3 500 résultats
New English Paperback. Pbo. In original special publisher's box. Mint. 4to. (31 x 22 cm). In Turkish. 3 volumes set: ([vi], 484 p.; [xii], 512 p.; [xiv], 508 p). Color and b/w ills. Samsun arastirmalari. 3 volumes set. Vol.I: Tarihsel geçmis. Vol.II: Iktisat tarihi, ekonomik yapi, turizm, nüfus ve cografi çevre. Vol.III: Mimari ve kültürel miras, efsane, dil, sanat, edebiyat, siyaset. [In special hardbox].
Barcelona, Edit. Ajunt. Barcelona, 1984. Nombroses il·lustracions en b/n. 103p. 4t major. Rústica editorial il·lustrada. Molt bon exemplar. Jaume Plensa, Antoni Abad, Pep Agut, Jordi Colomer, Francesca Llopis, Xavela Vargas, etc.
Láminas con reproducciones a color intercaladas en el texto. ARTISTAS ESPAÑOLES CONTEMPORANEOS.
Barcelona, Edit. 62, 1992. Il·lustracions en b/n. 169p. 8è major. Rústica editorial. Molt bon exemplar.
La obra y la personalidad de un pintor en tantos aspectos desconcertante, aunque siempre crucial para comprender el arte con tempraneo. Un encarte con una lamina de Dali "GALA MIRANDO AL MEDITERRANEO", fuera de texto.
Barcelona, Edit Fund. Vila Casas, 2013. Nombroses il·lustracions en color fora text. 96 p. 8è apaisat. Rústica editorial il·lustrada. Molt bon exemplar.
New English Paperback. Foolscap 8vo. (18 x 12 cm). In English and Turkish. 141, [52] p., color and b/w ills. Saltwater: A theory of thought forms. Guidebook.= Tuzlu su: Düsünce biçimleri üzerine bir teori. Rehber. Edited by Süreyya Evren. The 14th Istanbul Biennial Guidebook, written by Christov-Bakargiev herself, gives some very helpful insight into the works and venues in the biennial, while the maps, recommended routes, and practical transport information intend to smooth the way for the biennial expedition that will take three days the least on land and sea.
New English Original bdg. HC. In publisher's special slip-case. Foolscap 8vo. (18 x 12 cm). In English and Turkish. 540 p., color and b/w ills. Saltwater: A theory of thought forms. 14th Istanbul Biennial catalogue.= Tuzlu su: Düsünce biçimleri üzerine bir teori. 14. Istanbul Bienali katalogu. Edited by Süreyya Evren. The 14th Istanbul Biennial Catalogue (Author: Carolyn Christov-Bakargiev, Editor: Süreyyya Evren) contains articles specially penned for the occasion by curators,art historians and critics including Griselda Pollock, Elvan Zabunyan, Chus Martínez, and Alexander Provan, as well as by such scientists as Vilayanur S. Ramachandran, Emin Özsoy, Jeffrey Peakall, and William Irvine, who represent a wide range of scientific fields from neurology to oceanography. The 550 page catalogue also includes original drawings by biennial participants, along with an anthology that covers a variety of texts from 1st century to our day, all of which are chosen again by the participants.
Very Good English Paperback. Pbo. Very good. 4to. (27 x 21.5 cm). In Turkish and English. 223 p. Color ills. Signed and dedicated by artist. 1500 copies were printed. Sali Turan. Yol posadlari. Translator: Mary Isin.
Sabadell, Edit. Sala Tres, 1974. s/p. 4º. Rústica editorial ilustrada, algo deslucida. Buen ejemplar.
Fine English Original bdg. HC. Roy. 8vo. (24 x 17 cm). In Turkish. 271 p., b/w photos. Turkish Edition of Devrim's 'A Turkish tapestry. The Shakirs of Istanbul'. A study on Sakir Pasha family in the Ottoman Empire and the Turkish Republic.
Fine English Original bdg. HC. Roy. 8vo. (24 x 17 cm). In Turkish. 271 p., b/w photos. Turkish Edition of Devrim's 'A Turkish tapestry. The Shakirs of Istanbul'. A study on Sakir Pasha family in the Ottoman Empire and the Turkish Republic. Sakir Pasa Ailesi: Harika çilginlar.
New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 112, [4] p., color ills. Istanbul Modern presents the most comprehensive exhibition of work by Sahin Kaygun. Seeking new forms of expression, Kaygun played a pioneering role in photography in Turkey. In the 1980s, when the term "interdisciplinary" was nonexistent in Turkey's photographic culture, Kaygun combined photography with disciplines as diverse as painting, graphics, and cinema, and explored new and surprising applications of photographic techniques. Seeking a contemporary interpretation of the link between photography and other art forms, he continued to push the boundaries between various art disciplines in Turkey. Supported by detailed archival work, the exhibition spans the whole of Kaygun's career from his early experimental intervention in photography in the 1980s, when he produced Turkey's first Polaroid work, through to his final years. Parallel to the artist's technical exploration, in which he added layers onto photographs, the exhibition traces Kaygun's narrative on the boundaries of consciousness between dream and reality through themes of life and death. The political atmosphere of the 1980s led to a period of individual crisis and introversion that can be sensed in his art. Kaygun's work from this period, which is included in the exhibition, manifests the spiritual state of the time from a personal standpoint. Sahin Kaygun started earning a living by painting when he was in high school. In 1969, he began studying graphic arts at the State University of Applied Fine Arts in Istanbul. For Kaygun, who developed an artistic interest in photography during his university years, graphics and photography were two fields that nourished and completed one another. Kaygun's Polaroid series represented his first attempt at manipulating photographs. Works from this series have been included in the International Polaroid Collection and exhibited in major museums and art institutions.
PINACOTECA DE LOS GENIOS Nº 53.
As New Turkish Paperback. Folio. (34 x 24 cm). In English and Turkish. 359 p., color ills. One of 2000 copies. Sabri Fetah Berkel (1907-1993) was an Albanian modernist painter; he was one of the most important painters and academic personalities of last century in Turkey. Berkel was born in Shkopje, in 1927 he completed high school at a French lyceum. From 1927 to 1928 he studied at an Art School in Belgrad. From 1929-1935 he finished his studies at the Academy of Fine Arts, Florence and he died in Istanbul.
Barcelona, Librería Dalmau, 1943. Estampas y pintores de la Barcelona ochocentista. Algunas ilustraciones en b/n. 116p. 8º. Holandesa algo rozada con lomo de piel con dorados. Conserva cubiertas originales. Guardas decoradas. Leves puntos de óxido en páginas en blanco. Ex libris. Buen ejemplar.
B., EGEDSA, 1991, 30,5 x 24 cm., tela original con sobrecubiertas,7 hojas de texto con ilustraciones intercaladas + 26 láminas en colores + 2 hojas. (Se refiere al pintor hondureño Gregorio Sabillón Guerrero).
Barcelona, Edit. Saber, 1985. Nombroses il·lustracions en b/n. 90 p. 4t. Rústica editorial il·lustrada. Molt bon exemplar.
Barcelona, Edit. Saber, 1985. Nombroses il·lustracions en b/n. 90 p. 4t. Rústica editorial il·lustrada. Molt bon exemplar.
Fine English Paperback. Pbo. Cr. 8vo. (18 x 14 cm). In Turkish. [32] p., b/w plts. S[ükriye] Dilmen Retrospektif Sergisi. Devlet Güzel Sanatlar Akademisi, 1968. Text by Nurullah Berk. [Exhibition catalogue].
B., Labor, 1958, 24 x 21 cm., tela original con sobrecubiertas, CXIX págs. + 176 láminsa + 3 láminas en color.
17,5x14. 10p. Fotogr. Col. Arte Europa, cuaderno 2. Serie Pintura. 10 láms. Carpeta.