Derrida, JacquesBiblio.com
872 résultats
1995mon0000986404Stanford University Press 01/02/1995 00:00:01. hardcover. Very Good. 3.5573 in x 21.5736 in x 14.4690 in. Stanford University Press hardcover
1995Q-0804724881Stanford University Press 1995-02-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Stanford University Press paperback
0804723958.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1995DADAX0804723958Stanford University Press 1995-02-01. 1. hardcover. New. 5.75x1.50x8.75. Buy with confidence. Excellent Customer Service & Return policy. Stanford University Press hardcover
63498891Stanford University Press pp. 516 . Papeback. New. Stanford University Press unknown
1997Q-1859840337Verso 1997-07-17. Paperback. New. In shrink wrap. Looks like an interesting title! Verso paperback
1859840337.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2002Q-3518292080Suhrkamp 2002-12-01. paperback. New. In shrink wrap. Looks like an interesting title! Suhrkamp paperback
7567929like new. unknown
3518292080.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2718604387.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1994Q-2718604387GALILEE 1994-10-13. Paperback. New. In shrink wrap. Looks like an interesting title! GALILEE paperback
8481642347.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
198662299s. l.: Par l'auteur 1986. Fine. Par l'auteur s. l. 1986 22 x 22 cm une feuille Large original black-and-white photographic portrait by Marc Trivier. Original gelatin silver print unsigned as is the case with most of Trivier's works. A rare original silver print by the celebrated Belgian photographer one of the most secretive contemporary artists who despite early international success chose to restrict his output in order to preserve the coherence of his work. Marc Trivier does not produce new prints of his earlier portraits; moreover the printing paper he once used is no longer manufactured. The artist « réalise lui-même ses tirages sur papier baryté Ilford consacrant plusieurs jours de travail à chacun avec une concentration particulière pour rendre les blancs par contraste avec des noirs d'une rare densité. Un tirage de Marc Trivier ne ressemble à aucun autre. Lorsqu'il accepte de les exposer il les suspend dans des cadres en inox de sa fabrication laissant libre cours à la vie du papier. » Xavier-Gilles « Marc Trivier et la tragédie de la lumière » in Le Monde Libertaire 2011. This « life of the paper » is part of the work itself just as the various alterations photographs undergo when exposed: « Dans les boites les tirages gondolent mais qu'importe : le photographe affectionne ce genre d'accident. » Claire Guillot « Les face à face sans échappatoire du photographe Marc Trivier » Le Monde 2011. Trivier shows a singular sensitivity to the material dimension of his art. Although photography is by nature a medium of multiples his direct intervention throughout the creative process confers an almost autographic aura on these prints. Photographs of artists the insane trees or slaughterhousesMarc Trivier approaches each of these subjects with a gaze at once precise and intense. « Dans sa cosmogonie chaque chose chaque être végétal animal ou humain mérite le même respect. Car tous sont confrontés à la même loi d'airain : la solitude. » Luc Desbenoit. The beauty that emanates from his images arises from this nakedness. There is neither retouching nor cropping. His work consistently preserves the square format emphasized by the square of the negative left visible on his prints. This frame ensnares the gaze in images where the cosmetic distractions of colour are rejected in favour of incisive black and white. With all artifice removed we are not confronted with staged subjects but with presences heightened by a singular radiant light witness to a lived moment rather than a posed one. It is this light intrinsic to the photographic medium that unites Triviers series: « Les photographies de Marc Trivier écrivent une tragédie de la lumière celle-ci n'accueillant les êtres - hommes arbres ou bêtes - qu'en les brûlant avant disparition. » Xavier-Gilles in Le Monde Libertaire. It is also this light stripped of all artifice that endows his works with the aura that makes them so compelling. This « burning » of the light recalls the reality of an instant the « ça a été » of Barthes La Chambre Claire 1980: « De trente-cinq ans de pratique photographique d'obsessions c'est peut-être ça qui reste : un mode d'enregistrement singulier de la brûlure de la lumière décliné d'une image à l'autre en une succession de propositions qui se ressemblent et pourtant chacune est aussi singulière que la fraction de temps auquel elle renvoie. » Marc Trivier. « La photographie ne dit qu'une chose : « C'était. » On ne fixe que ce qui a été. S'il y a une tragédie elle est là. » Marc Trivier Warhol Foucault Beckett Dubuffet . the greatest writers and artists sat for Trivier. At the same time the artist turned his lens to the margins of society to what men would rather not see. He photographed the mentally ill and slaughterhouses setting them in counterpoint to celebrities. From the late 1980s his work was widely acclaimed earning him the prestigious Young Photographer Award from the International Ce Par l'auteur unknown
19815562303The Athlone Press 1981. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item350grams ISBN:0485300001 The Athlone Press hardcover
1981049523Chicago Ill.: University of Chicago Press 1981. Book. Very Good. Hardcover. 1st Edition. 8vo - over 7¾ - 9¾" tall. Very little wear whatsoever. Jacket in Brodart for preservation. 'This book is a collection of the only lengthy interviews granted by Derrida. It is not so much an introduction as a clarification of Derrida's thought and writing. The primary value of the author's responses or 'positions' lies in the ways in which they illuminate and make more accessible complex concepts and terms treated extensively in such difficult works as L'ecriture et la difference and La dissemination. The three interviews included in this work give a multifaceted view of Derrida.' 114 pages. University of Chicago Press Hardcover
1981Q-0226143325University of Chicago Press 1981-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! University of Chicago Press hardcover
1982Q-0226143317University of Chicago Press 1982-11-15. Paperback. New. In shrink wrap. Looks like an interesting title! University of Chicago Press paperback
0226143325.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
19721185chicago: the university of chicago press 1972. first american edition 1972.<br /> <br /> translated and annotated by alan bass. <br /> <br /> three revealing interviews with the philosopher jacques derrida offer a clearer understanding of the complex ideas that shape his renowned works "writing and difference" and "dissemination." in these dialogues derrida responds to critics and supporters alike while engaging with two central currents of french intellectual life: marxism and psychoanalysis.<br /> <br /> through discussions with henri ronse julia kristeva and jean-louis houdebine derrida articulates his philosophical stance on language linguistics and the contentious debates surrounding his work. each interview serves as a prism through which his often-elusive theories become more approachable shedding light on the underpinnings of deconstruction.<br /> <br /> bass's translation praised for its clarity and precision is accompanied by insightful critical notes that provide essential historical context.<br /> <br /> chicago: the university of chicago press. isbn: 0-226-14332-5. 114 pages. 8.15 x 5.5". hardcover. bound in cloth-covered boards. book condition: ownership markings. fine. jacket condition: gentle toning and shelfwear. near fine. the university of chicago press unknown
197235899Paris: Les Editions de Minuit 1972. Fine. Les Editions de Minuit Paris 1972 13.50 x 18.50 cm broché First edition of which no deluxe copies were printed. Signed autograph inscription from Jacques Derrida to Joseph Joliet a former student of Derrida who became a very close friend of the philosopher. Very attentive to Joliet's writing Derrida would write the preface to his novel: ""L'enfant au chien assis"" and support him during difficult periods cf. Derrida by Benoit Peeters. Spine sunned three small stains on boards handsome interior condition. Les Editions de Minuit hardcover
2000mon0000226276Continuum International Publishi 2000-12-01. Hardcover. Very Good. Athlone Press London 1981 First U.k. Edition. Hardback. Dust Jacket. 1981. 8vo. pp vii 114. Original publisher's brown cloth lettered silver on spine. ISBN: 0226143325 Fine in very slightly toned very good dust jacket. Excellent condition; in rare books Continuum International Publishi hardcover
0826477119.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0826459927.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20042-0826477119Continuum International Publishing Group - T & T C 2004. Paperback. New. new edition. 144 pages. 7.56x5.04x0.55 inches. Continuum International Publishing Group - T & T C paperback
