmly bound brown cloth boards brown leather spine and corners marbled end papers. Some rubbing on the corners and on the edges of the spine old inscription on the half title page. Text in Greek with the English translation on the opposite page. <br/> <br/> printed by Wilson, Spence, and Mawman, sold by C. Dilly and others hardcover
1804882P23Yarmouth: John Beart; B. Crosby 1804. Leather. Good. 6" by 4". None. A translation of the odes of Ancient Greek lyric poet Anacreon translated here by the physician Thomas Girdlestone. The second edition of Thomas Girdlestone's translation. A collection of the odes of Ancient Greek lyric poet Anacreon this volume containing a total of sixty-six poems. Anacreon is remembered today for his drinking songs and erotic poems which were composed to be sung or recited to the accompaniment of the lyre. Girdlestone was a physician whose other works focused on the medical. In a rebacked calf binding. Externally generally smart with some rubbing to the boards and spine. Minor bumping to the extremities. Fading to the head of the rear board. Internally firmly bound. Pages are lightly age-toned with a few occasional spots. Large chip to page 85/86. Good John Beart; B. Crosby hardcover
1833815A11London: Sherwdood Gilbert and Piper 1833. First edition. Cloth. Very Good Indeed. 7" by 4.5". None . The first edition of the classical odes of Anacreon edited by James Usher a bright pocket sized edition. Anacreon was a Greek lyric poet known for his drinking songs and erotic poems. The present pocket sized volume is the first edition of his odes rendered to English and edited by James Usher a scarce copy. The odes are admired for their elegance and genuine simplicity mostly concerned with themes of love infatuation revelry and aspects of every-day life. Rebound a full cloth binding with titles in gilt to spine. Externally very smart with minor shelf wear only minor bumping to head and tail of spine and extremities light soiling to boards and spine. Internally firmly bound. Odd minor spotting to occasional leaf otherwise pages clean throughout with a touch of age toning as usual with the type of paper used. Very Good Indeed Sherwdood, Gilbert and Piper hardcover
45148648like new. unknown
1018904522.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1019577568.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1020734345.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0265863414.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0331338955.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1396421696.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1104491680.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1165794837.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1331897475.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
182720942London: Printed by A.J. Valpy for Sherwood Gilbert and Piper 1827. 1st Edition. hardbound. Fair/no dustwrapper. 8vo. 1st Edition of John Broderick Roche's edition of Anacreon's Odes containing the first 28 Odes given in both Greek and English and also in verse and paraphrased into prose accompanied by extensive critical notes and grammatical analysis; also includes a 91 page Lexicon; original boards heavily rubbed and with crude tape-repair to spine; endpapers heavily tanned and with loss to lower corners first three pages - no loss of text scattered foxing occasional pencil marginalia o.w. Good. Printed by A.J. Valpy for Sherwood Gilbert and Piper hardcover
19048838Boston Nathan Haskell Dole 1904 Handsomely bound in gilt ruled 3/4 brown Levant Morocco and linen covered boards. Elaborate gilt tooled spine compartments with gilt scored raised bands.Gilt titles. Top Edges Gilded. Tall 8vo. 6.5"x9". The Adelphi Edition. Number 171 of an Edition Limited to 475 copies printed upon French Handmade paper. Illustrated by monochrome frontispieces and elaborate border decorations to each page of text. Sets is comprised by- The Wisdom of Marcus Aurelius. Translated by Jeremy Collier; The Ecolgues of Vergil. Translated by Baron Bowen; Sayings of Epictetus. Translated by T.W. Rolleston; Selections from Gesta Romanorum. Translated by Rev. Charles Small; Odes of Anacreon Anacreontics and Other Selections from the Greek Anthology. Translated by n/a ; The Satires of Horace. Translated by Various Hands; The Story of Odysseus in the Land of the Phæacians Being the Sixth and a Part of the Seventh Book of the Odyssey. Translated by Andrew Lang and Prof. Butcher; Selections from Aristophanes and Lucian. Translated by F.A. Paley; The Olympic and Pythian Odes of Pindar. Translated by Abraham Moore; Selections from the Koran of Mohammed. Translated by George Sale. Various very mild rubbing to covers.Several extremely mild chips to several caps. Small scuffs to several spinesincluding a short vertical streak to Koran spine. Some corners gently bumped. A gleaming crisp and clean Fine set. Nathan Haskell Dole hardcover
0526330678.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
155460114Lutetiae i.e. Paris Guillaume Morel for Henri Estienne II 1554. 4to. Contemporary limp vellum with remains of ties to boards. Remains of contemporary paper labels to spine and traces of autor in ink in contemporary hand also to spine.A few smaller worm tracts to boards and a bit of spotting but overall very nice. A large spot to title-page presumably erased ink from the removal of an old owner's name. The spot is in the blank margin close to the printer's device but not touching it. Apert from that internally very nice with only light occasional damp staining or browning. Old ink note in Greek characters to front free end-paper and a small note referring also to "Lyra" on A1r. A very nice copy with large margins. Woodcut printer's device to title-page woodcut headpiece and opening initial. Magnificently printed in all three sizes of the famous "grecs du roi"-type. 8 110 pp. <br/><br/><em>Rare first edition of the groundbreaking Anacreon-volume by H. Estienne being the milestone publication that not only constitutes the first book by the brilliant Henri Estienne II but also the extremely influential editio princeps of the Anacreontea. Furthermore this groundbreaking publication contains Sappho’s now immortal Aphrodite-hymn being the very first of any of Sappho’s poems to appear in print here for the second time in print as well as the magnificent “Midnight poem†fragment 168B establishing for the first time since antiquity the gathering together of poems by Sappho: “A momentous point in her transmission. Yet it is ironic that the first collection of a fragmentary Greek poet known and admired beyond any other today should have appeared as a mere appendix to a book dedicated to another author entirely without even her name on the title-page.†Cambridge Companion to Sappho p. 251. The impact that Sappho - “mother of all women poets†- would eventually come to have upon modern poetry and society was not yet known to Estienne and his contemporaries for whom she was more or less unknown. Estienne however recognized the value of the poems of hers that he had encountered and with the publication of them in the present volume began a tradition that would eventually cause her to become arguably the most celebrated Greek poet of all time. “Estienne’s edition of Anacreon’s poetry was enthusiastically received by the Pléiade poets which considerably boosted Sappho’s influence on western European literatureâ€. van Dijk: I Have Heard about You p. 37. This beautifully printed slim volume constitutes an outright Renaissance sensation. “The “Anacreaonta†became the most influential “ancient†Greek poetic text during the Renaissance and Estienne’s “editio princeps†virtually caused a poetic revolution not only in France but also in Italy and Germany – where this influence culminated in the 18th century with the Anacreontic Poets “Die Anakreontikerâ€.†Schreiber 139. Henri Estienne II – “in many ways the greatest member of the Estienne dynasty and most certainly its most prolific scholar†Schreiber - had travelled extensively through Italy the Low Countries and England in search of Greek manuscripts. It is from one of these that he had printed possibly by Guillaume Morel his first book this editio princeps of the Anacreaontea which is thus also the first book to bear his imprint. Henri Estienne along with his contemporaries believed the work to contain the ancient Greek lyrics of the poet Anakreon 6th century BC whose poems are not extant except for some short fragments. In fact the poems contained in this volume constitute the Anacreontea which is a collection of Greek lyric poems written in the style and imitation of Anacreon at various dates. “Henri’s publication of these “ancient†Greek lyrics caused an immediate literary sensation in France and was celebrated and immortalized by Ronsard in an oft-quoted passage of his “Odesâ€.†Schreiber. Henri Estienne started out his publishing career with this magnificent publication that catapulted him into fame and he went on to become one of the most influential literary and scholarly figures of the second half of the 16th century in Europe; he dominated Renaissance scholarship with his magnificent publications and has arguably not been superseded by any publisher since. The young Henri Estienne had discovered the present poems in Louvain in a manuscript owned by an Englishman named John Clements who was a friend of Thomas More. Their publication “was a sensation of the first class and the starting-point for a new branch of modern literature†R. Pfeiffer: History of Classical Scholarship†p. 109. “This first edition was greeted with tremendous enthusiasm by the members of the Pléiade who like everyone else believed the poems genuine and each of whom immediately translated or imitated some of the “Anacreonteaâ€.†Schreiber. The poems may not have been “genuine†Anacreon-poems but the influence that the publication of them came to exercise was no less profound than had they been; the mark they have left of modern literature is difficult to compare to anything else. The printing of the original Greek text in all three sizes of the magnificent “grecs du roiâ€-type is followed by the first Latin translation of the poems done by Estienne himself and by Estienne’s own commentary. The text of this editio princeps has been followed by almost every subsequent editor and today the name Anacreon cannot be mentioned without thinking of Estienne. After the Anacreon-poems themselves are two leaves containing first poems by Alkaios and second the two famous poems by Sappho: The Ode to Aphrodite fragment 1 and the Midnight Poem fragment 168B also known as “The Moon Sets†constituting a momentous point in the Sappho-transmission namely the first time since antiquity that anyone had gathered together poems by her. Soon after more Sappho-collections would appear causing her to eventually become the most admired Greek poet. “In a recent article R. Aulotte… shows how Sappho’s influence on the poets dates from the time when Henri Estienne published the odes then known along with his famous edition of Anacreon. His first edition published in 1554 contained the “Ode to Aphrodite†and the fragment “The Moon has Setâ€.†Mary Morrison: Henri Estienne and Sappho in: Bibliothèque d’Humanisme et Renaissance T.24 N.2 1962 p. 388. "From time immemorial women poets have had only one norm one touchstone: Sappho the legendary woman poet who lived on the island of Lesbos in the Aegean sea in the 6th century BC. … The Sappho figure is the peg on which views of female poetic genious and female sexuality have been hung century after century.†Suzanne van Dijk: I Have Heard about You… p. 35 . Dibdin I: 258 “A beautiful and rare editionâ€; Schreiber: 139; Renouard: 115. </em> hardcover
1777ANACREONTI QUAE VULGO OM<p><strong>ANACREONTI </strong></p><p><em><strong>QUAE VULGO OMNIA TRIBUUNTUR </strong></em></p><p><em><strong>CARMINA Poems</strong></em></p><p><em><strong>In Usum Scholarum Edita</strong></em></p><p>Magdeburg & Cothen Sumt. I. C. Zapfii 1777</p><p>Cardboard Binding</p><p>48 Pages 16cm x 10cm</p><p>Language Greek</p><p>Extremely Rare!</p><p><strong>Anacreon</strong> 575 – c. 495 BC was a Greek lyric poet notable for his drinking songs and erotic poems. Later Greeks included him in the canonical list of Nine Lyric Poets. Anacreon wrote all of his poetry in the ancient Ionic dialect. Like all early lyric poetry it was composed to be sung or recited to the accompaniment of music usually the lyre. Anacreon's poetry touched on universal themes of love infatuation disappointment revelry parties festivals and the observations of everyday people and life.</p><p>In the early modern period Anacreon's poetry was translated into Latin as well as into the vernacular and poets started once again to adapt his works. The European Anacreontic movement reached its height in the eighteenth century with Anacreontic groups in Germany France and Britain including the London Anacreontic Society 1772–1779.</p> Magdeburg & Cothen Sumt. I. C. Zapfii
1777AGL0003<p><strong>ANACREONTI </strong></p><p><em><strong>QUAE VULGO OMNIA TRIBUUNTUR </strong></em></p><p><em><strong>CARMINA Poems</strong></em></p><p><em><strong>In Usum Scholarum Edita</strong></em></p><p>Magdeburg & Cothen Sumt. I. C. Zapfii 1777</p><p>Cardboard Binding 48 Pages</p><p>16cm x 10cm</p><p>Language Greek</p><p>Extremely Rare!</p><p><strong>Anacreon</strong> 575 – c. 495 BC was a Greek lyric poet notable for his drinking songs and erotic poems. Later Greeks included him in the canonical list of Nine Lyric Poets. Anacreon wrote all of his poetry in the ancient Ionic dialect. Like all early lyric poetry it was composed to be sung or recited to the accompaniment of music usually the lyre. Anacreon's poetry touched on universal themes of love infatuation disappointment revelry parties festivals and the observations of everyday people and life.</p><p>In the early modern period Anacreon's poetry was translated into Latin as well as into the vernacular and poets started once again to adapt his works. The European Anacreontic movement reached its height in the eighteenth century with Anacreontic groups in Germany France and Britain including the London Anacreontic Society 1772–1779.</p> Sumt. I. C. Zapfii,
0365986771.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1885465701Paris : Jouaust Librairie des Bibliophiles 1885. Early Edition. Hardcover. Near fine copy finely bound in half red leather over foliate boards with raised bands to the gilt-tooled spine. Endbands slightly rubbed. Prelims show a suggestion only of foxing with a small nick to t.p. upper margin. Top-edge gilt with text block remaining tight bright and clean. Original wrappers bound in; a well-preserved example overall. Notes; from a limited edition of 50 copies printed on papier de Chine. Physical description; XXXI 179 pages ;18 cm. Notes; Nouvellement traduites et accompagnées d'une préface par Maurice Albert. Compositions d'Emile Lévy. Gravées à l'eau-forte par Champollion. Dessins de Giacomelli. Gravés sur bois par Rouget. Subjects; Greek poetry. French translation. 19th century. Illustrated. Etchings. Wood engravings. Paris : Jouaust, Librairie des Bibliophiles hardcover
0365972185.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
194111429Paris: Emile Chamontin. Very Good with no dust jacket; Hand made paper cover with red and blk . lettering and image; sewn binding many uncut pages; No marks or writing . clean tight binding;. 1941. First Edition. Softcover. Full page art deco color illustrations in text ltd edition No. 2080/3100 printed on white wove paper from the paper mills of Navarre; New translation by Mario Meunier with illustrations by Sylvain Sauvage. ; 123 pages . Emile Chamontin paperback
