Maquillage

CEMAL SÜREYA, (1931-1990).MareMagnum

[LEGENDARY TURKISH LITERARY MAGAZINE] Papirüs: Aylik dergi. No.: 1-47 (Set with two additional special issues) June 1966 - May 1970. Owner: Cemal S. Seber [Cemal Süreya].

Fine Turkish Contemporary blues cloth bdg. Set in four volumes. Roy. 8vo. )24 x 17 cm). In Turkish. 47 issues complete set. Rare complete set of the legendary literary magazine, whose publication life was interrupted periodically due to financial problems of Cemal Süreya, one of the most important names of the poetry movement called "Ikinci Yeni" [i.e. The Second New]. Every issue is a special issue that has a large part of a poet and author. The publication survived between June 1966 and June 1970, and a total of 47 issues were published during this period. Unlike the first period, the magazine became one of the most important literary magazines of those years. Sureya sold the car she brought from Paris for the magazine. Due to financial difficulties and March 12, its broadcast life has come to an end. In 1980 the magazine was reprinted quarterly. During this period, only two issues were published and no more were published due to the September 12 Coup d'Etat. Süreya stated that he named the magazine "Papyrus" in his letter dated 22 December 1959 to one of his friends, Nedret Gürcan, because "the ancient Egyptians wrote their first writings on the leaves of the grass called papyrus growing on the banks of the Nile." (Wikipedia).

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR1 622,62 €

ESPRESATI, Carlos G.MareMagnum

La Casa del Greco. Conferencia dada por... Alumno de la Escuela de Ingenieros de Caminos, Canales y Puertos presentado por su profesor D. Vicente Machimbarrena.

Madrid, J. Layunta, 1913, 21,5 x 15,5 cm., rústica editorial, 41 págs. con 8 fotografías y una lámina..

Mateos · Malaga, ES1 174,00 €

BROSSA, Joan - TÀPIES, AntoniMareMagnum

U NO ÉS NINGÚ - Barcelona 1979 - Litografies - Edició de luxe numerada, en tela i firmada per Brossa i Tàpies

Barcelona, Polígrafa, 1979. Reproducció de dibuixos, litografies i aiguaforts d'Antoni Tàpies. 96 p. Foli. Tela editorial estampada. Molt bon exemplar. 1ª edició. Primera edición. 1st edition. First edition. Exemplar corresponent als 500 exemplars d'edició de luxe, numerats del 76 al 575, enquadernats en tela i signats pels autors. Muy ilustrado con litografías originales y la encuadernación con aguafuerte original sobre tela con gofrado. De una edición total de 1500 ejemplares, el nuestro de los 500 con la encuadernación especial y la justificación firmada por ambos artistas. En nuestro ejemplar también sendas dedicatorias autógrafas a lápiz firmadas y fechadas por los dos pintores.

Llibres del Mirall · Barcelona, ES900,00 €

MENGS, Antonio Rafael.MareMagnum

Obras de D. Antonio Rafael Mengs, primer pintor de cámara del Rey, publicadas por D. José Nicolás de Azara. Segunda edición.

Madrid, Imprenta Real, 1797, 25,5 x 19 cm., piel de época algo rozada por las puntas, 6 hojas + retrato grabado en cobre + LII + 402 págs. (Error de paginación: de página 324 pasa a la 327. Limpio ejemplar, con buenos márgenes y con la primera hoja de preliminares restaurada en el margen blanco inferior, sin afectar al texto).

Mateos · Malaga, ES754,00 €

PEREJAUME - JOAN BROSSAMareMagnum

EL BOSC A CASA - Papel de fil amb capsa de tela - Firmat per Perejaume i Joan Brossa - Barcelona 1989

Barcelona, Polígrafa, 1989. Poemes de Joan Brossa i collages de postals i reproduccions d'aiguaforts, litografies i fotografies de Perejaume. Text poètic de Joan Brossa amb il·lustracions de Perejaume Format 40 x 47,5 cm 74 pàgines Text en català Enquadernat en tela amb caixa estoig entelada i il·lustrada Tots els exemplars en paper fil de Guarro signats pel poeta i l'artista en la justificació del tiratge. Del tiratge de 425 exemplars numerats del 76 al 500 que corresponguin a l'edició normal del llibre. Molt bon exemplar. 1ª edició. Primera edició. 1st edition. First edition.

Llibres del Mirall · Barcelona, ES700,00 €

Brown, Carlton; Talmey, Allene;MareMagnum

Vogue (American) Incorporating Vanity Fair (Magazine), May 1, 1939 - New York World's Fair Issue

140 pages. Features: Iconic Benito cover illustration welcomes visitors to New York and the World's Fair; Welcome to New York; Invitation to the Fair; Dress Sense of a Queen; From Queen Alexandra's Day; The Queenly Figure; Mrs. Vincent Astor; Coats for the "Yankee Clipper"; World's Fair in the "Nineties"; Fruit from Paris - colour illustrations of fruity headwear; Polynesia in Print; Summer Preview in New Orleans; Southern Innocents; Land of Cotton; Vogue's Spot-Light; 5 PM to 2 AM - at the Fair; Photos of French doll Madeleine de Baine, purchased in Paris in 1868; A Wardrobe for visiting the Fair; Town Ginghams; Mr. and Mrs. Gilbert Miller's house; and more. Ads include: Wamsutta Supercale sheets color photo inside front cover; Tiffany & Co; Fromm Bros. silver pedigreed fox fur fashions; Best & Co; Bergdorf Goodman; International Silk Guild; Henry Bendel; McCallum Stockings; Fantastic one-page color ad for Shalimar perfume; Luxite Pantie-girdles; Bonwit Teller; Jaeckel; Van Raalte undergarments; Lord & Taylor; Stetson Tailorite Shoes; Nice one-page color illustrated ad for SeaMolds swimsuits by Flexees; Wallace Silversmiths; One-page color ad for Red Cross Shoes; S.H. Camp & Company - featuring large illustration of the Camp Transparent Woman; Macy's - Parade of Pants and Petticoats; "Lastex" Yarn; Dupont's Scuffless "Pyraheel" for shoes; Biberman Bros. - feminine frocks; Gansborough Snoodets hair nets; Vanity Fair Silk Mills; Pacific Mills; Enka Rayon; Laros Undergarments - lovely one-page color-illustrated; Everfast - one-page color-photo of model in Guatemalan print; Jacqueline Shoes; Pakables Hats; Vassarette foundations - nice one-page two-color ad; Kedettes Shoes - nice one-page color ad; Talon Placket Fasteners - featuring motorcycle cop photo; Saks Fifth Avenue; Frances Denney Make-up; Elizabeth Arden - nice one-page, two-color ad; Max Factor; Heel Latch Shoes; Daniel Green Comfy Slippers; Grace Ashley; Dobbs Hats; Jane Engel; Gorgeous color-illustrated Italian Line ad inside back cover shows charming passengers on deck; Back cover color-photo ad for Lucky Strike cigarettes features tobacco auctioneer Joe Cuthrell - plus dozens of additional smaller ads. Complete and unmarked with no address label. Moderate wear. Binding sound. Short openings at each end of backstrip. A quality copy of this magnificent vintage issue. Book

RareNonFiction.com · Ladysmith, CA595,00 €

HASAN VECIH BEREKETOGLU, (Turkish painter, influenced by impressionistic aesthetics, who took painting lessons from Halil Pasha and at the Academie Julian), (1895-1971).MareMagnum

Two autograph letters and one manuscript autobiography signed 'Vecih Bereketoglu', addressed to 'Sami Bey'.

Very Good Turkish Original two manuscript ALSs and one manuscript autobiography including 30 lines. 1 p.; 2 p.; 2 p. In Ottoman script. Only one letter with date and letterhead of 'Vecih Bereketoglu'. In his first letter dated April 26, [19]44, he talks about the painting and oil painting he is working on. He states that he has met Fazil Bey since 1923. Another paper includes a two-pages autobiography. Second ALS includes 19 lines. Hasan Vecih Bereketoglu was a Turkish painter, influenced by impressionistic aesthetics, who took painting lessons from Halil Pasha and at the Julian Academy in Paris. He is one of the painters of the 1914 Generation. He was the son of Kazasker Bereketzade Cemil Bey. Since his father was a civil servant, he completed his primary education in Egypt. He completed high school in Rhodes. He studied at Istanbul Darülfunun Law Faculty. He took his first lessons in painting from Halil Pasha between 1916 and 1920. He became one of the names that supported the establishment of the Fine Arts Union. He was in Paris between 1922-1923 and continued at the Art Academie Julian. Upon his return to Turkey in 1923 he became the Chairman of Kadikoy Halkevi. When he moved to Ankara in 1943, he became the Presidential office manager. During these years, he produced still life works. He produced such works by adopting the impressionist understanding of his art life in general. It was seen that he was influenced by Halil Pasha, Hikmet Onat, and Nazmi Ziya Güran in his works on Istanbul. He was mostly remembered as an 'open-air painter' with his paintings with the views of Fenerbahçe, Kurbagalidere, and Göksu. In these paintings, he did not see the light element as the element that determines the color and presented it with the reflection it's created in nature.

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR579,51 €

Edited by ÖMER FARUK SERIFOGLU.MareMagnum

The centennial tale of Turkish painting.= Türk resim sanatinin bir asirlik öyküsü. 2 volumes set. Texts by Kiymet Giray, Kaya Özsezgin, Zeynep Inankur et alli.

Fine Fine English Original bdg. Dust wrapper. 4to. (32 x 27 cm). In English and Turkish. 2 volumes set: (359 p.; 473 p.), color and b/w ills. The centennial tale of Turkish painting.= Türk resim sanatinin bir asirlik öyküsü. 2 volumes set. Texts by Kiymet Giray, Kaya Özsezgin, Zeynep Inankur et alli. 1500 copies were printed. A comprehensive set on history of the Turkish art of painting. A very heavy set.

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR463,61 €

PICASSO, Pablo.MareMagnum

Carnet Picasso. La Coruña, 1894-1895 con una introducción de Juan Ainaud de Lasarfte, Director General de los Museos de Arte, de Barcelona.

Barcelona, Gustavo Gili, 1971, 2 tomos, uno de introducción y estudio de los dibujos en español, francés e ingles con 68 págs. + 1 hoja, en cartulina editorial con sobrecubiertas en papel vegetal y otro facsímil del álbum, en tela con adornos repujados con 49 dibujos cuidadosamente recreado del segundo de los primeros cuadernos de bocetos de Picasso en la colección del Museo Picasso, ambos tomos de 14 x 20 cm., en estuche en cartoné editorial. (Tirada de 780 ejemplares numerados).

Mateos · Malaga, ES441,00 €

ORHAN PEKER, (Turkish artist), (1927-1978).MareMagnum

[POST WAR ART / MIDDLE EAST] Orhan Peker. Text by Adnan Benk.

Very Good Turkish Paperback. 4to. (28 x 20 cm). 11 p.; 8 p. b/w plates; 2 color serigraphic plates. Scarce first and only edition of this first study on Turkish postwar and contemporary artist Orhan Peker (1927-1978), including two fine serigraphic prints. The text is written by Adnan Benk (1922-1998), who was Parissienne Turkish translator and author. One of 500 copies. Orhan Peker used all the opportunities of tachism and painting in design, drawing, and color paintings that he dealt mainly with horses, carriages, still live, and birds. There was a craft "Pentur" paint texture in his paintings. Not in OCLC.

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR417,25 €

SANAT TANIMI TOPLULUGU [i.e. THE DEFINITION OF ART GROUP]: (SÜKRÜ AYSAN, SERHAT KIRA, AHMET ÖKTEM with ALPARSLAN BALOGLU AND ISMAIL SARAY).MareMagnum

[CONCEPTUAL ART IN TURKEY] Sanat olarak betik. Texts by Carl Andre, Sükrü Aysan, Robert Barry, Joseph Kosuth, Sol Lewitt, Robert Morris, Bernar Venet.

Very Good Turkish Paperback. 4to. (27,5 x 20 cm). In Turkish. 32, [30] p., color and b/w ills., serigraph and mimeograph printing on paper and fabric, 1 folded plate (Ismail Saray's photo). This very interesting and rare book includes the texts on the first 32 pages. Some texts were translated from English and French languages by Sükrü Aysan, Nazli Damlaci, and Faruk Ulay. Articles in the first 32 pages: Kavramsal sanat [i.e. Conceptual art] by Sükrü Aysan.; Felsefenin sonu sanatin baslangici [i.e. The end of philosophy and the beginning of art] by Joseph Kosuth.; Kavramsal sanat üzerine paragraflar [i.e. Paragraphs on Conceptual Art] by Sol Lewitt.; Kavramsal sanat üzerine tümceler [i.e. Sentences on Conceptual Art] by Sol Lewitt.; Not, by Bernar Venet.; Giris notu, by Joseph Kosuth, and Inekleri düzene sokmak için bir yöntem [i.e. A Method For Sorting Cows] by Robert Morris. They're the first and the earliest translations (and for some only) in Turkey on the Conceptual Art. The Definition of Art Group is an original Conceptual Art approach. Conceptual Art was founded to research the structure and nature of art. Conceptual artists question the structure of art through a progression of work that refers to the concept of art. What is being considered is a work or an idea directed towards the analysis of all the facets of and contradictions within the concept of art. Sol LeWitt said, "this type of art is related to all intellectual processes". Impressionism and Cubism gave the first formulas for questioning art. Later, as a result of Duchamp's systematic operations about art's boundaries, function, language, and its being, art again became an intellectual process. Today, the subject of art itself and its place in the universe has reached a stage where its effort is directed towards understanding existence. The stages of this change make twentieth-century art history. Only an art audience informed about the development of art can comprehend contemporary work. To be able to understand today's artistic endeavors, it is necessary to make a conceptual history of art. Pure Conceptual Art by taking this situation to its extreme point, accepts no other audience or observer than the ones actively participating in the making of the work. Thus, art transforms into a state as serious as a science that needs no audience. When using the term, Conceptual Art or its more characteristic name, Analytical Art, in referring to a specific period in the history of Conceptual Art as an approach to art, one is speaking of art that has completely eliminated the production of objects and all plastic art forms. But if one considers the broader understanding of conceptualism, within our twentieth-century art, in addition to the side that verifies by analyzing itself, there is also a logical and philosophical dimension directed towards the comprehension of its structure. In other words, a strongly intellectual art continues its hegemony today. In our time, art without an idea can not be effective. (Source: Official site of Sanat Tanimi Toplulugu). In 1961, philosopher and artist Henry Flynt coined the term "concept art" in an article bearing the same name which was appeared in a proto-Fluxus publication An Anthology of Chance Operations. Flynt's concept art, he maintained, devolved from his notion of "cognitive nihilism," in which paradoxes in logic are shown to evacuate concepts of substance. Drawing on the syntax of logic and mathematics, concept art was meant jointly to supersede mathematics and the formalistic music then current in serious art music circles. Therefore, Flynt maintained, to merit the label concept art, work had to be an object-critique of logic or mathematics via linguistic paradox, a quality which is absent from subs... The use of pure Turkish language in this book is pointed to and this book was printed for an exhibition held between 'March 22 - April 5, 1980'. Printed to only 200 copies and all copies were numbered. This is 49 no. (49/200). Extremely r

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR394,07 €

ORLOFF, Comte Grègoire.MareMagnum

Essai sur l'histoire de la Peinture en Italie, depuis les temps les plus anciens jusqu'a nos jours.

Paris, Bossange Père, 1823, 2 tomos, 21 x 13 cm., holandesa piel de época algo rozada, lomos con adornos dorados, VI + 332 págs. + 1 h. = 2 h. + 521 págs. + 1 h.

Mateos · Malaga, ES313,00 €

CANAN TOLON, (1955-).MareMagnum

Canan Tolon. You tell me.= Sen söyle. Curated by Levent Çalikoglu. Edited by N. Can Kantarci. September 2019 - February 2020. [Exhibition catalogue]. [LIMITED SIGNED EDITION].

New English Paperback. 4to. (29 x 24 cm). In English and Turkish. 219, [5] p., color and b/w ills. Canan Tolon. You tell me.= Sen söyle. Curated by Levent Çalikoglu. Edited by N. Can Kantarci. September 2019 - February 2020. [Exhibition catalogue]. The exhibition "You Tell Me" organized by Istanbul Modern is a cross section of Canan Tolon s artistic practice which spans from the 1980s to today. "You Tell Me" aims to bring Tolon s unique expressive and technical pursuit into view through her works, which range from drawings to photographs and paintings to installations. While bringing together notable examples of the transformations and developments in Tolon s artistic practice, the exhibition also presents re-creations of some of her works that have already secured their place in the history of art. Canan Tolon s artistic practice centers on nature's continual renewal and on architecture as a cultural enterprise. Tolon designs an intellectual and visual world around the resistance between nature and architecture, and the contradiction and consequences borne out of their encounter. Her experimental works always remind one of the border between life and death, as she makes the viewers question whether these images are real or illusion, photographs or paintings. Incorporating natural materials such as grass seed and water in her paintings, Tolon lets nature come to life by setting metal pieces on her canvases and leaving these outside as a means to let weather transform them. For Tolon, traces of time become an important starting point for the development of her paintings. The architectural sections that show vast, endless and abandoned geographies in her compositions remind one of the struggle of humans against nature and the processes of destruction, construction and reconstruction. In these paintings where every little detail is constructed with paint, Tolon depicts the human processes of transforming and reforming nature, and the chaos, conflict and uncertainty caused by these processes in a distressful atmosphere. Without a doubt, Canan Tolon is one of the most original and creative artists of her generation in terms of the richness of the variety of her areas of research and her intellectual breadth. Tolon s works in this exhibition provide us with the opportunity to rethink nature and environment as well as architecture and culture, which impact both the artist and the rest of humanity today. Signed by Tolon. Limited signed copy.

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR301,34 €

Prep. by ELHAM HAMAD SALEM AL-KUWARI.MareMagnum

Catalogue of [Arabic] manuscripts Ismihan Sultan Library. 3 volumes set. Supervised and edited by Dr. Mahmoud El-Saied El-Doghim.

New Arabic Original burgundy cloth bdg. Roy. 8vo. (24 x 17 cm). Text in Arabic; introduction is in Turkish, English, French, Spanish, German, Dutch, Swedish, Finnish, Romanian, Hungarian, Russian, Bulgarian, Arabic, and Chinese. 3 volumes set: (542, [2], 627, [10], 590, [50] p.). Catalogue of [Arabic] manuscripts Ismihan Sultan Library. 3 volumes set. Supervised and edited by Dr. Mahmoud El-Saied El-Doghim.

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR301,34 €

(Bonardi da Doliano)MareMagnum

Polvere detta schiavona

Foglio di reclame (cm. 27 x 21), stampato sulle due facciate, in italiano, inglese, tedesco e francese: si descrivono “virtù” e “usi” di una “Polvere detta schiavona che se fabbrica et se dispensa nella Speziaria... de Maestro Bonardi da Doliano”.

Libreria Antonio Pettini · Roma, IT300,00 €

ELIES, Feliu - SOLER I ROVIROSAMareMagnum

LA VIDA I L'OBRA DE SOLER I ROVIROSA - Barcelona 1931 - Il.lustrat - Paper japó

Barcelona, Seix Barral, 1931. 144 p. text. XLIII làmines en color i negre f/t. Foli. Holandesa editorial amb llom de pell i petaca, aquesta una mica gastada. Alguns punts de rovell. Ex-libris. En rama. Bon exemplar. El nostre exemplar pertany al tiratge de VII exemplars en paper japó. El nostre, número VI. 1a edició. Primera edició. 1st edition. First edition. Soler i Rovirosa està considerat la principal figura de l'escenografia catalana.

Llibres del Mirall · Barcelona, ES300,00 €

Edited by ÖMER FARUK SERIFOGLU.MareMagnum

Istanbul'un ressami Hoca Ali Riza. Ev ve sehir. 2 volumes set.

New Turkish Original cloth bdg. In publisher's special box. 4to. (31 x 25 cm). In Turkish. 2 volumees set: (1023 p.), color and b/w ills. Istanbul'un ressami Hoca Ali Riza. Ev ve sehir. 2 volumes set. A very heavy set. Extra shipping cost will be requested. Biography of Turkish painter Hoca Ali Riza (1858-1930). He was a Turkish painter and art teacher known primarily for his impressionist landscpes and architectural paintaings.

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR296,71 €

McFarlane, Leslie; Thomas, Martha Banning; Higson, Kit; Annixter, Paul; Baxter, A. Beverley; King, Mackenzie; Manion, R.J.; Woodsworth, J.S.; Blackmore, J.H.; Edwards, Frederick; Dustan, Gordon; Cochrane, H.G.; McKnight, F. W.; Shipley,Nan; Ashbery,HMareMagnum

Maclean's - Canada's National Magazine, 15 March, 1940 - Cover Photo of Air Vice-Marshal G.M. Croil, A.F.C.

68 pages. Features: Fantastic two-colour full-page photo ad for International Trac-Tractor roadbuilding equipment; Wakeville Awake! - Part 1 of a serial by Leslie McFarlane; Parker Pen ad; The Stars Hang High (fiction); Lord Tweedsmuir's Vision of a New World; Mackenzie King, R.J. Manion, J.S. Woodsworth and John Blackmore comment on the nation's war effort; Five Wee Wimmen - another Donald Mackellen story (fiction); Canada's Fighting Forces - Part 6 - Pay and Records - article with photos; Bats in the Belfry - Dr. Harold B. Hitchcock studies bats - photo sequence; Feud on High Plateau (fiction); Gordon Dunstan's Quiz #12; Hudson Six ad; Frigidaire Fridge ad; War on the Parasite - the new institute of Parasitology at Ste Anne de Bellevue, Quebec; Rare article and photos of hockey on Cape Breton - the Glace Bay Miners, North Sydney Vics and Sydney Millionaires - with photos of McGibbon,k Squarebriggs, Larabie, Clifton, Craig and Bill Hannon, Van Daele, Langille and Bill Gill - very rare!; GMC Truck (van) ad; Plymouth ad; Dodge car ad; Dodge truck ad; Sensational colour photo centerfold ad for Studebaker cars; Interesting drawn ad for Kleenex attempts to convince readers to adopt the Kleenex habit (it seems to have worked); Photo ad for Tangee make-up "Will He Kiss You Tonight?"; Cartoon strip-style ad for Hinds hand cream featuring beauty advisor "Honey"; Nice Fargo truck ad features photo of a Charlottetown, P.E.I. unit with snowplow mounted on front; Skis for Planes - the Elliott brothers' workshop in Sioux Lookoutk, Ontario - article with photo; *Fantastic* two-page election ad for "Fighting Bob" Manion takes aim at Mackenzie King; Ford V-8 ad inside back cover; Nice colour ad for canned lobster on back cover. Moderate wear. Unmarked. A wonderful vintage issue. Book

RareNonFiction.com · Ladysmith, CA295,00 €

EGLIN, Gebr. & KEGLINGER, Kaspar.MareMagnum

Der Todtentanz. Gemälde auf der Mühlenbrücke in Luzern, ausgeführt von Kaspar Meglinger: 1626-1635. Getreu nach den Originalien lithographirt & herausgegeben von Gebr. Eglin. La Danse des Morts. Tableaux sur le Pont des Moulins à Lucerne peinte par gaspard Meglinger.

Luzern, sin fecha (hacia 1870), 14 x 20,5 cm., cartoné editorial y lomo en tela, portada con textos en alemán y francés + 58 láminas numeradas litografiadas con leyenda al pie en alemán + una primera lámina sin numerar + 1 hoja con la lista de las 59 láminas. (Reproduce la versión de la "Danza Macabra" o "danza de los muertos" pintada en las zonas cubiertas del puente viejo de Lucerna por Meglinger en el siglo XVII).

Mateos · Malaga, ES290,00 €

RAMEL, Françoise.MareMagnum

[Paisaje montañoso alpino]

Acuarela original firmada por esta pintora franco-suiza, fechada a la vuelta el año 1939, 37 x 27,5 cm.

Mateos · Malaga, ES290,00 €

RAMEL, Françoise.MareMagnum

[Paisaje rural con aldea, campos y montañas al fondo].

Acuarela original firmada por esta pintora franco-suiza, fechada a la vuelta el año 1939, 31 x 40 cm.

Mateos · Malaga, ES290,00 €

Edited by PROF. DR. CEVDET YILMAZ.MareMagnum

Samsun arastirmalari. 3 volumes set. Vol.I: Tarihsel geçmis. Vol.II: Iktisat tarihi, ekonomik yapi, turizm, nüfus ve cografi çevre. Vol.III: Mimari ve kültürel miras, efsane, dil, sanat, edebiyat, siyaset. [In special hardbox].

New English Paperback. Pbo. In original special publisher's box. Mint. 4to. (31 x 22 cm). In Turkish. 3 volumes set: ([vi], 484 p.; [xii], 512 p.; [xiv], 508 p). Color and b/w ills. Samsun arastirmalari. 3 volumes set. Vol.I: Tarihsel geçmis. Vol.II: Iktisat tarihi, ekonomik yapi, turizm, nüfus ve cografi çevre. Vol.III: Mimari ve kültürel miras, efsane, dil, sanat, edebiyat, siyaset. [In special hardbox].

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR286,51 €

Edited by KARIN ADAHL.MareMagnum

Cornelius Loos in the Ottoman world: Drawings for the King of Sweden, 1710-1711. [with] Panoramas & map [book]. Prep. by Lâle Uluç, David Jones, Klas Kronberg, Ersu Pekin. 2 volumes set. [BOXED].

New English Original bdg. In publisher's special box. Folio. (33 x 29 cm). In English. 2 volumes set: (240 p., 5 unnumbered folded plates on pages; Second volume is a hard-case including two reprint panoramas and one reprint map: First panorama is a huge hand-coloured drawing shows Ottoman Palace across Sarayburnu; size 28x336 cm; Second panorama is a huge hand-coloured drawing shows Ottoman Palace across Sarayburnu again which is indicating Palace from a different angle; size 28x196 cm; and one map: 'Carta ufwer Orienten Med de Darom kring Grantzande Lander... (Turkey and its around map printed originally in early 18th century), descriptive text surrounding the map, size 65x85 cm. Cornelius Loos in the Ottoman world: Drawings for the King of Sweden, 1710-1711. [with] Panoramas & map [book]. Prep. by Lâle Uluç, David Jones, Klas Kronberg, Ersu Pekin. 2 volumes. [BOXED]. Cornelius Loos was one of the young military officers who followed Karl XII to the Ottoman Empire in 1709. From the royal headquarters in what is at present the republic of Moldova, Loos was sent to Istanbul on the King's orders in 1710. From there his journey was pursued by boat over the Mediterranean to Egypt and he returned by land through Jerusalem, Damascus, Aleppo, Konya and Izmir. Loos' mission was to make drawings of the "rarities and monuments" that he would encounter on his journey. Out of the drawings that have survived until today, one is from Palmyra, two from Rhodes and Bodrum and around forty aquarelle tush drawings from Istanbul. It is possible that part of the original drawings were destroyed in the "Skirmish at Bender" in 1713, while other works, due to various reasons, disappeared on their way to Sweden. The conserved drawings are kept at the Swedish National Museum and were exhibited there in 1985. (See catalogue titled "Cornelius Loos. Teckningar från en expedition till Främre Orienten 1719-1711", Stockholm, Nationalmuseum, 1985). The drawings represent a unique record of the urban landscape and the monuments in Istanbul in the early 18th century. The collection includes three great panoramas of the city seen from the Topkapi palace to the upper part of the Golden Horn. To the Loos paintings can be added the great Mecca painting brought to Sweden by Mikael Eneman and kept in the Uppsala University Library, and a small group of oil paintings brought back by Loos' travel companion Conrad Sparre, which are also kept in the art collection of Uppsala University. In addition there are travel accounts and correspondence from these journeys. (From the 'SRII's official site, Karin Adahl's project). "In January 1710 the Swedish king Charles XII, in exile in the Ottoman Empire, sent three of his officers on a journey from the royal camp near Bender in Moldova to travel to Constantinople and from there along the Eastern Mediterranean to Egypt. Their mission was 'to view the there existing rarities and monuments, to draw and to measure'. Cornelius Loos, one of the young officers, returned to his king in 1711 with more than 250 drawings. Only forty-nine, kept under the king's bed, survived a skirmish in the camp in 1713, the so called 'kalabalik' at Bender. King Charles had a vision to publish an encyclopaedic work about the Near East, a dream that was lost in the fire in the camp. The drawings were brought to Sweden when the king returned from the Ottoman Empire in 1714. He died in battle in Norway in 1718. Loos' drawings are unique documents of Constanttinople in the early 18th century, with large scale, detailed panoramas, important prospects of the interior of the Hagia Sophia and views from the Ottoman city. A big map is accompanied by minor drawings from the Black Sea, the Eastern Mediterranean and Egypt, as well as a spectacular set of water-colours of head dresses from the Ottoman world. The Loos collection of drawings is today kept in the National Museum in Stockholm.". Texts by Göran Baarnhielm, Ulla Ehrensvard, Nurhan Atasoy, Günsel Renda, Bo Lundstörm

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR278,16 €

Comp. and prep. by NURDOGAN ABASISI.MareMagnum

Presidential Art Collection. 3 volumes set.

New New English Original bdg. Dust wrapper. 4to. (32 x 24 cm). In English. 3 volumes set: 1080 p.). A very heavy set. "With unmatched interest and concern, our 11th Abdullah Gül, who was elected on Augusth 28th, 2007, and his wife Hayrünnisa Gül initiated the restoration and renovation of many Presidential buildings in the (Çankaya and Tarabya premises. In this context, the furnishings of the renovated buildings were replaced, and all artworks within the Presidential collection examined, with a significant number of new works added. Many innovations were made to preserve, transport, and display the works in the Presidential art collection in conditions that meet world standards. The whole collection was digitized, making it easy and safe to control and track the artworks with the help of optical reader systems. The Presidential Office undertook a pioneering role in preserving for future generations our art heritage which had been neglected for years. In another pioneering attempt by the Presidential Office, the valuable works in the collection in need of conservation and preservation were restored in the context of a project executed with the collaboration of the Rijksmuseum in Amsterdam and Mimar Sinan University of Fine Arts. Permanent channels of interaction were established between the partners that took part in the process, aiming to make the results and outcome of the project available for other institutions to benefit from. With the personal involvement and supervision of Hayrünnisa Gül, a detailed classification and evaluation of the collection was made, its pros and cons determined. All artworks in the collection possessing historical or artistic value have been conserved and restored. When making new acquisitions, priority was given to those artists whose works were not already featured in the collection. In this context, an attempt at completing the missing pieces.".

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR268,89 €

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