Text by KAYA ÖZSEZGIN.MareMagnum
3 500 résultats
Very Good English Paperback. Pbo. 4to. (30 x 22 cm). In English and Turkish. Color ills. 126 p. Türkiye Is Bankasi Koleksiyonu Cumhuriyet Dönemi Çagdas Türk Resmi Sergisi 2.
New Turkish Paperback. Oblong large 8vo. (20 x 22 cm). In Turkish. [36] p., color ills. Türkan Silay Rador Resim Sergisi: Göçmen kuslar ve annelere gönderme. [Exhibition catalogue]. 4-28 Ocak 1993. Istanbul Parmakkapi Sanat Galerisi. Texts by Sezer Tansug, Abdülkadir Günyaz.
Fine English Paperback. Pbo. Mint. 4to. (30 x 21 cm). In Turkish. [90] p. Color ills. Exhibition catalogue on Turkish and Islamic tiles, marblings, miniatures, calligraphic plates, illumination. Türk süsleme sanatlari: Çini, minyatür, ebru, hüsn-i hat, tezhip. II. ve III. Devlet Türk Süsleme Sanatlari Sergileri Katalogu. [Exhibition catalouge].
New New English Original bdg. Dust wrapper. In publisher's special box. 4to. (32 x 24 cm). In Turkish. 3 volumes set: ([6], 1172 p.), color and b/w ills. Yahsi Baraz is a well known art gallery owner. This set is about his selection of important exhibitions of Turkish paintings and of exhibitions which were a benchmark in the history of Turkish painting. Türk sanatina yön veren sergiler ve Yahsi Baraz'in büyük sergileri. 3 volumes set in special box.
As New English Paperback. Pbo. Mint. 4to. (28 x 24 cm). 169, [2] p. In Turkish. Color ills. =[Abstract trends in Turkish painting art]. Türk resminde soyut egilimler. 12 Kasim - 4 Aralik 1998 Atatürk Kültür Merkezi. [Exhibition catalogue].
Fine English Paperback. Pbo. Large 8vo. (22 x 23 cm). In Turkish. 24 p., color ills. Türk resminde ortak bilinç. [Exhibition catalouge]. 23 Ocak - 23 Subat 1989.
As New English Paperback. Pbo. Oblong large 8vo. (22.5 x 22.5 cm). In Turkish and English. 24, [2] p. B/w and color ills. 1000 copies were printed. "The exhibition of artists of Caucasian origin in Turkish art from Avni Lifij to date contains the works of 21 of these famous artists of Caucasian origin. People who had fought for their beautiful country Caucasia for many years and who had had to emigrate to Ottoman land starting from 1860s, had tried to preserve their original culture and traditions, which were also observed with admiration and praised in their work by travellers, soldiers, researchers and writers from many countries who had visited to Caucasians' fatherland hundreds of year ago. In the meantime, Caucasians have fought bravely in World War I and in War of Independence under the leadership of the great founder Ataturk in order to protect their new country and also contributed greatly to the culture, art, sports and political life by representing Turkey successfully in international arenas as well. Caucasian Cultural Association, Istanbul, which was established in 1952, like other Caucasian Cultural associations and foundations in Turkey, tries to promote and maintain authentic Caucasian culture with its language, music, folk dances, traditions and customs, thus trying to enrich the colorful and varied cultural wealth of Turkey. With such exhibitions, we proudly bring together the works of our people of art who have contributed vastly to the cultural inheritance of our country." From the text of Günsel Surdum Avci.
Fine English Paperback. Roy. 8vo. (23 x 16 cm). In Turkish. [4], 136, [8] p., b/w and color ills. Türk resminde Ankarali sanatçilar. TURKISH PAINTING History of art Ankara Painter Artists Turkish art of painting Biography.
Very Good English Paperback. Pbo. 4to. (32 x 23 cm). In Turkish. [64] p., color ills. Examples from Turkish painting art. Türk resim sanatindan örnekler I.
New Turkish Paperback. 4to. (28 x 23 cm). In Turkish. 208 p., color and b/w ills. This book has been prepared due to the exhibition held in the Military Museum and Culture Site between May 6 and May 15, 1997 in cooperation with the Municipality of Sisli and the Painting and Sculpture Museums Association. One of 1000 copies. "... The old "La Societa Operaia" and the new "Galatasaraylilar Yurdu" [i.e. Dormitory of Galatasaray Lycee] in Beyoglu, Pera started to host three art exhibitions; the first two would be held in the spring of 1916 and 1917, and the last one, which hosted paintings about the war - what would later become known as the Sisli Studio - was held in late 1917 before being brought to Vienna. The Vienna exhibition hosted 20 artists; Zekai Pasha, who had exhibited only one work in the late 1917 exhibition, "Bir Konak Dahili" [i.e. Interior of a Mansion] did not take part in the Vienna show, while the Prince Abdülmecid Efendi, the honorary president of the Society, who had not attended the 1917 exhibition, sent four paintings to Vienna. The opening of the Vienna exhibition was conducted by the Archduke himself. The exhibition, as Celal Esad pointed out, was well received by both Austrian visitors and the press. A poster was designed and the exhibition was accompanied with a German catalogue, Ausstellung Türkischer Maler [i.e. Exhibition of Turkish Painters]. Turkish artists who attended Vienna Exhibition are: Prince Abdulmejid, Ömer Adil Bey, Ali Cemal Ben'im, Ali Sami Boyar, Cevat Bey, Feyhaman Duran, Harika (Sirel Lifij) Hanim, Halil Pasha, Hikmet Onat, Hüseyin Avni Lifij, Ismail Hakki Bey, Mehmed Ali Laga, Mahmud Bey, Namik Ismail, Rusen Zamir Hanim, Mehmed Ruhi Bey, Mehmed Sami Bey (Yetik), Sevket Dag, Diyarbakirli Tahsin, and Ibrahim Çalli; with their 142 pieces of paintings totally, in different techniques.
New English Original bdg. HC. 4to. (27 x 24 cm). In Turkish. [124] p., color ills. Türk Ocagi Koleksiyonu ve Selahattin Ömer Resim Sergisi. Prep. by Asuman Akdemir, Hatice Atlihan, Özgür Izzet Pektas, Servet Bayoglu.
As New English Paperback. Pbo. Oblong large 8vo. (22 x 22 cm). 31, [1] p. Color ills. 1000 copies were printed. Tülin Onat. Dilek agaci. 13 Aralik 2007 - 13 Ocak 2008 The Marmara Pera Gallery Art and Life. [Exhibition catalogue].
Barcelona, Edit. Robrenyo, 1983. Presentació R. Santos Torroella. Pròleg Arnau Puig. Nombroses il·lustracions en b/n. 111 p. de text. 8è major. Rústicla editorial il·lustrada. Molt bon exemplar.
Paris. Edit. Albin Michel, 1989. Numerosas ilustraciones en color y b/n. 127 p. 4º. Tela editorial con sobrecubierta ilustrada. Muy buen ejemplar. Livre en français.
New English Original red cloth bdg. Folio. (30 x 25 cm). Edition in English. 117, [1] p., color ills. Typology of Turkish contemporary art from Daghan Özil Collection. Istanbul 2010 Project Culturel Centrum Hasselt. [Exhibition catalogue].
Very Good Turkish Original typescript document - letter signed by Jale Yilmabasar. (30,5x21,5 cm). In Turkish. 10 lines. A pair of puncher holes on the left side of the paper. Letter sent to Gültekin Sâmanoglu, (1927-2003), who was a Turkish poet and one of the founders of a very important literary magazine titled 'Hisar' in the Turkish literature. 1 p. She wrote to him that she received the Hisar magazines that he sent. She thanks and she apologizes that she couldn't call him. Yilmabasar is a Turkish painter and ceramicist. She was born in 1939 in Samsun, Turkey. Yilmabaser's career as a ceramic artist began while studying in the United States at Albany Union High School under an AFS scholarship. In addition to ceramics and painting, Yilmabaser also studied ballet for a large portion of her life. After high school, Yilmabaser returned to Turkey, where she studied ceramics at the State Academy of Fine Arts and the Istanbul Graduate School of Practical Fine Arts. She also studied painting and graphic design at Munich Academy. She graduated from the Department of Ceramic, School of Practical Fine Arts in the year 1962. After graduation, she held an internship at the Arzberg Schonwald Ceramic Factory in Germany. Yilmabaser also lectured at the University of Miami for one year in 1964. She served as a professor at Marmara University for many years. Yilmabaser held art exhibitions all over the world. Her first personal exhibition, "Jale's Roosters" was held in 1963." After this, she went on to open and attend exhibitions in Paris, Munich, London, and Moscow, among other places. Because of her work, Yilmabaser was called upon to create many ceramic panels for hotels and institutes worldwide. In 1968, she was awarded a gold medal in the International Ceramic Competition in Italy, In 1969 she received a gold medal at the International Handicrafts Fair in Germany. She was also elected as one of the six best ceramic artists in the world in 1972. In 1998, she received the title "State Artist" from the Ministry of Culture of Turkey. One year later, she opened the most inclusive exhibition of her work, "15 years with Pictures," in which she showed fifteen years of her art and ceramic work This exhibition was held in the Istanbul Atatürk Culture Center.
New English Paperback. Pbo. 4to. (29 x 23 cm). In English. 307 p., color ills. A heavy volume. Two generations of the rainbow: Fahreinissa & Nejad.
Very Good Turkish Original two manuscript ALSs and one manuscript autobiography including 30 lines. 1 p.; 2 p.; 2 p. In Ottoman script. Only one letter with date and letterhead of 'Vecih Bereketoglu'. In his first letter dated April 26, [19]44, he talks about the painting and oil painting he is working on. He states that he has met Fazil Bey since 1923. Another paper includes a two-pages autobiography. Second ALS includes 19 lines. Hasan Vecih Bereketoglu was a Turkish painter, influenced by impressionistic aesthetics, who took painting lessons from Halil Pasha and at the Julian Academy in Paris. He is one of the painters of the 1914 Generation. He was the son of Kazasker Bereketzade Cemil Bey. Since his father was a civil servant, he completed his primary education in Egypt. He completed high school in Rhodes. He studied at Istanbul Darülfunun Law Faculty. He took his first lessons in painting from Halil Pasha between 1916 and 1920. He became one of the names that supported the establishment of the Fine Arts Union. He was in Paris between 1922-1923 and continued at the Art Academie Julian. Upon his return to Turkey in 1923 he became the Chairman of Kadikoy Halkevi. When he moved to Ankara in 1943, he became the Presidential office manager. During these years, he produced still life works. He produced such works by adopting the impressionist understanding of his art life in general. It was seen that he was influenced by Halil Pasha, Hikmet Onat, and Nazmi Ziya Güran in his works on Istanbul. He was mostly remembered as an 'open-air painter' with his paintings with the views of Fenerbahçe, Kurbagalidere, and Göksu. In these paintings, he did not see the light element as the element that determines the color and presented it with the reflection it's created in nature.
Londres. Edit. Tate Britain, 2005. Numerosas ilustraciones en color fuera texto. S.N. 4º. Rústica editorial ilustrada. Book in english. Muy buen ejemplar.
Very Good English Original cloth bdg. No jacket. 4to. (31 x 22 cm). In English and Turkish. 477, [1] p., color and b/w ills. Turkish plastic arts. A present to the 75th anniversary.= Türk plastik sanatlari. 75. yila armagan.
New English Paperback. Pbo. 4to. (30 x 21 cm). In English and Turkish. 227 p. Turkish naval officer painters.= Türk deniz subayi ressamlari.
Fine English Paperback. Pbo. Oblong large 8vo. (21 x 21 cm). In English. [18], [44] p., color ills. "Approaches to the human figure in the early development of modern Turkish art reflect both the anthropomorphic influences of western art and an attempt to come to terms with Islamic traditions.". Turkish figurative painting.
New New English Original cloth bdg. Dust wrapper. Oblong folio. (33 x 47 cm). In English and Turkish. Full page color and b/w ills. 239, [1] p. "Carl Gustaf Löwenhielm (1790-1838) served as Sweden's ambassador to the Sublime Port between 1824 and 1827. Traveling throughout the Ottoman Empire, he produced about 250 paintings, covering a wide range of themes. This book presents about half of Löwenhielm's pictures, some selected from five sketch books, which are kept in the Uppsala University Library. Paintings kept in the Stockholm Museum of Fine Arts as well as in private collection are also included. Each picture is accompanied with written comments highlighting their documentary as well as artistic value. Through these almost two hundred years old pictures from the Ottoman Empire, now presented for the first time, the reader can catch a unique glimpse of "Turkey, as it was".".Contents: C. G. Löwenhielm: Officer, diplomat and artist.; Voyages of long ago: A Swedish diplomat's Turkish portfolio of drawings.; This diplomats 'par excellence.'; Reflections of the Past Turkey in the 1820's. List of ills.: Pera - The Swedish Embassy.; View of Topkapi Palace from the top floor of the Swedish Embassy.; Janissary Halil.; Ruins of the Russian Palace as seen from a window of the Swedish Embassy in Pera.; The French Embassy - Pera, 1825.; Pera (Beyoglu); Petit champs de morts (Tepebasi); The barracks of the artillery corps as seen from San Dimitri; Galata Tower; Tophane Mosque and Fountain; Pearl Kiosk; The ruins of Etmeydani 1826; The Palace of Belisarius etc.
Fine Fine English Original bdg. Dust wrapper. Oblong small 4to. (23 x 24 cm). Bilingual in English and Turkish. 119 p., color ills.
As New English Paperback. Pbo. 1000 copies were printed. Mint. 4to. (28 x 21.5 cm). Turkish and English texts. 31, [1] p. Color ills. Tuncay Topçu. Self-reference and lyric view.= Özgöndergelilik ve lirik görünüleri. 21 Eylül - 21 Ekim 2006, Kare Sanat Galerisi [Exhibition catalogue].