FLÓ, Eduard - CASALS I CORTÈS, NúriaMareMagnum
3 500 résultats
Badalona, Museu de Badalona, 1982. Nombroses il·lustracions en color i b/n. 111p. 4t major. Rústica editorial il·lustrada. Molt bon exemplar.
M., Tipografía Artística, s.a., 21 x 17 cm., retrato - 15 págs. - 2 h. - 29 láminas. (Monografías de Arte).
M., Chulilla y Ángel, 1937, 25’5 x 18 cm., 93 págs. – 1 h. – láminas en papel couché con 18 ilustraciones.
B., Iberia, 28 x 22 cm., 30 págs. - 40 láminas.
London, Academy Editions, 1989. Numerosas ilustraciones en color y b/n. 128p. 4º mayor. Rústica editorial ilustrada. Muy buen ejemplar. Libro en inglés. Book in english.
New York, Museum of Modern Art - MOMA, 1950. Láminas en negro y alguna en color. 120 p. 1 h. 4º menor. Cartoné editorial con sobrecubierta ilustrada y protección plástica. Muy buen ejemplar.
Paris, Edit. Albin Michel, 1989. Numerosas ilustraciones en color. 126p. 4º mayor. Tela editorial con sobrecubierta ilustrada. Muy buen ejemplar. Etiqueta. Livre en français.
New English Paperback. Pbo. Mint. 4to. (33 x 24 cm). In Turkish. Color and b/w ills. 120 p. Exhibition catalogue of Baykam's special 'Fenerbahce FC' Exhibition. Efsanenin yüzyili, 1907-2007. [Exhibition catalogue].
Very Good German Paperback. Roy. 8vo. (24 x 17 cm). In German. 20 p., iv numerous b/w plates (Tafeln). Ein Weiteres Sultansbild von Gentile Bellini aus russischem Besitz. A study on Gentile Bellini, (1430-1507), was an Italian painter of the school of Venice. He came from Venice's leading family of painters, and at least in the early part of his career was more highly regarded than his younger brother Giovanni Bellini, the reverse of the case today. From 1474 he was the official portrait artist for the Doges of Venice, and as well as his portraits he painted a number of very large subjects with multitudes of figures, especially for the Scuole Grandi of Venice, wealthy confraternities that were very important in Venetian patrician social life. In 1479 he was sent to Constantinople by the Venetian government when the Ottoman Sultan Mehmed II requested an artist; he returned the next year. Thereafter a number of his subjects were set in the East, and he is one of the founders of the Orientalist tradition in Western painting. His portrait of the Sultan was also copied in paintings and prints and became known all over Europe.
New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 395 p., color and b/w ills. "Ekrem Hakki Ayverdi was raised at a time in which Istanbul was undergoing its late Ottoman-early Republican period. Apart from his persona as an engineer-architect, restorer, and architectural historian, he was a collector passionately dedicated to Ottoman art. Undertaking the construction of different public buildings in Istanbul, Bursa and Edirne, as well as the restoration of many architectural works, Ayverdi not only brought together the most select and refined works of Ottoman art, which had begun to lose its prestige amidst the changing values of high culture in the time he lived, but he also paid particular attention to their conservation and preservation. Ayverdi's two seminal corpuses that study Ottoman architecture from its early days until the end of the Mehmed II era, as well as its examples in Roumelia, continue to maintain their place as the most important reference books for those working in this field. Istanbul Research Institute commemorates Ekrem Hakki Ayverdi, his professional work, and his priceless collection with an exhibition in the 30th anniversary of his passing and hopes to bring together wide audiences with this versatile and colorful man of culture, who, as one of the last representative of a lost world, holds a unique place in Ottoman art studies and Ottoman architectural history in particular.".
Friburgo, Edit. Herder, 1941. Ilustraciones en color y negro fuera texto. 25p. 8ºmayor. Rústica editorial ilustrada, algo deslucido. Buen ejemplar.
Barcelona, Edit. Edicions T, 1991. Catàleg exposició. Il·lustracions d'Antoni Tàpies fora text per al llibre de Maria Zambrano. s/p. 4t major. Rústica editorial il·lustrada. Molt bon exemplar. 1ª edició. 1st edition. En català, castellà, anglès i francès.
Madrid, Hauser y Menet, 1915, 27 x 19,5 cm., rústica editorial, 2 h. + 15 págs. + 8 láminas en fototipia.
M., 1943, 17 x 12 cm., 31 págs. - 4 láminas.
Texto a dos columnas profusamente ilustrado.
Barcelona, J. Thomas B, s/f. 28p + 48 ilustraciones en b/n fuera de texto. Texto de Manuel B. Cossío. 8º menor. Rústica ilustrada. Leves puntos de óxido en primeras páginas. Ex libris. Muy buen ejemplar. Libro en español, francés e inglés. Book in spanish, french and english.
Barcelona, J. Thomas B, s/f. 27p + 48 ilustraciones en b/n fuera de texto. Texto de Rafael Doménech. 8º menor. Rústica ilustrada. Leves puntos de óxido en primeras páginas. Muy buen ejemplar. Libro en español, francés e inglés. Book in spanish, french and english.
Barcelona, J. Thomas B, s/f. 27p + 48 ilustraciones en b/n fuera de texto. Texto de Matías Vielva. 8º menor. Rústica ilustrada. Leves puntos de óxido en primeras páginas. Ex libris. Muy buen ejemplar. Libro en español, francés e inglés. Book in spanish, french and english.
Barcelona, Hijos de J. Thomas B, s/f. 27p + 48 ilustraciones en b/n fuera de texto. Texto de José Gestoso y Pérez. 8º menor. Rústica ilustrada. Leves puntos de óxido en primeras páginas. Ex libris. Muy buen ejemplar. Libro en español, francés e inglés. Book in spanish, french and english.
Barcelona, Hijos de J. Thomas B, s/f. 40p + 48 ilustraciones en b/n fuera de texto. Texto de Elías Tormo y Monzó. 8º menor. Rústica ilustrada. Leves puntos de óxido en primeras páginas. Ex libris. Muy buen ejemplar. Libro en español, francés e inglés. Book in spanish, french and english.