7 886 résultats
1877Ithaca/London, Cornell University Press, 1971 in 8 reliure toile de l'éditeur sous jaquette
Timothy Baum, Richard Gray The Surrealist Experience. Chicago, Richard Gray Gallery 1972 english, non numerate 1972. Opera con copertina morbida in brossura. Illustrazioni in b/n ft e nt. N150.
19845701DBHeidelberg., Edition Rom y Rom., 1984. 33 x 31 cm. 180 S., 1 Blatt. Illustrierter glanzkaschierter OPappband mit goldmeliertem illustriertem OUmschlag. 1. Auflage. Verlagsfrisches, neuwertiges Exemplar - originalverschweißt. Meisterwerke des 20. Jahrhunderts.
19845700DBHeidelberg., Edition Rom y Rom., 1984. 33 x 31 cm. 180 S., 1 Blatt. Illustrierter glanzkaschierter OPappband mit goldmeliertem illustriertem OUmschlag., 5700D.jpg 1. Auflage. Umschlag mit winzigem Einriss, sonst sehr gutes Exemplar. Meisterwerke des 20. Jahrhunderts.
19959883Kestner-Gesellschaft Hannover 1995 Edition en anglais de Robert W.Service, poete populaire americain. In-8, broche, 108 p. Couverture sous jaquette a rabats. Illustrations en noir & blanc en pleine page. Texte en ecriture manuscrite. Bon état.
Exhibition, The Cleveland Museum of Art, October - November 1979. With 106 ill. in black and white and 32 plates in colours . 8vo. pp. X - 186 - tavole. . Molto buono (Very Good). Sovracoperta sciupata (Worn, soiled and chipped dust jacket). . .
Published for the Yale University art Gallery by Yale University press New Haven & London, 1984 ; Fort in-4, cartonnage toile bleu et jaquette illustrée, 791 pp. Très importante iconographie et documentation sur les Surréalistes. (Man RAY- Kurt SCHWITTERS - Arnold TOPP - Jacques VILLON - S. TAÜBER-ARP - Hermann POST - Albert GLEIZES - Marcel DUCHAMP - ARCHIPENKO -CHAGALL - CHARCHOUNE - John COVERT - Max ERNST, etc....)
16555Published for the Yale University art Gallery by Yale University press New Haven & London, 1984 ; Fort in-4, cartonnage toile bleu et jaquette illustrée, 791 pp.
198428514New Haven: Yale University Art Gallery 1984. First edition. Cloth. Very Good/very good. Very large and heavy clothbound quarto in dustwrapper. 791 pp. Catalogue Raisonne of the collection of artworks and ephemera donated to Yale University in 1941. The Societie Anonyme was founded in 1920 by Katherine Dreier Marcel Duchamp and Man Ray whose goal it was to introduce then contemporary European art to the American public. A very good copy in blue cloth covers. Illustrated in both color and black and white. The unclipped dustwrapper is present and is in about very good condition with several small closed tears at edges. Very heavy volume. Additional shipping charges may apply. Yale University Art Gallery unknown books
A clean, unmarked book with a tight binding. Full beige cloth boards. Edge wear and small tears to dust jacket. 8"w x 11 1/8"h. 424 pages.
31093Coprah, 1977. In-12 br. Papier cristal imprimé conservé. Traduction de Madeleine Brousté. Couverture illustrée par Patrice Vermeille. E.O. ex. imprimé sur Ingres des papeteries de Lana.
198025813London Arts Council of Great Britain 1980 In-8 illustré de photographies, n.p. [54]p. Cartonnage léger, imprimée.
198732238London Sotheby's 1987 In-4 bien illustré noir et couleurs, n.p. Couverture illustrée couleurs.
1996fe279John F. Kennedy University, Berkeley, California Catalogue 1996 In-8, (28x21.5 cm), format à l'italienne, broché, couverture illustrée, 64pages, texte en anglais, illustrations en noir et blanc, envoi et dessin de l'artiste, texte sur des transparents ; plats légèrement jaunis, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
A clean, unmarked book. Age-toned pages. Cracked spine. 376 pages. Includes poems by Andre Breton, Palu Eluard, Benjamin Peret, Louis Aragon, Guillaume Apollinaire, Pierre Reverdy, Tristan Tzara, Jean (Hans) Arp, Anonin Aurtaud, and Aime Cesaire.
AA.VV. The Poetry of Crisis: The Peter Nahum Collection of British Surrealist and Avant Garde Art 1930-1951. Gran Bretagna, Christie's 2006 english, 269 CR.40Brossura editoriale,Catalogo della Mostra tenuta a Londra nel 2006, in lingua inglese, volume in ottime condizioni, illustrato a colori, copertina in condizioni eccellenti, interno come nuovo, legatura salda,269 pagine circaCopertina come da foto
Elizabeth Cowling The Magic Mirror. Dada, Surrealism from a private collectio. Edinburgh, Scottish National Gallery of Modern ASrt 1988 english, 80 1988, tasto in inglese. Opera con copertina morbida in brossura. Numerose illustrazioni a colori e b/n nt e ft. N 23
7928New York Museum of Modern Art 1968 - Riveté sous couv. métallique en relief 22 cm x 25 cm 216 pages nombreuses ills en noir et en blanc et en bleu pour les quatre dernières pages - Catalogue en anglais de l'exposition sur le thème de la machine de Léonard de Vinci à John Willians Ant en passant par Chirico Dürer Duchamp Picabia etc. sous la direction de Pontus Hulten notes bibliographie - Très bon état
A clean, unmarked book with a tight binding. This book has the scent of nag champa incense. 72 pages. Signed by James Tate on the title page.
105558Milan, Galerie Schwarz, 1967-1968, 2 volumes 422x250mm, pp. xiv, 293, (5); viii, 142, (5). -vol. I avec 9 gravures de Duchamp, 2 double page et une avec couleur, ainsi que des reproductions de croquis, des plans et des notes ; vol. II Illustré avec 9 gravures originales de Marcel Duchamp. -Vol. I dans les emballages imprimés de l'éditeur original, la chemise en tissu et l'étui en plexiglas de l'éditeur avec l'image couleur imprimée de « The Large Glass » ; vol. II dans les emballages imprimés de l'éditeur original, chemise en tissu avec titre imprimé et étui avec imprimé "éros c'est la vie / Rrose Sélavy". - De l'édition limitée à 150 exemplaires et 15 HC, chaque volume signé par Duchamp et Schwarz.
A clean, unmarked book with a tight binding. 113 pages. 8 1/4"w x 11 3/4"h. Color illustrations throughout. Timeline; select bibliography.
196233128New York George Braziller in association with Horizon Magazine 1962 Grand in-4 bien illustré en noir et en couleurs, 210p. Cartonnage de l'éditeur, toile et jaquette illustrée couleurs.
193653024London: New Burlington Galleries / Women's Printing Society Ltd 1936. First Edition. Slim octavo 24cm; pictorial wrappers saddle-stitched; 311pp. French gallerist and art dealer Pierre Loeb's copy with "Exemplaire de Pierre Loeb" in red ink on title page by E.L.T. Mesens along with his signature and those of the following individuals associated with the exhibition directly beneath: Shiela Legge André Breton Jacqueline B. Jacqueline Lamba Breton's wife Roland Penrose David Gascoyne Humphrey Jennings Hans Arp and George Reavey. Light external wear and dust-soil wrappers starting to pull away from staples with some scattered discoloration to rear wrapper; a few very light pencil marks in-text else contents quite fresh; Very Good. Housed in a custom clamshell case. Well-preserved catalog of the first Surrealist art exhibition in England organized by artist Roland Penrose and poet David Gascoyne and held at the New Burlington Galleries from June 11th - July 4th 1936. A ground-breaking event described alternately as chaotic indecent and inspiring the organizers assembled nearly 400 paintings and sculptures by 71 Surrealist artists including Hans Arp Jacqueline B. Hans Bellmer Constantin Brancusi Alexander Calder Salvador Dali Marcel Duchamp Alberto Giacometti René Magritte Joan Miró Paul Nash Pablo Picasso Man Ray Yves Tanguy and others. The three-week event was a true spectacle involving Dalí delivering a lecture and nearly passing out while wearing a full deep-sea diving suit Sheila Legge's performance as "The Phantom of Sex Appeal" in Trafalgar Square and poet Dylan Thomas circulating among the guests at the opening offering them cups of boiled string. In addition to listing all 392 works in the exhibit the catalog features a cover illustration by Max Ernst an English-language preface by André Breton translated by Gascoyne and an introduction by Herbert Read. A significant copy signed by several artists and presented to French gallerist Pierre Loeb one of the great champions of Surrealism. On its own a somewhat elusive catalog rarely seen with such a collection of signatures the auction record showing the last such copies for sale in 1976 George Hugnet's copy signed by nine and 1973 Suzanne Malherbe and Claude Cahun's copy signed by 11. 53024. New Burlington Galleries / Women's Printing Society, Ltd unknown
193648773London.: New Burlington Galleries. 1936. Original publisher's pink stapled wrappers with printed collage by Max Ernst to front cover later protective crystal wrappers. 8vo. 155 x 240 mm. Leaf with advertisements recto and verso leaf with title recto and committee and contributors verso leaf with advertisement recto and preface by André Breton translated by David Gascoyne verso and on following leaf leaf with advertisements recto and verso leaf with explanatory note and catalogue of exhibitors and their works in alphabetical order final leaf with printers' credit verso. Gaston Ferdière's presentation copy of the scarce catalogue for the ambitious and highly influential International Surrealist Exhibition held in London in 1936 signed by a number of the participants.Presented by Mesens in red ink: 'Exemplaire de Gaston Ferdière' and beneath the signatures of André Breton in green Hans Arp in pencil Roland Penrose in blue ink Claude Cahun in blue grey Sheila Legge Rupert Lee and David Gascoyne all in sepia Paul Eluard in black ink and Man Ray in pencil; the following leaf with advertisements and adjacent to the details of the committee list of contributors etc. features an inscription in black ink by Conroy Maddox: 'Refused to participate / Conroy Maddox'.Gaston Ferdière was a controversial figure a Surrealist-affiliated poet who published verse in the mid-1930s a doctor who administered to the Spanish Republicans in the Spanish Civil War and a psychiatrist lauded and criticised for the electroshock therapy he administered to Antonin Artaud in the 1940s before Artaud's suicide in March 1948. Ferdière was a friend of Breton Crevel Desnos and Péret later Hans Bellmer and Unica Zûrn who he also treated and was anathemised by Isou another patient and the Lettrists along with psychiatrists and psychiatry in totality. At the titme of the London Surrealist Exhibition Ferdière had published a small handful of verse collections: 'L'Herbier' 1926 'La Chanson Fruste' 1927 'Ma Sébile' 1931 and 'Paix sur la Terre - Poèmes pour les Théâtres Prolétariens d'Action Contre la Guerre' 1936. 'No one personifies the thorny entanglement between modernism and the science of the soul better than Dr. Gaston Ferdière the psychiatrist who administered no less than 58 electroshock treatments to the Surrealist playwright Antonin Artaud during the Second World War. Determined to reconcile poetry and medicine Ferdière had studied under 'Professor Claude' - target of Breton’s anti-psychiatric rants - at Sainte-Anne while at the same time passing as a 'star of Surrealism in the bistros' of Paris in the mid-1930s . By the time Artaud showed up on his doorstep at Rodez psychiatric hospital Ferdiére had long since abandoned his poetic aspirations. Yet his old interests were rekindled in long conversations with the Surrealist playwright whose talents he sought to revive by a combination of 'art therapy' - writing drawing translating Lewis Carroll’s 'Through the Looking Glass' - and shock treatments - six courses ranging from 4 to 13 sessions each between June 20th 1943 and January 24th 1945. Electroshock was still in its experimental phase - the machine had hardly rolled in the door at Rodez - and the convulsions were so severe that Artaud fractured a vertebra in his neck during one of the treatments.' Kevin Repp.The International Surrealist Exhibition was held at the New Burlington Galleries from 11 June - 4 July 1936 organised by committees from England France Belgium and Scandinavia. The scale and range of works from artists was highly impressive see a list of exhibiting artists below and London was acting alongside Paris and New York in focusing on the new movement. In the same year Alfred Barr opened a show at the Museum of Modern Art New York entitled 'Fantastic Art Dada and Surrealism' and Paris' 'Cahiers d'Art' journal then at the height of its influence had devoted a whole issue to the Surrealist object. The exhibition comprising of some 390 works painting sculpture drawing and objects was opened by André Breton to some two thousand people thereafter averaging a footfall of one thousand people per day. Lectures were delivered throughout the exhibition and included Salvador Dali's presentation from within a deep-sea diving suit which needless to say put a strain on his respiratory system and resulted in his being rescued by the young poet David Gascoyne with a spanner.It is also significant that one of the most legendary moments of the exhibition was the performance by Sheila Legge who stood in the middle of Trafalgar Square in a white wedding dress inspired by a Dali painting her head obscured by a floral arrangement prefiguring Feminist and Fluxus performances of some 20 years later.Exhibiting artists included Eileen Agar Jean Arp Eugène Atget Hans Bellmer Jacques-André Boiffard Bill Brandt Victor Brauner Fanny Brennan Emmy Bridgwater Luis Buñuel Claude Cahun Leonora Carrington Ithell Colquhoun Gala Dalí Salvador Dalí Jean Dallaire Paul Delvaux Óscar Domínguez Christian Dotremont Marcel Duchamp Marcel Duhamel Curt Echtermeyer Max Ernst Leonor Fini Gordon Onslow Ford Esteban Francés Alberto Giacometti Julio González Jane Graverol Jacques Hérold Valentine Hugo Frida Kahlo Wifredo Lam Jacqueline Lamba Dora Maar Conroy Maddox René Magritte Georges Malkine Marcel Mariën André Masson Roberto Matta Mikuláš Medek Oscar Mellor John Melville E. L. T. Mesens Lee MillerDesmond Morris Joan Miró Méret Oppenheim Wolfgang Paalen Benjamín Palencia Roland Penrose Man Ray Toni del Renzio Kay Sage Kurt Seligmann André Souris Martin Stejskal Jindřich Štyrský Maurice Tabard Yves Tanguy Dorothea TanningKarel Teige Kristians Tonny Toyen Albert Valentin Remedios Varo James F. Walker Unica Zürn Philipp Humm.Printed on very good laid paper by the 'Women's Printing Society' the contents are on the whole very good with some few scattered spots while the cover as can be expected shows some signs of age.see Kevin Repp's 'The Strange Case of Dr. Ferdière' Yale 2011; Ades 14.55. New Burlington Galleries. unknown
Light wear to cover. Interior pages clean and unmarked; tight binding. 124 pages. Translated by Jon Graham; Frontispiece by Salvador Dali; Introduction by Antony Melville.