Oriach, XavierMareMagnum
3 500 résultats
Barcelona, Galeria Trama, 2003. Moltes il·lustracions en el text. 4t. Rústica editorial. Molt bon exemplar.
Sabadell, Acadèmia de Belles Arts de Sabadell, 2006. Moltes il·lustracions en el text. 77 p. 4t. Rústica editorial il·lustrada. Molt bon exemplar.
Barcelona, ASB Gallery, 1990. Moltes il·lustracions en el text. Gran 8è. Rústica editorial il·lustrada. Molt bon exemplar.
Dunkerque, Grafic Foto, 1980, 33'5 x 25 cm., tela original con sobrecubiertas, numerosas láminas a color y a toda página, algunas plegadas, 170 págs.
Barcelona, Edic. Catalanes, 1990. Nombroses il·lustracions en color fora text. 143 p. 4t. Tela editorial amb sobrecoberta il·lustrada. Molt bon exemplar.
Comillas. Edit. Palacio de Sobrellano, 1999. Numerosas ilustraciones en color fuera texto. 253 p. Gran 8º. Rústica editorial ilustrada. Muy buen ejemplar. Obras de Castelao, Pancho Cossío, Maside, Iturrino, María Blanchard, etc.
Very Good English Paperback. Pbo. Oblong 4to. (30 x 30 cm). Color ills. 24 p. In Turkish and English. 1000 copies were printed. Wonderful travel agency.= Sahane seyahat acentesi. 27 Ocak - 3 Nisan 200 [Exhibition catalogue]. Translator: Ahu Antmen.
New English Paperback. Pbo. 4to. (29 x 25 cm). In English and Turkish. 203 p., color and b/w ills. Women, painting, stories. Transformation of the image of "woman" in Turkish painting in the modernization era.= Kadinlar, resimler, öyküler. Modernlesme sürecindeki Türk resminde "kadin" imgesinin dönüsümü. [Exhibition catalogue]. Art history, one of the liveliest and most exciting branches of knowledge of our times, emphasizes the need to continually re-examine, re-evaluate and re-interpret its primary ingredient - art works of the past. From fresh perspectives in the light of current information, thought and theory about these works, the discourse of knowledge that surrounds a work of art and is continually adapted. Women, Paintings, Stories / Transformation of the image of 'women' in Turkish painting in the modernization era is the product of just such an inclination and re-interpretation. In this exhibition of more than fifty works chosen from a variety of public institutions and private collections spanning the era from the Mesrutiyet / Second Constitution through the Republic, a voyage through the years was embarked upon, during which, the Turkish art of painting underwent a movement towards contemporaneity, within the framework of an exceptional and extremely meaningful theme, a reinterpretation of the transformation of the image of 'women'.
Fine Fine English Original bdg. Dust wrapper 4to. (28 x 20 cm). In English and Turkish. viii, 215 p., color and b/w ills. with a long illustrated chapter titled "A pictorial account of Istanbul women through the centuries". Detailed accounts of the women of Istanbul, the capital of the Ottoman Empire, their daily lives, their place in society, their dress, and their customos and traditions, often illustrated with fascinating pictures, have been given by many, mostly European writers, travelers and diplomats. They include Edmondo de Amicis, Chalcondile Athenien, W. H. Bartlett, Djeval, D'Ohsson, De Ferrario, Lewis, Hobhouse, Texier, Tournefort, et alli. A small number of Ottoman writers also give accounts of Istanbul women. They include Fazil Hussein Enderuni (1759-1811), Abdullah-al Buharî (18th century), and Osman Hamdi Bey (1842-1910). The works of both foreign and Ottoman writers are generally masterfully illustrated by artists and engravers of many nationalities.
Basel. Edit. Museum für Gegenwartskunst Basel, 1999. Numerosas ilustraciones en color y b/n. 339 p. Gran 4º. Book in german. Rústica editorial ilustrada. Muy buen ejemplar.
New English Paperback. 4to. (28 x 21 cm). In English and Turkish. 48, [1] p., color ills. Which one is more real.= Hangisi daha gerçek? [Exhibition catalogue]. 17 Kasim - 17 Aralik 2012. Çagla Cabaoglu Gallery. Texts by Seda Yavuz, Firat Arapo. Printed to 1500 copies.
New English Paperback. Pbo. 4to. (30 x 21 cm). In English and Turkish. 48 p. What are we doing now?= Bugün neler yapiyoruz. [Exhibition catalogue]. November 4 - December 27, 2015. Edited by Öykü Aras. TURKISH PAINTING Modern art Exhibition Installation Photography Painting.
Miami. Edit. Edge Zones Press, 2006. Numerosas ilustraciones en color y b/n. 193 p. 78º. Rústica editorial ilustrada. Muy buen ejemplar. Exposición sobre artistas contemporáneos de la zona de Miami.
Miami, Edge Zone, 2005. Profusamente ilustrado. Unas 100 hojas sin numerar. Papel satinado. 8º menor. Rústica editorial ilustrada. Exposición sobre artistas contemporáneos de la zona de Miami.
Fine Fine English Original bdg. Dust wrapper. In special publisher's box. 4to. (28 x 20 cm). In English. 216 p., color ills. Western trend in the Turkish art of painting.
Fine Fine English Original bdg. Dust wrapper. 4to. (28 x 20 cm). In English. 216 p., color ills. Western trend in the Turkish art of painting.
Basel, Kunsthalle, 1994. Numerosas ilustraciones en color y negro fuera texto. 127p. Folio. Rústica editorial ilustrada. Muy buen ejemplar. Libro en alemán. Book in German.
19302090202120415801Asahishinbunsha 1930. Soft Cover. Fine. Number of books: 1 Asahishinbunsha paperback
New English Paperback. Oblong 4to. (24 x 27 cm). In English and Turkish. 160 p., ills. We elsewhere.= Biz baska yerde. [Biennial catalogue]. We, Elsewhere, a new work by Inci Eviner will be presented in the Pavilion of Turkey at the 58th Venice Biennale, to be held from May 11 through November 24, 2019. Organised by the Istanbul Foundation for Culture and Arts (IKSV) and sponsored by Fiat, the Pavilion of Turkey will be curated by Zeynep Öz and located at Sale d Armi, which is one of the main exhibition venues of the Venice Biennale. We, Elsewhere is created as a site-specific installation for the Pavilion of Turkey at the 58th Venice Biennale and makes use of elements such as reconfigured objects as well as drawings, video, sound, and performance. It is an investigation into the spaces that we create, and are created for us as a result of collective displacement. The exhibition ruminates on how subjects who find themselves in these spaces react and interact with one another and with their memories. Various elements of sound, reconfigured objects and characters crafted by Eviner evoke the sense of a search for the missing, the erased and that which is elsewhere. A certain aggression and abruptness comes out in the characters everyday behaviour informing their identities in transition. The space itself, in which visitors are invited to walk along the ramps, courtyards and edges, displays permeability, allowing views through cuts and cracks along the walls. The paths punctuated by the objects suggest the way in which memory eases conflicts. Together, the characters, the space and the paths tell a story akin to Hannah Arendt s narrative of struggles in We Refugees.
Paris, Edit. Gallimard, 2002. Numerosas ilustraciones en color. 149 p. 4º mayor apaisado. Tela editorial con sobrecubierta ilustrada. Livre en français. Muy buen ejemplar.
Novera, Edit. Istituto Geografico de Agostini Novara, 1959. Numerosas ilustraciones en color y b/n. S.N. 5º. Cartoné editorial con sobrecubierta ilustrada. Muy buen ejemplar. Libro en italiano
London, The Studio, 1937, 28,5 x 20,5 cm., 32 págs. + 50 hojas con numerosas ilustraciones en blanco y negro + 8 láminas en colores. (Falto de cubiertas originales).
Korea. Edit. Ye-Kyong, 1989. Numerosas ilustraciones en color. S.N. 4º. Tela editorial con sobrecubierta ilustrada algo rozada. Buen ejemplar. Text in Korean.
Ateliers d'Aujourd'hui.
Fine English Paperback. Demy 8vo. (21 x 14 cm). In English and Turkish. 38 p., ills. Warhol in motion. Films and polaroids.= Warhol hareket halinde. Filmler, polaroidler.