JURIJ OLESA (OLESHA)MareMagnum
1 847 résultats
PRIMA EDIZIONE. OTTIME CONDIZIONI, LIEVISSIMI SEGNI DEL TEMPO; LIEVISSIME FIORITURE. Informazioni bibliografiche Titolo: I tre grassoni Titolo originale: Tri tolstjaka Autore: Jurij Karlovic Oleša (Olesha) Traduzione di: Sergio Leone Illustrazioni di: Karel Thole Editore: Milano: Il saggiatore di Arnoldo Mondadori, 1969 Collana: Ragazzi Lunghezza: 154 pagine; [16] c. di tav.: ill.; 30 cm Peso: 1,350 Kg Soggetti: Narrativa russa, Letteratura, Classici, Fantascienza, Romanzi, Ragazzi, Favole, Fiabe, Fantasy, Surrealismo, Ginnasta Tibul, Armaiolo Prospero, Racconti, Disegnatori, Copertine Urania, Three Fat Men, Collezionismo, Libri rari, Vintage, Illustrati, Fantastico, Bambini, Adulti, Kids, cubofuturismo, Rivoluzione Russa, Armata rossa, Storici, Gaspar Arneri, Prospero, funambolo Tibul, Short Stories, Racconti, Fairy Tales, History, Russian Literature, Naive, Odessa, Olesha
Book is in excellent condition with one barely bumped corner as the only flaw. Black cloth HB covers with gilt print at spine. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows edge wear, small tears at corners and spine. 244 pages with b&w photos and prints.
Softcover in-16 de 256 pp., broché.— Bel exemplaire . [MB-5]
grand in-8°, 83 pages, illustrations, broche, couverture illustree. Bon etat (couverture leg. salie) [109B-14]
A. MASSON André Masson. Le rebelle du surréalisme: écrits. Parigi, Hermann 1976 french, 383 BTT66 Brossura editoriale volume in buone condizioni, segni di usura causati dal fattore tempo sulla copertina, interno in ottimo stato, legatura salda, testo in francese 383 pagine circa Copertina come da foto
Herbert Read Surrealism. New York, Praeger 1971 english, 251 Opera con copertina morbida in brossura. Numerose illustrazioni in b/n ft. LF 36.2
Joubert, Alain Autografato! Le mouvement des surréalistes, ou le fin mot de l'histoire : mort d'un groupe, naissance d'un mythe. Paris, M. Nadeau 2001 french, 373 Autografo e dedica dell'autore. Opera con copertina morbida in brossura, Numerose illustrazioni in b/n ft. LF72.1
ill., br. Il 1929 nell'immaginario collettivo è associato al crollo finanziario che, giovedì 24 ottobre, colpisce Wall Street prima di abbattersi su tutte le economie mondiali. Anche per il Surrealismo è l'anno di una crisi senza precedenti, di un "big bang" che, se in apparenza sembra segnarne la fine, si rivelerà in realtà all'origine della sua reinvenzione. Il 1929 vede infatti, tra le altre cose, la nascita del primo fotocollage di Max Ernst e di Un Chien andalou, il primo capolavoro cinematografico surrealista. Arricchito dall'eccezionale personalità di Dalí, il film rafforzerà l'influenza internazionale del movimento.
N°8, de janvier 1925, de cette revue littéraire mensuelle dirigée par François et André BERGE. Au sommaire: "Eloge des chapelles littéraires" par Bernard FAY; textes sur le surréalisme de René CREVEL, André DESSON, André BERGE; "Insuffisances" de Jean-Paul PALEWSKI, sur l'utilité sociale de l'oeuvre littéraire; textes suivis de "notes" sur les tendances littéraires de l'année, par François BERGE (André Gide, Henry de Montherlant), André BERGE (le monologue intérieur, Henri Brémond, Benjamin Crémieux, Giraudoux, Henry de Régnier, Edmond Jaloux), Maurice BETZ, Géo CHARLES, Joseph DELTEIL (Max Jacob, René Crevel), André DESSON (les critiques littéraires, la psychanalyse, Paul Valéry, Panaït Istrati), Jean FERTY (Plilippe Soupault), Charles FIDENSE-MARIN, André HARLAIRE (Marcel Arland, Charles Péguy, Raymond Radiguet, Pierre Mac-Orlan), Paul-Yves NIZAN (Gobineau), Henry PETIOT (Henri Bosco), Georges POUPET (Philippe [sic: le fils] Barrès), Henri POURRAT (Frédéric Lefèvre), Paul VEGLIONE et Paul ZANESCO (Alain-Fournier, Francis Carco), etc; puis "notes" sur des spectacles. Bel exemplaire, relié. Français
Broch?. 267 pages.
Recueil de textes publiés de 1928 à 1965 par André BRETON (1896-1966), avec mention de "Nouvelle édition revue et corrigée [d'après les éditions de] 1928 et 1965": ouvrage regroupant le fameux essai qu'il publia en 1928 (N.R.F. - Gallimard), "Le surréalisme et la peinture", "Genèse et perspective artistiques du surréalisme", de 1941, ces 2 essais, réunis et publiés avec des "Fragments inédits" en 1945 chez Brentano's, New-York, étant ici de nouveau augmentés de nouveaux textes dispersés en revues et préfaces, regroupés en "Fragments" (textes de 1933-1961), "Environs" (textes de 1936-1962) et "Autres afflux et approches" (textes de 1963-1965). Une "nouvelle édition" qui, "à la suite des deux grands textes initiaux, [...] rassemble pour la première fois l'intégralité des essais historiques et critiques consacrés par André BRETON à l'expression plastique. Plus de cinquante articles inédits, dont beaucoup comptent parmi ses plus fulgurants écrits, et jusqu'ici éparpillés [...], se retrouvent groupés en une "somme" systématique, qui recouvre toute la chronologie des peintres et sculpteurs surréalistes" (rabat de jaquette). Exemplaire bien complet de sa jaquette. Français
Broch?. 359 pages. Papier bruni.
Broch?. 295 pages. Couverture l?g?rement d?fra?chie.
Book is in excellent condition, brand new. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. From the back cover: Canterel, a scholarly scientist whose enormous wealth imposes no limits upon his prolific ingenuity, is showing a group of visitors round Locus Solus, his secluded estate near Paris. One by one he introduces, demonstrates and expounds the discoveries and inventions of his fertile, encyclopaedic mind. An African mud-sculpture representing a naked child, a road-mender's tool which, activated by the weather, creates a mosaic of human teeth, a vast aquarium in which human beings can breathe and in which a depilated cat is seen stimulating the partially decomposed head of Danton to fresh flights of oratory - by each item in Canterel's exhibition there hangs a tale, a tale such as only that amazing genius Roussel, one of the founding fathers of the modern novel, could tell. As Canterel's devices become more and more elaborate, the richness and brilliance of Roussel's stories grow to match them; the flow of his imagination becomes a flood, until the reader finds himself swept along in a torrent of mingled wonder and hilarity. Locus Solus, first published in 1914, is perhaps Roussel's most perfect masterpiece. Based, like the earlier Impressions of Africa, on uniquely eccentric principles of composition (which the interested reader will find outlined in Rayner Heppenstall's Raymond Roussel), this book invites the reader to enter a very special world of the imagination, a hauntingly unforgettable world which in its innocence, extravagance and deep reasonableness is unlike anything in the literature of the twentieth century.
Set of six color plates tipped-in on gray background paper stored in a gray folder with color plate on cover. The sheets are 5 3/4"w x 8 1/4"h. The plates are in excellent condition; the cover of the folder shows a bit of wear and is in Very Good condition. A bit musty smelling.
A clean, unmarked book with a tight binding. Full red cloth boards. 8 1/4"w x 11 1/8"h. 96 pages.
A clean, unmarked book with a tight binding. 120 pages. 11 5/8"w x 11 3/4"h. Wear to cover.
Clean and unmarked; tight binding. 377 pages. "The Century of Artists' Books is the first full-length study of the development of artists' books as a twentieth century artform. This work situates artists' books within the context of mainstream developments in the visual arts from Russian Futurism and Surrealism to Fluxus, Conceptual Art, to Postmodernism."
A clean, unmarked book with a tight binding. This book has the scent of nag champa incense. Slight edge wear. Previous owner's name inside. 152 pages.
A clean, unmarked book with a tight binding. Full beige cloth boards. Edge wear and small tears to dust jacket. 8"w x 11 1/8"h. 424 pages.
A clean, unmarked book with a tight binding. Signed by Daved Lehman on the title page. This book has the scent of nag champa incense. 294 pages. Remainder mark.
A clean, unmarked book with a tight binding. Full blue cloth boards with small indentation on front cover. Slightly worn dust jacket with small tears on edges. 11 1/4"w x 12"h. 144 pages.
A clean, unmarked book with a tight binding. This book has the scent of nag champa incense. Slight edge wear. 64 pages. Signed by James Tate on the title page.
A clean, unmarked book with a tight binding. This book has the scent of nag champa incense. 84 pages. Wear to cover and bumped corner with a bit of dog eared pages. Remainder mark. "National Book Award Winner" sticker on cover. Signed by James Tate on the title page.
Some marks and notes by previous owner. Tears to worn dust jacket. Full blue cloth boards. 238 pages. Black and white illustrations. Contents: Propaganda in print; The popular front antifascist crusade; Practicing democracy through abstraction; American heroes and invading barbarians; The politics of propaganda during the Second World War; Antinationalist myths. Includes discussion of Stuart Davis, Grant Wood, Thomas Hart Benton, John Steuart Curry, Mark Rothko, and Adolph Gottlieb.
