3 500 résultats
Fine English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 252 p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 79 Yaz: 2001. Ses, tini, gürültü. Bitez'de büyük bir bahçede. Ilhan Usmanbas'la yasam ve müzik üstüne. Sanat ve inanç. Balthus'ün ardindan bakislar. Kantermiroglu ve Osmanli müzigi.
As New English Paperback. Pbo. Mint. 4to. (30 x 21 cm). In Turkish. 288, [4] p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 69-70. Yearl:1998. Bizans özel sayisi. Byzantium Special Issue.
Fine English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 254, [2] p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 80. Yaz: 2000. Arkeoloji: Dipten gelen sanat. Anadolu Uygarliklarina ikili bakislar. Müzenin anlami ve islevi. Bir Kent - Bir tainak. James Mellaart'la kazilar, arkeoloji ve Anadolu üstüne. Geçmisin izleri. Bir kaziyi belgelemek.
Fine English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 305, [3] p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 73. Year: 1999. Yaratici Osmanlilar. Preface: Ilber Ortayli.
7080, Barcelona, Ediciones Selectas, 1939 - 1940., Relie en chagrin bleu, plats orne de titre dore et cadres a froids, dos orne de piece de titre dore, 20x28cm, 268pp, illustre n/b.
1978art7mConrad Marca-Relli. Barcelone, 1978. Polygraphe. Toile avec jaquette, 122pp, 23x21cm. Paysage. Illustré de planches n/b.
Madrid, Artes y Artistas, 1955, 23 x 16'5 cm., cartoné original con sobrecubiertas, 40 págs. y 48 láminas en papel couché.
Madrid, Artes y Artistas, 1957, 23 x 16'5 cm., cartoné original con sobrecubiertas, 42 págs. y 48 láminas en papel couché.
M., Instituto Diego Velázquez, 1958, 23 x 16,5 cm., cartoné original con sobrecubiertas, 42 págs. + 48 láminas en papel couché.
LXIV laminas en color a plena pagina.
Paris, Éditions Cercle d'Art, 2001, 25 x 17'5 cm., cartoné original, 125 págs. incluso retrato de Picasso y láminas en negro y color la mayoría a toda página - 2 h. con facsímil de 3 portadas de carnets de Picasso.
Barcelona, Librería Dalmau, 1943. Estampas y pintores de la Barcelona ochocentista. Algunas ilustraciones en b/n. 116p. 8º. Holandesa algo rozada con lomo de piel con dorados. Conserva cubiertas originales. Guardas decoradas. Leves puntos de óxido en páginas en blanco. Ex libris. Buen ejemplar.
M., Forma, 1981, 23 x 17 cm., 311 págs. incluso 43 láminas, varias en colores.
Con 43 láminas intercaladas en el texto, algunas a color. Recoge 310 items.
Barcelona, Edit. Polígrafa, 1979. Numerosas ilustraciones en color. 107 p. 8º mayor apaisado. Tela editorial con sobrecubierta ilustrada. Ex libris. Dedicatoria autógrafa del autor. Muy buen ejemplar.
Málaga, Edit. Fund. Ludwig, 2007. Numerosas ilustraciones en color. 186 p. Folio. Rústica editorial ilustrada con solapas. Libro en español e inglés. Book in English. Muy buen ejemplar.
Very Good English Paperback. Pbo. Very good. 4to. (27 x 21.5 cm). In Turkish and English. 223 p. Color ills. Signed and dedicated by artist. 1500 copies were printed. Sali Turan. Yol posadlari. Translator: Mary Isin.
M., 1944, 25 x 17,5 cm., retrato + 35 págs. (Es el discurso de recepción en la Academia de Bellas Artes de San Fernando).
Vilanova, Edit. Museu Balaguer, 1975. Ciclostilat. 54p. 8è major. Rústica editorial. Molt bon exemplar.
New English Paperback. 4to. (32 x 24 cm). In English and Turkish. 78 p., color and b/w ills. Dogumunun 100. yilinda Saim Özeren [1900-1964] Resim Sergisi. 26 Eylül-26 Ekim 2000. [Exhibition catalogue]. Texts by Amelie Edgü, Levent Çalikoglu. One of 500 copies.
New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 112, [4] p., color ills. Istanbul Modern presents the most comprehensive exhibition of work by Sahin Kaygun. Seeking new forms of expression, Kaygun played a pioneering role in photography in Turkey. In the 1980s, when the term "interdisciplinary" was nonexistent in Turkey's photographic culture, Kaygun combined photography with disciplines as diverse as painting, graphics, and cinema, and explored new and surprising applications of photographic techniques. Seeking a contemporary interpretation of the link between photography and other art forms, he continued to push the boundaries between various art disciplines in Turkey. Supported by detailed archival work, the exhibition spans the whole of Kaygun's career from his early experimental intervention in photography in the 1980s, when he produced Turkey's first Polaroid work, through to his final years. Parallel to the artist's technical exploration, in which he added layers onto photographs, the exhibition traces Kaygun's narrative on the boundaries of consciousness between dream and reality through themes of life and death. The political atmosphere of the 1980s led to a period of individual crisis and introversion that can be sensed in his art. Kaygun's work from this period, which is included in the exhibition, manifests the spiritual state of the time from a personal standpoint. Sahin Kaygun started earning a living by painting when he was in high school. In 1969, he began studying graphic arts at the State University of Applied Fine Arts in Istanbul. For Kaygun, who developed an artistic interest in photography during his university years, graphics and photography were two fields that nourished and completed one another. Kaygun's Polaroid series represented his first attempt at manipulating photographs. Works from this series have been included in the International Polaroid Collection and exhibited in major museums and art institutions.
Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. [viii], 165 p., 50 b/w plts., 154 b/w ills. Mevlevilikte resim, resimde Mevleviler.
Profusamente ilustrado.
As New Turkish Paperback. Folio. (34 x 24 cm). In English and Turkish. 359 p., color ills. One of 2000 copies. Sabri Fetah Berkel (1907-1993) was an Albanian modernist painter; he was one of the most important painters and academic personalities of last century in Turkey. Berkel was born in Shkopje, in 1927 he completed high school at a French lyceum. From 1927 to 1928 he studied at an Art School in Belgrad. From 1929-1935 he finished his studies at the Academy of Fine Arts, Florence and he died in Istanbul.
M., Editorial Ameris, 1981, 27 x 26'5 cm., símil piel original con sobrecubiertas en colores, numerosas ilustraciones intercaladas en el texto, muchas de ellas a toda página, 160 págs. - 3 h.