Branchengruppe Wollgarne STDV (Hrsg.)Antiquariat.de
2 881 résultats
197134673ABMBern, Branchengruppe Wollgarne STDV, o.J. [um 1971]. 4°, 56 S. mit zahlr. (teilweise ganzs.) Farb- und s/w-Abb. von Kleinkinder-Strickbekleidung sowie (wunderbaren) 70er-Jahre-Kindermodels, illustr. original Kartonage (geheftet), eine Doppelseite mit altem Tesa im Gelenk verstärkt, Rückdeckel mit winziger Bezugsfehlstelle, sonst ein schönes, sauberes Exemplar (hhreg)
199779593Paris, 1997, in-8, np, broché, Superbe exemplaire! np
grand in-8°, 169 pages, illustrations en noir, broche, couv. illustree. Tres bel exemplaire. [MI-9]
199167029Paris, 1991, in-8, 282pp, broché, Très bel exemplaire! 282pp
1968143623Leipzig. VEB Georg Thieme 1968. 186 Seiten. Originalbroschur. (Geringe Gebrauchsspuren). 22x15 cm
25648Paris, Masson et Cie, 1947. 16 x 25, 539 pp., broché, bon état (couverture légèrement défraîchie).
2004500119055Archives & culture 2004 24 4x3 6x17 2cm. 2004. Relié.
2013500275201Horay 2013 480 pages 19 4x2 8x25 2cm. 2013. Relié. 480 pages.
48184N° 7 - Février 1963 - revue illustrée - broché
197824195ABBern, Zytglogge Verlag, 1978. 8° 171 S., illustr. original Kartonage (Paperback), Erstausgabe der Einband gebräunt, wenige Seiten mit (gut radierbaren) Unterstreichungen mit weichem Bleistift, sonst gut und textsauber (Psy-K2)
197989924Regensburg, Friedrich Pustet, (1979). 419 S. Mit 484 s/w Abb. im Text und auf Taf. 29 cm. Geprägtes OLn. m. SU.
A full repository of the nursery rhymes and ditties which are the heritage of our oral tradition. Reprinted with corrections, 224pp. Tears down back top edges of dust jacket and further small tears to edges. Previous owners crossed-out name on front pastedown.
Very Good English Paperback. 4to. (29 x 24 cm). In English and Turkish. [xiii], 182, [1] p., color and b/w ills. El/leMarmara University Faculty of Fine Arts Exhibition of Graduation Projects Academic Year, 2005-2006.= El/le. Marmara Üniversitesi Güzel Sanatlar Fakültesi 2005-2006 Akademik Yili Diploma Projeleri Sergisi. [Exhibition catalogue]. Prep. Inci Deniz Ilgin, Begüm Akkoyunlu, Zeynep Ögel. For the artist, there is a particularly productive relationship between the hand and the object. The hand must wield the brush masterfully; its skill must predominate when shaping the mass of clay. The fingers must find the way to elicit the finest sound from the strings of the violin, the keys of the piano. Here the hand searches for thought and feeling; the instant it finds what it has sought - in spite of its appetite - it must rise from the banquet table of sound or colour or form, otherwise, like every other thing that loses its equilibrium, it becomes subject to damage. The hand of the designer takes heed of the relationship between hand and object. Perhaps his relationship with the object develops as it passes through the filter of his relationship with the hand, because in the person-object relationship, holding and using are significantly predominant. But whether we are discussing art or design, if there is no relationship with creative potential in the relationship between matter and product, the hand is nothing more than a useful tool. From this aspect, the hand is the confessor of the heart, the brain and the aggregation that anticipates the creative potential... The collaboration between the Fine Arts Faculty of Marmara University and the Pera Museum was based upon the condition that the ten divisions of this Faculty would be included in the exhibition and that it would be comprised from the works of the graduating class. It was certain that this interdisciplinary exhibition would display an energetic and extremely colourful totality. It was important to present the exhibition within the framework of a shared theme that would unify these varying techniques and disciplines. Ultimately the discussions on this subject led to the choice of the title "el/le", because of the breadth of its meaning. In the "EL/LE" exhibition, painting, sculpture, graphic arts, ceramics, industrial products, interior design, textiles, photography and cinema come together in the opulence generated by the traditional arts of the hand. The "hand" is interpreted by the hands of artists and designers. What aspects of the hand will be beautified through the abundant energy of these creators? This exhibition provided the conclusive answer to that question.
Book is in excellent condition, as new. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. 195 pages with many full page, full color diagramic renditions of what various figures' auras look like: yourng idealist, artist, person with polio, down syndrome child, baby, etc. with descriptive text, background.
200923584Terres 2009 In-8, cartonnage editeur illustre. 335 p. Nombreuses illustrations n&b et couleurs. Etat neuf. Poids estime avec emballage protecteur : 1300 g
In-8 (cm. 20.30), brossura illustrata, pp. 157, (3). Prima edizione italiana. In buono stato (good copy).
1986111151Éditions du Chêne 1986 In-4 cartonnage éditeur 32 cm sur 26. 231 pages. Nombreuses photographies en noir et blanc et en couleurs in-texte. Jaquette en bon état. Bon état d’occasion.
199946577Méréal 1999 Photographies de Philippe Bazin. In-4 broché. Bon état d’occasion.
2001100052506Galerie Chab 2001 in8. 2001. Broché. photographies noir et blanc et couleurs
New English Paperback. 4to. (29 x 24 cm). In English and Turkish. [xiii], 182, [1] p., color and b/w ills. Working space: Yildiz Technical University Faculty of Art and Design 2006-2007 Student Projects Exhibition.= Isleyen mekan: Yildiz Teknik Üniversitesi Sanat ve Tasarim Fakültesi 2006-2007 Ögrenci Projeleri Sergisi. [Exhibition catalogue]. Prep. by Zerrin Iren Boynudelik, Orton Akinci, Zeynep Ögel, Begüm Akkoyunlu. Since its inauguration, Pera Museum has been instrumental in promoting young artists and institutions of art education by opening its exhibition floors during the summer months. Comprised of Yildiz University Faculty of Art and Design student projects for the 2006-2007 academic year, the Working Space exhibition and the accompanying catalogue, took us through a field of experience in which students tried to comprehend life through possibilities in art, and introduced the viewer to young art and the problems of art education.
194734893ABLimburg/Lahn, Lahn-Verlag, 1947. 8°, 478 S., Text: Fraktur, schlichte schwarze original (?) Kartonage (Paperback) ohne Beschriftung, eingeschlagen in einen schwarzen Papierumschlag, erste Nachkriegsausgabe (die Erstausgabe erschien Besitzervermerk auf Vorsatzseite, die ersten Seiten oben mit zartem Wasserfleckchen, innen (wie immer) papierbedingt etwas nachgedunkelt, sonst ein gutes, textsauberes Exemplar (re05)
198817117BBFrankfurt am Main, S. Fischer, 1988. 8°, 198 S., farbig illustr. original Kartonage (Paperback), Zustand wie frisch aus der Buchhandlung - noch original verschweisst.
2008100149076DUNOD 2008 760 pages 22x4x31cm. 2008. Cartonné. 760 pages.
2014AUB-7889Ed. Prat 2014. Bel exemplaire broché, cartonnage illustré avec rabats, in-8, 320 pages avec index.
118164Paris, Editions du Seuil 1948, 245x195mm, 37pages, broché. Couverture rempliée. Tiré sur les presses de l’Imprimerie Louis Jeanrot sur papier vélin de Lana, numéroté, n.° 845 / 1500. Petit accrocs sur le bas du dos, très petites taches sur la couverture inférieure. Bel exemplaire.
