(Feminism) Hodges, Beth, edBiblio.com
70 résultats
1975H9246Milwaukee: Tom Montag 1975. Wraps 10.5 inches tall on newsprint good copy with some wear and stains to covers age toning to contents. 72 pp illustrated consists of reviews articles essays & more. Tom Montag unknown
102381<p>Amsterdam 1973 - 1974. Size: 215 x 275 cm. 17; 23; 22 10 pp. Illustrated in b/w. Stencilled. Stapled.<br /><br />This short-lived radical feminist magazine was published from 1972 to 1974. Only six issues saw the light of day. It is an important source for the history of feminism and gender studies. Copies are extremely rare and complete sets impossible to find. I have only found three complete sets in libraries all in Amsterdam. Paarse September conisted of four women who became soon famous for claiming in the first issue of their magazine that feminists that stayed heterosexual were not real feminists and could even be considered anti-feminists. Their motto was "Being lesbian is a political choice" Lesbisch zijn is een politieke keuze. After six issues Paarse September stopped in 1974 because they thought their ideas were well known by then.</p>
16123New York 1870s. Without printer or date. 31pp. 8vo. Drophead title. In good condition lightly-aged no wraps disbound. Excessively scarce: two copies on COPAC at Lambeth Palace and the London School of Economics and only one more copy apart from surrogates on OCLC WorldCat at the Ohio History Convention. This copy like the two on COPAC lacking the title leaf which according to the WorldCat entry gives the place of publication as New York and the full title as 'No female suffrage! Attila: theology logic anatomy physiology and philology united to establish the truism that the woman is no human being'. From the style not written by a native English speaker. The author names himself as 'Attila' on the first page and the work is on the outer reaches of misogyny. Final paragraph p.31: 'However much indignation this our work may provoke we believe to have conscientiously acted according to our motto: "Every being must be instrumental in the progress of truth." And we really believe to have told the truth. The woman is no human being like man she has therefore no claims to "usurp power over man" and claim female suffrage. Let her remain the helpmate of man attend to her domestic duties and she will from her beginning to her end be man's blessing.' [New York, 1870s.] Without printer or date. paperback
1973List3007United States 1973. Single photograph measuring 8 x 10 inches. Manuscript captions verso reading “Florence Kennedy / Fla / Womens Lib†and “FLORYNCE KENNEDY / WOMEN’S RIGHTS†with stamps “PHOTO BY AKIRA SUWA†and “MAR4-1973â€. Near Fine. Florynce Kennedy 1916–2000 was an African American activist lecturer and lawyer. She attended Columbia University as a pre-law student graduating in 1948; she was rejected from Columbia Law School but the decision was reversed when she threatened legal action for racial and gender discrimination. Kennedy went into private practice in 1954; she represented Billie Holliday’s and Charlie Parker’s estates and defended Black Panthers H. Rap Brown and Assata Shakur and radical feminist Valerie Solanas. She founded The Feminist Party which nominated Shirley Chisholm for president sued the Catholic Church lectured on issues of race and gender and organized and participated in numerous protests.<br /> <br /> Shortly after this photograph was taken in 1973 Kennedy organized the National Black Feminist Organization. The group first met in New York City and its first attendees included Faith Ringgold Ringgold’s daughter Michele Wallace Margaret Sloan-Hunter and other prominent African American feminist activists. In the photograph Kennedy wears a pin reading “DEFEAT THE FETUS FETISHISTSâ€. Abortion rights were an important cause for Kennedy; the pin is likely related to the October 1973 protests by the Women’s National Abortion Action Coalition against the New York City Archdiocesan “Respect Life Week†where the slogan appeared on many protestors’ signs.1<br /> <br /> 1 “Respect Life Week Stresses the Unborn†The New York Times October 3 1972 22. unknown
197932004Berlin 1979. First Edition. Original photo-montaged advertisement poster 83.5x58.75cm. printed offset in black and yellow on glossy white stock; previous mail folds general wrinkling most heavily along right-hand edge else About Very Good and sound. Advertising poster for the German feminist magazine Courage the image presumably reproducing the cover of the current issue. Contents feature articles on women in the military the feminist movement in Spain and the letters of Sylvia Plath. At bottom of image: "Jedefrau Braucht Courage / Ab sofort im Handel" Every woman needs courage from now on in work. Quite a large poster presumably issued to be displayed at the newsagent. unknown
1974003028Monterey California: National Organization for Women 1974. Single sided printed poster approximately 445mm x 630mm in size. Creased very slightly browned couple of pin holes to top corners small scuff to foot otherwise quite bright and clean. Produced by J. Johnson P.M. Leeper and J.N. Mercier for the Monterey Peninsula group of the National Organization for Women. First Edition. Unbound. Good. Atlas Folio. Poster. National Organization for Women Paperback
022563Vienna/Wien: Austria Tabak/Die Damen presumed Publishers. Spiral Bound. Very Good. Folio. ca 1990. Spiral bound 19 ½ by 20 ½ inches. 15 glossy sheets and cardboard backing. A conceptual art piece created by Die Damen and commissioned by the Austrian tobacco company Austria Tabak. Die Damen was a feminist art collective founded in 1987 by ONA B Evelyne Egerer Birgit Jürgenssen and Ingeborg Strobl. Their work consisted mostly of performances and staged pieces that highlighted gender stereotypes and roles exaggerating their sexuality through costumes/clothing that were associated with gender stereotypes. Most of their work was based on performance or action thus little paper artwork was produced. As the Generali Foundation website states better than we can: "Their themes were seemingly banal but in reality subversive. Taking an ironic perspective they exaggerated the predominant clichés pertaining to gender roles. . Body language and gestures as well as the design and styling of outfits and accessories were the important forms of impression in these actions. DIE DAMEN usually performed wearing identical costumes. They always emphasized their feminine sexuality by using various clichés such as classic business dress or kitchen aprons thus presenting a socially critical view of the passive roles traditionally apportioned to women. . DIE DAMEN also addressed everyday domestic scenes at home and the tough reality of down-trodden housewives. With their staged parodies and caustic humor they reflected back the male gaze and also supremely demonstrated the "cool" distance typical of the 1980s." This calendar was commissioned by Austria Tabak creating a subversive look at advertising and women depicted in advertising. Rather than portray glamourous scenes of smoking and cigarettes DIE DAMEN subtly displayed evidence of smoking or cigarettes among scenes of housework and everyday activities. VERY GOOD condition. Minor bumping and curling at the corners. Austria Tabak/Die Damen, presumed Publishers unknown
022565Detroit: Detroit Chapter of N.O.W. Publisher. Tabloid. Good. no date presumed 1968 based on dates in the paper. Tabloid newspaper format a single sheet folded into 4 pages. With a few illustrations. Perhaps a one off sort of underground press publication issued by the Detroit chapter of the National Organization of Women. According to the editorial on the front the South End a paper published at Wayne State University published an article on women and issues facing them in American society but spent most of the article discussing women's sex live and their relationships to family and embraced and perpetuated stereotypes as well. Thus the Detroit NOW published this rebuttal paper including essays and letters highlighting the vast inequality in America between men and women. NOW is a feminist organization working for women's rights and equality. It was founded in 1966. GOOD condition. Paper very brittle with many tears along the extremities. Horizontal fold crease present. Moderate toning. Some creasing and wrinkling. Detroit Chapter of N.O.W., Publisher unknown
1972207652Chicago: Chicago Women's Graphic Collective 1972. A few surface wrinkles from having been rolled; bright and without tears. Silkscreened poster 23-1/2 x. 17-3/8 in. printed in blue green and purple on brown paper. A bold poster depicting a faceless woman holding a rifle and with a baby on her back next which appear nine lines of verse by the Japanese poet Akiko Yosano. This is variant state of the print without the imprint of the CWGU. A later offset litho edition was also produced. Chicago Women's Graphic Collective unknown
198583357Adelaide: Research Centre for Women's Studies University of Adelaide to Number 22; Carfax numbers 23-45; and Routledge numbers 46-51 1985. First Edition. Paperback. Very Good. Adelaide Research Centre for Women's Studies University of Adelaide to Number 22; Carfax numbers 23-45; and Routledge numbers 46-51 1985 to 2006. Octavo to Number 22 and large octavo the rest 49 issues in total Number 7/8 is a double issue. Original card covers; in excellent condition. At the time the journal was published bi- or triannually. 49 items. Research Centre for Women's Studies, University of Adelaide (to Number 22); Carfax (numbers 23-45); and Routledge (numbers 46-51 paperback
19319766London: Jonathan Cape 1931. First edition. 8vo 158pp. Signed in full by Mitchison on the ffep. Publisher's patterned cloth boards spine lettered in red. Former owner's bookplate to ffep spine toned. Very good. <br /> <br /> Early collaborative play co-written by socialist novelist and feminist thinker Naomi Mitchison and Lewis Gielgud writer and humanitarian worker. Set amid revolutionary tensions the play follows characters forced to choose between loyalty love and ideology where "freedom" comes at the expense of personal compromise and strained relationships. Mitchison's influence brings a notable emphasis on women as active participants in political life rather than bystanders and reflects her ongoing engagement with questions of political freedom socialism and gender. The book itself is unaccountably scarce in the trade and represents an early dramatic work from Mitchison written during her most politically engaged period. Jonathan Cape unknown
1991170896San Rafael CA: Falkirk Cultural Center 1991. First Edition. Softcover. First Edition. Published in conjunction with an exhibition held from May 16 through August 25 1991 at the Falkirk Cultural Center in San Rafael. <br /> <br /> Near Fine in side-stapled wrappers. Falkirk Cultural Center unknown
19355618New York: Farrar & Rinehart 1935. Second Large Printing stated on jacket. 8vo 373pp. Frontis black and white photos throughout. Signed and inscribed by Ishimoto to the former and dated 1937 in Tokyo on the ffep. Beige cloth with blue illustrated labels on upper board and spine top edge stained red. Very good with minimal wear to boards spine label lightly faded. Jacket spine sunned and with chipping at spine ends and corners and a couple tape repairs to the underside. <br /> <br /> Signed copy of this autobiography from Shidzue KatŠ1897-2001 influential Japanese feminist who was particularly important in establishing birth control education in japan. Following the publication of this work KatŠwould go on to serve as the first woman elected to the national legislature of Japan. Farrar & Rinehart unknown
16219Published for the London National Society for Women's Suffrage by Messrs Trübner and Co. 6 Paternoster Row London E.C. Circa 1870. 16pp. 8vo. In fair condition lightly-aged and creased with minor marking to last page no wraps disbound. No copy in the British Library. COPAC lists several copies. No other copy currently on the market. Published for the London National Society for Women's Suffrage, by Messrs Trübner and Co., 6 Paternoster Row, London, E.C. [Cir paperback
17599360Paris: Braisson et al. 1759. 2 vols long 12mos 4 387 3; 2 292 4pp. Title and text on facing pages in French and Italian. Typographical headpieces. Contemporary half calf over marbled boards gilt-titled spines. Ownership rubber stamp of Lord Algernon Percy on half title of Vol II his initials on final leaf of Vol I and his presumed embossed coat of arms on all four covers. Leaf A12 with small paper flaw affecting a few letters but not the readability. Joints and boards rubbed. Very good. <br /> <br /> Bi-lingual edition of this extremely important and popular 18th century work of fiction by Françoise de Graffigny 1695-1758. Lettres D'une Peruvienne was first published in 1747 tells of Zilia a young Inca woman who is abducted and bought by a French officer. Zilia writes her estranged fiance Aza and tells of her adapting to French society while criticizing its traditions of female submission. Besides the status of women she also attacks religion education and politics. The novel was so popular it went through some 40 editions in 50 years before being somewhat forgotten in the revolution. However its "pre-feminist gesture" brought it back into focus centuries later with literary critics.<br /> <br /> <br /> This set in an attractive contemporary binding and owned by Lord Algernon Percy 1750-1830 the first Earl of Beverly. . Braisson et al. unknown
16132Married Women's Property Committee. 'A. Ireland & Co. Printers Pall Mall Manchester.' 1880. 1 16pp. 8vo. In good condition lightly-aged no wraps disbound. No copy of this proof on either COPAC or OCLC WorldCat. Three copies of the report on OCLC WorldCat and none on COPAC or at the British Library. [Married Women's Property Committee.] ['A. Ireland & Co., Printers, Pall Mall, Manchester.'] [1880.] paperback
16223'Frederick Bell and Co. Steam Printers King's Road Chelsea.' Dated on p.4: 'January 1874.'. 4pp. 8vo. Bifolium with drophead title. In good condition lightly-aged disbound. No copy traced on either COPAC or WorldCat. No copy currently on market. 'Frederick Bell and Co., Steam Printers, King's Road, Chelsea.' Dated on p.4: 'January, 1874.' unknown
16163Manchester: A. Ireland & Co. Printers Pall Mall. 1870. 16pp. 8vo. In good condition lightly-aged no wraps disbound. The only copy traced either on COPAC or OCLC WorldCat at the London School of Economics. Manchester: A. Ireland & Co., Printers, Pall Mall. [1870.] paperback
16133Married Women's Property Committee. Manchester: Alexander Ireland & Co. Printers. 1879. 39 1pp. 8vo. In good condition lightly-aged no wraps disbound. One copy on COPAC at the Bishopsgate Library and none on OCLC WorldCat. [Married Women's Property Committee.] Manchester: Alexander Ireland & Co., Printers. 1879. paperback
1965157435San Francisco: Determined Productions 1965. Vintage wall calendar for the year 1966 composed of twelve calendar sheets illustrated with twelve lithographs held together at the top edge with a metal rod. <br /> <br /> Designed and illustrated by noted fashion artist Betty Brader best known for her work for San Francisco specialty store Joseph Magnin as well as her freelance work for Neiman Marcus in Dallas. <br /> <br /> Bay Area publisher Determined Productions was founded by Connie Boucher in 1961 largely creating licensed products-including some of the first Peanuts merchandise. The company quickly expanded producing books and ephemera on a variety of topics including astrology the occult and alcohol. With a vibrant feminist overtone the calendar on offer here features illustrations of women from around the world posed in bright and nationally specific garments with text focusing on the way language is often used to discriminate against women. <br /> <br /> Not found in OCLC.<br /> <br /> Housed in the original pictorial paper tube. 19 x 14 inches rolled as issued. Calendar sheets Fine. Paper tube Near Fine with light wear at the right end of the tube. Determined Productions unknown
193088437Boston: Christopher Publishing House 1930. First Edition. First printing. Octavo 19.5cm. Publishers blue cloth; gilt spine and cover titles; dustjacket; 208pp. Tight clean and unmarked with some mild darkening to endpapers; Near Fine. In the original printed dustwrapper priced $2.00 on spine panel; gently rubbed and worn with shallow losses at head at foot of spine panel and a small 1/4" chip to rear panel; Very Good. <br /> <br /> Future utopia set in the year 1950 in which the women of the world go on strike against matrimony using abstinence as a lever to take control of world government and eliminate war. The theme of "lysistratic nonaction" i.e. the "sex strike" is a recurring one in Progressive Era utopias appearing for example in George Noyes Miller's The Strike of A Sex 1891; Begum Rokeya's Sultana's Dream 1908 and less directly in Charlotte Perkins Gilman's Herland 1915. In the current iteration written by a Missouri Methodist minister and issued by a religious publishing house the sexual implications of "non-matrimony" are left more or less to the reader's imagination. What the author does not shy away from is the validity and importance of women's recently-won political influence: "Feeling a real humiliation in the messed-up condition of world affairs brought about by my own sex I share the faith expressed by Mrs. J. Borden Harriman.that 'women may yet find some way to lead the race away from self-destruction'.and with Carrie Chapman Catt.that it is 'the task of women to demilitarize the minds of the world'" from the author's Preface. A somewhat uncommon and generally unrecognized feminist utopia rarely seen in dustwrapper; this a very clean copy. HANNA 407. SARGENT p.96. LEWIS Utopian Literature p.24. Christopher Publishing House unknown
16142Vigilance Association for the Defence of Personal Rights. 'Secretary MISS WOLSTENHOLME 27 Great George Street Westminster S.W.' London: Frederick Bell & Co. Printers King's Road Chelsea S.W. Dated at end 'March 1874.'. 4pp. 8vo. Bifolium with drophead title. In fair condition lightly-aged disbound. Six copies on COPAC. [Vigilance Association for the Defence of Personal Rights. 'Secretary, MISS WOLSTENHOLME, 27, Great George Street, Westminster, unknown
16232Vigilance Association for the Defence of Personal Rights. No printer or date. Circa 1871. 3pp. 8vo. Bifolium. In good condition lightly-aged disbound. Beneath the Association's name at the head of the first page is a list of the names of the eight members of the 'Executive Committee' followed by the names and addresses of the treasurer and 'Hon. Secretary pro tem.'. The first page carries a four-point 'Constitution' the second page carries eight 'Rules' and the third page a membership form. It would appear reasonable to date the pamphlet from the time of the Association's foundation. Only one copy found on either COPAC or OCLC WorldCat at the London School of Economics. No other copy currently on market. [Vigilance Association for the Defence of Personal Rights.] No printer or date. [Circa 1871.] unknown
16165Sold for the Proprietor by W. Kent & Co. 51 & 52 Paternoster Row; Heywoods Manchester; And all Booksellers and Newsagents. 1870. 8pp. 12mo. In buff printed wraps. In good condition lightly-aged disbound. Three copies on COPAC and three on OCLC WorldCat but none at the BL. Sold for the Proprietor, by W. Kent & Co., 51 & 52, Paternoster Row; Heywoods, Manchester; And all Booksellers and Newsagents. [ paperback
16166'London: R. Clay Sons and Taylor Printers Bread Street Hill'. Undated London: Edward Stanford 1871. 15 1pp. 8vo. Drophead title. In good condition lightly-aged no wraps disbound. Poetic dialogue in Tennysonian blank verse beginning: 'First Peer. - This measure every session comes to pass By large majorities the Lower House; And every year of course we throw it out But only by a bare majority. That such a Bill should ever be the law To me appears impossible absurd - Things are not what they were I know: Reform Of one kind or another is abroad.' Footnote on p.6 referring to 'Lord Lyndhurst and Sir William Follett.' See also p.14: 'For what was Equity in 'Thirty-five Must still be Equity in 'Seventy-one; If Beaufort be absolved why not the rest' Apparently lacking the title stating that the poem was published in London in 1871 by Edward Stanford. 'London: R. Clay, Sons, and Taylor, Printers, Bread Street Hill'. Undated [London: Edward Stanford, 1871]. paperback
