63 résultats
195020415AB1950. Paris Editioons du Sagittaire 1950 23 : 15 cm. 1 leaf 226 pages with many dual-tone and b/w illustrations 6 leaves advertisment. Half calf original coloure wrappers bound in. SURREALIST ALMANAC OF THE HALF CENTURY - Calendar of the World Tour of Tolerable Inventions by André Breton and Benjamin Péret. First edition text in French. unknown
1956227075Paris: Jean-Jacques Pauvert 1956. First. paperback. very good. With b/w illustrations throughout. 168pp. Tall 8vo green printed wrappers spine ends a bit worn. Paris: Librairie Jean-Jacques Pauvert 1956. A very good copy of this uncommon surrealist periodical.<br/> <br/> Jean-Jacques Pauvert unknown
195016861AB1950. Heidelberg Lambert Schneider 1950. 30 : 235 cm. 90 pages with 36 illustrations 16 1 coloured plates. Original boards First edition. - Introduction into surreal literature and painting on psychoanalytiv basis.based on the method of the complex psychology of C.G. Jung as well as the psychoanalysis of Freud. Very well documented. Treats the most important movements of modern art 'the presurrealist poems' Jarry Rimbaud Lautremont Apollinaire 'the surrealist m ovement' 'the surrealist authors' all important authors 'the painting of surrealkism' most detailled about Max Ernst specially the collage's of Max Ernst. The first issue of 'Un Semaine de Bonté' 'Le Lion de Belfort' and the paintings which are especially typical for surrealism are analyst in-depth. hardcover
1947179710New York: 1947. An original brochure for this classic surrealist film. It features items from each of the film's collaborators: Max Ernst Fernand Leger Man Ray Marcel Duchamp Alexander Calder and the director Hans Richter. Richter began the project in 1944 after receiving a $6000 grant from Peggy Guggenheim. In an interview with the New York Times Richter stated "I started the picture as an adventure. But I knew one thing that was important. That is in cinematography we have scratched only the surface of the art and that there are thousands of other possibilities in film. I felt that both modern art and the movies are an expression of our time and that it would be interesting to combine the two." Octavo. Photographic portraits and reproductions from the film in the text throughout. Original green wrappers printed in black after a design by Max Ernst. A fine copy. Ezra Goodman "Musical Fantasy Filmed in Manhattan Loft" New York Times 11 April 1948. unknown
1936SURREALI002339The Surrealist Group in England London. September 1936. First edition. Quarto. 20 pages. Illustrations. Wrappers. The publication of this issue marked the International Surrealist Exhibition at the New Burlington Galleries 11th June to 4th July 1936. The artists and writers included Paul Nash Andr� Breton Edward Burra Hugh Sykes Davies Julian Trevelyan Ruthven Todd Roland Penrose Henry Moore Man Ray Len Lye David Gascoyne and Paul Eluard. Contains a speech by Herbert Read as well as extracts from a lecture by Hugh Sykes Davies "Biology and Surrealism". Parallel texts in English and French. Staples rusted. A bit of creasing to spine. Very good indeed. The Surrealist Group in England, London. September, unknown
196117854AB1961. Volume 1 - 4 off 8. Paris La Terrain Vague 1961 - 1963. 23 : 15 cm. With many illustrations. Illustrated original wrappers. First edition of the first 4 issues of this rare journal a total of 8 issues was published. With literary contributions by Andre Breton Gérard Legrand Paul Nougé Jean-Claude Silbermann etc. and illustration by Dali Kubon Schroeder-Sonnenstern René Magritte Konrad Klapheck and others. llustrées.Revue littéraire et artistique parue sous la direction de André Breton. 8 numéros en 8 livraisons du n° 1 octobre 1961 au n° 8 novembre 1965.Dernière revue dirigée par André Breton elle prend fin à sa mort. Comité de rédaction Robert Benayoun Gérard Legrand José Pierre Jean Schuster. Textes et illustrations de Pierre Alechinsky Arrabal Vincent Bounoure Annie Le Brun Ghérasim Luca René Magritte. - unknown
B295115-1Paris Librairie José Corti 1930. 35 1pp. 8 plates including by Man Ray Yves Tanguy and Salvador Dali. 4to. Orig. wraps. slighlty worn. Texts by Breton Éluard Crevel Char Péret Marcel Duchamp Aragon and Georges Sadoul and others. The issue published in Oct. 1930 opens with an advertisement for Breton's First and Second Manifeste du Surrealisme. Paris (Librairie José Corti), 1930. paperback
B295121-1Paris Librairie José Corti 1933. 55 1pp. 8 plates including by Alberto Giacometti René Magritte Max Ernst André Breton Valentine Hugo Salvador Dali Yves Tanguy. 4to. Orig. wraps. Texts by Breton Buñuel Char Tzara and Péret and others. The issue published in May 1933 opens with an advertisement for the next surrealist periodical Minotaure. Paris (Librairie José Corti), 1933. paperback
B295118-1Paris Librairie José Corti 1931. 35 1pp. 8 plates including by Joan Miro Alberto Giacometti Man Ray Valentine Hugo Salvador Dali and Clovis Trouille. 4to. Orig. wraps somewhat worn. Texts by Breton Éluard Char Tanguy Max Ernst Pierre Unik Crevel Aragon and others. The issue was published in Dec. 1931. Paris (Librairie José Corti), 1931. paperback
195617898AB1956. no. 1- 5. Octobre 1956 - Printemps 1959. Paris Pauvert 1956 - 1959. 195 : 195 cm. With many partly coloured plates and illustratins. Coloured illustrated original wrappers. The complete collection rare. The illustrated covers are by Duchamp Molinier Max Bellmer and Arp. - Without the two enclosures. - Spine of vol. 1 demages otherwise in good condition. Paris: Jean-Jacques Pauvert Éditeur 1957-1959. Sm.8° Sq. - 5 Volumes - 156-167-95-54-64 pages - Colour & B/w reproductions. Complete Collection of Le Surréalisme même/Surrealism itself: is one of the major surrealist journals of the post-war period gathering the works and the remarks of Kostas Axelos Jean-Louis Bédouin Hans Bellmer André Breton Leonora Carrington Georges Darien Adrien Dax Marcel Duchamp Léo Ferré Abel Gance Julien Gracq Nelly Kaplan Joyce Mansour Mayoux ELT Mesens Nora Mitrani P.L. Palau Octavio Paz Benjamin Peret Fernando Pessoa André Pieyre of Mandiargues Man Ray Magloire Saint-Aude. First edition text in French language. Original wrappers. unknown
1949SURREALI000153Matarasso Paris. 1949. First edition. Octavo. 96 pages. Illustrated with photographs. Wrappers. A bookseller's catalogue with prices one of the first after the war to be devoted to surrealist material.Fine. Matarasso, Paris. unknown
2005D07HS1011Christie's London 2005. 1st Edition. SOFTCOVER. Extra Large Quarto size 4to. in colour printed stiff card covers 151pp approx 40 lots illustrated in colour some folding plates copious biographical notes etc all the main surrealists represented. Hammer price list stapled to rear leaf __CONDITION : NEW copy. . __We always ship in PROTECTIVE CARD PARCELS Christie's, London paperback
193648773London.: New Burlington Galleries. 1936. Original publisher's pink stapled wrappers with printed collage by Max Ernst to front cover later protective crystal wrappers. 8vo. 155 x 240 mm. Leaf with advertisements recto and verso leaf with title recto and committee and contributors verso leaf with advertisement recto and preface by André Breton translated by David Gascoyne verso and on following leaf leaf with advertisements recto and verso leaf with explanatory note and catalogue of exhibitors and their works in alphabetical order final leaf with printers' credit verso. Gaston Ferdière's presentation copy of the scarce catalogue for the ambitious and highly influential International Surrealist Exhibition held in London in 1936 signed by a number of the participants.Presented by Mesens in red ink: 'Exemplaire de Gaston Ferdière' and beneath the signatures of André Breton in green Hans Arp in pencil Roland Penrose in blue ink Claude Cahun in blue grey Sheila Legge Rupert Lee and David Gascoyne all in sepia Paul Eluard in black ink and Man Ray in pencil; the following leaf with advertisements and adjacent to the details of the committee list of contributors etc. features an inscription in black ink by Conroy Maddox: 'Refused to participate / Conroy Maddox'.Gaston Ferdière was a controversial figure a Surrealist-affiliated poet who published verse in the mid-1930s a doctor who administered to the Spanish Republicans in the Spanish Civil War and a psychiatrist lauded and criticised for the electroshock therapy he administered to Antonin Artaud in the 1940s before Artaud's suicide in March 1948. Ferdière was a friend of Breton Crevel Desnos and Péret later Hans Bellmer and Unica Zûrn who he also treated and was anathemised by Isou another patient and the Lettrists along with psychiatrists and psychiatry in totality. At the titme of the London Surrealist Exhibition Ferdière had published a small handful of verse collections: 'L'Herbier' 1926 'La Chanson Fruste' 1927 'Ma Sébile' 1931 and 'Paix sur la Terre - Poèmes pour les Théâtres Prolétariens d'Action Contre la Guerre' 1936. 'No one personifies the thorny entanglement between modernism and the science of the soul better than Dr. Gaston Ferdière the psychiatrist who administered no less than 58 electroshock treatments to the Surrealist playwright Antonin Artaud during the Second World War. Determined to reconcile poetry and medicine Ferdière had studied under 'Professor Claude' - target of Breton’s anti-psychiatric rants - at Sainte-Anne while at the same time passing as a 'star of Surrealism in the bistros' of Paris in the mid-1930s . By the time Artaud showed up on his doorstep at Rodez psychiatric hospital Ferdiére had long since abandoned his poetic aspirations. Yet his old interests were rekindled in long conversations with the Surrealist playwright whose talents he sought to revive by a combination of 'art therapy' - writing drawing translating Lewis Carroll’s 'Through the Looking Glass' - and shock treatments - six courses ranging from 4 to 13 sessions each between June 20th 1943 and January 24th 1945. Electroshock was still in its experimental phase - the machine had hardly rolled in the door at Rodez - and the convulsions were so severe that Artaud fractured a vertebra in his neck during one of the treatments.' Kevin Repp.The International Surrealist Exhibition was held at the New Burlington Galleries from 11 June - 4 July 1936 organised by committees from England France Belgium and Scandinavia. The scale and range of works from artists was highly impressive see a list of exhibiting artists below and London was acting alongside Paris and New York in focusing on the new movement. In the same year Alfred Barr opened a show at the Museum of Modern Art New York entitled 'Fantastic Art Dada and Surrealism' and Paris' 'Cahiers d'Art' journal then at the height of its influence had devoted a whole issue to the Surrealist object. The exhibition comprising of some 390 works painting sculpture drawing and objects was opened by André Breton to some two thousand people thereafter averaging a footfall of one thousand people per day. Lectures were delivered throughout the exhibition and included Salvador Dali's presentation from within a deep-sea diving suit which needless to say put a strain on his respiratory system and resulted in his being rescued by the young poet David Gascoyne with a spanner.It is also significant that one of the most legendary moments of the exhibition was the performance by Sheila Legge who stood in the middle of Trafalgar Square in a white wedding dress inspired by a Dali painting her head obscured by a floral arrangement prefiguring Feminist and Fluxus performances of some 20 years later.Exhibiting artists included Eileen Agar Jean Arp Eugène Atget Hans Bellmer Jacques-André Boiffard Bill Brandt Victor Brauner Fanny Brennan Emmy Bridgwater Luis Buñuel Claude Cahun Leonora Carrington Ithell Colquhoun Gala Dalí Salvador Dalí Jean Dallaire Paul Delvaux Óscar Domínguez Christian Dotremont Marcel Duchamp Marcel Duhamel Curt Echtermeyer Max Ernst Leonor Fini Gordon Onslow Ford Esteban Francés Alberto Giacometti Julio González Jane Graverol Jacques Hérold Valentine Hugo Frida Kahlo Wifredo Lam Jacqueline Lamba Dora Maar Conroy Maddox René Magritte Georges Malkine Marcel Mariën André Masson Roberto Matta Mikuláš Medek Oscar Mellor John Melville E. L. T. Mesens Lee MillerDesmond Morris Joan Miró Méret Oppenheim Wolfgang Paalen Benjamín Palencia Roland Penrose Man Ray Toni del Renzio Kay Sage Kurt Seligmann André Souris Martin Stejskal Jindřich Štyrský Maurice Tabard Yves Tanguy Dorothea TanningKarel Teige Kristians Tonny Toyen Albert Valentin Remedios Varo James F. Walker Unica Zürn Philipp Humm.Printed on very good laid paper by the 'Women's Printing Society' the contents are on the whole very good with some few scattered spots while the cover as can be expected shows some signs of age.see Kevin Repp's 'The Strange Case of Dr. Ferdière' Yale 2011; Ades 14.55. New Burlington Galleries. unknown
1932SURREALI011704Edward W. Titus Paris. 1932. Wrappers. The famous Surrealist Number. Introduction "By Way of Introducing This Surrealist Number" by Edward W. Titus. 208 pages. Reproductions of drawings by Giorgio di Chirico Max Ernst Man Ray Yves Tanguy as well as collaborative drawings by Paul Eluard Andr� Breton Tristan Tzara and others. Experimental prose expository articles other prose and poems by Andr� Breton "Surrealism: Yesterday To-day and To-morrow" Andr� Breton and Paul Eluard "The Possessions" Ren� Crevel "Every One Thinks Himself Phoenix." and "The Period of Sleeping-Fits" Salvador Dali "The Object as Revealed in Surrealist Experiment" Paul Eluard "Poetry's Evidence" five poems and two short pieces of prose Max Ernst "Inspiration to Order" Marcel Duchamp "The Bride Stripped Bare by her Own Bachelors" Luis Bu�uel and Salvador Dali "An Andalusian Dog" Benjamin P�ret "At No. 125 Boulevard Saint-Germain" and five poems Tristan Tzara seven pieces of prose and verse; Samuel Beckett translates four of the pieces. Pages unopened.Covers slightly nicked and creased at the overlapping edges. Very good indeed. A sharp copy preserved in the glassine with which it was first issued this having several tears. Edward W. Titus, Paris. unknown
19722092902137306827Shinchosha 1972. Soft Cover. Fine. The book is in fine condition. Shinchosha paperback
B296158-1Argenteuil Robert Radford 1974. 79 1pp. Prof illus. Sm. oblong 4to. Orig. wraps. slightly worn. Ce numéro a été réalisé sous la responsabilité de Stéphane Arbutina Pascal Colard Lionel Labouhume Daniel Radford Robert Radford. Argenteuil (Robert Radford), 1974. paperback
19692090502113708508Not Available 1969. Soft Cover. Fine. The book is in fine condition. Not Available paperback
19772092902137306941Bijutsu shubbansha 1977. Soft Cover. Fine. The book is in fine condition. Bijutsu shubbansha paperback
9788527308168-11-131946Perspectiva. New. Perspectiva unknown
B295978-1Paris Jean-Jacques Pauvert 1957. No. 2 Printemps 1957 of 5 issues published in all 1956-1959. 167 1pp. Prof. illus. partly in color and with loose insert Le Royaume de la Terre. Sm. oblong 4to. Orig. blue wraps. Contributions by Joyece Mansour André Breton Robert Lebel Benjamin Peret Fernando Pessoa. Illustrations by Leonara Carrington Man Ray Toyen Wolfgang Paalen and Meret Oppenheim. Very good condition. Paris (Jean-Jacques Pauvert), 1957. paperback
196623242Paris: Lettres Modernes 1966. soft covers as issued. four volume set. vol. 1 has an owner name/date to first page. minor bits of exterior wear a little crease a little smudge. no text markings. no tears. strong sewn bindings.; french text as issued.; no. 1 1966 232pp./no. 2 1968 264pp./no. 3 1969 147pp./no. 4 1970 176pp. some have b/w figures. each contains numerous articles documents essays by various contributors. First Edition. Soft Cover. Very Good Plus. 8vo - over 7¾" - 9¾" tall. Multi-Volume Set. Lettres Modernes Paperback
19392092902137302598Atorie-sha 1939. Soft Cover. Fine. The book is in fine condition. Atorie-sha paperback
19362345Paris: Jeanne Bucher 1936. First edition. Original wrappers. Very Good. FIRST EDITION THE PRINTER JACQUES GROU-RADENEZ'S COPY WITH TWO LONG PERSONAL INSCRIPTIONS BY HUGNET. WITH COVER MY MARCEL DUCHAMP. ONE OF ONLY 294 COPIES IN THE EDITION; AN OUT-OF-SERIES COPY LABELED "EXEMPLAIRE NO. G.H.". "This is Georges Hugnet's first volume of 'poemes-decoupages.' The title echoes Andre Mallarme's Un Coup de Des N'Abolira Jamais le hazard 1895 and Hugnet's poems printed on the left-hand pages of the book mirror the unusual spacing and various typefaces and sizes of Un Coup de Des. Hugnet had joined the Surrealists by 1932 and the collages on the right-hand pages centered around nude images cut out of Paris Magazine rehearse typical Surrealist themes. The cover by Marcel Duchamp spells out the title in letters containing the names of a whole Surrealist pantheon including Sade Freud Rimbaud Paracelsus Swift Heraclitus Roussel Chaplin Jarry Uccello and Saint-Juste and also a Man Ray photograph of DuChamp's assisted readymade 'Why Not Sneeze Rrose Sélavy' consisting of 152 marble cubes the size of sugar cubes a thermometer and a cuttlebone inside a small cage" Roth 101 p.92.<br /> <br /> An extraordinary association copy signed and inscribed twice by Hugnet:<br /> <br /> On the half-title Hugnet has written a warm inscription dated 1936 the year of publication thanking Grou-Radenez for his work on the book. Beneath that in 1963 he added an additional inscription to the new owner of the book the surrealist photographer Leo Dohmen praising Grou-Radenez who had been arrested and murdered by the Nazi's for hiding Jewish children and aiding the French Resistance. <br /> <br /> Paris: Editions Jeanne Bucher 1936. Original photographically embossed wrappers hand-sewn as issued; housed in beautiful custom box. Illustrated throughout with black-and-white photo collages several hand-colored. Only mild wear to wrappers; remnants of paper at spine ends we have not been able to confirm that there was originally a paper spine under the external sewing; all other copies we've seen have not had a paper spine. A beautiful copy. Jeanne Bucher unknown
2090502113716025Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
69-1699Iowa City: Dada/Surrealism The University of Iowa 1985. 8vo. circa 190 pp. Soft Cover Very Good B&W Plates. Iowa City: Dada/Surrealism, The University of Iowa, 1985 paperback