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Sarane Alexandrian Les Peintres Surréalistes. Paris, Hanna Graham 2009 french, 301 2009, testo in francese. Opera con copertina rigida e sovraccoperta alettata. Numerose illustrazioni a colori e b/n nt e ft. N 49
trad. di Perla Cacciaguerra cartone edit. con sovrac. ill., piccole rotture in sovrac.
Paris-Rome, Maintenant, 1974. Format in-16 (10,5 x 15 cm) de 16 pages de papier bleu pâle, avec des illustrations, non coupé.
Mm 155x230 Volume rilegato di pp. 272 con 142 tavole in bianco e nero e a colori, sottolineature a penna in alcune parti, firma di precedente proprietario. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Salvador Dalì Salvador Dalì. Visi celati. Milano, Rusconi 1974 italian, 438 1974. "Narrativa Rusconi". Opera con copertina rigida e sovraccoperta alettata. Numerose illustrazioni in b/n ft. N 81
Gr. In-8, 245p. Edition originale numérotée 1/619 exemplaires sur vélin de Rives (après 131 ex. de tete sur divers papiers).
S. ALEXANDRIAN L'art surréaliste. Parigi, Fernand Hazan 1969 french, 253 BTT09 Brossura editoriale volume in discrete condizioni, strappo sulla copertina inferiore, interno in buono stato, tavole fuori testo a colori, testo in francese, alcune sottolineature all'interno 253 pagine circaCopertina come da foto
Miniature book: 2 1/8"w x 3 1/8"h. Many small prints of Ryden's Blood paintings featured in the artist's 2003 exhibitions in New York and Los Angeles at the Earl MacGrath Galleries. Gore and idealized children's big-eyed innocence/sexuality mixed together in disturbing juxtaposition with bees, bunnies, tears and meat. Exhibition list at back. Signed and dated on title page, comes with two tickets to 11/2004 exhibit at the Frye Art Museum in Seattle. Stamped #15222 on the last page. Limited Edition.
A new, unread book in excellent condition. Full red cloth boards with gilt titles and pasted-down illustration. Gray linen endpapers. Text in Japanese. 6"w x 9"h. 126 pages. A collection of the pop surrealist master's work. "Blending themes of pop culture with techniques reminiscent of the old masters, Mark Ryden has created a singular style that blurs the traditional boundaries between high and low art. His work first garnered attention in the 1990s when he ushered in a new genre of painting, "Pop Surrealism", dragging a host of followers in his wake. Ryden has trumped the initial surrealist strategies by choosing subject matter loaded with cultural connotation." [Ryden website]
Slightly bumped edges/corners. No jacket, as issued. Inscribed by author on title page: "To Bryan, Mark Ryden, 12/01." 10 1/4"w x 10 1/4"h. 134 pages.
A clean, unmarked book with a tight binding. 128 pages. Publication for exhibition held at Michael Kohn Gallery, Los Angeles, California, March 10 - April 28, 2007.
con numerose figure intercalate nel testo e a p. pagina, 49 ill. a colori applicate su tavole, 153 tavole in b/n e 148 illustrazioni in b/n dedicate ai diversi periodi dell'artista. Tela editoriale, sovraccoperta illustrata a colori (minime marginali usure, senza mancanze e strappetti). Ottimo esemplare.
This is a very good hardcover copy with only light wear. Completely clean inside and out. No dust jacket. Text in French. This is the first French edition, of William Rubin's standard work, Dada and Surrealism, published simultaneously ca. 1968 in America and Europe. 851 illustrations including 60 color plates. Chronology. Bibliography. 12" high X 10" widem 521 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
<p>30,5 cm, ril. in velluto illustrato e titolo al piatto, sovracop. ill. frontespizio con tavola a colori applicata; p. 518, su carta patinata, con molte ill. in nero n.t. e LIX tavv. applicate a colori ft.; Prima edizione italiana.</p>
Paris, Seghers, s.d. Fort in-4, (25 x 30 x 5 cm d'épaisseur), plein cartonnage éditeur à la Bradel, bien complet de sa jaquette illustrée en couleurs, 521 pp. Texte sur deux colonnes. Ouvrage illustré, 851 illustrations dont 60 planches contrecollées en couleurs hors-texte, certaines avec serpente. Rubin S. William est le Conservateur en chef des Collections de peinture et sculpture du musée d'Art Moderne de New York. Bel exemplaire.
In-4°, legatura in brossura editoriale, pp. 159, con illustrazioni in nero e a colori di opere dell'Artista.
Paris, Gallimard, 1992. In-8 broché de 311 pages. Bon état.
Book is in excellent condition, absolutely new. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 317 pages.
Book is in excellent condition, brand new. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. From the back cover: Canterel, a scholarly scientist whose enormous wealth imposes no limits upon his prolific ingenuity, is showing a group of visitors round Locus Solus, his secluded estate near Paris. One by one he introduces, demonstrates and expounds the discoveries and inventions of his fertile, encyclopaedic mind. An African mud-sculpture representing a naked child, a road-mender's tool which, activated by the weather, creates a mosaic of human teeth, a vast aquarium in which human beings can breathe and in which a depilated cat is seen stimulating the partially decomposed head of Danton to fresh flights of oratory - by each item in Canterel's exhibition there hangs a tale, a tale such as only that amazing genius Roussel, one of the founding fathers of the modern novel, could tell. As Canterel's devices become more and more elaborate, the richness and brilliance of Roussel's stories grow to match them; the flow of his imagination becomes a flood, until the reader finds himself swept along in a torrent of mingled wonder and hilarity. Locus Solus, first published in 1914, is perhaps Roussel's most perfect masterpiece. Based, like the earlier Impressions of Africa, on uniquely eccentric principles of composition (which the interested reader will find outlined in Rayner Heppenstall's Raymond Roussel), this book invites the reader to enter a very special world of the imagination, a hauntingly unforgettable world which in its innocence, extravagance and deep reasonableness is unlike anything in the literature of the twentieth century.
Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows light shelf wear only, no tears. Text is in English and French. 252 pages with illustrations anonymously commissioned by Roussel, via a detective agency, from Henri -A. Zo.
Spillato in brossura, cm 23x20, pp16 (2) + (18) di tavole in nero. Raro catalogo della prima mostra retrospettiva di Dalì in italia, curata da Theo Rossi di Montelera e allestita a Roma nel maggio 1954, quindi portata a Venezia (luglio) e Milano (ottobre); il testo introduttivo è del Marchese de Lozoya (Juan Contreras Lopez de Ayala), direttore dell’Accademia di Spagna di Roma e commissario del padiglione spagnolo alla Biennale veneziana. Il fascicolo ha qualche lieve alone di fioritura e la prima sguardia bianca è più stretta di un paio di centimetri rispetto alle altre pagine (presumibilmente tagliata una firma?); è presente tuttavia il raro foglio ripiegato col discorso di Dalì «ATTENZIONE! L’arte moderna invecchia vertiginosamente…» (anche questo con lievi fioriture).
Mm 135x215 "Bibliothèque de psychanalyse dirigée par Jean Laplanche". Brossura originale, 303 pagine. Volume in ottime condizioni ovvero mai letto. Spedizione in 24 ore dalla conferma dell'ordine.
In 8° picc. quadr., br. edit., pp. 311 con ill. in nero su 12 tavv.. Antologia di scritti di Man Ray, A. Breton, H. Richter, F. Leger, A. Artaud, scenari e film di R. Desnos, F. Picabia, L. Buñuel et al. Buon esemplare
In 8, cm. 15,5 x 21, pp. 311 con numerose illustrazioni fotografiche in bianco e nero su carta patinata. Brossura editoriale con sovraccoperta illustrata. Normali segni d'uso alla coperta e lieve imbrunimento delle pagine dovuto al tempo. In condizioni molto buone. Volume n. 10 della collana: 'Nadar' ricerche sull'arte contemporanea. Raccolta di scritti, opere e scenari di film di Man Ray, Andre' Breton, Robert Desnos, Francis Picabia, Hans Richter, Fernand Leger, Antonin Artaud, Luis Buñuel e altri che hanno rappresentato le avanguardie artistiche del XIX secolo. Testi in italiano/francese.
français In-4 de 191 pp.; album cartonné de l'éditeur. Préface de Philippe Soupault, conception artistique de Pierre Chapelot. Riche illustration en noir et couleurs. Une signature en marge du titre. Bel exemplaire.
