3 500 résultats
Very Good English Paperback. Pbo. 4to. (29 x 24 cm). In English. 331 p., b/w and color ills. Constantinople and the orientalists. Since the publication of our earlier study; 'Orientalism and Turkey', we have been exploring the ramifications of Orientalism in the Ottoman capital of Istanbul itself, or as it was generally known in the nineteenth and early twentieth century: Constantinople. The present study, documented by both visual and written records, including memories, reveals not only the ways in which Istanbul was perceived and portrayed by European artists in the nineteenth century, but it also tries to represent the contemporary city as it truly lived and breathed. In the present work, the reader will discover the identity of Western artists whose works pictorially limned the Ottoman capital, their favorite subjects ¿the harem, the bath, the coffeehouse, and the slave market- and the nature of their interpretation of these subjects.
New New English Original bdg. Dust wrapper. 4to. (29 x 24 cm). In English. 331 p., b/w and color ills. Constantinople and the orientalists. Since the publication of our earlier study; 'Orientalism and Turkey', we have been exploring the ramifications of Orientalism in the Ottoman capital of Istanbul itself, or as it was generally known in the nineteenth and early twentieth century: Constantinople. The present study, documented by both visual and written records, including memories, reveals not only the ways in which Istanbul was perceived and portrayed by European artists in the nineteenth century, but it also tries to represent the contemporary city as it truly lived and breathed. In the present work, the reader will discover the identity of Western artists whose works pictorially limned the Ottoman capital, their favorite subjects ¿the harem, the bath, the coffeehouse, and the slave market- and the nature of their interpretation of these subjects.
Valencia, IVAM - La Caixa, 2017. Numerosas ilustraciones en el texto. Láminas f.t. 112 p. 4º menor cuadrado. Rústica editorial ilustrada. Muy buen ejemplar.
Friburgo, Edit. Herder, 1939. Ilustraciones en color y negro fuera texto. 25p. 8ºmayor. Rústica editorial ilustrada, algo deslucido. Buen ejemplar.
Milano, Edit. Nuova Foglio, 1973. Numerosas ilustraciones en color y negro. Páginas desplegables. s/p. 4º mayor. Cartoné editorial con sobrecubierta ilustrada. Borde superior del lomo levemente rozado. Separata 15ª Trienale di Milano sezinoe italiana. Libro en italiano. Buen ejemplar. Catalogo della mostra di Milano, Parco Sempione in occasione della Quindicesima Triennale di Milano del 1973. Interventi nel Parco Sempione di Arman, Umberto Bignardi, Alberto Burri, Corneille, Giorgio De Chirico, Hundertwasser, Gino Marotta, Sebastian Matta, Antonio Paradiso, Pizzo Greco, Roccamonte
As New English Paperback. Pbo. 4to. 87 p. Color ills. In English and Turkish. Catalogue of second exhibition of Contemporary Turkish painting art in Bali Art Gallery. Contemporary - II. Group exhibition. = Karma resim sergisi. Bali Art Gallery, 17 November - 10 December 2011. [Exhibition catalogue].
Fine Fine English Original bdg. Dust wrapper. In publisher's special box. 4to. (33 x 25 cm). In English and Turkish. 3 volumes set: (456 p.; 457-872 pp.; 673-1039 pp. -wrong p. no.-), many color and b/w ills. and photos. Mine Art Gallery, 30 years. 3 volumes set. Vol. 1: The invisible actors of art: Galleries - Foundation story of Mine Art Gallery - Solo exhibitions. Vol. 2: Solo exhibitions. Vol. 3: Group exhibitions - Collection exhibitions - Fairs - Events - Cross path.= Mine Sanat Galerisi, 30 yil. Cilt 1: Sanat tarihinin görünmez aktörleri: Galeriler - Mine Sanat Galerisi'nin kurulus öyküsü - Kisisel sergiler. Cilt 2: Kisisel sergiler. Cilt 3: Grup sergileri - Fuarlar - Etkinlikler - Yolu kesisenler. Edited by Lütfiye Bozdag, Hande Özdilim Yildirim. Signed and inscribed by Mine Gülener. This book has been published for the reason of Mine Art Gallery's turning 30 years old. In this book, the activities carried out through 30 years by Mine Art Gallery which is one of the important stops in the roadmap of Turkish Art History has been documented. This book consists of the exhibitions, conversations, catalogue texts and posters of exhibitions, bulletins, texts that took place in the press, photographs and videos which are formed through 30 years, which is only a little part of Mine Art Gallery's archive. Certainly, we had to make a selection between the numbers of sources. I think we showed the required sensitivity to ensure the integrity of the book while selecting the quoted documents precisely and carefully. This book is different than the routine books of history of art galleries. Because, this book explains the history of Mine Art Gallery through the artists who supported them in their foundation. It is very certain that squeezing all 30 years of an art gallery in to a book is very difficult. As a matter of fact, we couldn't. We could just include the main documentation. For the upcoming periods, Mine Art Gallery is targeting to publish more books drawing upon their rich archive and also wants to share their archive with the art lovers. Mine Art Gallery with its roadmap that continues for these nonstop 30 years, not only formed their own documentation, but also has brought an important archive for the Turkish art history. Publication of this book will carry meaning as an important source for many researchers, art writers, art critics and for all the people who are interested in art, and also will be an encouraging force for the other art galleries. 500 copies were printed. A very heavy box set. Extra shipping fee will be requested.
As New English Paperback. Pbo. Mint. Large roy. 8vo. (25 x 18 cm). In English and Turkish. [210] p., color and b/w ills. Contemporary Istanbul, '07. All that you don't expect to see. Istanbul Convention & Exhibition Centre.= Contemporary Istanbul, '07. Görmeyi, beklemediginiz hersey. Lütfi Kirdar Istanbul Kongre ve Sergi Sarayi. [Exhibition catalogue]. TURKISH PAINTING Installation Contemporary art Photography.
London, Edit. Art & Design, 1992. Contemporary Painting. Art & design Vol 7, No.3/4. Mar-April, 1992Numerosas ilustraciones en color. 96 p. 4º. Rústica editorial ilustrada. Muy buen ejemplar. Book in english.
Barcelona, Edit. The Nat. Gallery of Canada, 1967. Drawings, Prints. Painting. Sculpture. Numerosas ilustraciones en b/n fuera texto. s/p. 8º mayor. Rústica editorial ilustrada. Libro en inglés y francés. Book in English and French. Livre en français. Muy buen ejemplar.
Fine English Paperback. Pbo. 4to. (29 x 21 cm). In English and Turkish [x], 149 p., color and b/w ills. Contemporary Turkish painters.= Ondokuzuncu yüzyildan günümüze Türk ressamlari.
Very Good English Paperback. Pbo. 4to. (31 x 23 cm). In English and Turkish. 94, [1] p., color ills. Contemporary women artists.= Cumhuriyet'ten günümüze kadin sanatçilar. [Exhibition catalogue]. Organising committee: Engin Özgen, Günsel Renda, Muhibbe Darga, Nurhan Atasoy et all.
Lisboa. Edit. Sociedade Nacional de Belas-Artes em Lisboa, 1986. Numerosas ilustraciones en color fuera texto. Unas 20 hojas sin numerar. Apaisado. Rústica erditorial ilustrada. Muy buen ejemplar.
Museu de Arte Moderna de Sao Paulo, 2007. Textos en portugués, inglés y español. 182 p. 3 h. 4º. Encuadernación de madera. Muy buen ejemplar. No contiene el CD que acompañaba al catálogo. Catálogo de la exposición celebrada en el Museu de Arte Moderna (MAM) de Sao Paulo y en Alcalá 31 en 2008.
Barcelona, Edit. Oda Sala d'Art, 1995. Numerosas ilustraciones en color fuera texto. 4º. Rústica editorial ilustrada. Muy buen ejemplar. 1ª edición. Primera edición. 1st edition. First edition.
40965Santiago de Cuba, Universidad de Oriente 1960, 225x150mm, 84 páginas, libro en rústica. Buen estado.
Paris, Edit. Seuil, 2011. Numerosas ilustraciones en color. 248 p. 4º. Tela editorial con sobrecubierta ilustrada. Livre en français. Muy buen ejemplar.
Tarragona, Viena Edicions, 2006. Nombroses il·lustarcions en color. 158 p. 2 f. Gran 4t. Tela editorial amb sobrecoberta. Paper setinat. Molt bon exemplar. Traducció del text en castellà i anglès.
New English Original bdg. In publisher's special box. Folio. (33 x 29 cm). In English. 2 volumes set: (240 p., 5 unnumbered folded plates on pages; Second volume is a hard-case including two reprint panoramas and one reprint map: First panorama is a huge hand-coloured drawing shows Ottoman Palace across Sarayburnu; size 28x336 cm; Second panorama is a huge hand-coloured drawing shows Ottoman Palace across Sarayburnu again which is indicating Palace from a different angle; size 28x196 cm; and one map: 'Carta ufwer Orienten Med de Darom kring Grantzande Lander... (Turkey and its around map printed originally in early 18th century), descriptive text surrounding the map, size 65x85 cm. Cornelius Loos in the Ottoman world: Drawings for the King of Sweden, 1710-1711. [with] Panoramas & map [book]. Prep. by Lâle Uluç, David Jones, Klas Kronberg, Ersu Pekin. 2 volumes. [BOXED]. Cornelius Loos was one of the young military officers who followed Karl XII to the Ottoman Empire in 1709. From the royal headquarters in what is at present the republic of Moldova, Loos was sent to Istanbul on the King's orders in 1710. From there his journey was pursued by boat over the Mediterranean to Egypt and he returned by land through Jerusalem, Damascus, Aleppo, Konya and Izmir. Loos' mission was to make drawings of the "rarities and monuments" that he would encounter on his journey. Out of the drawings that have survived until today, one is from Palmyra, two from Rhodes and Bodrum and around forty aquarelle tush drawings from Istanbul. It is possible that part of the original drawings were destroyed in the "Skirmish at Bender" in 1713, while other works, due to various reasons, disappeared on their way to Sweden. The conserved drawings are kept at the Swedish National Museum and were exhibited there in 1985. (See catalogue titled "Cornelius Loos. Teckningar från en expedition till Främre Orienten 1719-1711", Stockholm, Nationalmuseum, 1985). The drawings represent a unique record of the urban landscape and the monuments in Istanbul in the early 18th century. The collection includes three great panoramas of the city seen from the Topkapi palace to the upper part of the Golden Horn. To the Loos paintings can be added the great Mecca painting brought to Sweden by Mikael Eneman and kept in the Uppsala University Library, and a small group of oil paintings brought back by Loos' travel companion Conrad Sparre, which are also kept in the art collection of Uppsala University. In addition there are travel accounts and correspondence from these journeys. (From the 'SRII's official site, Karin Adahl's project). "In January 1710 the Swedish king Charles XII, in exile in the Ottoman Empire, sent three of his officers on a journey from the royal camp near Bender in Moldova to travel to Constantinople and from there along the Eastern Mediterranean to Egypt. Their mission was 'to view the there existing rarities and monuments, to draw and to measure'. Cornelius Loos, one of the young officers, returned to his king in 1711 with more than 250 drawings. Only forty-nine, kept under the king's bed, survived a skirmish in the camp in 1713, the so called 'kalabalik' at Bender. King Charles had a vision to publish an encyclopaedic work about the Near East, a dream that was lost in the fire in the camp. The drawings were brought to Sweden when the king returned from the Ottoman Empire in 1714. He died in battle in Norway in 1718. Loos' drawings are unique documents of Constanttinople in the early 18th century, with large scale, detailed panoramas, important prospects of the interior of the Hagia Sophia and views from the Ottoman city. A big map is accompanied by minor drawings from the Black Sea, the Eastern Mediterranean and Egypt, as well as a spectacular set of water-colours of head dresses from the Ottoman world. The Loos collection of drawings is today kept in the National Museum in Stockholm.". Texts by Göran Baarnhielm, Ulla Ehrensvard, Nurhan Atasoy, Günsel Renda, Bo Lundstörm
Paris, Editorial Hispano-Americana, s.a., 20'5 x 15'5 cm., cartoné original, 80 págs. - VIII láminas. (Colección: Los Grandes Pintores).
Paris, Editions d'Art et Industrie, 1955, 27,5 x 21 cm., tela original con ilustración en color en la tapa anterior, 10 hojas incluso frontis en color + 17 láminas en colores + 50 hojas con 142 ilustraciones en blancoy negro + 1 h.
in-4 carre, 108 pages entièrem. illustre en n/b et en couleurs, relie cartonnage ed., jaquette illustree plastifiee. Savon, shampoing, vernis ou teinture, rouge a lèvres, lotion capillaire et antirides, epilation, maquillage ou produits de soins... leur histoire a travers la publicite. Bel exemplaire. [PLG-5/6*] Bel exemplaire.
Madrid, Edit. Dir. Gen. Bellas Artes, 1973. Artistas españoles contemporáneos. 62. Numerosas ilustraciones en color y negro. 108 p. 8º. Rústica editorial ilustrada. Muy buen ejemplar.
Madrid, Servicio de Publicaciones del Ministerio de Educación y Ciencia, 1973. Colección Artistas Españoles Contemporáneos nº 62. Algunas ilustraciones en color y b/n. 115p. 8º menor. Rústica editorial ilustrada con solapas. Muy buen ejemplar.
Sevilla, Museo de Arte Contemporáneo, 1985, 30 x 24 cm., cartulina editorial, 84 págs. Incluso ilustraciones y retratos intercalados y láminas en colores.
